Dawson Collection (page 5)

Portrait Of George Dawson (1821-1900). Creator: Unknown
Portrait Of George Dawson (1821-1900). George Dawson was an English nonconformist preacher, lecturer and activist. He was an influential voice in the calls for radical political

Portrait of a Man (George Dawson?), 19th century. Creator: Unknown
Portrait of a Man (George Dawson?), 19th century

F. W. Dawson, The Charleston News and Courier, from the American Editors series (N1
F.W. Dawson, The Charleston News and Courier, from the American Editors series (N1) for Allen & Ginter Cigarettes Brands, 1887

Where Are We Going? by Muriel Dawson -- a little child sets off for a walk with two dogs and a doll. Date: 1944

Sir Douglas F. R. Dawson, Vanity Fair, Spy in 1903
SIR DOUGLAS FREDERICK RAWDON DAWSON (1854-1933) British Army officer. Caption: A Military Secretary Date: 1854 - 1933

FALL / FOX TERRIER / 1940
NEBWELL BY GEORGE Owned by Dawson. Date: 1940

The Squire of Alsatia, Cries of London, (1688?)
The Squire of Alsatia ; identified as Bully Dawson. Bully Dawson was a notorious gambler. From Cries of London, (1688?)

Sheila Jordan, Tenor Clef, Hoxton Square, London, May 1992. Artist: Brian O Connor
Sheila Jordan, Tenor Clef, Hoxton Square, London, May 1992

Front Street, Dawson, c1898

Galopin, 1872-1899, (1911)
Galopin, 1911. From British Sports and Sportsmen Part 1. [British Sports and Sportsmen, London, 1911]

The Pretender, c1870s, (1911)
The Pretender, 1911. Pretender (1866-1878) was a British Thoroughbred racehorse and sire. From British Sports and Sportsmen Part 1. [British Sports and Sportsmen, London, 1911]

Thormanby, c1860, (1911)
Thormanby, 1911. From British Sports and Sportsmen Part 1. [British Sports and Sportsmen, London, 1911]

Ellington, 1853-1870, (1911). From British Sports and Sportsmen Part 1. [British Sports and Sportsmen, London, 1911]

Donovan, 1886-1905, (1911)
Donovan, 1911. Donovan (1886-1905) was a British Thoroughbred racehorse and sire. From British Sports and Sportsmen Part 1. [British Sports and Sportsmen, London, 1911]

Advertisement for the book The Yoke, by Hubert Wales, 1908-1909. From Penroses Pictorial Annual 1908-1909, An Illustrated Review of the Graphic Arts, volume 14

Caroline Dawson, c1750-1850

The Bristol Riots of 1831, (1893). Artist: R Dawson
The Bristol Riots of 1831, (1893). The Bristol Riots of 1831, 1893. Large-scale riots broke out in Bristol in 1831 sparked by the House of Lords rejection of the Reform Bill

Mrs Patrick Campbell & Lady Randolph Churchill
An interesting photograph showing the acclaimed stage beauty, Mrs Patrick Campbell (1865-1940), born Beatrice Stellar Tanner (pictured centre)

I Love Little Pussy, by Muriel Dawson -- a little girl gives her pet cat a saucer of milk. Date: 1948

Just Pussy and Me by Muriel Dawson -- a little girl in a red dress cuddles her pet cat. Date: 1943

Benjamin the Bunny by Muriel Dawson -- a little boy feeds his pet rabbit. Date: 1941

Toddler with cake by Muriel Dawson
A toddler standing on a chair to eat a cake, by Muriel Dawson. Date: 1920s

Inquisitive Pussy! by Muriel Dawson -- a baby in a bathtub and a cat watching water falling from a flannel. Date: 1942

Pencil sketch of mother and baby
Pencil sketch of a mother holding her baby. Date: 1920s

Pencil sketch of girl with teddy bear
Pencil sketch of a little girl with a teddy bear. Date: 1920s

HAIDA VILLAGE, 1878. Totem poles and canoes in the Haida village of Skidegate in the Queen Charlotte Islands, off the coast of British Columbia, Canada. Photographed by George M. Dawson, 1878

Klondyke Gold Rush riverboat in Dawson City, 1898
First steamer carrying gold out of Dawson City, Yukon Territory, 1898. Hand-colored halftone reproduction of a 19th-century illustration

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"Dawson: A Journey through the Artistic World of Muriel Dawson" Step into the enchanting world of Muriel Dawson, a talented artist whose brush strokes bring to life captivating scenes and emotions. From "The Goose Girl" to "Homeward, " her artworks transport us to whimsical landscapes filled with beauty and wonder. In "Two little girls in a garden, " Dawson captures the innocence and joy of childhood, as two young friends explore nature's wonders amidst vibrant blooms. Meanwhile, in "The Days Work, " she portrays the resilience and determination of hardworking individuals who strive for success against all odds. Dawson's love for nature shines through in her masterpiece, "Spring Flowers. " Delicate petals dance gracefully on canvas, evoking feelings of renewal and hope. Similarly, in "Little Miss Natty Fingers, " she showcases the tender relationship between a mother and child as they tend to their flourishing garden together. With each stroke, Dawson takes us on an emotional journey. In "Half Way Home, " we witness a poignant moment where dreams meet reality - a testament to perseverance even when faced with challenges along our path. And in "Dandelion Clock, " she reminds us that time is fleeting but also holds endless possibilities if we seize every moment. "The Blue Butterfly" flutters delicately across Dawson's canvas, symbolizing freedom and transformation. Her attention to detail is evident once again in her portrayal of wildflowers - each petal seemingly alive with color and texture - reminding us of nature's boundless beauty. Finally, we are captivated by the innocence portrayed in "Two Little Lambs. " These gentle creatures embody purity while frolicking among lush meadows under clear blue skies – an idyllic scene that warms our hearts. Muriel Dawson's art speaks volumes about life’s simple pleasures; it invites us to pause amidst our busy lives and appreciate the beauty that surrounds us daily.