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Consideration Collection

"Consideration: Exploring the Depths of Thought and Courtesy" In a world where chamberpots are emptied and modernist houses stand tall at Hook Green, Meopham, Kent

Background imageConsideration Collection: Chamberpot Emptied

Chamberpot Emptied
Just in Time ! To empty the chamberpot out of the bedroom window is socially acceptable, but to do so on the head of a gentleman caller shows lack of consideration

Background imageConsideration Collection: McCormack, between c1915 and c1920. Creator: Bain News Service

McCormack, between c1915 and c1920. Creator: Bain News Service
McCormack, between c1915 and c1920. Shows Irish American tenor singer John McCormack (1884-1945) with American flag.

Background imageConsideration Collection: Gen. Joffre & Poincare, between c1914 and c1915. Creator: Bain News Service. Gen

Gen. Joffre & Poincare, between c1914 and c1915. Creator: Bain News Service. Gen
Gen. Joffre & Poincare, between c1914 and c1915. French general Joseph Jacques Ce´saire Joffre (1852-1931) who served during World War I.

Background imageConsideration Collection: Grigorii Sarydzhakov, a Hunter From Bai, 1925. Creator: Aleksei Vasilevich Voshchakin

Grigorii Sarydzhakov, a Hunter From Bai, 1925. Creator: Aleksei Vasilevich Voshchakin
Grigorii Sarydzhakov, a Hunter From Bai, 1925. Novosibirsk State Museum of Regional History and Folklife

Background imageConsideration Collection: Man and Woman before Priest, mid 19th century. Creator: Albrecht Kindler

Man and Woman before Priest, mid 19th century. Creator: Albrecht Kindler
Man and Woman before Priest, mid 19th century

Background imageConsideration Collection: The Edicts of Charles V, c1861. Creator: Jan August Hendrik Leys

The Edicts of Charles V, c1861. Creator: Jan August Hendrik Leys
The Edicts of Charles V, c1861. This scene is set in the artist's native Antwerp, identifiable because of the famous church spire in the distance

Background imageConsideration Collection: Jan van Speijk Debating whether to Set Fire to the Gunpowder, 1834

Jan van Speijk Debating whether to Set Fire to the Gunpowder, 1834. Creator: Jacobus Schoemaker Doyer
Jan van Speijk Debating whether to Set Fire to the Gunpowder, 1834

Background imageConsideration Collection: 'The Opening of the Royal Academy--Will it be Accepted? A Remininscence of Sending-in-Day, 1890

'The Opening of the Royal Academy--Will it be Accepted? A Remininscence of Sending-in-Day, 1890. Creator: Unknown
The Opening of the Royal Academy--Will it be Accepted? A Remininscence of Sending-in-Day, 1890. From "The Graphic. An Illustrated Weekly Newspaper", Volume 41. January to June, 1890

Background imageConsideration Collection: Portrait of a man with a cockade, 1797. Creator: A Boger

Portrait of a man with a cockade, 1797. Creator: A Boger
Portrait of a man with a cockade, 1797

Background imageConsideration Collection: Portrait Head of a Man in Profile, n.d. Creator: Daniel Nikolaus Chodowiecki

Portrait Head of a Man in Profile, n.d. Creator: Daniel Nikolaus Chodowiecki
Portrait Head of a Man in Profile, n.d

Background imageConsideration Collection: Love Tormented by Considerations Great and Small, 1817–20. Creator: Vivant Denon

Love Tormented by Considerations Great and Small, 1817–20. Creator: Vivant Denon
Love Tormented by Considerations Great and Small, 1817-20

Background imageConsideration Collection: Portrait of a Young Man, Looking to the Left (Self-Portrait), from Life-Sized Heads, 1760

Portrait of a Young Man, Looking to the Left (Self-Portrait), from Life-Sized Heads, 1760. Creator: Thomas Frye
Portrait of a Young Man, Looking to the Left (Self-Portrait), from Life-Sized Heads, 1760

Background imageConsideration Collection: Portrait of Artist and Pupil, n.d. Creator: Pieter Jansz. Quast

Portrait of Artist and Pupil, n.d. Creator: Pieter Jansz. Quast
Portrait of Artist and Pupil, n.d

Background imageConsideration Collection: Climbing Mt. McKinley, between c1900 and 1923. Creator: Unknown

Climbing Mt. McKinley, between c1900 and 1923. Creator: Unknown
Climbing Mt. McKinley, between c1900 and 1923

Background imageConsideration Collection: Puritans Before James I, c1600, (1890). Creator: Unknown

Puritans Before James I, c1600, (1890). Creator: Unknown
Puritans Before James I, c1600, (1890). James VI and I (1566-1625) faced complicated religious challenges during his reigns in Scotland and England, in London

Background imageConsideration Collection: Modernist House At Hook Green, Meopham, Kent

Modernist House At Hook Green, Meopham, Kent
A photograph of a modernist house located at Hook Green, Meopham, Kent, designed in 1936 by architect Marjorie Tall, with local regency tendencies taken into consideration. Date: circa 1937

Background imageConsideration Collection: Erato, from the series Twelve Muses and Goddesses, ca. 1540-45. Creator: Leon Davent

Erato, from the series Twelve Muses and Goddesses, ca. 1540-45. Creator: Leon Davent
Erato, from the series Twelve Muses and Goddesses, ca. 1540-45

Background imageConsideration Collection: Old Belt, (oil on masonite)

Old Belt, (oil on masonite)
985205 Old Belt, (oil on masonite) by Curry, John Steuart (1897-1946); 73.3x86.4 cm; Private Collection; (add.info.: Old Belt. John Steuart Curry (1897-1946). Oil on masonite

Background imageConsideration Collection: Man Standing with Folded Arms, n. d. Creator: Henry Stacy Marks

Man Standing with Folded Arms, n. d. Creator: Henry Stacy Marks
Man Standing with Folded Arms, n.d

Background imageConsideration Collection: Courteousness (Rei), from the series 'Five Cardinal Virtues', 1767

Courteousness (Rei), from the series "Five Cardinal Virtues", 1767
Courteousness (Rei), from the series " Five Cardinal Virtues", 1767

Background imageConsideration Collection: Considering a Reply, c. 1860 (oil on panel)

Considering a Reply, c. 1860 (oil on panel)
Ma312775 Considering a Reply, c.1860 (oil on panel) by Leslie, George Dunlop (1835-1921); 25.4x20.3 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageConsideration Collection: Study of a hill fairy for Arthur in Avalon, 1885 (pencil on paper)

Study of a hill fairy for Arthur in Avalon, 1885 (pencil on paper)
1199478 Study of a hill fairy for Arthur in Avalon, 1885 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 21x14 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageConsideration Collection: Auto-Portrait chez l Atelier, c. 1910 (oil on card laid on panel)

Auto-Portrait chez l Atelier, c. 1910 (oil on card laid on panel)
657372 Auto-Portrait chez l Atelier, c.1910 (oil on card laid on panel) by O Conor, Roderic (1860-1940); 69x54 cm; Private Collection; (add.info.: Auto-Portrait chez l Atelier)

Background imageConsideration Collection: Punch cartoon: Tender Consideration - children visiting the lions enclosure at the zoo (engraving)

Punch cartoon: Tender Consideration - children visiting the lions enclosure at the zoo (engraving)
6034894 Punch cartoon: Tender Consideration - children visiting the lions enclosure at the zoo (engraving) by English School

Background imageConsideration Collection: Artists impression of an idea under consideration of the French Government - aeroplanes

Artists impression of an idea under consideration of the French Government - aeroplanes with invisible wings, to make them difficult to be spotted by the German Air Force pilots

Background imageConsideration Collection: Chess Players (w / c on paper)

Chess Players (w / c on paper)
704295 Chess Players (w/c on paper) by De Rudler (18th century); Palazzo Venezia, Rome, Italy; out of copyright

Background imageConsideration Collection: Applicant hoping to become a master of a guild in medieval France presenting a model for judgement

Applicant hoping to become a master of a guild in medieval France presenting a model for judgement (engraving)
6029344 Applicant hoping to become a master of a guild in medieval France presenting a model for judgement (engraving) by French School

Background imageConsideration Collection: Two Men in the Consideration of the Moon; Zwei Manner in Betrachtung des Mondes, c

Two Men in the Consideration of the Moon; Zwei Manner in Betrachtung des Mondes, c
824290 Two Men in the Consideration of the Moon; Zwei Manner in Betrachtung des Mondes, c.1830 (oil on canvas) by Friedrich

Background imageConsideration Collection: Wenzel of Bohemia, 'The Good King Wenceslaus'(litho)

Wenzel of Bohemia, "The Good King Wenceslaus"(litho)
6005059 Wenzel of Bohemia, " The Good King Wenceslaus" (litho) by English School, (20th century); Private Collection; (add.info.: Wenzel of Bohemia)

Background imageConsideration Collection: The Epsom Spring Meeting, Sketches on the City and Suburban Day (litho)

The Epsom Spring Meeting, Sketches on the City and Suburban Day (litho)
1615535 The Epsom Spring Meeting, Sketches on the City and Suburban Day (litho) by Cleaver, Ralph (fl.1902); Private Collection; (add.info.: The Epsom Spring Meeting)

Background imageConsideration Collection: Napoleon showing consideration for one of his fallen soldiers during the Rhine campaign

Napoleon showing consideration for one of his fallen soldiers during the Rhine campaign (colour litho)
3094079 Napoleon showing consideration for one of his fallen soldiers during the Rhine campaign (colour litho) by Job, pseudonym for Onfray de Breville

Background imageConsideration Collection: Two Girls in the Garden at Montmartre; Deux Fillettes dans le Jardin de Montmartre

Two Girls in the Garden at Montmartre; Deux Fillettes dans le Jardin de Montmartre
825866 Two Girls in the Garden at Montmartre; Deux Fillettes dans le Jardin de Montmartre, 1895 (oil on canvas) by Renoir

Background imageConsideration Collection: Cure for Love (colour litho)

Cure for Love (colour litho)
3642881 Cure for Love (colour litho) by English School, (20th century); Private Collection; (add.info.: Cure for Love. Postcard, early 20th century.); © Look and Learn

Background imageConsideration Collection: The Connoisseurs, (pencil and watercolour on paper)

The Connoisseurs, (pencil and watercolour on paper)
651411 The Connoisseurs, (pencil and watercolour on paper) by Signorini, Giuseppe (1857-1932); 39x27 cm; Private Collection; (add.info.: The Connoisseurs. Giuseppe Signorini (1857-1932)

Background imageConsideration Collection: Eugenie on the cost of the Seine; Eugenie sur les frais de la Seine, c

Eugenie on the cost of the Seine; Eugenie sur les frais de la Seine, c
824501 Eugenie on the cost of the Seine; Eugenie sur les frais de la Seine, c.1946-47 (oil on board) by Gall, Francois (1912-45); 61.4x49 cm; Private Collection; (add.info)

Background imageConsideration Collection: Fortune Telling, 1895 (oil on canvas)

Fortune Telling, 1895 (oil on canvas)
989940 Fortune Telling, 1895 (oil on canvas) by Muschamp, Francis Sydney (1851-1929); 50.7x76.8 cm; Private Collection; (add.info.: Fortune Telling. Francis Sydney Muschamp (1851-1929)

Background imageConsideration Collection: Pendant l Office (Martin Luthers Doubts), 1860 (oil on panel)

Pendant l Office (Martin Luthers Doubts), 1860 (oil on panel)
989501 Pendant l Office (Martin Luthers Doubts), 1860 (oil on panel) by Tissot, James Jacques Joseph (1836-1902); 88.3x68 cm; Private Collection; (add.info.: Pendant l Office (Martin Luthers Doubts)

Background imageConsideration Collection: In the Artists Studio, (oil on canvas)

In the Artists Studio, (oil on canvas)
822684 In the Artists Studio, (oil on canvas) by Ulrich, Charles Frederic (1858-1908); 37.5x27.6 cm; Private Collection; (add.info.: In the Artists Studio. Charles Frederic Ulrich (1858-1908)

Background imageConsideration Collection: Page from The American Tour of Messrs Brown, Jones and Robinson (engraving)

Page from The American Tour of Messrs Brown, Jones and Robinson (engraving)
3648801 Page from The American Tour of Messrs Brown, Jones and Robinson (engraving) by Doyle, Richard (1824-83); Private Collection; (add.info.: Illustration for The American Tour of Messrs Brown)

Background imageConsideration Collection: Astrology, 17th century. Creator: Unknown

Astrology, 17th century. Creator: Unknown
Astrology, 17th century. After Parmigianino

Background imageConsideration Collection: The Interview Between Bocchus and Sulla, 1890. Creator: Unknown

The Interview Between Bocchus and Sulla, 1890. Creator: Unknown
The Interview Between Bocchus and Sulla, 1890. From " Cassells Illustrated Universal History Vol. II - Rome", by Edmund Ollier

Background imageConsideration Collection: St. Jerome in his Study, c1530, (1920). Creator: Circle of Joos van Cleve

St. Jerome in his Study, c1530, (1920). Creator: Circle of Joos van Cleve
St. Jerome in his Study, c1530, (1920). St Jerome was a Christian priest, confessor, theologian, and historian. Painted by Circle of Joos van Cleve in Tempera and Oil on Panel

Background imageConsideration Collection: Iphigenia and Orestes, 1880. Artist: Antique

Iphigenia and Orestes, 1880. Artist: Antique
Iphigenia and Orestes, 1880. Orestes was the son of Clytemnestra and Agamemnon who killed his mother in revenge for his fathers death. Iphigenia was his sister

Background imageConsideration Collection: Lucy Harington, Countess of Bedford, 1824. Artist: Samuel Freeman

Lucy Harington, Countess of Bedford, 1824. Artist: Samuel Freeman
Lucy Harington, Countess of Bedford, 1824. Aristocratic patron of the arts and literature in the Elizabethan and Jacobean eras. After Gerard van Honthorst (1592-1656)

Background imageConsideration Collection: Steve Lodder, 2016. Artist: Alan John Ainsworth

Steve Lodder, 2016. Artist: Alan John Ainsworth
Steve Lodder, Ben Crosland Ray Davis Songbook with Ben Crosland, Dave O Higgins, Seb de Kron and Steve Lehman, 2016

Background imageConsideration Collection: Princesses Elizabeth and Margaret

Princesses Elizabeth and Margaret
Princess Elizabeth (right) and Princess Margaret Rose at the last of the Duke of Yorks Camps, at Balmoral in August 1939. In 1919, the Princesses father, then Duke of York

Background imageConsideration Collection: Emblem with the final judgment for the consideration of life in virtue or sin, Boetius

Emblem with the final judgment for the consideration of life in virtue or sin, Boetius Adamsz. Bolswert, Anonymous, Hendrik Aertssens, 1620 - 1623

Background imageConsideration Collection: Peter and John are released, Philips Galle, Hieronymus Cock, 1558

Peter and John are released, Philips Galle, Hieronymus Cock, 1558



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"Consideration: Exploring the Depths of Thought and Courtesy" In a world where chamberpots are emptied and modernist houses stand tall at Hook Green, Meopham, Kent, the concept takes center stage. From puritans before James I in 1600 to Erato, one of the Twelve Muses and Goddesses depicted by Leon Davent in the mid-16th century, this virtue has transcended time. As we gaze upon "Old Belt, " an oil painting on masonite that symbolizes tradition and strength, or Henry Stacy Marks' enigmatic "Man Standing with Folded Arms, " we can't help but ponder the significance of courtesy. Rei's portrayal in the series "Five Cardinal Virtues" from 1767 reminds us of its importance as well. With a gentle touch reminiscent of c1860 oil-on-panel masterpiece "Considering a Reply, " our minds wander to Arthur in Avalon's hill fairy study from 1885. The delicate pencil strokes evoke curiosity about what lies beyond mere appearances. Moving forward through time, we encounter an intriguing self-portrait titled "Auto-Portrait chez l Atelier. " Created around 1910 using oil on card laid on panel technique, it invites introspection into our own considerations within artistic endeavors. But let us not forget Punch cartoon's tender depiction - children visiting lions at the zoo with utmost care engraved upon their faces. This image serves as a reminder that consideration extends beyond human interactions; it encompasses all living beings sharing this planet. Lastly, we find ourselves immersed in an enchanting hand-colored engraving from 1802 entitled "A Lady In Limbo or Jew Bail Rejected. " It prompts contemplation about societal norms and prejudices while urging empathy towards those who face rejection due to their identity or circumstances. Through these diverse glimpses into artistry across centuries and mediums, consideration emerges as more than just politeness.