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Doves Collection (page 6)

"Doves: Symbolizing Peace, Freedom, and Love" In the fight for women's suffrage, doves became an emblem of hope and unity. The Suffragette W. S. P

Background imageDoves Collection: Tray, early 20th century (lacquerware & wood)

Tray, early 20th century (lacquerware & wood)
7352184 Tray, early 20th century (lacquerware & wood) by Mexican School; San Antonio Museum of Art, Texas, USA; (add.info.: Uruapan design, Michoachan)

Background imageDoves Collection: Trays, early 20th century (lacquerware & wood)

Trays, early 20th century (lacquerware & wood)
7352183 Trays, early 20th century (lacquerware & wood) by Mexican School; San Antonio Museum of Art, Texas, USA; (add.info.: Uruapan design, Michoachan)

Background imageDoves Collection: 7388033

7388033

Background imageDoves Collection: Annunciation, after 1600 (oil on canvas)

Annunciation, after 1600 (oil on canvas)
7352716 Annunciation, after 1600 (oil on canvas) by Wael, Cornelis de (1592-1667); 145x220 cm; Museo Diocesano, Albenga, Italy; (add.info.: Artist)

Background imageDoves Collection: Holy infants St John the Baptist and Christ embracing, 1540, Joos van Cleve and workshop

Holy infants St John the Baptist and Christ embracing, 1540, Joos van Cleve and workshop
7064199 Holy infants St John the Baptist and Christ embracing, 1540, Joos van Cleve and workshop, after Leonardo da Vinci (oil on panel) by Cleve, Joos van (c.1485-1541); Museo di Capodimonte

Background imageDoves Collection: Saint Gregory the Great, 17th century (oil on canvas)

Saint Gregory the Great, 17th century (oil on canvas)
7062933 Saint Gregory the Great, 17th century (oil on canvas) by Ribera, Jusepe de (lo Spagnoletto) (1591-1652); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome

Background imageDoves Collection: Incarnation of Christ, 1500-05, (oil on wood)

Incarnation of Christ, 1500-05, (oil on wood)
7146531 Incarnation of Christ, 1500-05, (oil on wood) by Cosimo, Piero di (c.1462-1521); 206x172 cm; Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Incarnation of Christ)

Background imageDoves Collection: dove

dove
Ahmed Elsheshtawy

Background imageDoves Collection: Madonna and Child Enthroned, the Medici Chapel altarpiece (tin glazed earthenware)

Madonna and Child Enthroned, the Medici Chapel altarpiece (tin glazed earthenware)
VLS76955 Madonna and Child Enthroned, the Medici Chapel altarpiece (tin glazed earthenware) by Della Robbia, Andrea (1435-1525/28); Santa Croce, Florence

Background imageDoves Collection: 'And ever when she nigh approached the dove would flit a little forward' (colour litho)

"And ever when she nigh approached the dove would flit a little forward" (colour litho)
3649335 "And ever when she nigh approached the dove would flit a little forward" (colour litho) by Hammond, Gertrude E

Background imageDoves Collection: Annunciation: Mary (Painting, circa 1549)

Annunciation: Mary (Painting, circa 1549)
LRI4695396 Annunciation: Mary (Painting, circa 1549) by Brea, Francesco (fl.c.1512-55); Chiesa di San Domenico, Taggia, Italy; (add.info.: Annunciation)

Background imageDoves Collection: Common cuckoo

Common cuckoo
ptu6ki

Background imageDoves Collection: Turtle Doves

Turtle Doves by George Rankin

Background imageDoves Collection: Doves taking letter from girl

Doves taking letter from girl by Flora White

Background imageDoves Collection: Pentecost, descent of the Holy Spirit upon the Apostles and other followers of Jesus Christ

Pentecost, descent of the Holy Spirit upon the Apostles and other followers of Jesus Christ Engraving by Gustave Dore
ELD4897213 Pentecost, descent of the Holy Spirit upon the Apostles and other followers of Jesus Christ Engraving by Gustave Dore (1832-1883) from " La Bible" Private collection by Dore

Background imageDoves Collection: The angel of the Annunciation (L'ange de l'annonciation) (oil on wood)

The angel of the Annunciation (L'ange de l'annonciation) (oil on wood)
7337437 The angel of the Annunciation (L'ange de l'annonciation) (oil on wood) by Vos, Maarten de (1532-1603); Musee des Beaux-Arts, Tournai, Belgium; (add.info.: Painting)

Background imageDoves Collection: War and peace, from L'assiette au Beurre, 1907 (print)

War and peace, from L'assiette au Beurre, 1907 (print)
PCT4277101 War and peace, from L'assiette au Beurre, 1907 (print) by Galantara, Gabriele (Rata Langa) (1865-1937); (add.info.: War and peace, arm over arm with their respective attributes: sword)

Background imageDoves Collection: Mary, from the Orsini Polyptych (tempera on panel) (see also 471172-5)

Mary, from the Orsini Polyptych (tempera on panel) (see also 471172-5)
471173 Mary, from the Orsini Polyptych (tempera on panel) (see also 471172-5) by Martini, Simone (1284-1344); 23x14 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageDoves Collection: The Trinity (oil on panel)

The Trinity (oil on panel)
3470320 The Trinity (oil on panel) by Rubens, Peter Paul (1577-1640); 152x158 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders, photo Hugo Maertens

Background imageDoves Collection: A Canon with St. Livinus (left wing), The Family of St. Anne (centre panel), Donor with St

A Canon with St. Livinus (left wing), The Family of St. Anne (centre panel), Donor with St
LAF470879 A Canon with St. Livinus (left wing), The Family of St. Anne (centre panel), Donor with St. Elizabeth (right wing)

Background imageDoves Collection: The Visitation and Annunciation (oil on panel)

The Visitation and Annunciation (oil on panel)
490347 The Visitation and Annunciation (oil on panel) by Flemish School, (16th century); Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imageDoves Collection: Detail of the central panel of the Baptism of Christ, c. 1502-08 (oil on panel)

Detail of the central panel of the Baptism of Christ, c. 1502-08 (oil on panel)
489877 Detail of the central panel of the Baptism of Christ, c.1502-08 (oil on panel) by David, Gerard (c.1460-1523); Sint-Janshospitaal, Bruges

Background imageDoves Collection: The Holy Trinity, 1620 (oil on canvas)

The Holy Trinity, 1620 (oil on canvas)
471262 The Holy Trinity, 1620 (oil on canvas) by Rubens, Peter Paul (1577-1640); 158x152 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageDoves Collection: The Annunciation (oil on canvas)

The Annunciation (oil on canvas)
LAF470874 The Annunciation (oil on canvas) by Janssens, Jan (1590-1656); 258.5x220.5 cm; Museum voor Schone Kunsten, Ghent, Belgium; © Art in Flanders

Background imageDoves Collection: The Coronation of the Virgin (oil on panel)

The Coronation of the Virgin (oil on panel)
829081 The Coronation of the Virgin (oil on panel) by Cornelis, Albert (c.1500-32); Sint-Jacobskerk, Bruges, Belgium; © Art in Flanders

Background imageDoves Collection: The Holy Trinity (oil on panel)

The Holy Trinity (oil on panel)
490269 The Holy Trinity (oil on panel) by Wolfaerts or Wolffort, Artus (1581-1641); Groeningemuseum, Bruges, Belgium; © Art in Flanders

Background imageDoves Collection: Noe sends a dove to the earth - Illustration by Gustave Dore for The Bible - deluge - ark

Noe sends a dove to the earth - Illustration by Gustave Dore for The Bible - deluge - ark
PCT4285001 Noe sends a dove to the earth - Illustration by Gustave Dore for The Bible - deluge - ark - by Dore, Gustave (1832-83); (add.info)

Background imageDoves Collection: Urban textures - Ramat Gan

Urban textures - Ramat Gan
Arnon Orbach

Background imageDoves Collection: The Annunciation, 1510-1600 (pen and black ink on paper)

The Annunciation, 1510-1600 (pen and black ink on paper)
7308275 The Annunciation, 1510-1600 (pen and black ink on paper) by Durer or Duerer, Albrecht (1471-1528); 16.1x13.1 cm; Ashmolean Museum, University of Oxford

Background imageDoves Collection: The Annunciation, c. 1518 (oil on panel)

The Annunciation, c. 1518 (oil on panel)
7305495 The Annunciation, c.1518 (oil on panel) by Orley, Bernard van (c.1488-1541); 51.5x33 cm; Nasjonalmuseet, Oslo, Norway; (add.info.: by Bernard van Orley (c.1488-1541))

Background imageDoves Collection: Femme et colombes (Woman With Doves). Peinture de Stepan (Stefan)

Femme et colombes (Woman With Doves). Peinture de Stepan (Stefan) Vladislavovich Bakalovich (1857-1947)
FIA5365269 Femme et colombes (Woman With Doves). Peinture de Stepan (Stefan) Vladislavovich Bakalovich (1857-1947). Huile sur bois. Regional M

Background imageDoves Collection: Morning Walk of Young Chatelaine, Woman Feeding Pigeons

Morning Walk of Young Chatelaine, Woman Feeding Pigeons
7279130 Morning Walk of Young Chatelaine, Woman Feeding Pigeons by Unknown Artist, (19th century); Private Collection; (add.info.: Morning Walk of Young Chatelaine, Woman Feeding Pigeons, Historical)

Background imageDoves Collection: The Pfingswecken fetching in the Black Forest

The Pfingswecken fetching in the Black Forest
7278798 The Pfingswecken fetching in the Black Forest. by Unknown Artist, (19th century); Private Collection; (add.info.: The Pfingswecken fetching in the Black Forest)

Background imageDoves Collection: The Pretty Dove (oil on canvas)

The Pretty Dove (oil on canvas)
904884 The Pretty Dove (oil on canvas) by Watteau, Louis Joseph (Watteau de Lille) (1731-98); 29x25 cm; Musee des Beaux-Arts, Valenciennes

Background imageDoves Collection: Illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print)

Illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print)
3035622 Illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Background imageDoves Collection: Vie de Bilitis, illustration from Les Chansons de Bilitis, by Pierre Louys, pub

Vie de Bilitis, illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print)
3035623 Vie de Bilitis, illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Background imageDoves Collection: Lykas, illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print)

Lykas, illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print)
3035599 Lykas, illustration from Les Chansons de Bilitis, by Pierre Louys, pub. 1922 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection

Background imageDoves Collection: Aphrodite, Hephaistos, Eros (Cupid) and Charities - from an illumination of the 15th century

Aphrodite, Hephaistos, Eros (Cupid) and Charities - from an illumination of the 15th century
LSE4088878 Aphrodite, Hephaistos, Eros (Cupid) and Charities - from an illumination of the 15th century by French School, (15th century) (after); Private Collection; (add.info.: Aphrodite)



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"Doves: Symbolizing Peace, Freedom, and Love" In the fight for women's suffrage, doves became an emblem of hope and unity. The Suffragette W. S. P. U Badge designed by Sylvia Pankhurst proudly displayed a dove, representing the peaceful yet powerful nature of their movement. A collared dove perched gracefully on a branch reminds us of the serenity found in nature. Its gentle presence brings tranquility to our surroundings. Captured in flight, a dove carries an olive branch in its beak - a timeless symbol of peace. Through digital manipulation, an added touch of symbolism emphasizes the importance of harmony and reconciliation. The rock dove holds historical significance as it was depicted in art throughout centuries. In Les Amours des Dieux from 1758, Cupid's target showcases this bird as a messenger spreading love across realms. Found on Islay Island in Scotland, the rock dove stands resilient against harsh elements. It serves as a reminder that strength can be found even amidst challenging circumstances. Across Australia's open landscapes with scattered trees and shrubs resides the peaceful dove. This species embodies resilience and adaptability while bringing beauty to remote regions like Kupungarri in Kimberleys, Western Australia. The mourning dove evokes emotions with its mournful cooing sound but also represents solace during times of grief or loss. Its presence offers comfort when needed most. Regency era window curtains frame scenes where doves flutter freely outside; their graceful movements mirror elegance within these historic settings. "Before the Fountain, " we witness doves congregating around water sources - symbols of purity and renewal. Their delicate feathers shimmer under sunlight as they drink from life-giving streams. Doves encompass diverse meanings across cultures and eras – from advocating for equality to embodying peace and love itself. These captivating creatures remind us that even amidst chaos or sorrow, there is always room for hope and harmony.