De La Motte Collection

Progress of the Crystal Palace at Sydenham, 1854. Creator: Philip Henry Delamotte
Progress of the Crystal Palace at Sydenham, 1854

[Carving a Sphinx], 1854. Creator: Philip Henry Delamotte
[Carving a Sphinx], 1854

[Storeroom with Artisans and Plaster Casts, Crystal Palace], 1852

The Visit of the Emperor and Empress to the Crystal Palace, 1855

[The Grounds Looking Towards Penge], 1854. Creator: Philip Henry Delamotte
[The Grounds Looking Towards Penge], 1854

Rivaulx Abbey. General View from the South, 1850s. Creators: Joseph Cundall
Rivaulx Abbey. General View from the South, 1850s

Rivaulx Abbey. The Triforium Arches, 1850s. Creators: Joseph Cundall
Rivaulx Abbey. The Triforium Arches, 1850s

Greater Celandine, 1839, (1944). Creator: Unknown
Greater Celandine, 1839, (1944). Botanical illustration from " British Flowering Plants" by William Baxter. Published in " Wild Flowers in Britain", by Geoffrey Grigson

Countess de la Motte, late 18th century. In 1785, the Comtesse de La Motte was involved in the scandalous Affair of the Diamond Necklace at the court of Louis XVI. Engraved for the Ladys Magazine

Apollo, Mercury, and the Shepherdesses, Fable X in La Motte, Fables Nouvelles, 1719

SILENT FILM STILL. Allan Forrest and Marguerite De La Motte in Fifth Avenue, 1926

FILM STILL: FIFTH AVENUE, 1926. Marguerite De La Motte

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"Capturing the Beauty: Exploring the World of De La Motte" Step into a world of artistic wonders as we delve into the captivating works and moments associated with De La Motte. From the mesmerizing progress of the Crystal Palace at Sydenham in 1854, skillfully documented by Philip Henry Delamotte, to the intricate carving of a Sphinx that transports us back to 1854. Witness artisans and plaster casts come to life within the storeroom of the Crystal Palace in 1852, showcasing their dedication and craftsmanship. The grand visit of Emperor and Empress to this architectural marvel in 1855 adds an aura of regality and magnificence. Philip Henry Delamotte's lens also captures breathtaking views from "The Grounds Looking Towards Penge" in 1854, offering a glimpse into nature's serene embrace. Meanwhile, Joseph Cundall takes us on a journey through time with his evocative images of Rivaulx Abbey during the 1850s - its general view from the south revealing its majestic presence while highlighting intricate triforium arches. Venturing further back in history, we encounter Countess de la Motte herself, an enigmatic figure from late-18th century aristocracy whose allure remains timeless. Her story intertwines with Apollo, Mercury, and shepherdesses depicted in Fable X within La Motte's renowned collection "Fables Nouvelles" published in 1719. Moving beyond still imagery, Marguerite De La Motte graces our screens as she captivates audiences alongside Allan Forrest in silent film Fifth Avenue (1926), leaving an indelible mark on cinema history. Lastly but not leastly is Greater Celandine - an intriguing botanical specimen dating back to 1839 which continues to fascinate even today under unknown creatorship. Join us as we unravel these diverse facets encompassing artistry, history, and culture within the realm of De La Motte.