Divisionist Collection (page 3)

The Jetty at Cassis, Opus 198, 1889 (oil on canvas)
3432933 The Jetty at Cassis, Opus 198, 1889 (oil on canvas) by Signac, Paul (1863-1935); 46.4x65.1 cm; Metropolitan Museum of Art, New York, USA; (add.info.: near Marseilles); French, out of copyright

Afternoon in the Alps, 1892 (oil on canvas)
3106611 Afternoon in the Alps, 1892 (oil on canvas) by Segantini, Giovanni (1858-99); 85.5x79.5 cm; Ohara Museum of Art, Kurashiki, Japan; (add.info.: Pomeriggio sulle Alpi; ); Italian

Workshops at Porta Romana, 1909 (oil on canvas)
BAL9959 Workshops at Porta Romana, 1909 (oil on canvas) by Boccioni, Umberto (1882-1916); 75x145 cm; Banca Commerciale Italiana, Milan, Italy; (add.info.: Officine a Porta Romana; ); Italian

Washing in the Sun, 1905 (oil on canvas)
BAL9957 Washing in the Sun, 1905 (oil on canvas) by Pellizza da Volpedo, Giuseppe (1868-1907); 87x131 cm; Private Collection; (add.info.: Panni al sole; ); Italian, out of copyright

View of Constantinople, 1907 (oil on canvas)
BAL87326 View of Constantinople, 1907 (oil on canvas) by Signac, Paul (1863-1935); 72.3x91.4 cm; Private Collection; French, out of copyright

The Angel of Life, 1894 (oil on canvas)
BAL7028 The Angel of Life, 1894 (oil on canvas) by Segantini, Giovanni (1858-99); 276x212 cm; Galleria Civica d Arte Moderna, Milan, Italy; (add.info.: l Angelo della vita; ); Italian

The Procession, 1892-95 (oil on canvas)
XJL62347 The Procession, 1892-95 (oil on canvas) by Pellizza da Volpedo, Giuseppe (1868-1907); 95x157 cm; Museo Nazionale della Scienza e della Tecnologia, Milan

Feast Day at the Pio Albergo Trivulzio, 1892 (oil on canvas)
XIR79348 Feast Day at the Pio Albergo Trivulzio, 1892 (oil on canvas) by Morbelli, Angelo (1853-1919); 78x122 cm; Musee d Orsay, Paris

Morning, 1897 (oil on canvas)
XIR216697 Morning, 1897 (oil on canvas) by Grubicy de Dragon, Vittore (1851-1920); 47.4x41.1 cm; Musee d Orsay, Paris, France; (add.info.: Matin; Mattino; ); Italian, out of copyright

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"Exploring the Divisionist Technique: A Journey through Masterpieces" Step into the captivating world of Divisionism, an artistic movement that revolutionized the way we perceive color and form. From The Town Beach in Collioure to Reflections of a Starving Man, these iconic artworks showcase the brilliance of this technique. In Opus 165, painted in 1887, witness how vibrant dots and dashes blend harmoniously to depict the shimmering waters and bustling atmosphere of The Town Beach. The artist's meticulous brushwork creates a mesmerizing mosaic that captures every nuance of light. Landscape in West Flanders transports us to a serene countryside scene from 1888. Through carefully placed strokes, nature comes alive with vivid hues that dance across the canvas, and is as if each dot carries its own voice, whispering secrets only discernible when viewed up close. Maria Sethe at the harmonium reveals an intimate moment frozen in time. Painted in 1891, this masterpiece showcases how Divisionism can capture human emotions with remarkable precision. Each stroke conveys Maria's passion for music as her fingers gracefully touch each key on the instrument. Lightning electrifies our senses with its dramatic portrayal of nature's power unleashed upon a darkened sky (1909-10). Here, Divisionism breathes life into lightning bolts that crackle across the canvas – an awe-inspiring spectacle captured through meticulously arranged colors and shapes. Reflections of a Starving Man or Social Contrasts serves as both mirror and critique of society during 1894. This thought-provoking piece juxtaposes opulence against poverty using contrasting dots and lines to highlight societal disparities—a powerful testament to art's ability to provoke change. The Carriage Of The Corpse Of The Painter Segantini From The Hut On The Schafberg takes us on a mournful journey depicted through intricate lithography techniques—an homage paid by fellow artists after Segantini's passing.