Curly Hair Collection (page 8)

Portrait of a Gentleman, said to e Lord Hebdon, half-length
990116 Portrait of a Gentleman, said to e Lord Hebdon, half-length, wearing a black costume and white collar, 1659 (oil on canvas) by Bol

A Sheperdess Picking Flowers, (red chalk on paper)
990043 A Sheperdess Picking Flowers, (red chalk on paper) by Robert, Hubert (1733-1808); 36.6x28.5 cm; Private Collection; (add.info.: A Sheperdess Picking Flowers. Hubert Robert (1733-1808)

A Young Woman Holding a Fruit Basket, (pen and brown ink)
990039 A Young Woman Holding a Fruit Basket, (pen and brown ink) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 24.2x13 cm; Private Collection; (add.info)

Portrait of Contessa Ortensia Ianni Stella, bust length, in an ivory chemise
CH438798 Portrait of Contessa Ortensia Ianni Stella, bust length, in an ivory chemise, with flowers in her hair (oil on canvas) by Voet

The Proposal: Observe Her Eyes; The Flattering Tales Believed
824216 The Proposal: Observe Her Eyes; The Flattering Tales Believed, (oil on canvas) by Harlow, George Henry (1787-1819); 92.1x71.1 cm; Private Collection; (add.info.: The Proposal)

Portrait of a Lady, 17th century (oil on canvas)
6198829 Portrait of a Lady, 17th century (oil on canvas) by Lely, Peter (1618-80) (manner of); 120.6x94 cm; The McManus, Dundee

Page 32b New Zealand Portrait of a Maori, 1768-75 (red chalk)
5670297 Page 32b New Zealand Portrait of a Maori, 1768-75 (red chalk) by Hodges, William (1744-97); Mitchell Library, State Library of New South Wales; (add.info.: Original Sketches, Drawings)

Portrait of Anna Sophia Herbert, Countess of Carnarvon (oil on canvas)
3934319 Portrait of Anna Sophia Herbert, Countess of Carnarvon (oil on canvas) by Dyck, Anthony van (1599-1641); 132.7x153.7 cm; eThe Devonshire Collections

William Lambert, 1734 (oil on canvas)
3949724 William Lambert, 1734 (oil on canvas) by Smibert, John (1688-1751); 91.1x71.4 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Young Boy in Fancy Dress, c. 1660 (oil on canvas)
ZIN41895 Young Boy in Fancy Dress, c.1660 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 64.8x55.9 cm; Norton Simon Museum, Pasadena, CA, USA; eHeinrich Zinram Photography Archive; Dutch

William Blair, c. 1814 (oil on canvas)
HEH416335 William Blair, c.1814 (oil on canvas) by Raeburn, Henry (1756-1823); 76.2x63.5 cm; Huntington Library, Art Museum, and Botanical Gardens, San Marino, CA

Angel, c. 1250 (walnut with traces of gilding & polychromy)
499708 Angel, c.1250 (walnut with traces of gilding & polychromy) by French School, (13th century); 78.5x37x23.8 cm; Cleveland Museum of Art, OH, USA; (add.info.: Surviving in fragmentary condition)

The Artist, c. 1830 (litho) (b / w photo)
CHT163802 The Artist, c.1830 (litho) (b/w photo) by Gavarni, Paul (1804-66); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; French, out of copyright

Portrait of George Gordon, 6th Lord Byron of Rochdale (1788-1824) (oil on canvas
ILN142102 Portrait of George Gordon, 6th Lord Byron of Rochdale (1788-1824) (oil on canvas) (b/w photo) by English School, (19th century); The Illustrated London News Picture Library, London

Catherine Dickens, 1848 (engraving) (b / w photo)
DHM137872 Catherine Dickens, 1848 (engraving) (b/w photo) by Maclise, Daniel (1806-70) (after); Charles Dickens Museum, London, UK; eCharles Dickens Museum; eCharles Dickens Museum, London; English

Robertine Tourteau, Marquise d Orvilliers (1772-1862) 1790 (oil on canvas)
XIR192884 Robertine Tourteau, Marquise d Orvilliers (1772-1862) 1790 (oil on canvas) by David, Jacques Louis (1748-1825); 131x98 cm; Louvre, Paris

Two dignitaries, from the northern wing of the Apadana east stairway facade
BOO179107 Two dignitaries, from the northern wing of the Apadana east stairway facade, 500-480 BC (stone) by Achaemenid, (5th century BC); Persepolis, Iran; Iranian, out of copyright

Portrait of Alexandre Dumas pere (1803-70) c. 1850-60 (sepia photograph)
CHT174100 Portrait of Alexandre Dumas pere (1803-70) c.1850-60 (sepia photograph) by Nadar (Gaspard Felix Tournachon) (1820-1910); Musee de la Ville de Paris, Musee Carnavalet, Paris

Horsemen in the royal entourage, detail from the Journey of the Magi cycle in the chapel
BEN70606 Horsemen in the royal entourage, detail from the Journey of the Magi cycle in the chapel, c.1460 (fresco) (detail of 70601) by Gozzoli

Hairstyles, illustration from La Mode illustree, 1860 (colour engraving)
REV326151 Hairstyles, illustration from La Mode illustree, 1860 (colour engraving) by Toudouze, Anais (or Colin, Adele Anais) (1822-99); Bibliotheque des Arts Decoratifs, Paris

Double herm of Herodotus and Thucydides (see also 156806 & 326173) (marble) (b / w photo)
ALI326172 Double herm of Herodotus and Thucydides (see also 156806 & 326173) (marble) (b/w photo) by Greek; Museo Archeologico Nazionale, Naples, Campania

Hairstyles, illustration from La Mode illustree, 1872 (colour engraving)
REV326158 Hairstyles, illustration from La Mode illustree, 1872 (colour engraving) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris

Costume of an actress (colour engraving)
REV326146 Costume of an actress (colour engraving) by French School, (18th century); Bibliotheque des Arts Decoratifs, Paris, France; (add.info.: costume d actrice; actrice; ); French

Mother and daughter, after Nicolas de Largilliere (1656-1746) (colour litho)
REV326143 Mother and daughter, after Nicolas de Largilliere (1656-1746) (colour litho) by Devambez (19th century); Bibliotheque des Arts Decoratifs, Paris

Standing Buddha, from Buriram (bronze) (detail)
LIT253991 Standing Buddha, from Buriram (bronze) (detail) by Thai School; National Museum, Bangkok, Thailand; (add.info.: debout; ); Photo eLuca Tettoni; Thai, out of copyright

Head of Buddha, Haripunjaya Kingdom (terracotta)
LIT253989 Head of Buddha, Haripunjaya Kingdom (terracotta) by Thai School; National Museum, Haripunchai, Thailand; (add.info.: tete de; ); Photo eLuca Tettoni; Thai, out of copyright

Bust of Marie-Adelaide de Savoie, Duchess of Burgundy, 1710 (marble) (b / w photo)
XIR346029 Bust of Marie-Adelaide de Savoie, Duchess of Burgundy, 1710 (marble) (b/w photo) by Coysevox, Antoine (1640-1720); ChAteau de Versailles

Bust of Louis XV (1710-74) 1719 (marble) (b / w photo)
XIR346027 Bust of Louis XV (1710-74) 1719 (marble) (b/w photo) by Coysevox, Antoine (1640-1720); ChAteau de Versailles, France; (add.info.: French King; ); French, out of copyright

Louis XIV (1638-1715) (marble) (b / w photo)
XIR346025 Louis XIV (1638-1715) (marble) (b/w photo) by Coysevox, Antoine (1640-1720); Basilique Saint-Denis, France; (add.info.: located in the crypt; ); French, out of copyright

Bust of Gerard Audran (marble) (b / w photo)
XIR346015 Bust of Gerard Audran (marble) (b/w photo) by Coysevox, Antoine (1640-1720); Louvre, Paris, France; (add.info.: French engraver; family of engravers; ); French, out of copyright

Self portrait, c. 1680-93 (marble) (b / w photo)
XIR346000 Self portrait, c.1680-93 (marble) (b/w photo) by Coysevox, Antoine (1640-1720); Louvre, Paris, France; (add.info.: French sculptor; ); French, out of copyright

Lyndra, 1909 (pencil on paper)
Ma447025 Lyndra, 1909 (pencil on paper) by Lees, Derwent (1885-1931); 14 x 10 inches cm; Private Collection; (add.info.: A drawing of the artists wife; ); Photo eThe Ms Gallery, London; Australian

Bust of a Youth, possibly Saint John the Baptist, 1630-40
2970833 Bust of a Youth, possibly Saint John the Baptist, 1630-40 (marble on variegated black marble socle) by Mochi, Francesco (1580-1654); 40.5x33x29 cm; The Art Institute of Chicago, IL

By the Pond, c. 1896 (drypoint and aquatint print)
3617986 By the Pond, c.1896 (drypoint and aquatint print) by Cassatt, Mary Stevenson (1844-1926); 30.5 x 42.9 cm; Metropolitan Museum of Art, New York, USA; (add.info.: Drypoint and aquatint)

Self Portrait, 1860 (pencil on paper)
1631404 Self Portrait, 1860 (pencil on paper) by Solomon, Simeon (1840-1905); Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

The Newlyn Girl, c. 1895 (oil on panel)
657685 The Newlyn Girl, c.1895 (oil on panel) by Harris, Edwin (1855-1906); 21x15 cm; Private Collection; (add.info.: The Newlyn Girl. Edwin Harris (1855-1906). Oil on panel. Painted circa 1895

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"Curly Hair: A Timeless Expression of Individuality and Style" From the regal portraits of Johann Sebastian Bach, Charles XIV John of Sweden, Louis XIV, and King Charles II to the vibrant afros adorning African people's heads, it has always been a symbol of uniqueness and beauty. It transcends time and cultural boundaries. In the world of music, Jeff Lynne's iconic curls perfectly complement his talent as a singer-songwriter for The Electric Light Orchestra. Just like his melodies captivate audiences worldwide, his curly locks add an extra touch of charisma to his performances. Even in ancient times, curly hair held significance. The busts depicting Emperor Marcus Aurelius showcase how curls were associated with power and authority. They represented strength both on the battlefield and in leadership positions. But it is not just historical figures who have embraced their natural curls; everyday individuals like Emilie Floege proudly display their stunning ringlets through art. In her 1902 oil painting, she showcases her curly hair as an expression of self-confidence and artistic flair and has found its place in more contemporary settings. Binocular testing captures moments where individuals with different types of curls come together to celebrate diversity while embracing their unique textures. Whether it be classical composers like Franz Peter Schubert or modern-day musicians like Jeff Lynne, those blessed with curly hair continue to inspire awe through their creativity and passion for life. So let your curls flow freely – they are a testament to your individuality. Embrace every twist and turn because each curl tells a story that no other hairstyle can replicate. Curly hair is not just about appearance; it represents resilience, versatility, and above all else – confidence in one's own skin.