Duerer Collection

Wing from Durer (engraved wooden block)
3929999 Wing from Durer (engraved wooden block) by Ruskin, John (1819-1900); Manchester Art Gallery, UK; © Manchester Art Gallery

Albrecht Durer visiting Antwerp in 1520, 1855 (oil on panel)
471171 Albrecht Durer visiting Antwerp in 1520, 1855 (oil on panel) by Leys, Hendrik or Henri (1815-69); 140x210 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

The pilgrim with his dog in front of a castle, frontispiece illustration of the second
CHT430400 The pilgrim with his dog in front of a castle, frontispiece illustration of the second part of the Opera of Johannes Gerson, published in Basel, 1489 (woodcut) by DAorer or Duerer

Scene from the Apocalypse, St. John devouring the Book, Latin edition, 1511 (woodcut)
FIT282908 Scene from the Apocalypse, St. John devouring the Book, Latin edition, 1511 (woodcut) by DAorer or Duerer, Albrecht (1471-1528); 39x28.2 cm; Fitzwilliam Museum, University of Cambridge

Saint George, 1517 (oil on panel)
991429 Saint George, 1517 (oil on panel) by Duerer, Hans (1490-c.1538) & workshop; 102x40 cm; Private Collection; (add.info.: Saint George. Hans Duerer and workshop (1490-1535/8). Oil on panel

A draughtsman taking details for a portrait, using a perspective apparatus for drawing
STC310983 A draughtsman taking details for a portrait, using a perspective apparatus for drawing onto glass, from Course in the Art of Drawing by Albrecht Durer

Albrecht Durer, 1471 - 1528. After a self portrait by Durer at age 28. Engraved by Johann Woelfle

Albrecht Durer painting the portrait of the emperor Maximilian I. Albrecht Durer, 1471 -1528. Painter, printmaker, and theorist of the German Renaissance. Maximilian I, 1459 - 1519

The Knight Of Death. Sin And Death Accompany Him, Personified By His Footman And Squire. After The Original Engraving Of Albert Durer Dated 1513

Detail of The Feast of the Rosary showing Durers self portrait with beard
XIR477765 Detail of The Feast of the Rosary showing DAOErers self portrait with beard and long blond hair in a fur coat standing in front of a tree and holding a scroll in his hand

Homage to Durer, c. 1628 (engraving) (b / w photo)
XJF366951 Homage to Durer, c.1628 (engraving) (b/w photo) by Kilian, Lucas (1579-1637); Private Collection; (add.info.: Albrecht Durer (1471-1528)

Castle Branzoll near Klausen (Chiusa) in the Eisack Valley during autumn. Europe, Central Europe, South Tyrol, Italy

Klausen (Chiusa), the old town and the hall church in the Eisack Valley during autumn. BAckground Castle Branzoll. Europe, Central Europe, South Tyrol, Italy

Saeben Monastery near Klausen in the Eisack Valley during autumn. Europe, Central Europe, South Tyrol, Italy

Saeben Monastery and Branzoll Castle near Klausen in the Eisack Valley during autumn. Europe, Central Europe, South Tyrol, Italy

Father and children hiking on the Albrecht Duerer Weg near Laag, Oltradige, Bolzano Lowlands, South Tyrol, Italy, Europe

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"Durer: A Master of Art and Innovation" Step into the world of Albrecht Durer, a renowned painter, printmaker, and theorist of the German Renaissance. With his engraved wooden block wing from Durer, he soared to new heights in artistic expression. In 1520, Albrecht Durer embarked on a journey to Antwerp, leaving behind an enduring legacy. Captured in oil on panel in 1855, this painting immortalizes his visit and showcases his influence on future generations. The frontispiece illustration of the second edition depicts a pilgrim with his loyal dog standing proudly before a majestic castle. This woodcut captures the essence of Durer's ability to transport viewers into captivating narratives. Diving into biblical scenes, "Scene from the Apocalypse" portrays St. John devouring the Book in Latin edition (1511). Through intricate woodcuts, Durer brings forth both awe-inspiring imagery and profound religious symbolism. Aged 56 but forever young at heart, Albrecht Durer's self-portrait as a woodcut reveals not only his physical appearance but also hints at his unwavering passion for art that spanned decades. In "Saint George" (1517), painted with meticulous detail on panel by Durer himself, we witness the valorous knight slaying a fearsome dragon—a testament to both bravery and artistic skill. Witnessing firsthand how artists capture life's intricacies is truly enchanting. In one scene captured through time itself—an artist takes details for a portrait using perspective apparatus for drawing—showcasing Dürer's commitment to precision and innovation. Johann Woelfle pays homage to Albrecht Dürer by engraving an exquisite reproduction of one of his self-portraits at age 28. The lines etched onto paper breathe life into this iconic image created by such an influential master. Albrecht Dürer's encounter with the emperor Maximilian I becomes a moment of artistic significance.