Corinthian Collection (page 3)

Louis XIV cabinet-on-stand (gilt-bronze, pietra dura, tortoiseshell, ash
1766357 Louis XIV cabinet-on-stand (gilt-bronze, pietra dura, tortoiseshell, ash, ebonised & parcel-gilt) (see also 1766355-6) by Cucci, Domenico (1635-1734) & Gobelins workshop (attr)

The Villa Doria at Genoa, 1829 (pencil & w / c on paper)
CH440530 The Villa Doria at Genoa, 1829 (pencil & w/c on paper) by Cheney, Robert Henry (1801-66); 25.4x20.7 cm; Private Collection; Photo eChristies Images; British, out of copyright

La Main Chaude (oil on canvas)
623101 La Main Chaude (oil on canvas) by Janssens, Hieronymus (1624-93) (circle of); 58.4x79.3 cm; Private Collection; (add.info)

Monument to Dionysus, god of wine, erected in Athens in 335-34 BC by Lysicrates to celebrate his teams victory in
5998144 Monument to Dionysus, god of wine, erected in Athens in 335-34 BC by Lysicrates to celebrate his teams victory in the theatrical contests (b/w photo) by European Photographer

Cross section of Corinthian capital and proportional drawing
6317559 Cross section of Corinthian capital and proportional drawing by Beham, Hans Sebald (1500-50); (add.info.: Cross section of a Corinthian capital and proportional drawing of same)

The Temple of Faustina, 1833 (etching with brown wash)
STC384833 The Temple of Faustina, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info)

The Temple of Castor, 1833 (etching with brown wash)
STC384828 The Temple of Castor, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info)

The Column of Phocas (w / c on paper)
621548 The Column of Phocas (w/c on paper) by Prout, Samuel (1783-1852); 26.3x19 cm; eThe Devonshire Collections, Chatsworth; (add.info.: The last monument erected in the Roman Forum)

Columniated ruins of the Temple of Minerva, Forum of Nerva
449356 Columniated ruins of the Temple of Minerva, Forum of Nerva, Rome (pen & brown ink with wash on paper) by Vrancx, Sebastian (1573-1647); 27.8x39 cm; eThe Devonshire Collections

A Roman atrium (pen & ink on paper)
CTS407563 A Roman atrium (pen & ink on paper) by Jones, Inigo (1573-1652); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; English

Aldgate, remains of the old Saracens Head Inn, c. 1883 (b / w photo)
JHL394938 Aldgate, remains of the old Saracens Head Inn, c.1883 (b/w photo) by Dixon, Henry (1820-92); Private Collection; (add.info)

Order of the portico to the Vestibulum in the Peristylium
STC425574 Order of the portico to the Vestibulum in the Peristylium, from Ruins of the Palace of Emperor Diocletian at Spalatro in Dalmatia, published 1764 (engraving) by Adam

Exterior order of the Temple of Aesculapius, plate XLVII from
STC425539 Exterior order of the Temple of Aesculapius, plate XLVII from Ruins of the Palace of the Emperor Diocletian at Spalatro in Dalmatia, published 1764 (engraving) by Adam

Palazzo Barbarano da Porto, 1570-75 (photo)
XIR415784 Palazzo Barbarano da Porto, 1570-75 (photo) by Palladio, Andrea (1508-80); Vicenza, Veneto, Italy; (add.info.: courtyard with loggia of Palladios only completely finished city palace;)

Ecole Militaire, the main pavilion, 1751-73
XIR414991 Ecole Militaire, the main pavilion, 1751-73 by Gabriel, Jacques-Ange (1698-1782); Paris, France; (add.info.: pavillon central; b/w photo; black)

Design for the Ecole Militaire in Paris, 1769 (pencil on paper)
XIR414990 Design for the Ecole Militaire in Paris, 1769 (pencil on paper) by Gabriel, Jacques-Ange (1698-1782); Musee de la Ville de Paris, Musee Carnavalet, Paris

Assembly Rooms, Prince Street (pencil & w / c on paper)
2831972 Assembly Rooms, Prince Street (pencil & w/c on paper) by Jackson, Samuel (1794-1868); Bristol Museum and Art Gallery, UK; eBristol Museums

Initials over Corinthian Doorway in Temple Street (w / c on paper)
2831654 Initials over Corinthian Doorway in Temple Street (w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

The Five Orders of Architecture (engraving)
2802017 The Five Orders of Architecture (engraving) by English School, (19th century); Private Collection; (add.info.: The Five Orders of Architecture)

St. Georges Hall, Liverpool, Merseyside. Date: circa 1936

Golden Gate at Yedikule, Istanbul, Turkey
The Golden Gate (Porte Doree) at Yedikule, Istanbul, Turkey - part of the 15th century Yedikule Fortress. The gates formed the main ceremonial entrance into the capital

Columns of the Temple of Olympian Zeus, Athens

La Madeleine church, Paris, France
La Madeleine church, Paris with its neoclassical facade. Classic cars in foreground. Date: circa 1930s

View of the Temple of Cybele in the Piazza of the Bocca della Verita, from Views of Rome
2972343 View of the Temple of Cybele in the Piazza of the Bocca della VeritA, from Views of Rome, 1750-59 (etching on heavy ivory laid paper) by Piranesi

Powis House, c. 1720 (engraving)
3038204 Powis House, c.1720 (engraving) by Nicholls, Sutton (fl.1700-40); Private Collection; (add.info.: Townhouse of Marquess of Powis on Great Ormond Street published in Stowes Survey)

Durban, Town Hall (b / w photo)
3092498 Durban, Town Hall (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Durban, Town Hall)

Designs for garden seats in parks or landscaped gardens. Indian umbrella-style seat at top and fabric marquee over a folding iron frame below

Belvoir Castle, seat of John Manners, 5th Duke of
Belvoir Castle, Leicestershire, seat of John Manners, 5th Duke of Rutland. Built in the romantic Gothic Revival style to designs by the architect James Wyatt and restored by Sir James Thornton

View of the Roman Forum in Athens
View of the Roman Forum or Agora in Athens, Greece. Built during the reign of Emperor Augustus. L Elevazione del Foro di Atene

Original Design for St. Pauls Cathedral
XCF274395 Original Design for St. Pauls Cathedral by English School; Private Collection; English, out of copyright

The Forum Romanum (b / w photo)
JHL358866 The Forum Romanum (b/w photo) by English Photographer; Private Collection; (add.info.: Temple of Castor and Pollux, built 495 BC; ); English, out of copyright

Church of Saint-Sulpice, elevation of the facade, Paris, 1740 (engraving) (b / w photo)
XIR346075 Church of Saint-Sulpice, elevation of the facade, Paris, 1740 (engraving) (b/w photo) by Servandoni, Giovanni Niccolo (1695-1766); Ecole Nationale Superieure des Beaux-Arts, Paris

Facade of the Temple of Hadrian (photo)
KW260475 Facade of the Temple of Hadrian (photo) by Roman, (2nd century AD); Ephesus, Turkey; out of copyright

View of an Ideal City, or The City of God, c. 1480-1490 (oil on panel)
AII80438 View of an Ideal City, or The City of God, c. 1480-1490 (oil on panel) by Laurana, Luciano (c.1420-79) (attr. to); Galleria Nazionale delle Marche, Urbino, Marche

Elegant Figures dining in a Courtly Interior (oil on panel)
RAF132041 Elegant Figures dining in a Courtly Interior (oil on panel) by Bassen, B. van (fl.1613-52) & Velde, E. van de (1587-1630); Private Collection; Photo eRafael Valls Gallery, London

Reverse side of a coin depicting Pegasus, from Corinth, 700-300 BC (metal)
XIR165121 Reverse side of a coin depicting Pegasus, from Corinth, 700-300 BC (metal) by Greek School; Bibliotheque Nationale, Paris, France; Greek, out of copyright

Pindar and Lais, 1820 (pencil on paper)
HMP244350 Pindar and Lais, 1820 (pencil on paper) by Blake, William (1757-1827); Harris Museum and Art Gallery, Preston, Lancashire, UK; eHarris Museum and Art Gallery; English, out of copyright

View of the Maison Carree, c. 19 BC (photo)
XIR192424 View of the Maison Carree, c.19 BC (photo) by Roman, (1st century BC); Nimes, France; (add.info.: built in the Augustan age and possibly dedicated to Lucius and Caius)

Baalbec, plate 79 from Volume II of The Holy Land
STC87250 Baalbec, plate 79 from Volume II of The Holy Land, engraved by Louis Haghe (1806-85) pub. 1843 (litho) by Roberts

Louis XIV cabinet-on-stand (gilt-bronze, pietra dura, tortoiseshell, ash
1766356 Louis XIV cabinet-on-stand (gilt-bronze, pietra dura, tortoiseshell, ash, ebonised & parcel-gilt) (see also 1766355-7) by Cucci, Domenico (1635-1734) & Gobelins workshop (attr)

Louis XIV cabinet-on-stand (gilt-bronze, pietra dura, tortoiseshell, ash
1766355 Louis XIV cabinet-on-stand (gilt-bronze, pietra dura, tortoiseshell, ash, ebonised & parcel-gilt) (see also 1766356-7) by Cucci, Domenico (1635-1734) & Gobelins workshop (attr)

Design for an Altar with a Pedimented Tabernacle Supported on Paired Corinthian Statues
659184 Design for an Altar with a Pedimented Tabernacle Supported on Paired Corinthian Statues of Saint Lucy, Saint Agnes, Saint Ansanus and Saint Stephen in Niches Between These, (black chalk)

Pin with Aphrodite, Hellenistic, c. 1st century BC (gold)
CH466665 Pin with Aphrodite, Hellenistic, c.1st century BC (gold) by Greek; length: 14.6 cm; Private Collection; Photo eChristies Images; Greek, out of copyright

Fountain of St Lazarus, Autun, France (b / w photo)
6016666 Fountain of St Lazarus, Autun, France (b/w photo) by American Photographer (19th century) (after); Private Collection; (add.info.: Fountain of St Lazarus, Autun, France)

Railway station at Lime Street, Liverpool 1838
Entrance to the railway station at Lime Street, Liverpool, two years after its opening. Date: 1838

The Temple of the Tiburtine Sibyl, 1833 (etching with brown wash)
STC384838 The Temple of the Tiburtine Sibyl, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info)

The Temple of Hercules Victor, 1833 (etching with brown wash)
STC384830 The Temple of Hercules Victor, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info)

The Temple of Jupiter Tonans - Restored by Camporesi, 1833 (etching with brown wash)
STC384825 The Temple of Jupiter Tonans - Restored by Camporesi, 1833 (etching with brown wash) by Tofanelli, Agostino (1770-1834); Private Collection; (add.info)

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"Exploring the Timeless Beauty of Corinthian: From Classical Orders to Iconic Structures" Step into the world of architectural marvels as we uncover the captivating allure of Corinthian. This exquisite style, one of the three Classical Orders alongside Doric and Ionic columns, has left an indelible mark on history. Imagine yourself transported to ancient Rome, where Cicero's powerful speeches echoed through grand halls adorned with Corinthian columns. The Claverton Street Chapel in London pays homage to this timeless design, showcasing its elegance even in a modern setting. But it is Greece that truly embraced Corinthian's splendor. In Athens, Hadrian's Library stands proudly as a testament to Roman Emperor Hadrian's vision. And amidst the ruins of the Roman Forum captured by Robert MacPherson in 1867, Corinthian columns still stand tall, whispering stories from centuries past. Architecture enthusiasts will appreciate Charles Lawrie's engraved masterpiece depicting the Orders of Architecture. Here, Doric, Ionic and Corinthian column capitals are meticulously illustrated – each boasting its unique charm and character. Venturing further afield brings us to Al Khazneh Temple in Petra, Jordan – an awe-inspiring structure adorned with intricate Corinthian details. Meanwhile, Rome beckons with its iconic Arch of Titus and Temple of Vesta; both exemplifying how this architectural style transcends time and borders. Whether you find yourself exploring Syria's Palmyra or wandering through Homs Governate – remnants like the Funerary Temple and Arab Citadel showcase how even amidst turmoil, these magnificent structures endure. Corinthian remains a symbol of beauty frozen in stone - an eternal reminder that artistry can withstand the test of time.