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Drypoint Collection (page 2)

Drypoint is a versatile and captivating printmaking technique that has been used by artists throughout history to create stunning works of art

Background imageDrypoint Collection: Sweet Peas, 1891. Creator: James David Smillie

Sweet Peas, 1891. Creator: James David Smillie
Sweet Peas, 1891

Background imageDrypoint Collection: Coronation of the Virgin. Creator: Cornelis Schut I

Coronation of the Virgin. Creator: Cornelis Schut I
Coronation of the Virgin

Background imageDrypoint Collection: Le tonneau d'arrosage [upper half], 1762. Creator: Gabriel de Saint-Aubin

Le tonneau d'arrosage [upper half], 1762. Creator: Gabriel de Saint-Aubin
Le tonneau d'arrosage [upper half], 1762

Background imageDrypoint Collection: Les chaises [lower half], 1760. Creator: Gabriel de Saint-Aubin

Les chaises [lower half], 1760. Creator: Gabriel de Saint-Aubin
Les chaises [lower half], 1760

Background imageDrypoint Collection: The Sedan Chair, c. 1815/1819. Creator: David Wilkie

The Sedan Chair, c. 1815/1819. Creator: David Wilkie
The Sedan Chair, c. 1815/1819

Background imageDrypoint Collection: Grain Field at the Edge of a Wood (Corn Field). Creator: Jacob van Ruisdael

Grain Field at the Edge of a Wood (Corn Field). Creator: Jacob van Ruisdael
Grain Field at the Edge of a Wood (Corn Field)

Background imageDrypoint Collection: A Forest Marsh with Travelers on a Bank (The Travelers). Creator: Jacob van Ruisdael

A Forest Marsh with Travelers on a Bank (The Travelers). Creator: Jacob van Ruisdael
A Forest Marsh with Travelers on a Bank (The Travelers)

Background imageDrypoint Collection: Grain Field at the Edge of a Wood (Corn Field). Creator: Jacob van Ruisdael

Grain Field at the Edge of a Wood (Corn Field). Creator: Jacob van Ruisdael
Grain Field at the Edge of a Wood (Corn Field)

Background imageDrypoint Collection: Cottage on a Hill. Creator: Jacob van Ruisdael

Cottage on a Hill. Creator: Jacob van Ruisdael
Cottage on a Hill

Background imageDrypoint Collection: The Rescue of the Infant Oedipus, 1663. Creator: Salvator Rosa

The Rescue of the Infant Oedipus, 1663. Creator: Salvator Rosa
The Rescue of the Infant Oedipus, 1663

Background imageDrypoint Collection: Alexander in the Studio of Apelles, c. 1662. Creator: Salvator Rosa

Alexander in the Studio of Apelles, c. 1662. Creator: Salvator Rosa
Alexander in the Studio of Apelles, c. 1662

Background imageDrypoint Collection: The Crucifixion of Polycrates, c. 1662. Creator: Salvator Rosa

The Crucifixion of Polycrates, c. 1662. Creator: Salvator Rosa
The Crucifixion of Polycrates, c. 1662

Background imageDrypoint Collection: Jason and the Dragon, c. 1663/1664. Creator: Salvator Rosa

Jason and the Dragon, c. 1663/1664. Creator: Salvator Rosa
Jason and the Dragon, c. 1663/1664

Background imageDrypoint Collection: Shepherd in a Landscape, c. 1660/1661. Creator: Salvator Rosa

Shepherd in a Landscape, c. 1660/1661. Creator: Salvator Rosa
Shepherd in a Landscape, c. 1660/1661

Background imageDrypoint Collection: Untitled (Woman Picking Blossoms), c. 1890. Creator: Charles Yardley Turner

Untitled (Woman Picking Blossoms), c. 1890. Creator: Charles Yardley Turner
Untitled (Woman Picking Blossoms), c. 1890

Background imageDrypoint Collection: Saint Jerome Reading, c. 1624. Creator: Jusepe de Ribera

Saint Jerome Reading, c. 1624. Creator: Jusepe de Ribera
Saint Jerome Reading, c. 1624

Background imageDrypoint Collection: Head of a Woman (Marguérite Adolphine Helfrich), 1897. Creator: Jan Toorop

Head of a Woman (Marguérite Adolphine Helfrich), 1897. Creator: Jan Toorop
Head of a Woman (Marguerite Adolphine Helfrich), 1897

Background imageDrypoint Collection: Fisherman from Marken, 1896. Creator: Jan Toorop

Fisherman from Marken, 1896. Creator: Jan Toorop
Fisherman from Marken, 1896

Background imageDrypoint Collection: Charley Looking at an Album of Prints, 1898. Creator: Jan Toorop

Charley Looking at an Album of Prints, 1898. Creator: Jan Toorop
Charley Looking at an Album of Prints, 1898

Background imageDrypoint Collection: The Entombment, c. 1530. Creator: Parmigianino

The Entombment, c. 1530. Creator: Parmigianino
The Entombment, c. 1530

Background imageDrypoint Collection: Saint Jerome Reading, c. 1624. Creator: Jusepe de Ribera

Saint Jerome Reading, c. 1624. Creator: Jusepe de Ribera
Saint Jerome Reading, c. 1624

Background imageDrypoint Collection: Saint Jerome Hearing the Trumpet of the Last Judgment, 1621. Creator: Jusepe de Ribera

Saint Jerome Hearing the Trumpet of the Last Judgment, 1621. Creator: Jusepe de Ribera
Saint Jerome Hearing the Trumpet of the Last Judgment, 1621

Background imageDrypoint Collection: Saint Jerome Hearing the Trumpet of the Last Judgment, 1621. Creator: Jusepe de Ribera

Saint Jerome Hearing the Trumpet of the Last Judgment, 1621. Creator: Jusepe de Ribera
Saint Jerome Hearing the Trumpet of the Last Judgment, 1621

Background imageDrypoint Collection: Au Valromey, 1868. Creator: Adolphe Appian

Au Valromey, 1868. Creator: Adolphe Appian
Au Valromey, 1868

Background imageDrypoint Collection: Perversite (Perversity), 1891. Creator: Odilon Redon

Perversite (Perversity), 1891. Creator: Odilon Redon
Perversite (Perversity), 1891

Background imageDrypoint Collection: Cape Ann Willows, 1887. Creator: Charles A Platt

Cape Ann Willows, 1887. Creator: Charles A Platt
Cape Ann Willows, 1887

Background imageDrypoint Collection: Max Slevogt, 1917. Creator: Emil Orlik

Max Slevogt, 1917. Creator: Emil Orlik
Max Slevogt, 1917

Background imageDrypoint Collection: The Port of Monaco, 1873. Creator: Adolphe Appian

The Port of Monaco, 1873. Creator: Adolphe Appian
The Port of Monaco, 1873

Background imageDrypoint Collection: Japanerin im Winterkleid (Japanese Woman in Winter Dress), 1901/1902. Creator: Emil Orlik

Japanerin im Winterkleid (Japanese Woman in Winter Dress), 1901/1902. Creator: Emil Orlik
Japanerin im Winterkleid (Japanese Woman in Winter Dress), 1901/1902

Background imageDrypoint Collection: The Dancer Holoke-Go-Zen, 1873. Creator: Giuseppe de Nittis

The Dancer Holoke-Go-Zen, 1873. Creator: Giuseppe de Nittis
The Dancer Holoke-Go-Zen, 1873

Background imageDrypoint Collection: Whistler Asleep, 1897. Creator: Giovanni Boldini

Whistler Asleep, 1897. Creator: Giovanni Boldini
Whistler Asleep, 1897

Background imageDrypoint Collection: Portrait of Whistler, 1881. Creator: Carlo Pellegrini

Portrait of Whistler, 1881. Creator: Carlo Pellegrini
Portrait of Whistler, 1881

Background imageDrypoint Collection: Downfall, plate twelve from A Life, 1884. Creator: Max Klinger

Downfall, plate twelve from A Life, 1884. Creator: Max Klinger
Downfall, plate twelve from A Life, 1884

Background imageDrypoint Collection: For Everyone, plate eight from A Life, 1884. Creator: Max Klinger

For Everyone, plate eight from A Life, 1884. Creator: Max Klinger
For Everyone, plate eight from A Life, 1884

Background imageDrypoint Collection: Preface I, plate one from A Life, 1884. Creator: Max Klinger

Preface I, plate one from A Life, 1884. Creator: Max Klinger
Preface I, plate one from A Life, 1884

Background imageDrypoint Collection: Downfall, from A Life, 1884. Creator: Max Klinger

Downfall, from A Life, 1884. Creator: Max Klinger
Downfall, from A Life, 1884

Background imageDrypoint Collection: Downfall, plate twelve from A Life, 1884. Creator: Max Klinger

Downfall, plate twelve from A Life, 1884. Creator: Max Klinger
Downfall, plate twelve from A Life, 1884

Background imageDrypoint Collection: Christ and the Women Sinners, plate thirteen from A Life, 1884. Creator: Max Klinger

Christ and the Women Sinners, plate thirteen from A Life, 1884. Creator: Max Klinger
Christ and the Women Sinners, plate thirteen from A Life, 1884

Background imageDrypoint Collection: Christ and the Samaritan Woman, from A Life, 1884. Creator: Max Klinger

Christ and the Samaritan Woman, from A Life, 1884. Creator: Max Klinger
Christ and the Samaritan Woman, from A Life, 1884

Background imageDrypoint Collection: Coal Barges Unloading (recto); Sketch of a Building (verso), 1872 (recto); n.d. (verso)

Coal Barges Unloading (recto); Sketch of a Building (verso), 1872 (recto); n.d. (verso). Creator: Walter Greaves
Coal Barges Unloading (recto); Sketch of a Building (verso), 1872 (recto); n.d. (verso)

Background imageDrypoint Collection: Venice, 1841. Creator: Carel Nicolaas Storm

Venice, 1841. Creator: Carel Nicolaas Storm
Venice, 1841

Background imageDrypoint Collection: Honest Iago, my Desdemona must I leave to thee, plate four from Othello, 1844

Honest Iago, my Desdemona must I leave to thee, plate four from Othello, 1844. Creator: Theodore Chasseriau
Honest Iago, my Desdemona must I leave to thee, plate four from Othello, 1844

Background imageDrypoint Collection: Yet She Must Die, plate eleven from Othello, 1844. Creator: Theodore Chasseriau

Yet She Must Die, plate eleven from Othello, 1844. Creator: Theodore Chasseriau
Yet She Must Die, plate eleven from Othello, 1844

Background imageDrypoint Collection: Therefore be merry, Cassio, plate six from Othello, 1844. Creator: Theodore Chasseriau

Therefore be merry, Cassio, plate six from Othello, 1844. Creator: Theodore Chasseriau
Therefore be merry, Cassio, plate six from Othello, 1844

Background imageDrypoint Collection: Yet She Must Die, plate eleven from Othello, 1844. Creator: Theodore Chasseriau

Yet She Must Die, plate eleven from Othello, 1844. Creator: Theodore Chasseriau
Yet She Must Die, plate eleven from Othello, 1844

Background imageDrypoint Collection: Honest Iago, my Desdemona must I leave to thee, plate four from Othello, 1844

Honest Iago, my Desdemona must I leave to thee, plate four from Othello, 1844. Creator: Theodore Chasseriau
Honest Iago, my Desdemona must I leave to thee, plate four from Othello, 1844

Background imageDrypoint Collection: Yet She Must Die, plate eleven from Othello, 1844. Creator: Theodore Chasseriau

Yet She Must Die, plate eleven from Othello, 1844. Creator: Theodore Chasseriau
Yet She Must Die, plate eleven from Othello, 1844

Background imageDrypoint Collection: Yet She Must Die, plate eleven from Othello, 1844. Creator: Theodore Chasseriau

Yet She Must Die, plate eleven from Othello, 1844. Creator: Theodore Chasseriau
Yet She Must Die, plate eleven from Othello, 1844



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Drypoint is a versatile and captivating printmaking technique that has been used by artists throughout history to create stunning works of art. From Edvard Munch's iconic "The Kiss" to ancient maps depicting the travels of the Apostle Paul and the wanderings of the Israelites, it has left its mark on various artistic genres. In Munch's masterpiece, "The Kiss, " we can see how drypoint adds depth and texture to his portrayal of love and passion. The delicate lines etched into the plate bring out every emotion in this intimate moment. Moving away from romantic scenes, it also finds its place in historical engravings like the detailed map of Berlin or ancient Jerusalem. These intricate prints showcase not only geographical accuracy but also highlight the meticulousness required for creating such fine details using this technique. During times of war, artists like James McBey utilized drypoint to capture intense moments like "A Sixty-Five Pounder Opening Fire. " The sharp lines etched onto metal plates perfectly depict the chaos and destruction experienced during World War I. Religious themes are not exempt from being portrayed through drypoint either. In depictions such as "The Last Supper" or Rembrandt van Rijn's "Christ Preaching (La Petite Tombe), " this technique adds an ethereal quality that enhances their spiritual significance. Not limited to traditional subjects, it also captures everyday life with incredible precision. Mary Cassatt's tender piece, "Maternal Caress, " showcases her mastery in capturing human emotions through delicate lines etched onto copper plates. Exploring further into French artistry, Felix Bracquemond's 1862 work demonstrates how even abstract compositions can benefit from drypoint techniques. His unknown piece invites viewers to interpret its meaning while appreciating the artist's skillful use of line and shading. Jean Louis Forain takes us into a different realm with his depiction of a seated nude woman from the back.