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Coypel Collection

Coypel, a name that resonates with artistic brilliance and creative mastery

Background imageCoypel Collection: Athalie chassée du temple (Athaliah Expelled from the Temple), before 1697

Athalie chassée du temple (Athaliah Expelled from the Temple), before 1697. Creator: Coypel, Antoine (1661-1722)
Athalie chassee du temple (Athaliah Expelled from the Temple), before 1697. Found in the collection of the Musee du Louvre, Paris

Background imageCoypel Collection: Frontispiece copperplate engraving by Charles Simonneau l aine after a drawing by Charles-Antoine

Frontispiece copperplate engraving by Charles Simonneau l aine after a drawing by Charles-Antoine Coypel from C
6338864 Frontispiece copperplate engraving by Charles Simonneau l aine after a drawing by Charles-Antoine Coypel from C by Simonneau

Background imageCoypel Collection: The Cheerful Democritus, 1746 (oil on canvas)

The Cheerful Democritus, 1746 (oil on canvas)
990346 The Cheerful Democritus, 1746 (oil on canvas) by Coypel, Antoine (1661-1722); 92.4x73.7 cm; Private Collection; (add.info.: The Cheerful Democritus. Charles Antoine Coypel (1694-1752)

Background imageCoypel Collection: The Drunken Silenus, (oil on canvas)

The Drunken Silenus, (oil on canvas)
659369 The Drunken Silenus, (oil on canvas) by Coypel, Antoine (1661-1722); 99x81.3 cm; Private Collection; (add.info.: The Drunken Silenus. Charles-Antoine Coypel (1694-1752). Oil on canvas

Background imageCoypel Collection: Galerie decoree par Coypel (engraving)

Galerie decoree par Coypel (engraving)
963310 Galerie decoree par Coypel (engraving) by French School, (19th century); Private Collection; (add.info.: Galerie decoree par Coypel)

Background imageCoypel Collection: Portrait of Monsieur Dupille, Mid-Body, in a Robe Sitting on the Edge of a Window

Portrait of Monsieur Dupille, Mid-Body, in a Robe Sitting on the Edge of a Window
659330 Portrait of Monsieur Dupille, Mid-Body, in a Robe Sitting on the Edge of a Window, 1733 (oil on canvas) by Coypel, Antoine (1661-1722); 146.7x96.4 cm; Private Collection; (add.info)

Background imageCoypel Collection: The Head of a Boy, (black and red chalk, pastel)

The Head of a Boy, (black and red chalk, pastel)
990315 The Head of a Boy, (black and red chalk, pastel) by Coypel, Antoine (1661-1722); 27.5x23.9 cm; Private Collection; (add.info.: The Head of a Boy. Antoine Coypel (1661-1722)

Background imageCoypel Collection: The Triumph of Galatea, c. 1727 (oil on canvas)

The Triumph of Galatea, c. 1727 (oil on canvas)
990418 The Triumph of Galatea, c.1727 (oil on canvas) by Coypel, Noel-Nicholas (1690-1734); 97.2x124.5 cm; Private Collection; (add.info.: The Triumph of Galatea. Noel-Nicolas Coypel (1690-1734)

Background imageCoypel Collection: The Head of an Angel, Looking up to the Left, (red, brown

The Head of an Angel, Looking up to the Left, (red, brown
827564 The Head of an Angel, Looking up to the Left, (red, brown, black and white chalk on light blue paper) by Coypel, Antoine (1661-1722); 39.7x30.5 cm; Private Collection; (add.info)

Background imageCoypel Collection: Portrait of Madame Dupille and Her Daughter, Mid-Body, Dressed in Ball Gowns in a Window

Portrait of Madame Dupille and Her Daughter, Mid-Body, Dressed in Ball Gowns in a Window
659329 Portrait of Madame Dupille and Her Daughter, Mid-Body, Dressed in Ball Gowns in a Window, 1733 (oil on canvas) by Coypel

Background imageCoypel Collection: The Sorrowful Heraclitus, 1746 (oil on canvas)

The Sorrowful Heraclitus, 1746 (oil on canvas)
990347 The Sorrowful Heraclitus, 1746 (oil on canvas) by Coypel, Antoine (1661-1722); 92.4x73.7 cm; Private Collection; (add.info.: The Sorrowful Heraclitus. Charles Antoine Coypel (1694-1752)

Background imageCoypel Collection: Aymon Premier, 1726. Creators: Caylus, Anne-Claude-Philippe de, Francois Joullain

Aymon Premier, 1726. Creators: Caylus, Anne-Claude-Philippe de, Francois Joullain
Aymon Premier, 1726

Background imageCoypel Collection: Spring (Le Printemps), 1742-62 Creator: Simon Francois Ravenet

Spring (Le Printemps), 1742-62 Creator: Simon Francois Ravenet
Spring (Le Printemps), 1742-62

Background imageCoypel Collection: Plate 13: entrance of Love and Wealth to Gamaches wedding (Entré

Plate 13: entrance of Love and Wealth to Gamaches wedding (Entré
Plate 13: entrance of Love and Wealth to Gamaches wedding (Entree de L amour et de la Richesse aux Noces de Gamache), 1745

Background imageCoypel Collection: Portrait of Adrienne Lecouvreur as Cornelia in Corneilles 'La Mort de Pompé

Portrait of Adrienne Lecouvreur as Cornelia in Corneilles "La Mort de Pompé
Portrait of Adrienne Lecouvreur as Cornelia in Corneilles " La Mort de Pompee", 1730

Background imageCoypel Collection: Youth under the clothing of decrepitude (La jeunesse sous les habillements de la dé

Youth under the clothing of decrepitude (La jeunesse sous les habillements de la dé
Youth under the clothing of decrepitude (La jeunesse sous les habillements de la decrepitude), 1751

Background imageCoypel Collection: Plate 27: Dona Rodriguez, who is speaking at night with Don Quixote

Plate 27: Dona Rodriguez, who is speaking at night with Don Quixote, is surprised by the ladies of the Duchess (La Dame Rodrigue,s entretenant de nuit avec Don Quichotte)

Background imageCoypel Collection: Childrens Games (Jeux des Enfants), 1731. Creator: Francois Bernard Lepicie

Childrens Games (Jeux des Enfants), 1731. Creator: Francois Bernard Lepicie
Childrens Games (Jeux des Enfants), 1731

Background imageCoypel Collection: The Coquettish Widow, 1724. Creator: Francois Bernard Lepicie

The Coquettish Widow, 1724. Creator: Francois Bernard Lepicie
The Coquettish Widow, 1724

Background imageCoypel Collection: Cupid teaching (L Amour-Precepteur), 1730. Creator: Francois Bernard Lepicie

Cupid teaching (L Amour-Precepteur), 1730. Creator: Francois Bernard Lepicie
Cupid teaching (L Amour-Precepteur), 1730

Background imageCoypel Collection: Winter (L Hyver), 1740-60. Creator: Antoine R. Tronchon

Winter (L Hyver), 1740-60. Creator: Antoine R. Tronchon
Winter (L Hyver), 1740-60

Background imageCoypel Collection: Summer (L Ete), 1740-60. Creator: Antoine R. Tronchon

Summer (L Ete), 1740-60. Creator: Antoine R. Tronchon
Summer (L Ete), 1740-60

Background imageCoypel Collection: Saint Louis of France received into heaven by Christ and two angels who offer him the c

Saint Louis of France received into heaven by Christ and two angels who offer him the crown of France, 1671-80

Background imageCoypel Collection: Four Biblical scenes: the main mysteries of the Old and New Testaments (Les principau

Four Biblical scenes: the main mysteries of the Old and New Testaments (Les principaux mysteres de l ancien et du nouveau testament), 1680-1728

Background imageCoypel Collection: The Story that Stops Time (L Histoire qui arrete le temps), 1708-54

The Story that Stops Time (L Histoire qui arrete le temps), 1708-54

Background imageCoypel Collection: Cat atop a tomb, 1714-52. 1714-52. Creator: Charles-Antoine Coypel

Cat atop a tomb, 1714-52. 1714-52. Creator: Charles-Antoine Coypel
Cat atop a tomb, 1714-52

Background imageCoypel Collection: Portrait of Charles d Orleans, Abbe of Rothelin, 1744-49. 1744-49

Portrait of Charles d Orleans, Abbe of Rothelin, 1744-49. 1744-49
Portrait of Charles d Orleans, Abbe of Rothelin, 1744-49

Background imageCoypel Collection: The Coquettish Widow, 1747. 1747. Creator: Simon Nicolas Duflos

The Coquettish Widow, 1747. 1747. Creator: Simon Nicolas Duflos
The Coquettish Widow, 1747

Background imageCoypel Collection: Joseph Recognized by his Brothers, 18th century. Creator: Charles-Antoine Coypel

Joseph Recognized by his Brothers, 18th century. Creator: Charles-Antoine Coypel
Joseph Recognized by his Brothers, 18th century

Background imageCoypel Collection: Design for a Tapestry Seat of a Sofa, 1721. Creator: Charles-Antoine Coypel

Design for a Tapestry Seat of a Sofa, 1721. Creator: Charles-Antoine Coypel
Design for a Tapestry Seat of a Sofa, 1721

Background imageCoypel Collection: Francois de Jullienne (1722-1754) and His Wife (Marie Elisabeth de Seré

Francois de Jullienne (1722-1754) and His Wife (Marie Elisabeth de Seré
Francois de Jullienne (1722-1754) and His Wife (Marie Elisabeth de Sere de Rieux, 1724-1795), 1743

Background imageCoypel Collection: French Renaissance Gobelins tapestries, (1898). Creator: Unknown

French Renaissance Gobelins tapestries, (1898). Creator: Unknown
French Renaissance Gobelins tapestries, (1898). Figs 1-3: Borders on a tapestry carpet after [Charles] Le Brun (made 1665-72). Figs 4-6: Border from a tapestry after Noel Coypel (made 1670-80)

Background imageCoypel Collection: Gobelins tapestries, France, late 17th-early18th century, (1898). Creator: Unknown

Gobelins tapestries, France, late 17th-early18th century, (1898). Creator: Unknown
Gobelins tapestries, late 17th-early18th century, (1898). Fig 1: Gobelin tapestry for the Castle of St. Germain [Chateau-Neuf de Saint-Germain-en-Laye, near Paris]

Background imageCoypel Collection: The meeting of Eliezer and Rebecca at the well, 19th century. Creator: H Robinson

The meeting of Eliezer and Rebecca at the well, 19th century. Creator: H Robinson
The meeting of Eliezer and Rebecca at the well, 19th century. Biblical scene, from Genesis 24: 22: And it came to pass, as the camels had done drinking

Background imageCoypel Collection: Athaliah and Jehoash, 1741. Creator: Coypel, Charles-Antoine (1694-1752)

Athaliah and Jehoash, 1741. Creator: Coypel, Charles-Antoine (1694-1752)
Athaliah and Jehoash, 1741. Found in the Collection of Musee des beaux-arts, Brest

Background imageCoypel Collection: Pierre Jelyotte (1713-1797) in the Role of the Nymph Plataea in Comic Opera

Pierre Jelyotte (1713-1797) in the Role of the Nymph Plataea in Comic Opera
Pierre Je lyotte (1713-1797) in the Role of the Nymph Plataea in Comic Opera Plate e ou Junon jalouse by Jean-Philippe Rameau, c. 1745. Found in the Collection of Muse e du Louvre, Paris

Background imageCoypel Collection: Saint Francis of Paola and his companions cross the strait to Messina on his cloak, 1723

Saint Francis of Paola and his companions cross the strait to Messina on his cloak, 1723. Found in the Collection of Primatiale Saint-Jean de Lyon

Background imageCoypel Collection: The Cheerful Democritus, 18th century. Artist: Coypel, Antoine (1661-1722)

The Cheerful Democritus, 18th century. Artist: Coypel, Antoine (1661-1722)
The Cheerful Democritus, 18th century. Private Collection

Background imageCoypel Collection: Sacrifice to Jupiter. Artist: Coypel, Noel (1628-1707)

Sacrifice to Jupiter. Artist: Coypel, Noel (1628-1707)
Sacrifice to Jupiter. Found in the collection of Musee de l Histoire de France, Chateau de Versailles

Background imageCoypel Collection: Saint Thais in her cell. Artist: Coypel, Antoine (1661-1722)

Saint Thais in her cell. Artist: Coypel, Antoine (1661-1722)
Saint Thais in her cell. Found in the collection of Musee de l Histoire de France, Chateau de Versailles

Background imageCoypel Collection: The glorification of Louis XIV. Artist: Coypel, Antoine (1661-1722)

The glorification of Louis XIV. Artist: Coypel, Antoine (1661-1722)
The glorification of Louis XIV. Found in the collection of Musee de l Histoire de France, Chateau de Versailles

Background imageCoypel Collection: Moses. Artist: Coypel, Antoine (1661-1722)

Moses. Artist: Coypel, Antoine (1661-1722)
Moses. Found in the collection of Musee de l Histoire de France, Chateau de Versailles

Background imageCoypel Collection: Louis XIV receiving the Persian Ambassador in the Galerie des Glaces at Versailles

Louis XIV receiving the Persian Ambassador in the Galerie des Glaces at Versailles, 19th February 17 Artist: Coypel
Louis XIV receiving the Persian Ambassador in the Galerie des Glaces at Versailles, 19th February 1715. Found in the collection of Musee de l Histoire de France, Chateau de Versailles

Background imageCoypel Collection: Roland and Angelica

Roland and Angelica. Private Collection

Background imageCoypel Collection: Allegory of Music. Portrait of Madame de Maintenon (1635-1719)

Allegory of Music. Portrait of Madame de Maintenon (1635-1719), with the Natural Children of Louis X Artist: Coypel
Allegory of Music. Portrait of Madame de Maintenon (1635-1719), with the Natural Children of Louis XIV. Private Collection

Background imageCoypel Collection: Pierre de Montarsis, c1692 (1894). Artist: Gerard Edelinck

Pierre de Montarsis, c1692 (1894). Artist: Gerard Edelinck
Pierre de Montarsis, c1692 (1894). From A Collection of Engraved Portraits (Further Selection) Exhibited by the Late James Anderson Rose

Background imageCoypel Collection: Adrienne Lecouvreur (1692-1730) as Cornelia, (1903). Artist: Pierre Imbert Drevet

Adrienne Lecouvreur (1692-1730) as Cornelia, (1903). Artist: Pierre Imbert Drevet
Adrienne Lecouvreur (1692-1730) as Cornelia. Adrienne Lecouvreur (1692-1730) was a french actress. After Antoine Coypel (1661-1722). From The Connoisseur Vol. VII [Otto Limited, London, 1903.]

Background imageCoypel Collection: Louis of Bourbon, Duke of Orleans, (1849). Artist: J Brown

Louis of Bourbon, Duke of Orleans, (1849). Artist: J Brown
Louis of Bourbon, Duke of Orleans, (1849). Louis of Bourbon, Duke of Orleans, (1703-1752), the only son of Philippe II, Duke of Orleans, the regent Orleans and Francoise-Marie de Bourbon



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Coypel, a name that resonates with artistic brilliance and creative mastery. From the Frontispiece copperplate engraving by Charles Simonneau l'aîné after a drawing by Charles-Antoine Coypel to his mesmerizing oil paintings like "The Cheerful Democritus" and "The Drunken Silenus, " Coypel's talent knew no bounds. His Galerie décorée par Coypel stands as a testament to his ability to transform spaces into visual wonders, leaving onlookers in awe of his artistic prowess. With each stroke of his brush, he captured the essence of his subjects, bringing them to life on canvas. In portraits such as "Portrait of Monsieur Dupille" and "Portrait of François de Jullienne standing beside his Wife, " Coypel skillfully portrayed the personalities and emotions of those he depicted. The depth and detail in these works are truly remarkable, showcasing Coypel's keen eye for capturing human expression. But it was not only through paint that Coypel expressed himself; even in mediums like chalk and pastels, he left an indelible mark. In pieces like "The Head of a Boy" and "Cupid abandoning Psyche, " he demonstrated his versatility as an artist, effortlessly transitioning between different materials while maintaining impeccable precision. One cannot overlook the grandeur displayed in works such as "The Triumph of Galatea. " Through vibrant colors and masterful composition, Coypel transported viewers into mythical realms where beauty reigned supreme. Even when focusing on smaller details like in "The Head of an Angel Looking up to the Left, " Coypel showcased an extraordinary attention to intricacies that brought out the ethereal qualities within each piece. And finally, there is nothing more heartwarming than witnessing familial love immortalized on canvas. In pieces such as "Portrait of Madame Dupille and Her Daughter, " one can feel the bond between mother and child, forever captured in a single moment.