Crw Nevinson Collection

A Studio in Montparnasse, c1926, (1935). Creator: CRW Nevinson
A Studio in Montparnasse, c1926, (1935). Nude model and cat by a tall window with a view of Paris rooftops. Painting in the Tate Gallery, London. From " Modern Masterpieces", Part 2

Wet Evening, Oxford Street, 1919. Artist: CRW Nevinson
Wet Evening, Oxford Street, 1919. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

Lorry-Jumpers, 1919. Artist: CRW Nevinson
Lorry-Jumpers, 1919. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

Column on the March, 1915. (1943). Creator: CRW Nevinson
Column on the March, 1915. (1943). Soldiers marching during the First World War. Painting in the Birmingham Museum & Art Gallery. From " The Studio", Volume 125

London Twilight from the Adelphi, (oil on canvas)
657317 London Twilight from the Adelphi, (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 44.5x59 cm; Private Collection; (add.info.: London Twilight from the Adelphi)

A Village Procession, France, c. 1923 (oil on canvas)
657009 A Village Procession, France, c.1923 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 61x76 cm; Private Collection; (add.info.: A Village Procession, France)

St. Pauls from the Telegraph Building, Fleet Street, (pen, black ink
657906 St. Pauls from the Telegraph Building, Fleet Street, (pen, black ink, watercolour and bodycolour) by Nevinson, Christopher Richard Wynne (1889-1946); 28x36 cm; Private Collection; (add.info)

1925, Wembley, 1924 (colour lithograph)
1198190 1925, Wembley, 1924 (colour lithograph) by Nevinson, Christopher Richard Wynne (1889-1946); 100x64 cm; Private Collection; Photo eChristies Images; English, out of copyright

Mantelpiece, France, (oil on canvas)
657244 Mantelpiece, France, (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 60x44.5 cm; Private Collection; (add.info.: Mantelpiece, France)

From a Venetian Window, 1934 (oil on canvas)
657125 From a Venetian Window, 1934 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 65x78 cm; Private Collection; (add.info.: From a Venetian Window)

Verey Lights, 1918 (oil on canvas)
657822 Verey Lights, 1918 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: Verey Lights. Christopher Richard Wynne Nevinson (1886-1946)

Allotments, East Ham, (oil on canvas)
657126 Allotments, East Ham, (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 42x46 cm; Private Collection; (add.info.: Allotments, East Ham)

Nude on a Bed, South of France, (oil on canvas)
656867 Nude on a Bed, South of France, (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 38x46 cm; Private Collection; (add.info.: Nude on a Bed, South of France)

Sunday Evening, Punts on the Thames at Henley, 1924 (oil on canvas)
991399 Sunday Evening, Punts on the Thames at Henley, 1924 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 61x76.2 cm; Private Collection; (add.info.: Sunday Evening)

The Four Seasons: Summer, c. 1919 (oil on canvas)
657921 The Four Seasons: Summer, c.1919 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: The Four Seasons: Summer)

Autumn Bouquet; View from a Paris Window, (oil on canvas)
657841 Autumn Bouquet; View from a Paris Window, (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: Autumn Bouquet; View from a Paris Window)

By the Quay, (oil on canvas)
657631 By the Quay, (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: By the Quay. Christopher Richard Wynne Nevinson (1889-1946). Oil on canvas

St. Malo, (watercolour and black chalk)
658166 St. Malo, (watercolour and black chalk) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: St.Malo. Christopher Wynne Nevinson (1889-1946)

Rue St. Julien le Pauvre, Paris, (oil on canvas)
657690 Rue St. Julien le Pauvre, Paris, (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); 71x51 cm; Private Collection; (add.info.: Rue St. Julien le Pauvre, Paris)

The Four Seasons: Winter, c. 1919 (oil on canvas)
657923 The Four Seasons: Winter, c.1919 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: The Four Seasons: Winter)

The Four Seasons: Autumn, c. 1919 (oil on canvas)
657922 The Four Seasons: Autumn, c.1919 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: The Four Seasons: Autumn)

The Four Seasons: Spring, c. 1919 (oil on canvas)
657920 The Four Seasons: Spring, c.1919 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: The Four Seasons: Spring)

In the Trenches, 1917 (oil on canvas)
657630 In the Trenches, 1917 (oil on canvas) by Nevinson, Christopher Richard Wynne (1889-1946); Private Collection; (add.info.: In the Trenches. Christopher Richard Wynne Nevinson (1889-1946)

The Trundle at Goodwood, 1930s (oil on panel)
1197349 The Trundle at Goodwood, 1930s (oil on panel) by Nevinson, Christopher Richard Wynne (1889-1946); 29.9x40.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

Column on the March, 1915. Creator: CRW Nevinson
Column on the March, 1915

La Patrie, 1916. Creator: CRW Nevinson
La Patrie, 1916. La Patrie portrays an horrific incident the artist experienced during World War I when his Red Cross unit came upon a goods yard full of dead and dying French and German soldiers

Le Port, 1919. Artist: CRW Nevinson
Le Port, 1919. From Modern Woodcuts and Lithographs by British and French Artists, by Geoffrey Holme. [The Studio Ltd. London, Paris, New York, 1919]

The Railway Strike - Meeting on Tower Hill, 1919, 1920. Artist: CRW Nevinson
The Railway Strike - Meeting on Tower Hill, 1919, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

The Bargee, 1920. Artist: CRW Nevinson
The Bargee, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

The Road from Arras to Bapaume, 1917. Artist: CRW Nevinson
The Road from Arras to Bapaume, 1917. Painting held at the Imperial War Museum, London. From The Outline of Art, edited by Sir William Orpen, K.B.E. R.A. R.I.. [George Newnes Limited, London, c1924]

A Thames Regatta, c1919. Artist: CRW Nevinson
A Thames Regatta, c1919. From The Studio Volume 78, [London Offices of the Studio, London, 1919-20]

High Tide, West Bay, c1930. Artist: CRW Nevinson
High Tide, West Bay, c1930. From The Studio Volume 130. [The Studio Ltd, London & New York, 1945]

In The Caravan, c20th century. Artist: CRW Nevinson
In The Caravan, c20th century. From The Studio Volume 130. [The Studio Ltd, London & New York, 1945]

Les Bibliophiles. An autumn day in Paris, c1930. Artist: CRW Nevinson
Les Bibliophiles. An autumn day in Paris, c1930. From The Studio Volume 100. [The Offices of the Studio Ltd. London, 1930]

The Return, c1941. Artist: CRW Nevinson
The Return, c1941. From The Studio Volume 124. [The Studio Ltd, London & New York, 1942]

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CRW Nevinson, a prominent British artist of the early 20th century, captivated audiences with his diverse range of works. In "A Studio in Montparnasse, " created in 1926, Nevinson transports us to the vibrant artistic scene of Paris. The painting exudes an atmosphere of creativity and camaraderie as artists gather in a sunlit studio, their brushes dancing across canvases. "Wet Evening, Oxford Street" from 1919 captures the bustling energy and urban chaos of London's iconic shopping district. Nevinson masterfully portrays rain-soaked streets filled with rushing pedestrians and illuminated by glowing shop signs, and is a snapshot frozen in time that evokes both the beauty and melancholy of city life. In "Lorry-Jumpers, " also from 1919, Nevinson showcases his fascination with modern technology and its impact on society. The painting depicts workers fearlessly leaping onto moving lorries amidst industrial machinery. It serves as a powerful commentary on the rapid changes brought about by World War I and the rise of mechanization. Nevinson's "Column on the March" (1915) takes us back to the war-torn battlefields during World War I. With bold brushstrokes and dynamic composition, he conveys soldiers marching resolutely towards an uncertain future. This piece reflects Nevinson's own experiences as an ambulance driver during the war. From capturing London's twilight skyline in "London Twilight from the Adelphi" to depicting rural French traditions in "A Village Procession, " Nevinson demonstrates his versatility as an artist adept at portraying various subjects with equal skill. Whether working with oil on canvas or pen and ink like in "St. Pauls from Telegraph Building, " each artwork reveals his keen eye for detail and ability to capture mood through color or line work.