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Early Sixteenth Century Collection

The early sixteenth century was a time of great artistic diversity and innovation, as seen in the various artworks from this period

Background imageEarly Sixteenth Century Collection: Battle scene between archers and cavalry, with castle and ships, c

Battle scene between archers and cavalry, with castle and ships, c. 1495-1500 (gouache and gold paint on vellum)
986282 Battle scene between archers and cavalry, with castle and ships, c.1495-1500 (gouache and gold paint on vellum) by French School

Background imageEarly Sixteenth Century Collection: The Battle of Cosa, (black chalk, pen and brown ink. )

The Battle of Cosa, (black chalk, pen and brown ink. )
990023 The Battle of Cosa, (black chalk, pen and brown ink.) by Zuccari, Taddeo (1529-66); 42.9x32 cm; Private Collection; (add.info.: The Battle of Cosa. Taddeo Zuccaro (1529-1566)

Background imageEarly Sixteenth Century Collection: Rustams Seventh Course: He Kills the White Div, c. 1500-1540s (w / c & gilt on paper)

Rustams Seventh Course: He Kills the White Div, c. 1500-1540s (w / c & gilt on paper)
1196767 Rustams Seventh Course: He Kills the White Div, c.1500-1540s (w/c & gilt on paper) by Persian School, (16th century); 47x31.7 cm; Private Collection; Photo © Christies Images

Background imageEarly Sixteenth Century Collection: Christ Carrying the Cross, (oil on panel)

Christ Carrying the Cross, (oil on panel)
827921 Christ Carrying the Cross, (oil on panel) by Palmezzano, Marco (1458-1539); 65.2x49.3 cm; Private Collection; (add.info.: Christ Carrying the Cross. Marco Palmezzano (1460-c.1539)

Background imageEarly Sixteenth Century Collection: Portrait of a Lady, standing three-quarter length, wearing a red velvet dress, (oil on canvas)

Portrait of a Lady, standing three-quarter length, wearing a red velvet dress, (oil on canvas)
990274 Portrait of a Lady, standing three-quarter length, wearing a red velvet dress, (oil on canvas) by Pitati, Bonifazio de (Bonifacio Veronese) (c.1487-1553)

Background imageEarly Sixteenth Century Collection: A Triptych: Christ on the Cross with the Virgin, the Magdalen, Saint John the Evangelist

A Triptych: Christ on the Cross with the Virgin, the Magdalen, Saint John the Evangelist
659307 A Triptych: Christ on the Cross with the Virgin, the Magdalen, Saint John the Evangelist and Angels; on the Wings Christ Offered Vinegar Before the Crucifixion and the Lamentation

Background imageEarly Sixteenth Century Collection: A rare Aztec stone frog, c. 1200-1521 (stone)

A rare Aztec stone frog, c. 1200-1521 (stone)
1767153 A rare Aztec stone frog, c.1200-1521 (stone) by Aztec; 20.9 cm; Private Collection; (add.info.: A rare Aztec stone frog, Ca. A.D. 1200-1521. 20.9cm); Photo eChristies Images; out of copyright

Background imageEarly Sixteenth Century Collection: The Virgin and Child on a Crescent with a Starry Crown, 1508 (engraving)

The Virgin and Child on a Crescent with a Starry Crown, 1508 (engraving)
1767117 The Virgin and Child on a Crescent with a Starry Crown, 1508 (engraving) by DAorer or Duerer, Albrecht (1471-1528); Private Collection; (add.info)

Background imageEarly Sixteenth Century Collection: A Deruta lustred portrait dish painted in blue and lustred in yellow depicting a warrior

A Deruta lustred portrait dish painted in blue and lustred in yellow depicting a warrior
1766883 A Deruta lustred portrait dish painted in blue and lustred in yellow depicting a warrior in a helmet with a winged griffin, c.1525 (lustred ceramic) by Italian School

Background imageEarly Sixteenth Century Collection: A Deruta large portrait dish, c. 1530 (ceramic)

A Deruta large portrait dish, c. 1530 (ceramic)
1766865 A Deruta large portrait dish, c.1530 (ceramic) by Italian School, (16th century); Private Collection; (add.info.: A Deruta large portrait dish, circa 1530.); Photo eChristies Images; Italian

Background imageEarly Sixteenth Century Collection: Rustem Slays the Dragon, c. 1500-1540s (gouache and gold paint on buff paper)

Rustem Slays the Dragon, c. 1500-1540s (gouache and gold paint on buff paper)
1196979 Rustem Slays the Dragon, c.1500-1540s (gouache and gold paint on buff paper) by Persian School, (16th century); 26.5x17; 47x31.7 cm; Private Collection; Photo eChristies Images; Persian

Background imageEarly Sixteenth Century Collection: St. John of Patmos, from a Book of Hours made for Francois I, c

St. John of Patmos, from a Book of Hours made for Francois I, c
986206 St.John of Patmos, from a Book of Hours made for Francois I, c.1532-1540 (illuminated manuscript on vellum) by French School, (16th century); 20x13.5 cm; Private Collection; (add.info.: St)

Background imageEarly Sixteenth Century Collection: King David at prayer within a very large initial B

King David at prayer within a very large initial B
986155 King David at prayer within a very large initial B, the surround with ten large roundels each containing the portrait of a saint, c.1500 (illuminated miniature on vellum) by Fora

Background imageEarly Sixteenth Century Collection: Title page illustrating a garden scene with figures, 1529

Title page illustrating a garden scene with figures, 1529
985884 Title page illustrating a garden scene with figures, 1529 (woodcut printed with red and black inks) by English School

Background imageEarly Sixteenth Century Collection: Portrait of a Gentleman, half-length, wearing a black costume and a black hat

Portrait of a Gentleman, half-length, wearing a black costume and a black hat
990275 Portrait of a Gentleman, half-length, wearing a black costume and a black hat, (oil on canvas) by Cariani, Giovanni de Busi (c.1485-p.1547); 74.3x64.5 cm; Private Collection; (add.info)

Background imageEarly Sixteenth Century Collection: The Mater Dolorosa, (oil on panel)

The Mater Dolorosa, (oil on panel)
990247 The Mater Dolorosa, (oil on panel) by Bouts, Albrecht (1451/55-1549); 37.5x26.7 cm; Private Collection; (add.info.: The Mater Dolorosa. Albrecht Bouts (c.1460-1549). Oil on panel

Background imageEarly Sixteenth Century Collection: Lady With A Cat, c. 1525-30 (oil on canvas)

Lady With A Cat, c. 1525-30 (oil on canvas)
990193 Lady With A Cat, c.1525-30 (oil on canvas) by Bacchiacca, Francesco Ubertini, Il (1494-1557); 53.7x41.3 cm; Private Collection; (add.info.: Lady With A Cat)

Background imageEarly Sixteenth Century Collection: The Last Judgement, c. 1525 (oil on panel)

The Last Judgement, c. 1525 (oil on panel)
990153 The Last Judgement, c.1525 (oil on panel) by Provost, Jan II (1465-1529); 108.5x92 cm; Private Collection; (add.info.: The Last Judgement. Jan Provost II (1465-1529). Oil on panel

Background imageEarly Sixteenth Century Collection: Portrait of a young Gentleman, bust-length, wearing a black cap and black coat

Portrait of a young Gentleman, bust-length, wearing a black cap and black coat
990127 Portrait of a young Gentleman, bust-length, wearing a black cap and black coat, 1506 (oil on panel) by Previtali, Andrea (c.1470-1528); 33x27 cm; Private Collection; (add.info)

Background imageEarly Sixteenth Century Collection: Christ nailed to the Cross with a Donor with his Arm in a Sling presented by a Priest

Christ nailed to the Cross with a Donor with his Arm in a Sling presented by a Priest
990126 Christ nailed to the Cross with a Donor with his Arm in a Sling presented by a Priest (tempera on panel) by Master of the Pavia Deposition (fl.1510)

Background imageEarly Sixteenth Century Collection: The Madonna and Child with the Infant Saint John the Baptist and two Angels, c

The Madonna and Child with the Infant Saint John the Baptist and two Angels, c
990100 The Madonna and Child with the Infant Saint John the Baptist and two Angels, c.1512 (oil on panel) by Rosso Fiorentino

Background imageEarly Sixteenth Century Collection: The Annunciation: A Design for a Lunette, (black chalk, pen and brown ink, brown wash)

The Annunciation: A Design for a Lunette, (black chalk, pen and brown ink, brown wash)
990010 The Annunciation: A Design for a Lunette, (black chalk, pen and brown ink, brown wash) by Bedoli, Girolamo Mazzola (c.1500-69); 20.5x33.8 cm; Private Collection; (add.info.: The Annunciation)

Background imageEarly Sixteenth Century Collection: Last Judgement, 1520s (illuminated manuscript on vellum)

Last Judgement, 1520s (illuminated manuscript on vellum)
985752 Last Judgement, 1520s (illuminated manuscript on vellum) by Bening, Simon (c.1483-1561); 11.3-11.8x7.7-7.9 cm; Private Collection; (add.info.: Last Judgement)

Background imageEarly Sixteenth Century Collection: Adoration of the Magi, 1520s (illuminated manuscript on vellum)

Adoration of the Magi, 1520s (illuminated manuscript on vellum)
985749 Adoration of the Magi, 1520s (illuminated manuscript on vellum) by Bening, Simon (c.1483-1561); 11.3-11.8x7.7-7.9 cm; Private Collection; (add.info.: Adoration of the Magi)

Background imageEarly Sixteenth Century Collection: Saint Veronica, (woodcut printed in pale brown ink)

Saint Veronica, (woodcut printed in pale brown ink)
828057 Saint Veronica, (woodcut printed in pale brown ink) by Netherlandish School (16th century); 30.4x20.6 cm; Private Collection; (add.info.: Saint Veronica. Netherlandish School, circa 1500)

Background imageEarly Sixteenth Century Collection: The Crucifixion with the Madonna, Saints John the Baptist, Mary Magdalen

The Crucifixion with the Madonna, Saints John the Baptist, Mary Magdalen
827851 The Crucifixion with the Madonna, Saints John the Baptist, Mary Magdalen, Andrew and Francis, 1503 (oil on panel) by Rosselli

Background imageEarly Sixteenth Century Collection: Portrait of an Academic, half-length, in black costume, holding a book, (oil on panel)

Portrait of an Academic, half-length, in black costume, holding a book, (oil on panel)
827803 Portrait of an Academic, half-length, in black costume, holding a book, (oil on panel) by Key, Willem (c.1515-68); 66.7x51.4 cm; Private Collection; (add.info.: Portrait of an Academic)

Background imageEarly Sixteenth Century Collection: Portrait of the Count Palatine George of Wittelsbach, Bishop of Speyer, (oil on panel)

Portrait of the Count Palatine George of Wittelsbach, Bishop of Speyer, (oil on panel)
827792 Portrait of the Count Palatine George of Wittelsbach, Bishop of Speyer, (oil on panel) by Wertinger, Hans (c.1465-1533); 51x35 cm; Private Collection; (add.info)

Background imageEarly Sixteenth Century Collection: Portrait of Stefano Raggio, half-length, (oil on panel)

Portrait of Stefano Raggio, half-length, (oil on panel)
827780 Portrait of Stefano Raggio, half-length, (oil on panel) by Cleve, Joos van (c.1485-1541); 38x27 cm; Private Collection; (add.info.: Portrait of Stefano Raggio, half-length)

Background imageEarly Sixteenth Century Collection: Christ and the Adultress, c. 1525 (oil on canvas)

Christ and the Adultress, c. 1525 (oil on canvas)
827724 Christ and the Adultress, c.1525 (oil on canvas) by Kemmer, Johann (c.1495-1561); 86.5x96 cm; Private Collection; (add.info.: Christ and the Adultress. Johann Kemmer (b.1495). Oil on panel

Background imageEarly Sixteenth Century Collection: A Deruta blue and gold lustred portrait dish depicting a young woman in profile

A Deruta blue and gold lustred portrait dish depicting a young woman in profile
1766882 A Deruta blue and gold lustred portrait dish depicting a young woman in profile and inscribed Madalena B, c.1525 (lustred ceramic) by Italian School

Background imageEarly Sixteenth Century Collection: Title page, illustrating herbal distilleries with figures in a landscape, 1500 (woodcut)

Title page, illustrating herbal distilleries with figures in a landscape, 1500 (woodcut)
985883 Title page, illustrating herbal distilleries with figures in a landscape, 1500 (woodcut) by Brunschwig, Hieronymus (1450-c.1512); 31x21.2 cm; Private Collection; (add.info.: Title page)

Background imageEarly Sixteenth Century Collection: View of Utopia, 1516 (woodcut)

View of Utopia, 1516 (woodcut)
985790 View of Utopia, 1516 (woodcut) by English School, (16th century); 19.9x13.7 (approx) cm; Private Collection; (add.info.: View of Utopia. A page from Utopia by Sir Thomas More. Woodcut)

Background imageEarly Sixteenth Century Collection: Christ washing the feet of Peter, 1520s (illuminated manuscript on vellum)

Christ washing the feet of Peter, 1520s (illuminated manuscript on vellum)
985751 Christ washing the feet of Peter, 1520s (illuminated manuscript on vellum) by Bening, Simon (c.1483-1561); 11.3-11.8x7.7-7.9 cm; Private Collection; (add.info)

Background imageEarly Sixteenth Century Collection: Saint Mary Magdalene, (oil on panel)

Saint Mary Magdalene, (oil on panel)
827970 Saint Mary Magdalene, (oil on panel) by Genga, Girolamo (c.1476-1551); 59.4x44.5 cm; Private Collection; (add.info.: Saint Mary Magdalene. Girolamo Genga (c.1476-1551). Oil on panel

Background imageEarly Sixteenth Century Collection: Saint Jerome, (oil on panel)

Saint Jerome, (oil on panel)
827956 Saint Jerome, (oil on panel) by Cleve, Joos van (c.1485-1541) (attr. to); 52.5x46 cm; Private Collection; (add.info.: Saint Jerome. Attributed to Joos van Cleve (c.1485-1541). Oil on panel

Background imageEarly Sixteenth Century Collection: The Agony in the Garden, (oil on panel)

The Agony in the Garden, (oil on panel)
827922 The Agony in the Garden, (oil on panel) by Santacroce, Girolamo da (fl.1503-56); 45.2x39.7 cm; Private Collection; (add.info.: The Agony in the Garden. Girolama da Santacroce (c.1480-1556)

Background imageEarly Sixteenth Century Collection: Portrait of Dorothea von Stralenburg, aged 26, three-quarter length

Portrait of Dorothea von Stralenburg, aged 26, three-quarter length
827793 Portrait of Dorothea von Stralenburg, aged 26, three-quarter length, in a red and black dress with gold ornaments, before an extensive landscape, 1533 (oil on panel) by Kreuznach

Background imageEarly Sixteenth Century Collection: The Madonna and Child with the Infant Saint John the Baptist and an Angel (oil on panel)

The Madonna and Child with the Infant Saint John the Baptist and an Angel (oil on panel)
827777 The Madonna and Child with the Infant Saint John the Baptist and an Angel (oil on panel) by Rosselli, Bernardo (1450-1526); 71.4x55 cm; Private Collection; (add.info)

Background imageEarly Sixteenth Century Collection: Saint Sebastian, (oil on panel)

Saint Sebastian, (oil on panel)
827756 Saint Sebastian, (oil on panel) by Caroto, Giovanni Francesco (c.1478/82-1555); 166.5x73 cm; Private Collection; (add.info.: Saint Sebastian. Giovanni Francesco Caroto (c.1480-1555)

Background imageEarly Sixteenth Century Collection: Portrait of Pope Clement VII, Seated three-quarter length, (oil on panel)

Portrait of Pope Clement VII, Seated three-quarter length, (oil on panel)
827682 Portrait of Pope Clement VII, Seated three-quarter length, (oil on panel) by Bugiardini, Giuliano (1475-1554); 91.2x74.2 cm; Private Collection; (add.info.: Portrait of Pope Clement VII)

Background imageEarly Sixteenth Century Collection: An illustration to the Bhagvata Purana, Book X, Chapter 21, c

An illustration to the Bhagvata Purana, Book X, Chapter 21, c
1196779 An illustration to the Bhagvata Purana, Book X, Chapter 21, c.1525 (w/c & ink on paper) by Rajput school, (16th century); 18x23.7 cm; Private Collection; Photo eChristies Images; Indian

Background imageEarly Sixteenth Century Collection: Mihrab Hears of Rudabehs Folly, c. 1500-1540s (w / c & gilt on paper)

Mihrab Hears of Rudabehs Folly, c. 1500-1540s (w / c & gilt on paper)
1196766 Mihrab Hears of Rudabehs Folly, c.1500-1540s (w/c & gilt on paper) by Persian School, (16th century); 47x31.7 cm; Private Collection; Photo eChristies Images; Persian, out of copyright

Background imageEarly Sixteenth Century Collection: The Virgin Praying, c. 1500 (paint and ink on vellum)

The Virgin Praying, c. 1500 (paint and ink on vellum)
986372 The Virgin Praying, c.1500 (paint and ink on vellum) by French School, (16th century); 16.7x11.4 cm; Private Collection; (add.info.: The Virgin Praying)

Background imageEarly Sixteenth Century Collection: A draughtsman drawing a portrait, using a drawing frame, 1525 (woodcut)

A draughtsman drawing a portrait, using a drawing frame, 1525 (woodcut)
986187 A draughtsman drawing a portrait, using a drawing frame, 1525 (woodcut) by DAorer or Duerer, Albrecht (1471-1528); Private Collection; (add.info.: A draughtsman drawing a portrait)

Background imageEarly Sixteenth Century Collection: Saint Christopher, 1517 (oil on panel)

Saint Christopher, 1517 (oil on panel)
991428 Saint Christopher, 1517 (oil on panel) by Duerer, Hans (1490-c.1538) & workshop; 102x40 cm; Private Collection; (add.info.: Saint Christopher. Hans Duerer and workshop (1490-1535/8)

Background imageEarly Sixteenth Century Collection: The Holy Family with the Infant Saint John the Baptist, (oil on panel)

The Holy Family with the Infant Saint John the Baptist, (oil on panel)
990270 The Holy Family with the Infant Saint John the Baptist, (oil on panel) by Beccafumi, Domenico (1486-1551); 89.5 cm; Private Collection; (add.info)

Background imageEarly Sixteenth Century Collection: The Mater Dolorosa, c. 1509-1511 (oil on panel)

The Mater Dolorosa, c. 1509-1511 (oil on panel)
990257 The Mater Dolorosa, c.1509-1511 (oil on panel) by Coter, Colijn de (c.1455-c.1540); 64x43.5 cm; Private Collection; (add.info.: The Mater Dolorosa. Colijin de Coter (c.1480-1525)



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The early sixteenth century was a time of great artistic diversity and innovation, as seen in the various artworks from this period. From religious scenes to battle depictions, these pieces capture the essence of the era. "The Death of Saint Peter Martyr" portrays a tragic event with meticulous detail, using red chalk to create a hauntingly realistic image. In contrast, "Judith with the Head of Holofernes" showcases the power and strength of women through its oil on panel medium. A battle scene between archers and cavalry takes us back in time to witness warfare strategies during this period. The use of gouache and gold paint on vellum adds vibrancy and richness to this captivating artwork. "Hercules Turned to the Left, Leaning on his Club, Holding Drapery" captures both strength and vulnerability in its pen and brown ink composition. This piece transports us to ancient ruins while showcasing Hercules' iconic presence. "The Battle of Cosa" immerses us in an intense conflict through its black chalk, pen, and brown ink technique. The intricate details convey a sense of chaos amidst historical significance. In "Rustams Seventh Course: He Kills the White Div, " we are transported into Persian mythology through watercolor and gilt on paper. This masterpiece combines storytelling with exquisite craftsmanship. Another depiction of "Judith with the Head of Holofernes, " but this time portrayed on canvas rather than panel, emphasizes her bravery against all odds. The oil medium brings out vibrant colors that enhance her triumphant stance. "Martyrdom of a Saint" uses metalcut illustration on vellum leaf to depict a poignant moment filled with sacrifice for one's beliefs. The delicate lines add depth to this powerful portrayal. In "Christ Carrying the Cross, " we witness Jesus' burden conveyed through oil on panel technique. This artwork invites reflection upon faith and human suffering during that era. A portrait titled "Portrait of a Lady" showcases the fashion and elegance of the time.