Conversation Collection (page 85)

Conversation between Albert of Austria and Charles VI, Jan Ruyter, 1741 - 1744

Mr. Flintwinch mediates as a friend of the family, illustration from Little
KW259270 Mr. Flintwinch mediates as a friend of the family, illustration from Little Dorrit by Charles Dickens (1812-70) first published 1857 (litho) by Browne

The friendly waiter and I, illustration from David Copperfield by Charles Dickens
KW259240 The friendly waiter and I, illustration from David Copperfield by Charles Dickens (1812-70) first published 1850 (litho) by Browne

Mrs. Jellyby, illustration from Bleak House by Charles Dickens (1812-70) published 1853
KW259208 Mrs. Jellyby, illustration from Bleak House by Charles Dickens (1812-70) published 1853 (litho) by Browne, Hablot Knight (Phiz) (1815-92); Private Collection; Ken Welsh; English

Three men in conversation, Marcellus Laroon (I), 1663 - 1702

Mr. Carker introduces himself to Florence and the Skettles family, illustration from Dombey
KW259257 Mr. Carker introduces himself to Florence and the Skettles family, illustration from Dombey and Son by Charles Dickens (1812-70) first published 1848 (litho) by Browne

Mrs. Dombey at home, illustration from Dombey and Son by Charles Dickens
KW259254 Mrs. Dombey at home, illustration from Dombey and Son by Charles Dickens (1812-70) first published 1848 (litho) by Browne

A chance meeting, illustration from Dombey and Son by Charles Dickens
KW259252 A chance meeting, illustration from Dombey and Son by Charles Dickens (1812-70) first published 1848 (litho) by Browne

Mr. Carker in his hour of triumph, illustration from Dombey and Son by Charles Dickens
KW259249 Mr. Carker in his hour of triumph, illustration from Dombey and Son by Charles Dickens (1812-70) first published 1848 (litho) by Browne

Landscape with shepherds in conversation, Johannes Janson, 1761 - 1784

Miseries Personal (coloured etching)
XYC250005 Miseries Personal (coloured etching) by Rowlandson, Thomas (1756-1827); Yale Center for British Art, Gift of Robert N. Whittemore; English, out of copyright

Reunion of Artists in the Studio of Isabey, 1798 (oil on canvas)
XIR24947 Reunion of Artists in the Studio of Isabey, 1798 (oil on canvas) by Boilly, Louis Leopold (1761-1845); 71.5x111 cm; Louvre, Paris

The salon of a house of foreign merchants at Yokohama, 1861 (colour woodblock print)
XIR253122 The salon of a house of foreign merchants at Yokohama, 1861 (colour woodblock print) by Sadahide, Utagawa (1807-73); 34x67.5 cm; Musee Claude Monet, Giverny

Kolf game, 1654 (etching) (b / w photo)
XIR239558 Kolf game, 1654 (etching) (b/w photo) by Rembrandt Harmensz. van Rijn (1606-69); Musee de la Ville de Paris, Musee du Petit-Palais, France; Dutch, out of copyright

The Chalon Family in their London Town Garden, early 1800s (oil on Academy board)
XYC238957 The Chalon Family in their London Town Garden, early 1800s (oil on Academy board) by Agasse, Jacques-Laurent (1767-1849); 13.7x19.7 cm; Yale Center for British Art, Paul Mellon Fund

On the Terrace, 1906 (oil on canvas)
BAL240151 On the Terrace, 1906 (oil on canvas) by Kustodiev, Boris Mikhailovich (1878-1927); 134x97.5 cm; State Art Museum, Nizhny Novgorod, Russia; Russian, out of copyright

Christophe and the Fat Sylvie, illustration from Le Pere Goriot by Honore de Balzac
XIR239748 Christophe and the Fat Sylvie, illustration from Le Pere Goriot by Honore de Balzac (1799-1850) (engraving) (b/w photo) by French School, (19th century); Bibliotheque Nationale, Paris

A Tea Party (pen & ink, pencil & w / c on paper laid on mount) (recto of 238964)
XYC238963 A Tea Party (pen & ink, pencil & w/c on paper laid on mount) (recto of 238964) by Rowlandson, Thomas (1756-1827); 15.2x22.9 cm; Yale Center for British Art, Paul Mellon Collection

Two Ladies, Edo Period (1603-1868) (coloured woodblock print)
XBP236600 Two Ladies, Edo Period (1603-1868) (coloured woodblock print) by Sharaku, Toshusai (fl.1794-95); Private Collection; Photo eBoltin Picture Library; Japanese, out of copyright

The Regular Visitor to Ranelagh Gardens, from Les Femmes de Paris, 1841-42
XIR216406 The Regular Visitor to Ranelagh Gardens, from Les Femmes de Paris, 1841-42 (colour litho) by Geniole, Alfred Andre (1813-61); Musee de la Ville de Paris, Musee Carnavalet, Paris

Ms E-14 Tribal Leaders Meeting Hermits, from a Moraqqa (gouache on paper)
XIR216634 Ms E-14 Tribal Leaders Meeting Hermits, from a Moraqqa (gouache on paper) by Indian School, (17th century); Institute of Oriental Studies, St. Petersburg, Russia; Indian, out of copyright

The Royal Banquet (engraving) (b / w photo)
XIR207727 The Royal Banquet (engraving) (b/w photo) by French School, (17th century); Private Collection; (add.info.: reign of Louis XIV (1638-1715); ); French, out of copyright

Francois I (1494-1547) and Anne de Pisseleu (1508-80) Duchess of Etampes, 19th century
XIR202802 Francois I (1494-1547) and Anne de Pisseleu (1508-80) Duchess of Etampes, 19th century (oil on canvas) (b/w photo) by Bonington, Richard Parkes (1802-28); Louvre, Paris

The conversation, David Bles, c. 1850 - c. 1899

Autumn (Conversation), Adriaen Pietersz. van de Venne, 1625

Konstance in conversation with Don John, Pieter Nolpe, 1643

Man and woman talking, Louis Bernard Coclers, 1756 - 1817

Man and woman in conversation, Louis Bernard Coclers, 1756-1817

Two Epicureans (oil on canvas)
XIR181027 Two Epicureans (oil on canvas) by Tournieres, Robert (1668-1752) (attr. to); 73x91 cm; Musee des Beaux-Arts, Caen, France; French, out of copyright

The Lunch, 1620 (oil on canvas)
XJL180968 The Lunch, 1620 (oil on canvas) by Velazquez, Diego Rodriguez de Silva y (1599-1660); Museum of Fine Arts, Budapest, Hungary; Spanish, out of copyright

Waterfall, Gillis van Scheyndel (I), 1631 - 1656

Chapel in ruins, print maker: Gillis van Scheyndel I, Antoine Perelle possibly, 1605 - 1653

Two women and a man on a farm, Marie Lambertine Coclers, c. 1776 - c. 1815

Farmers in conversation, Marten J. Waefelaers, 1779 - 1793

The Bakers Art, plate number 27 from the Les Femmes de Paris series
XIR176019 The Bakers Art, plate number 27 from the Les Femmes de Paris series, 1841-42 (colour litho) by Geniole, Alfred Andre (1813-61); Musee de la Ville de Paris, Musee Carnavalet, Paris

Milestone at Locks, Claes Jansz. Visscher (II), 1612 - 1652

Conversation with Nicodemus, Jacques de Bie, Adriaen Collaert, 1598 - 1618

View of the bridge at Saint Maurice in Switzerland, Jan Gerard Waldorp, Louis Bernard Coclers, 1792

Wooded landscape with two men conversing, print maker: Hermanus Jan Hendrik van Rijkelijkhuysen, 1823 - 1883

Scene from L Ingenu by Voltaire (1694-1778) (engraving) (b / w photo)
XIR172279 Scene from L Ingenu by Voltaire (1694-1778) (engraving) (b/w photo) by Monnet, Charles (1732-p.1808) (after); Private Collection; (add.info.: Francois Marie Arouet de Voltaire; ); French

Alice and the Red Queen, illustration from Through the Looking Glass by Lewis Carroll
KW232565 Alice and the Red Queen, illustration from Through the Looking Glass by Lewis Carroll (1832-98) first published 1871 (litho) by Tenniel

Man and woman at a trickle, Hermanus Jan Hendrik van Rijkelijkhuysen, 1823 - 1883

Farmers in conversation at ranch, Johannes Christiaan Janson, 1778 - 1823

Farmers in conversation at the farm, Johannes Christiaan Janson, 1778-1823

Landscape with farm and cart, Johannes Christiaan Janson, 1778-1823

Landscape with Skaters and farm, print maker: Johannes Christiaan Janson

View of Utrecht from the west (plate III), Herman Saftleven, Reinier & Josua Ottens, 1725 - 1751

Shepherd and milkmaid in conversation, Frederic Theodore Faber, 1810

All Professionally Made to Order for Quick Shipping

"Capturing Conversations Through Art: A Glimpse into Timeless Interactions" Step back in time and witness the power through a collection of captivating artworks. From Henry Stacy Marks' "A Select Committee, 1891" to Sir Ernest Albert Waterlow's "Galway Gossips, c1887, " these masterpieces transport us to an era where dialogue reigned supreme. In Raphael Morghen and Teodoro Matteini's iconic piece, "The Last Supper, 1800, " we observe Jesus and his disciples engaged in profound discussion, emphasizing the significance of communication even during historic moments. Meanwhile, Anna Ancher and Marie Kroyer grace the canvas in their intimate exchange on Skagen Southern Beach during a serene summer evening in 1893. Conversation transcends time as we delve into political history with Churchill and Roosevelt deep in discussion. Witnessing the royal family at home during a special sitting for ILN magazine in May 1942 reminds us that even those who hold immense power value heartfelt conversations within their own circles. Traveling further back to the 1600s, we encounter French literary giants such as La Fontaine, Moliere, Racine engaging passionately about their craft. Their animated discussions serve as a testament to how conversation fuels creativity throughout centuries. Amidst war-torn times like World War II, Edward T. Grigware's silkscreen poster warns against careless talk with its powerful message - "Keep Mum - The World Has Ears. " It serves as a reminder that words hold great weight and should be chosen wisely. Delving deeper into history reveals intriguing encounters like Louis XIV having breakfast with Moliere or Plato engaging Aristotle in philosophical debates. These interactions remind us that conversations have shaped our understanding of artistry and knowledge over generations. Even humorous scenes find their place among these artistic depictions; Hogarth's "Drunken Party" showcases the lively banter and laughter that often accompanies social gatherings.