Early Eighteenth Century Collection (page 5)

"Exploring the Early Eighteenth Century: A Glimpse into Art, Culture, and History" Step back in time to the early eighteenth century

Early Eighteenth Century Collection: Yellow Tulip with red and black streaks, c. 1700 (watercolour drawing, framed in black)

Yellow Tulip with red and black streaks, c. 1700 (watercolour drawing, framed in black)
986020 Yellow Tulip with red and black streaks, c.1700 (watercolour drawing, framed in black) by French School, (18th century); 24.5x18 cm; Private Collection; (add.info)

Early Eighteenth Century Collection: Folding map of the North American Atlantic coast, 1714 (engraving)

Folding map of the North American Atlantic coast, 1714 (engraving)
985754 Folding map of the North American Atlantic coast, 1714 (engraving) by French School, (18th century); Private Collection; (add.info.: Folding map of the North American Atlantic coast)

Early Eighteenth Century Collection: Latin title-page (of the 1701 edition), 1697-1701 (hand-coloured engraving)

Latin title-page (of the 1701 edition), 1697-1701 (hand-coloured engraving)
985699 Latin title-page (of the 1701 edition), 1697-1701 (hand-coloured engraving) by Dutch School, (17th century); 39.5x26 cm; Private Collection; (add.info.: Latin title-page (of the 1701 edition)

Early Eighteenth Century Collection: Portrait of a Girl, half-length, as Minerva, (oil on canvas)

Portrait of a Girl, half-length, as Minerva, (oil on canvas)
827751 Portrait of a Girl, half-length, as Minerva, (oil on canvas) by Belle, Alexis Simon (1674-1734); 71.1x59.8 cm; Private Collection; (add.info.: Portrait of a Girl, half-length, as Minerva)

Early Eighteenth Century Collection: The Courtyard of the Doges Palace, Venice, (oil on canvas)

The Courtyard of the Doges Palace, Venice, (oil on canvas)
827880 The Courtyard of the Doges Palace, Venice, (oil on canvas) by Marieschi, Michele (1696-1743); 118.5x180.7 cm; Private Collection; (add.info.: The Courtyard of the Doges Palace, Venice)

Early Eighteenth Century Collection: Portrait of the Artist, half-length, seated before a Stone Ledge, (oil on canvas)

Portrait of the Artist, half-length, seated before a Stone Ledge, (oil on canvas)
827811 Portrait of the Artist, half-length, seated before a Stone Ledge, (oil on canvas) by Mytens or Meytens, Martin II (1695-1770); 127x95.3 cm; Private Collection; (add.info)

Early Eighteenth Century Collection: A Maid buying Vegetables, 1727 (oil on canvas)

A Maid buying Vegetables, 1727 (oil on canvas)
827706 A Maid buying Vegetables, 1727 (oil on canvas) by Angelis or Angillis, Pierre (1685-1734); 48.6x38.7. cm; Private Collection; (add.info.: A Maid buying Vegetables. Pieter Angillis (1685-1734)

Early Eighteenth Century Collection: The Darsena, Naples, c. 1702 (oil on canvas)

The Darsena, Naples, c. 1702 (oil on canvas)
827694 The Darsena, Naples, c.1702 (oil on canvas) by Wittel, Gaspar van (Gaspare Vanvitelli) (1653-1736); 74x171.8 cm; Private Collection; (add.info.: The Darsena, Naples)

Early Eighteenth Century Collection: Esther before Ahasueurus, (oil on canvas)

Esther before Ahasueurus, (oil on canvas)
827686 Esther before Ahasueurus, (oil on canvas) by Amigoni, Jacopo (c. 1675-1752); 123x153.5 cm; Private Collection; (add.info.: Esther before Ahasueurus. Jacopo Amigoni (1682-1752). Oil on canvas

Early Eighteenth Century Collection: Still-life with Fruit and Insects, (oil on canvas)

Still-life with Fruit and Insects, (oil on canvas)
827631 Still-life with Fruit and Insects, (oil on canvas) by Ruysch, Rachel (1664-1750); 87x69.5 cm; Private Collection; (add.info.: Still-life with Fruit and Insects. Rachel Ruysch (1664-1750)

Early Eighteenth Century Collection: Presumed Portrait of Stanislas Leczinski (1677-1766), three-quarter length in Armour

Presumed Portrait of Stanislas Leczinski (1677-1766), three-quarter length in Armour
827619 Presumed Portrait of Stanislas Leczinski (1677-1766), three-quarter length in Armour, One Hand on Helmet; Portrait Presume de Stanislas Leczinski (1677-1766), de Trois Quart en Armure

Early Eighteenth Century Collection: The Sense of Touch, (red chalk)

The Sense of Touch, (red chalk)
827594 The Sense of Touch, (red chalk) by Bouchardon, Edme(1698-1762); 37.7x29 cm; Private Collection; (add.info.: The Sense of Touch. Edme Bouchardon (1698-1762). Red chalk

Early Eighteenth Century Collection: The Head of an Angel, Looking up to the Left, (red, brown

The Head of an Angel, Looking up to the Left, (red, brown
827564 The Head of an Angel, Looking up to the Left, (red, brown, black and white chalk on light blue paper) by Coypel, Antoine (1661-1722); 39.7x30.5 cm; Private Collection; (add.info)

Early Eighteenth Century Collection: Portrait of Madame Dupille and Her Daughter, Mid-Body, Dressed in Ball Gowns in a Window

Portrait of Madame Dupille and Her Daughter, Mid-Body, Dressed in Ball Gowns in a Window
659329 Portrait of Madame Dupille and Her Daughter, Mid-Body, Dressed in Ball Gowns in a Window, 1733 (oil on canvas) by Coypel

Early Eighteenth Century Collection: The Arch of Titus, Rome, with the Wall and Gate of the Farnese Gardens

The Arch of Titus, Rome, with the Wall and Gate of the Farnese Gardens
659309 The Arch of Titus, Rome, with the Wall and Gate of the Farnese Gardens and the Temple of Castor and Pollux Beyond, Two Tourists in the Foreground, (oil on canvas) by Bellotto

Early Eighteenth Century Collection: A Corncob and an Overturned Pitcher by an Obelisk and Two Fluted Columns in Landscapes

A Corncob and an Overturned Pitcher by an Obelisk and Two Fluted Columns in Landscapes
659300 A Corncob and an Overturned Pitcher by an Obelisk and Two Fluted Columns in Landscapes, (oil on canvas) by Verbruggen

Early Eighteenth Century Collection: Flowers in Urns on Plinths with Fruit, (oil on canvas)

Flowers in Urns on Plinths with Fruit, (oil on canvas)
659299 Flowers in Urns on Plinths with Fruit, (oil on canvas) by Verbruggen, Gaspar Pieter II (1664-1730); 89.5x72 cm; Private Collection; (add.info.: Flowers in Urns on Plinths with Fruit)

Early Eighteenth Century Collection: Portrait of a Gentleman, Standing half length, Wearing a Red Velvet Jacket

Portrait of a Gentleman, Standing half length, Wearing a Red Velvet Jacket
659272 Portrait of a Gentleman, Standing half length, Wearing a Red Velvet Jacket and a Brown Cloak in a Park, (oil on canvas) by Kneller

Early Eighteenth Century Collection: Plums, a Peach, Grapes, a Melon, a Pineapple, a Fig, Currants

Plums, a Peach, Grapes, a Melon, a Pineapple, a Fig, Currants
659366 Plums, a Peach, Grapes, a Melon, a Pineapple, a Fig, Currants, Cherries and Flowers in a Basket, and Grapes, a Pomegranate, Plums and a Fig

Early Eighteenth Century Collection: Portrait of a Gentleman, Said to be August William, Half Length, Wearing a Blue Jacket

Portrait of a Gentleman, Said to be August William, Half Length, Wearing a Blue Jacket
659260 Portrait of a Gentleman, Said to be August William, Half Length, Wearing a Blue Jacket, White Shirt, and Armour Breast Plate (oil on canvas) by Pesne

Early Eighteenth Century Collection: A large Nepalese historical painting representing a version of the legend of Red

A large Nepalese historical painting representing a version of the legend of Red
1196887 A large Nepalese historical painting representing a version of the legend of Red Avalokiteshvara, 1712 (pigment on cloth) by Nepalese School

Early Eighteenth Century Collection: Desakh Ragaputra, c. 1690-1700

Desakh Ragaputra, c. 1690-1700
1196870 Desakh Ragaputra, c.1690-1700 () by Indian School, (18th century); 19.5x18.5 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Early Eighteenth Century Collection: Kaikeyi, King Dasarathas Second Queen, Rewarding the Hunchback Maidservant Manthara

Kaikeyi, King Dasarathas Second Queen, Rewarding the Hunchback Maidservant Manthara
1196758 Kaikeyi, King Dasarathas Second Queen, Rewarding the Hunchback Maidservant Manthara, c.1690-1700 (w/c on paper) by Indian School

Early Eighteenth Century Collection: Town Plan of Rome, 1730 (etching and engraving)

Town Plan of Rome, 1730 (etching and engraving)
1195491 Town Plan of Rome, 1730 (etching and engraving) by Falda, Giovanni Battista (c.1648-78) (after); 46x31 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Early Eighteenth Century Collection: Adam and Eve, c. 1700-1725 (hand-coloured engraving)

Adam and Eve, c. 1700-1725 (hand-coloured engraving)
1195475 Adam and Eve, c.1700-1725 (hand-coloured engraving) by Merian, Matthaus, the Elder (1593-1650); 19.5x16 cm; Private Collection; Photo eChristies Images; Swiss, out of copyright

Early Eighteenth Century Collection: Portrait of John Graham, as a Boy, full-length, in Indian Dress holding a Garland of

Portrait of John Graham, as a Boy, full-length, in Indian Dress holding a Garland of
824257 Portrait of John Graham, as a Boy, full-length, in Indian Dress holding a Garland of Flowers Around the Neck of a Greyhound at his Side, in a Landscape

Early Eighteenth Century Collection: Portrait of a Gentleman, Aged 37, Three-Quarter Length, in a Blue Coat and a Brown Cloak

Portrait of a Gentleman, Aged 37, Three-Quarter Length, in a Blue Coat and a Brown Cloak
824247 Portrait of a Gentleman, Aged 37, Three-Quarter Length, in a Blue Coat and a Brown Cloak, with a House in the Style of Smith of Warwick in the Background, 1710 (oil on canvas) by Gibson

Early Eighteenth Century Collection: The Virgin of the Guadaloupe, (oil and mother of pearl on panel)

The Virgin of the Guadaloupe, (oil and mother of pearl on panel)
987933 The Virgin of the Guadaloupe, (oil and mother of pearl on panel) by Mexican School, (18th century); 42x14.5 cm; Private Collection; (add.info)

Early Eighteenth Century Collection: Portrait of a Young Boy in Hungarian Dress, (oil on canvas)

Portrait of a Young Boy in Hungarian Dress, (oil on canvas)
990383 Portrait of a Young Boy in Hungarian Dress, (oil on canvas) by Subleyras, Pierre (1699-1749); 119.5x90 cm; Private Collection; (add.info.: Portrait of a Young Boy in Hungarian Dress)

Early Eighteenth Century Collection: A Tribunal (oil on canvas)

A Tribunal (oil on canvas)
990381 A Tribunal (oil on canvas) by Octavien, Francois (1695-1732/40); 54x72 cm; Private Collection; (add.info.: A Tribunal. Attributed to Francois Octavien (1695-1732/40). Oil on canvas

Early Eighteenth Century Collection: The Sorrowful Heraclitus, 1746 (oil on canvas)

The Sorrowful Heraclitus, 1746 (oil on canvas)
990347 The Sorrowful Heraclitus, 1746 (oil on canvas) by Coypel, Antoine (1661-1722); 92.4x73.7 cm; Private Collection; (add.info.: The Sorrowful Heraclitus. Charles Antoine Coypel (1694-1752)

Early Eighteenth Century Collection: A Young Lady, Wearing a Yellow Robe, seated at a Table, Beckoning, 1703 (oil on canvas)

A Young Lady, Wearing a Yellow Robe, seated at a Table, Beckoning, 1703 (oil on canvas)
990249 A Young Lady, Wearing a Yellow Robe, seated at a Table, Beckoning, 1703 (oil on canvas) by Santerre, Jean Baptiste (1651-1717); 80.6x65.2 cm; Private Collection; (add.info.: A Young Lady)

Early Eighteenth Century Collection: Portrait of an Echevin (Alderman) of the Town of Paris, c. 1725 (oil on canvas)

Portrait of an Echevin (Alderman) of the Town of Paris, c. 1725 (oil on canvas)
990177 Portrait of an Echevin (Alderman) of the Town of Paris, c.1725 (oil on canvas) by Troy, Francois de (1645-1730); 92.5x72.6 cm; Private Collection; (add.info)

Early Eighteenth Century Collection: Portrait of Maximilien-Philippe de Recourt de Lens et de Licques

Portrait of Maximilien-Philippe de Recourt de Lens et de Licques
990175 Portrait of Maximilien-Philippe de Recourt de Lens et de Licques, Count de Ruppelmonde (1684-1710), standing three-quarter length, in ceremonial Armour, (oil on canvas) by Largilliere

Early Eighteenth Century Collection: Portrait of a Young Lady, seated full-length, wearing a Red Dress (oil on canvas)

Portrait of a Young Lady, seated full-length, wearing a Red Dress (oil on canvas)
990160 Portrait of a Young Lady, seated full-length, wearing a Red Dress (oil on canvas) by Bardwell, Thomas (1704-67); 126.4x101 cm; Private Collection; (add.info.: Portrait of a Young Lady)

Early Eighteenth Century Collection: Nymphs Bathing at a Pool by a Loggia, (oil on canvas)

Nymphs Bathing at a Pool by a Loggia, (oil on canvas)
990093 Nymphs Bathing at a Pool by a Loggia, (oil on canvas) by Pater, Jean-Baptiste Joseph (1695-1736); 129.7x98.5 cm; Private Collection; (add.info.: Nymphs Bathing at a Pool by a Loggia)

Early Eighteenth Century Collection: A Fete Champetre during the Grape Harvest, (oil on canvas)

A Fete Champetre during the Grape Harvest, (oil on canvas)
990092 A Fete Champetre during the Grape Harvest, (oil on canvas) by Pater, Jean-Baptiste Joseph (1695-1736); 129.7x98.5 cm; Private Collection; (add.info.: A Fete Champetre during the Grape Harvest)

Early Eighteenth Century Collection: A Delft blue and white oval royal portrait plaque of Queen Anne, probably London, c

A Delft blue and white oval royal portrait plaque of Queen Anne, probably London, c
1766852 A Delft blue and white oval royal portrait plaque of Queen Anne, probably London, c.1705 (ceramic) by English School

Early Eighteenth Century Collection: A Beauty in Snow (colour woodblock print)

A Beauty in Snow (colour woodblock print)
1766582 A Beauty in Snow (colour woodblock print) by Tissot, James Jacques Joseph (1836-1902); Private Collection; (add.info.: A Beauty in Snow. Isoda Koryusai (1735-1790)

Early Eighteenth Century Collection: An Animal in the Womb, 1738 (engraving)

An Animal in the Womb, 1738 (engraving)
1764833 An Animal in the Womb, 1738 (engraving) by Fabricius ab Aquapendente, Hieronymus (1537-1619); Private Collection; (add.info.: An Animal in the Womb)

Early Eighteenth Century Collection: An Italian pietre dura inlaid white marble panel, Early 18th century (marble pietre dura)

An Italian pietre dura inlaid white marble panel, Early 18th century (marble pietre dura)
1764808 An Italian pietre dura inlaid white marble panel, Early 18th century (marble pietre dura) by Italian School, (18th century); 89x25 cm; Private Collection; (add.info)

Early Eighteenth Century Collection: Captain Cook Landing n Owyhee, from the Voyages of Captain Cook (watercolour)

Captain Cook Landing n Owyhee, from the Voyages of Captain Cook (watercolour)
1767266 Captain Cook Landing n Owyhee, from the Voyages of Captain Cook (watercolour) by Cruikshank, Isaac Robert (1789-1856); 96x14.8 cm; Private Collection; (add.info)

Early Eighteenth Century Collection: The Immaculate Conception, c. 1700 (oil on canvas)

The Immaculate Conception, c. 1700 (oil on canvas)
1767242 The Immaculate Conception, c.1700 (oil on canvas) by Cuzco School, (17th Century); 89x66.3 cm; Private Collection; (add.info.: The Immaculate Conception. Cuzco School. Oil on canvas)

Early Eighteenth Century Collection: A chair back or panel for a screen, depicting a couple in love

A chair back or panel for a screen, depicting a couple in love
1767222 A chair back or panel for a screen, depicting a couple in love by English School, (18th century); 109.2x83.8 cm; Private Collection; (add.info.: A chair back or panel for a screen)

Early Eighteenth Century Collection: An embroidered linen cover, Ottoman, late 17th-early 18th century (linen)

An embroidered linen cover, Ottoman, late 17th-early 18th century (linen)
1767190 An embroidered linen cover, Ottoman, late 17th-early 18th century (linen) by Turkish School, (18th century); 130x207 cm; Private Collection; (add.info.: An embroidered linen cover, Ottoman)

Early Eighteenth Century Collection: Meissen knife and fork handles, c. 1735 (porcelain)

Meissen knife and fork handles, c. 1735 (porcelain)
1766902 Meissen knife and fork handles, c.1735 (porcelain) by German School, (18th century); Private Collection; (add.info.: Meissen knife and fork handles painted in the manner of A.F)

Early Eighteenth Century Collection: A Rouen rectangular tray, painted in blue and iron-red (ceramic)

A Rouen rectangular tray, painted in blue and iron-red (ceramic)
1766868 A Rouen rectangular tray, painted in blue and iron-red (ceramic) by French School, (18th century); Private Collection; (add.info.: A Rouen rectangular tray, painted in blue and iron-red)

Early Eighteenth Century Collection: Fruit, Hazelnuts and Hollyhocks on a Marble Ledge, (oil on panel)

Fruit, Hazelnuts and Hollyhocks on a Marble Ledge, (oil on panel)
827769 Fruit, Hazelnuts and Hollyhocks on a Marble Ledge, (oil on panel) by Huysum, Jan van (1682-1749); 40x33 cm; Private Collection; (add.info.: Fruit, Hazelnuts and Hollyhocks on a Marble Ledge)

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"Exploring the Early Eighteenth Century: A Glimpse into Art, Culture, and History" Step back in time to the early eighteenth century, a period of artistic brilliance and cultural transformation. In April, immerse yourself in the vibrant hues of nature with "Twelve Months of Flowers" (1730), a captivating colour engraving that celebrates the beauty of spring. The Laurel Tree (1731-1743) takes us on a journey through hand-coloured etchings, showcasing intricate details and delicate foliage. Meanwhile, the Crown imperial lily enchants us with its regal presence in Lilium corona Imperialis (1737-1745), an engraved and mezzotint plate that exudes elegance. Delve into mythology as you encounter "A Decorative Roundel with Odysseus Fighting the Beggar, and with Sphynxs" (oil on canvas). This artwork transports us to ancient times when heroes battled mythical creatures. Witness dramatic scenes unfold before your eyes - from "The Rape of the Sabine Women" (c. 1700), depicted through black chalk & bodycolour on vellum, to "The Young Krishna Kills the Demon Vatsasura" (c. 1730-1740), captured using watercolor & ink on orange paper. These artworks showcase both power struggles and triumphs over evil. Experience laughter and entertainment as you observe "A scene from commedia dell'arte, " where a girl resists advances while an actress executes graceful steps. The use of black lead, red, black, and white chalk brings these lively characters to life. In contrast to these dynamic scenes is Jean-Baptiste Oudry's masterpiece "La Retour de Chasse: A Hunting Dog Guarding Dead Game. " This oil painting captures stillness amidst action—a moment frozen in time. Flora graces our presence in her half-length portrait, "Holding Plums, " rendered in pastel.