Daniel Havell Collection

Brocket Hall, Herts, the seat of Lord Melbourne, 1817. Artist: Daniel Havell
Brocket Hall, Herts, the seat of Lord Melbourne, 1817

Bank of England in the 19th century
6266262 Bank of England in the 19th century; (add.info.: A View of the Bank of England, London, in the early 19th century)

Bank of England in the 19th century
5322618 Bank of England in the 19th century; (add.info.: A View of the Bank of England, London, in the early 19th century. From an engraving by Daniel Havell dated 1816, after Thomas Homer Shepherd).

View of the Bank of England, 1816. Creator: Daniel Havell
View of the Bank of England, 1816

Sandy Bay Valley, St. Helena, n.d. Creator: Daniel Havell
Sandy Bay Valley, St. Helena, n.d

Interior of Christ Church, 1816. Creator: Daniel Havell
Interior of Christ Church, 1816

Paris, Notre Dame prise de L'Ile Louvier, n.d. Creator: Daniel Havell
Paris, Notre Dame prise de L'Ile Louvier, n.d

Queen Marys State Bed-chamber, Hampton Court, 1819 (hand-coloured aquatint engraving
985796 Queen Marys State Bed-chamber, Hampton Court, 1819 (hand-coloured aquatint engraving) by Cattermole, George (1800-68) (after); 33.7x27.9 (folio) cm; Private Collection; (add.info)

Ancient Excavations at Carli, 1824 (colour aquatint)
1196944 Ancient Excavations at Carli, 1824 (colour aquatint) by Salt, Henry (1780-1827) (after); 48x68 cm; Private Collection; Photo eChristies Images; English, out of copyright

A View at Lucknow, 1824 (Colour aquatint)
1196942 A View at Lucknow, 1824 (Colour aquatint) by Salt, Henry (1780-1827) (after); 48x68 cm; Private Collection; Photo eChristies Images; English, out of copyright

Ruins of the Port at Juanpore on the River Goomtee, 1824 (colour aquatint)
1196941 Ruins of the Port at Juanpore on the River Goomtee, 1824 (colour aquatint) by Salt, Henry (1780-1827) (after); 48x68 cm; Private Collection; Photo eChristies Images; English, out of copyright

Westminster Hall and Abbey, c1819. After J. Gendall Creator: Daniel Havell
Westminster Hall and Abbey, c1819. After J.Gendall. Westminster Hall, the oldest existing part of the Palace of Westminster, was erected in 1097

Crimson Cliffs, 1819. Creator: Daniel Havell
Crimson Cliffs, 1819. A View of the Coloured Snow in Lat. 76. 25N. & Long. 65. W. Unusually coloured landscape in the North Atlantic

View of London Docks, 1816. Artist: Daniel Havell
View of London Docks, 1816

Tower of London, 1819. Artist: Daniel Havell
Tower of London, 1819. View from the River Thames with boats and passengers on the river

View of the box entrance in the Kings Theatre, Haymarket, London, 1837

View of Westminster Hall and Abbey, from Westminster Bridge, London, 1819

Interior view of the Chapel Royal in St Jamess Palace, Westminster, London, 1816. The Chapel Royal is also known as the German Chapel

Interior view of the green closet in Buckingham House, Westminster, London, 1819. Buckingham House was reconstructed as Buckingham Palace in the 1820s

The Bank of England, City of London, 1816. Artist: Daniel Havell
The Bank of England, City of London, 1816. View with figures, horses and carriages in Threadneedle Street

Romford, Essex, 1817. Artist: Daniel Havell
Romford, Essex, 1817. Romford is now in the London borough of Havering

South-east view of St Pauls Cathedral with figures and carriages outside, City of London, 1818

Royal Exchange (2nd) exterior, London, 1816. Artist: Daniel Havell
A view of the Royal Exchanges south front, London, 1816, including a newspaper office and Boltons medicines shop. Also with figures, coach and horses and a water pump outside

Thirty-Third Regiment, c1814 (1909). Artists: Robert Havell, Daniel Havell
Thirty-Third Regiment, c1814 (1909). After George Walker (1781-1856). From British Military Prints, by Ralph Nevill. [The Connoisseur, London, 1909]

A View of the Bank of England, London, in the early 19th century. From an engraving by Daniel Havell dated 1816, after Thomas Homer Shepherd

All Professionally Made to Order for Quick Shipping

Daniel Havell was a talented artist known for his exquisite aquatint engravings. His works captured the beauty and grandeur of various locations, from historic landmarks to exotic landscapes. One of his notable pieces is "Brocket Hall, Herts, " which depicts Lord Melbourne's seat in 1817. The intricate details and skillful use of colors transport viewers to this stately residence. In "Queen Marys State Bed-chamber, Hampton Court" (1819), Havell showcases his mastery in hand-coloring aquatints. The vibrant hues bring life to the opulent bedchamber, inviting us into a bygone era. Havell also ventured into documenting ancient excavations with "Ancient Excavations at Carli" (1824). This color aquatint piece offers a glimpse into archaeological discoveries, revealing our fascination with uncovering history's secrets. The artist's travels inspired breathtaking scenes like "A View at Lucknow" (1824) and "Ruins of the Port at Juanpore on the River Goomtee" (1824). These colorful aquatints transport us to far-off lands, evoking a sense of wonder and adventure. Closer to home, Havell depicted iconic London landmarks such as Westminster Hall and Abbey in c1819. His attention to detail captures the majesty of these historical sites while showcasing his technical prowess as an engraver. Nature lovers will appreciate Havell's ability to capture natural beauty in works like "Crimson Cliffs" (1819). With its vivid colors and dramatic composition, this piece transports viewers straight into nature's awe-inspiring presence. Havell also turned his artistic eye towards urban landscapes with works like "View of London Docks" (1816) and "Tower of London" (1819). Through meticulous detailing, he brings bustling city scenes alive on paper for all to admire.