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Drunkard Collection (page 3)

From Hogarth's iconic engravings to silent film antics, the portrayal of the drunkard throughout history has been both comical and cautionary

Background imageDrunkard Collection: Champagne, c. 1910 (print)

Champagne, c. 1910 (print)
7293282 Champagne, c.1910 (print) by Kuderna, F. (fl.1910); (add.info.: Food and beverage. The champagne. Allegory by Kuderna, Austria, ca 1910.); Photo: © Archives Charmet

Background imageDrunkard Collection: Society in a Wine Cellar in the Middle Ages, woodcut after a painting by Vinea

Society in a Wine Cellar in the Middle Ages, woodcut after a painting by Vinea
7278859 Society in a Wine Cellar in the Middle Ages, woodcut after a painting by Vinea by Unknown Artist, (19th century); Private Collection; (add.info.: Society in a Wine Cellar in the Middle Ages)

Background imageDrunkard Collection: A wife taking a stick to her drunken husband. 1831 (engraving)

A wife taking a stick to her drunken husband. 1831 (engraving)
7234797 A wife taking a stick to her drunken husband. 1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info.: A rustic man arriving home drunk)

Background imageDrunkard Collection: The enemies of the Five Year Plan, 1929 (chromolitho)

The enemies of the Five Year Plan, 1929 (chromolitho)
FIA5403540 The enemies of the Five Year Plan, 1929 (chromolitho) by Deni, Viktor Nikolaevich (1893-1946); 51x71 cm; Russian State Library, Moscow, Russia; Photo © Fine Art Images

Background imageDrunkard Collection: A cartoon depicting men sampling their latest homebrew. Illustrated by George Cruikshank (1792-1878)

A cartoon depicting men sampling their latest homebrew. Illustrated by George Cruikshank (1792-1878)
5310759 A cartoon depicting men sampling their latest homebrew. Illustrated by George Cruikshank (1792-1878) a British caricaturist and book illustrator, 19th century by Cruikshank

Background imageDrunkard Collection: Advertisement for Pruna (colour litho)

Advertisement for Pruna (colour litho)
1732696 Advertisement for Pruna (colour litho) by French School, (20th century); (add.info.: Advertisement for Pruna, the true Quetsche (plum) from Alsace)

Background imageDrunkard Collection: A cartoon depicting noisy lodgers on disturbing the tenant below

A cartoon depicting noisy lodgers on disturbing the tenant below. Illustrated by George Cruikshank (1792-1878)
5310764 A cartoon depicting noisy lodgers on disturbing the tenant below. Illustrated by George Cruikshank (1792-1878) a British caricaturist and book illustrator, 19th century by Cruikshank

Background imageDrunkard Collection: Drunk man holding a drink (colour litho)

Drunk man holding a drink (colour litho)
7185388 Drunk man holding a drink (colour litho) by English School, (20th century); Private Collection; (add.info.: Drunk man holding a drink. Postcard, early 20th Century.); © Look and Learn

Background imageDrunkard Collection: 193-0082118 And his house is on fire, plate 18 of Los caprichos, pub. 1799 (etching)

193-0082118 And his house is on fire, plate 18 of Los caprichos, pub. 1799 (etching)
IND81637 193-0082118 And his house is on fire, plate 18 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.4 cm; Private Collection; Index Fototeca

Background imageDrunkard Collection: The brute (chromolitho)

The brute (chromolitho)
1094251 The brute (chromolitho) by French School, (19th century); Private Collection; (add.info.: The brute. French educational card, late 19th or early 20th century.); © Look and Learn

Background imageDrunkard Collection: J aime le vin, je fait l amour (Vieille Ariette): Guilty Childhood

J aime le vin, je fait l amour (Vieille Ariette): Guilty Childhood, back cover of issue 389 of L Assiette au Beurre
7268493 J aime le vin, je fait l amour (Vieille Ariette): Guilty Childhood, back cover of issue 389 of L Assiette au Beurre, September 1908 by Naudin

Background imageDrunkard Collection: Drunk Husband, 1894 (oil on canvas)

Drunk Husband, 1894 (oil on canvas)
BAL347494 Drunk Husband, 1894 (oil on canvas) by Lemoch, Kirill Vikentievich (1841-1910); Art Gallery of Taganrog, Russia

Background imageDrunkard Collection: The Drunkard Pushed into the Pigsty (oil on panel)

The Drunkard Pushed into the Pigsty (oil on panel)
993695 The Drunkard Pushed into the Pigsty (oil on panel) by Bruegel, Pieter the Elder (c.1525-69); diam: 18 cm; Private Collection; Photo © Christies Images

Background imageDrunkard Collection: Drunkard terrorising his family, cover of a school exercise book. c. 1900 (colour litho)

Drunkard terrorising his family, cover of a school exercise book. c. 1900 (colour litho)
CHT225199 Drunkard terrorising his family, cover of a school exercise book. c.1900 (colour litho) by French School, (20th century); Private Collection; (add.info)

Background imageDrunkard Collection: I. Drunkard

I. Drunkard
6523701 I. Drunkard by Henreaux, Lucien L. (pseudonym LSH) (active 1904); Private Collection; (add.info.: in " Silhouettes -- Alphabet. Publisher unknown, 1904 (legal depot BNF)

Background imageDrunkard Collection: 17th century English drunk playing a drinking game. 1803 (engraving)

17th century English drunk playing a drinking game. 1803 (engraving)
7233051 17th century English drunk playing a drinking game. 1803 (engraving) by Deuchar, David (1743-1808); Private Collection; (add.info.: 17th century English drunk playing a drinking game)

Background imageDrunkard Collection: A female publican ejecting a drunk from a tavern in Georgian Eng, 1831 (engraving)

A female publican ejecting a drunk from a tavern in Georgian Eng, 1831 (engraving)
7234773 A female publican ejecting a drunk from a tavern in Georgian Eng, 1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info)

Background imageDrunkard Collection: The Quidam Association of old sailors meeting in a pub, 1831 (lithograph)

The Quidam Association of old sailors meeting in a pub, 1831 (lithograph)
7235377 The Quidam Association of old sailors meeting in a pub, 1831 (lithograph) by Cruikshank, George (1792-1878); Private Collection; (add.info)

Background imageDrunkard Collection: 17th century Dutch drunk man vomits on the floor of a tavern. 1803 (engraving)

17th century Dutch drunk man vomits on the floor of a tavern. 1803 (engraving)
7233107 17th century Dutch drunk man vomits on the floor of a tavern. 1803 (engraving) by Deuchar, David (1743-1808); Private Collection; (add.info)

Background imageDrunkard Collection: A barmaid in a tavern calls time on two sleeping drunks. 1831 (engraving)

A barmaid in a tavern calls time on two sleeping drunks. 1831 (engraving)
7234823 A barmaid in a tavern calls time on two sleeping drunks. 1831 (engraving) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info)

Background imageDrunkard Collection: General Andre, French Minister for War, caricature from L Assiette au Beurre, 12 July

General Andre, French Minister for War, caricature from L Assiette au Beurre, 12 July, 1902 (colour litho)
XIR411556 General Andre, French Minister for War, caricature from L Assiette au Beurre, 12 July, 1902 (colour litho) by Camara, Leal de (1877-1948); Musee de La Presse, Paris

Background imageDrunkard Collection: Drunken gentleman lifting a dog by its nose to stop a dog fight. 1900 (chromolithograph)

Drunken gentleman lifting a dog by its nose to stop a dog fight. 1900 (chromolithograph)
7233591 Drunken gentleman lifting a dog by its nose to stop a dog fight. 1900 (chromolithograph) by Alken, Henry Thomas (1785-1851); (add.info)

Background imageDrunkard Collection: A drunken gentleman tries to put a horses feet in his dressin, 1900 (chromolithograph)

A drunken gentleman tries to put a horses feet in his dressin, 1900 (chromolithograph)
7233590 A drunken gentleman tries to put a horses feet in his dressin, 1900 (chromolithograph) by Alken, Henry Thomas (1785-1851); (add.info)

Background imageDrunkard Collection: Jimmy Gordon, an eccentric character of Cambridge, 1762-1825. 1869 (lithograph)

Jimmy Gordon, an eccentric character of Cambridge, 1762-1825. 1869 (lithograph)
7232987 Jimmy Gordon, an eccentric character of Cambridge, 1762-1825. 1869 (lithograph) by Cooper, Robert (fl.1800-36); Private Collection; (add.info.: James " Jemmy" Gordon)

Background imageDrunkard Collection: The Drunken Silenus (oil on panel)

The Drunken Silenus (oil on panel)
LST204486 The Drunken Silenus (oil on panel) by Wouters, Frans (1612-59); 36.9x52.7 cm; Private Collection; © Lawrence Steigrad Fine Arts, New York

Background imageDrunkard Collection: The Morning After, 1870 (oil on canvas)

The Morning After, 1870 (oil on canvas)
7076677 The Morning After, 1870 (oil on canvas) by Dixon, Alfred (1842-1919); 61x106.7 cm; Private Collection; (add.info.: Dixon, Alfred (1842-1919))

Background imageDrunkard Collection: Poor children dreading returning home to their mother empty-handed (chromolitho)

Poor children dreading returning home to their mother empty-handed (chromolitho)
7157066 Poor children dreading returning home to their mother empty-handed (chromolitho) by English School, (19th century); Private Collection; (add.info)

Background imageDrunkard Collection: Le Vocabulaire Illustre: Ivrogne; Drunkard; Trunkenbold (engraving)

Le Vocabulaire Illustre: Ivrogne; Drunkard; Trunkenbold (engraving)
7196424 Le Vocabulaire Illustre: Ivrogne; Drunkard; Trunkenbold (engraving) by European School, (19th century); Private Collection; (add.info.: Ivrogne; Drunkard; Trunkenbold)

Background imageDrunkard Collection: The Bottle Imp (engraving)

The Bottle Imp (engraving)
7178036 The Bottle Imp (engraving) by English School, (19th century); Private Collection; (add.info.: The Bottle Imp. Illustration for The Comic Annual by Thomas Hood)

Background imageDrunkard Collection: A Media-Noche (engraving)

A Media-Noche (engraving)
7177885 A Media-Noche (engraving) by English School, (19th century); Private Collection; (add.info.: A Media-Noche. Illustration for The Comic Annual by Thomas Hood)

Background imageDrunkard Collection: Striking Contrasts, or, Lessons in Black and White (engraving)

Striking Contrasts, or, Lessons in Black and White (engraving)
7188295 Striking Contrasts, or, Lessons in Black and White (engraving) by English School, (19th century); Private Collection; (add.info.: Striking Contrasts, or, Lessons in Black and White)

Background imageDrunkard Collection: Mrs Gamp from Martin Chuzzlewit, by Charles Dickens (gravure)

Mrs Gamp from Martin Chuzzlewit, by Charles Dickens (gravure)
7184905 Mrs Gamp from Martin Chuzzlewit, by Charles Dickens (gravure) by Lewin, Frederick George (1861-1933); Private Collection; (add.info.: Mrs Gamp from Martin Chuzzlewit, by Charles Dickens)

Background imageDrunkard Collection: Silene drunk, late 1st - end 2nd century (marble)

Silene drunk, late 1st - end 2nd century (marble)
7196232 Silene drunk, late 1st - end 2nd century (marble) by Roman, (1st-2nd Century AD); Musee Narbo Via, Narbonne, France; (add.info.: Drunken Silene)

Background imageDrunkard Collection: Depiction of a drunk (woodcut)

Depiction of a drunk (woodcut)
7201482 Depiction of a drunk (woodcut) by German School, (16th century) (after); Private Collection; (add.info.: Depiction of a drunk)

Background imageDrunkard Collection: Untitled, 1893 (w / c on paper)

Untitled, 1893 (w / c on paper)
OVR368845 Untitled, 1893 (w/c on paper) by Kittelsen, Theodor Severin (1857-1914); 27x22 cm; Private Collection; (add.info.: from the series Do the Animals have a Soul.); Photo © O. Vaering

Background imageDrunkard Collection: Caricature of drinking students (woodcut)

Caricature of drinking students (woodcut)
7201476 Caricature of drinking students (woodcut) by German School, (15th century) (after); Private Collection; (add.info.: Caricature of drinking students)

Background imageDrunkard Collection: Public Spirit (engraving)

Public Spirit (engraving)
7178039 Public Spirit (engraving) by English School, (19th century); Private Collection; (add.info.: Public Spirit. Illustration for The Comic Annual by Thomas Hood)

Background imageDrunkard Collection: At the Cafe, Absinthe Drinkers, c. 1909 (painting)

At the Cafe, Absinthe Drinkers, c. 1909 (painting)
7083840 At the Cafe, Absinthe Drinkers, c.1909 (painting) by Beraud, Jean (1849-1935); 83.8x72.6 cm; Musee de la Ville de Paris, Musee Carnavalet, Paris, France; French, out of copyright

Background imageDrunkard Collection: O: Besides

O: Besides
6523541 O: Besides by French School, (19th century); Private Collection; (add.info.: in " Comic Military Alphabet. Pellerin & Cie, printer and publisher, circa 1890)

Background imageDrunkard Collection: Q: Quarrel

Q: Quarrel
6523684 Q: Quarrel by Unknown Artist, (19th century); Private Collection; (add.info.: in " Franco-English Leporello (Zebra - Zebra). Publisher unknown, s. d. (circa 1840)

Background imageDrunkard Collection: E: Scout (War term. Soldier who goes to the discovery. )

E: Scout (War term. Soldier who goes to the discovery. )
6523531 E: Scout (War term. Soldier who goes to the discovery.) by French School, (19th century); Private Collection; (add.info.: in " Comic Military Alphabet)

Background imageDrunkard Collection: The Drinkers, 1890. Creator: Vincent van Gogh

The Drinkers, 1890. Creator: Vincent van Gogh
The Drinkers, 1890

Background imageDrunkard Collection: Portrait of a Man in Costume, 1768 / 70. Creator: Jean-Honore Fragonard

Portrait of a Man in Costume, 1768 / 70. Creator: Jean-Honore Fragonard
Portrait of a Man in Costume, 1768/70

Background imageDrunkard Collection: Medley Print: Sots Paradise, 1706-7. Creator: George Bickham

Medley Print: Sots Paradise, 1706-7. Creator: George Bickham
Medley Print: Sots Paradise, 1706-7. [Sots Paradise: or, The Humours of a Derby-Ale-House with a Satire Upon the Ale by Edward Ward

Background imageDrunkard Collection: John Wilmot (1647-80) 2nd Earl of Rochester, c. 1665-70 (oil on canvas)

John Wilmot (1647-80) 2nd Earl of Rochester, c. 1665-70 (oil on canvas)
XZL151149 John Wilmot (1647-80) 2nd Earl of Rochester, c.1665-70 (oil on canvas) by Huysmans, Jacob (c.1633-96) (attr. to); Warwick Castle

Background imageDrunkard Collection: Sir Walter Gilbey (b / w photo)

Sir Walter Gilbey (b / w photo)
3642063 Sir Walter Gilbey (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Sir Walter Gilbey)



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From Hogarth's iconic engravings to silent film antics, the portrayal of the drunkard throughout history has been both comical and cautionary. In 'Gin Lane' and 'Beer Street, ' Hogarth vividly captures the devastating effects of excessive alcohol consumption on society. The dram drinker, a symbol of addiction and despair, serves as a stark reminder of the dangers lurking in every sip. Even stockbrokers can fall victim to intoxication, as seen in their hilarious confusion with toilet rolls. Traveling back to 1926 Paris, we witness Joan Crawford and Douglas Gilmore immersed in the vibrant atmosphere of an Apache Den bar. Amidst laughter and revelry, they embody the allure and recklessness associated with indulgence. Religion too has its tales of drunkenness; Noah's infamous episode reminds us that even biblical figures are not immune to temptation. A French manuscript illumination from c1250 brings this story to life with intricate detail. Stepping into a tattoo parlor reveals another facet of drunken folly - when an intoxicated tattooist gets carried away with his artistry. The consequences may be permanent but serve as a humorous anecdote for those who dare venture under the influence. Inside a gin shop lies a scene where one woman attempts to reason with a drunkard amidst bottles lining shelves like soldiers ready for battle against sobriety. This image encapsulates both camaraderie and chaos within these establishments. Irish Drunk Pat presents us with his unique drinking logic - an entertaining glimpse into cultural perceptions surrounding alcohol consumption. Lastly, Lionel Brough embodies Trinculo from Shakespeare's 'The Tempest, ' portraying how even literature recognizes that intoxication can lead one astray on fantastical journeys or comedic misadventures. Through various mediums spanning centuries, these depictions remind us that while alcohol may offer temporary escape or amusement, it is essential to tread carefully along this precarious path.