Contoured Collection

Camber Sands Beach at sunrise, Camber, near Rye, East Sussex, England, United Kingdom, Europe

View of Llyn y Fan Fach, Black Mountain, Llanddeusant, Brecon Beacons National Park, Carmarthenshire, Wales, United Kingdom, Europe

The Triumph, plate two from Intimacies, 1898 (woodcut)
3500290 The Triumph, plate two from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 25x32.5 cm; The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

The Lie, plate one from Intimacies, 1897 (woodcut)
3500287 The Lie, plate one from Intimacies, 1897 (woodcut) by Vallotton, Felix Edouard (1865-1925); 18x22.5 cm; The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

Money, plate five from Intimacies, 1898 (woodcut)
3500286 Money, plate five from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 18x22.5 cm; The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

Extreme Measure, plate six from Intimacies, 1898 (woodcut)
3500291 Extreme Measure, plate six from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 25.4x32.5 cm; The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

The Irreparable, plate ten from Intimacies, 1898 (woodcut)
3500283 The Irreparable, plate ten from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 17.8x22.3 cm; The Art Institute of Chicago, IL

Heads of Tahitian Women, Frontal and Profile Views, 1891-93
3502571 Heads of Tahitian Women, Frontal and Profile Views, 1891-93 (charcoal with brush & water on paper) by Gauguin, Paul (1848-1903); 41.4x32.6 cm; The Art Institute of Chicago, IL

Getting Ready for a Visit, plate eight from Intimacies, 1898 (woodcut)
3500289 Getting Ready for a Visit, plate eight from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 25.1x32.5 cm; The Art Institute of Chicago, IL

The Cogent Reason, plate four from Intimacies, 1898 (woodcut)
3500288 The Cogent Reason, plate four from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 17.8x22.3 cm; The Art Institute of Chicago, IL

Breton Bather, 1886-87 (charcoal & pastel with ink on paper)
3499996 Breton Bather, 1886-87 (charcoal & pastel with ink on paper) by Gauguin, Paul (1848-1903); 58.5x35 cm; The Art Institute of Chicago, IL, USA; Gift of Mrs. Charles B

Five O Clock, plate seven from Intimacies, 1898 (woodcut)
3500293 Five O Clock, plate seven from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); 25.2x25.1 cm; The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

The Others Health, plate nine from Intimacies, 1898
3500292 The Others Health, plate nine from Intimacies, 1898 by Vallotton, Felix Edouard (1865-1925); The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss, out of copyright

The Fine Pin, plate three from Intimacies, 1898 (woodcut)
3500285 The Fine Pin, plate three from Intimacies, 1898 (woodcut) by Vallotton, Felix Edouard (1865-1925); The Art Institute of Chicago, IL, USA; Gift of Print and Drawing Club; Swiss

Living Room Suite Date: 1950

Aerial of the costal exclave Oecusse (Oecussi), East Timor, Southeast Asia, Asia

Aerial of the coastline of East Timor, Southeast Asia, Asia

Ruta de los Volcanes, Montanas del Fuego, Parque National de Timanfaya, Lanzarote, Canary Islands, Spain, Atlantic, Europe

Remah Desert, Al Ain, Abu Dhabi, United Arab Emirates, Middle East

Sand formations at Budle Bay, with Holy Island Castle in the distance, Northumberland, England, United Kingdom, Europe

The pink light and the aurora borealis (Northern Lights) illuminate the snowy landscape on a starry night Stronstad, Lofoten Islands, Arctic, Norway Scandinavia, Europe

Mixed paddy fields growing vegetables under the highly efficient Jhum system of slash and burn and varied crops, Nagaland, India, Asia

Two women working, digging over terraced rice paddy fields after rice harvest, Ukhrul district, Manipur, India, Asia

Icarai beach in Niteroi with Oscar Niemeyers MAC (Contemporary Art Museum) in the foreground and the landscape of Rio behind, Rio de Janeiro, Brazil, South America

View of Rio, the Serra da Carioca mountains and Sugar Loaf with Charitas and Sao Francisco beaches in Niteroi in the foreground, Rio de Janeiro, Brazil, South America

Aerial view of the Sugar Loaf, Copacabana Beach and the Serra da Carioca mountains, Rio de Janeiro, Brazil, South America

USA, Washington DC, A platform in a subway station with a modern contoured patterned walls and ceiling

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"Contoured: A Journey through Time and Place" As the sun rises over Camber Sands Beach in East Sussex, England, the contours of the sand dunes create a mesmerizing landscape. Llyn y Fan Fach in Brecon Beacons National Park offers a breathtaking view of nature's contoured beauty, with its serene waters reflecting the majestic Black Mountain. In "The Triumph, " an exquisite woodcut from Intimacies (1898), intricate lines contouring the figures evoke a sense of triumph and celebration. "The Lie, " another captivating woodcut from Intimacies (1897), portrays emotions through carefully contoured expressions that reveal hidden truths. Through masterful woodcuts like "Money" and "Extreme Measure" from Intimacies (1898), artistically contoured images depict society's complex relationship with wealth and power. In "The Irreparable, " an evocative woodcut from Intimacies (1898), hauntingly contoured figures convey the irrevocable consequences of past actions. Paul Gauguin's stunning portrayal of Tahitian Women showcases their unique facial features, capturing both frontal and profile views with delicate contours that celebrate diversity. In "Getting Ready for a Visit" from Intimacies (1898), meticulously contoured details invite us into intimate moments as individuals prepare to welcome guests into their lives. With thought-provoking imagery like "The Cogent Reason" from Intimacies (1898), artistry meets intellect as precisely contoured lines guide us towards logical conclusions. The sensuous curves captured in charcoal & pastel on paper in Breton Bather transport us to late 19th-century France, where artistic expression embraced natural contours with grace and elegance.