Doge Collection (#8)

Wife of a Doge of Venice, 1581 Fur-lined cloak
Wife of a Doge of Venice, 1581. Fur-lined cloak with large hood, bodice decorated with pearls.. Handcolored copperplate engraving from Robert von Spalarts Historical Picture of the Costumes of

Arrival of Henry III to Venice. ca. 1593. MICHIELI, Andrea, called Il Vicentino (1542-1617). Henri III of France is received in 1574 by Doge Alvise Mocenigo

Sebastiano Venier - 2
SEBASTIANO VENIER Doge of Venice Date: ? - 1578

Sebastiano Venier - 1
SEBASTIANO VENIER Doge of Venice Date: ? - 1578

Bertuccio Valiero
BERTUCCIO VALIERO 102nd doge of Venice wearing the traditional headgear of his office. Date: RULED 1656 - 1658

Pietro Tribuno
PIETRO TRIBUNO Doge of Venice Date: ? - 912

Orso Particiaco II
ORSO PARTICIACO II Doge of Venice, member of a patrician family who provided Venice with many of its doges. This one abdicated. Date: RULED 881 - 887

Luigi Mocenigo
LUIGI MOCENIGO Doge of Venice 1570 - 1577 Date: ? - 1577

Tribuno Memmo
TRIBUNO MEMMO Doge of Venice Date: ? - 991

Marcantonio Memmo
MARCANTONIO MEMMO Doge of Venice Date: 1536 - 1615

Pietro Loredano
PIETRO LOREDANO doge of Venice 1568 to 1570 Date: 1481 - 1570

Andrea Gritti
ANDREA GRITTI Doge of Venice 1523 - 1538 Date: 1454 - 1538

St Mark Square Venice Loggetta 19th century Watercolor
Artokoloro

Panorama Venice Bacino di San Marco Project Proposed Teatro Manin
Artokoloro

Jacopo Brought Father Doge Study Two Foscari
Artokoloro

Doge Palace San Giorgio Maggiore 1908 Oil canvas
Artokoloro

Emperor Frederick Barbarossa Submitting Pope Alexander III
Artokoloro

Doge Venice Cardinal Councillor Servants Bearing
Artokoloro

Group naked men engaged battle wooded landscape
Artokoloro

Italy; Venice. Saint Marks Basilica is the most famous church in Venice
Italy, Venice. Saint Marks Basilica is the most famous church in Venice

LUDOVICO MANIN (1725-1802). Venetian politician and final Doge of Venice. Engraving, c1869

FRANCESCO FOSCARI (1373-1457). Doge of Venice, 1423-1457. Engraving, c1869

The Doges Palace and the Molo from the Basin of San Marco, Venice, c
BAL99409 The Doges Palace and the Molo from the Basin of San Marco, Venice, c.1770 (oil on canvas) by Guardi, Francesco (1712-93); 58.1x76.4 cm; National Gallery, London, UK; Italian, out of copyright

Portrait of a bearded man, thought to be Lorenzo Soranzo (oil on canvas)
XIR899058 Portrait of a bearded man, thought to be Lorenzo Soranzo (oil on canvas) by Tintoretto, Jacopo Robusti (1518-94); 63.5x51 cm; Musee des Beaux-Arts, Nantes

Portrait of Mark-Anthony Trevisan, the Doge of Venise or Genoa (oil on canvas)
XIR896051 Portrait of Mark-Anthony Trevisan, the Doge of Venise or Genoa (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); 141.5x106 cm; Private Collection; (add.info)

Easter Procession of the Doge of Venice at the Church of San Zaccaria, c. 1766-70
XIR868518 Easter Procession of the Doge of Venice at the Church of San Zaccaria, c.1766-70 (oil on canvas) by Guardi, Francesco (1712-93); Louvre, Paris

The Doge on the Bucentaur in front of San Nicolo del Lido, on Ascension Day, c. 1766-70
XIR868515 The Doge on the Bucentaur in front of San Nicol del Lido, on Ascension Day, c.1766-70 (oil on canvas) by Guardi, Francesco (1712-93); Louvre, Paris

Audience Granted by the Doge of Venice in the College Room of Doges Palace, c
XIR868520 Audience Granted by the Doge of Venice in the College Room of Doges Palace, c.1766-70 (oil on canvas) by Guardi, Francesco (1712-93); Louvre, Paris

The Doge at the Feast for the Opening of the Carnival of Venice (oil on canvas)
XIR868519 The Doge at the Feast for the Opening of the Carnival of Venice (oil on canvas) by Guardi, Francesco (1712-93); Louvre, Paris

The Doge of Venice at the Festa della Salute, 21 November, to commemorate the end
XIR868516 The Doge of Venice at the Festa della Salute, 21 November, to commemorate the end of the pestilence of 1630, c.1766-70 (oil on canvas) by Guardi, Francesco (1712-93); Louvre, Paris

View of San Marco, Venice from the courtyard of the Palazzo Ducale, 1741 (etching)
XJF862997 View of San Marco, Venice from the courtyard of the Palazzo Ducale, 1741 (etching) by Marieschi, Michele (1696-1743); Private Collection; (add.info)

Titian, Italian (c. 1490-1576), Doge Andrea Gritti, 1546-1548, oil on canvas

The Arrival of Henri III of France in the Lido of Venice on 8 July 1574, 1591 (etching)
XIR485161 The Arrival of Henri III of France in the Lido of Venice on 8 July 1574, 1591 (etching) by Italian School, (16th century); Bibliotheque Nationale, Paris

Dogal Procession, c. 1555-60 (woodcut) (See also 476241-3, 476245)
XJF476244 Dogal Procession, c.1555-60 (woodcut) (See also 476241-3, 476245) by Pagani, Matteo (fl.1538-62); Private Collection; (add.info)

Coronation of Dogaressa Morosina Morosini-Grimani, 1597 (engraving)
XJF472261 Coronation of Dogaressa Morosina Morosini-Grimani, 1597 (engraving) by Franco, Giacomo (1550-1620); Private Collection; (add.info)

Story of Pope Alexander III, the Pope giving the sword to Doge Ziani, 1407 (fresco)
XIR444288 Story of Pope Alexander III, the Pope giving the sword to Doge Ziani, 1407 (fresco) by Spinello or Spinelli, Aretino Luca (c.1340-1410); Palazzo Pubblico, Siena

Sala del Maggior Consiglio (engraving)
XJF315737 Sala del Maggior Consiglio (engraving) by English School, (19th century); Private Collection; English, out of copyright

Portrait of a Woman, probably Morosina Morosini, Wife of Marino Grimani, Doge of Venice Italy, workshop of Leandro Bassano, 1590 - 1600

The Bucintoro Festival of Venice. The Bacino di S. Marco with the Bucintoro"
XOS1249148 The Bucintoro Festival of Venice. The Bacino di S. Marco with the " Bucintoro", the Doges State Barge, on Ascension Day, 1780-93 (oil on canvas) by Guardi

View of the Molo and the Palazzo Ducale in Venice (oil on canvas)
BAL11999 View of the Molo and the Palazzo Ducale in Venice (oil on canvas) by Holland, James (1799-1870); 65x96.5 cm; Roy Miles Fine Paintings; English, out of copyright

Departure of the Bucentaur for the Lido on Ascension Day, 1766-70 (oil
XIR160419 Departure of the Bucentaur for the Lido on Ascension Day, 1766-70 (oil on canvas) by Guardi, Francesco (1712-93); 66x101 cm; Louvre, Paris, France; Italian, out of copyright

The Piazzetta, Venice, Italy, Edward Pritchett, active ca. 1828-1864, British

Giovanni Battista Brustolon after Canaletto (Italian, 1712-1796), Visit of the Doge to San Zaccaria on Easter Day, 1763-1766, etching and engraving on laid paper

VENICE: DOGEs PALACE. The interior of the Doges Palace in Venice, Italy. Photograph, c1900

ITALY: VENICE, 1902. The Molo and the Doges Palace in Venice, Italy. Stereograph, 1902

LEONARDO LOREDAN (1436-1521). Doge of Venice, 1501-1521. Painting by Giovanni Bellini, c1501

GIOVANNI MOCENIGO (1409-1485). Doge of Venice, 1478-1485. Painting by Gentile Bellini, c1480

VENICE: DOGE SEAL. Seal of a Venetian Doge featuring the Lion of Saint Mark, topped with the ducal hat. Painting, 15th-18th century

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"Doge: A Glimpse into the Enchanting Venice" Step into the captivating world of Venice, where history and grandeur converge at the majestic Doge's Palace. This iconic landmark, located in the heart of Venice, Veneto, Italy, stands as a testament to the city's rich cultural heritage. During Carnival season, a masked character takes center stage in front of Palazzo dei Dogi. The vibrant festivities bring an air of mystery and excitement to this already enchanting place. Every intricate detail within the Doge's Palace tells a story. From its ornate architecture to its exquisite artwork, it is impossible not to be mesmerized by its beauty. Porta Della Carta beckons visitors with its intricate carvings and timeless charm. Francesco Donato immortalizes his reign as Doge from 1545 to 1553 through a striking portrait that captures his regal presence. Carlo Ruzzini follows suit with his own depiction as he assumes leadership over this magnificent city-state. In "The Doge in Bucintoro Departing for Porto di Lido on Ascension Day, " Luca Carlevaris transports us back to 1763-1766 when this ceremonial event took place. The painting exudes opulence and showcases the grandeur associated with Venetian traditions. Giovanni Bellini's masterpiece portrays Doge Leon in all his glory - a symbol of power and authority during his time. The artist skillfully captures every nuance of expression on Leon's face, revealing both strength and wisdom. Sebastiano Venier emerges as another influential figure who left an indelible mark on Venice's history. His portrait radiates dignity and honor befitting one who served as Doge during challenging times. As we explore further within these walls steeped in history, we are reminded once again why Venice remains an unparalleled destination for travelers worldwide.