Composite Collection (page 5)

Costume for a Clock Maker, pub. by Gerard Valck (1651 / 2-1726) c. 1690 (engraving)
STC101369 Costume for a Clock Maker, pub. by Gerard Valck (1651/2-1726) c.1690 (engraving) by German School, (17th century); Private Collection; The Stapleton Collection; German, out of copyright

Palais du Louvre, Colonnade, Glory distributing crowns, late 19th century-early 20th
XIR345994 Palais du Louvre, Colonnade, Glory distributing crowns, late 19th century-early 20th century (b/w photo) by Giraudon, studio (1912-53); Paris

Caricature of Emile Zola (1840-1902), the donkey and the geese; from Life
CHT164390 Caricature of Emile Zola (1840-1902), the donkey and the geese; from Life, 4th April 1889 (engraving) (b/w photo) by American School, (19th century); Musee de la Ville de Paris

Classical architecture orders: original 1, Tuscan 2, Doric 3, Ionic 4, Corinthian 5 and Roman or Composite 6. Handcoloured copperplate engraving from Friedrich Johann Bertuchs Bilderbuch fur Kinder

Island Summer house, Ranelagh House, Chelsea, London. 1902

Designs for a system of composite shipbuilding, recommended by Lloyds (class 66). By J.H. Cornish Date: 1867

Costume for a Tailor, pub. by Gerard Valck (1651 / 2-1726) c. 1690 (engraving)
STC101368 Costume for a Tailor, pub. by Gerard Valck (1651/2-1726) c.1690 (engraving) by German School, (17th century); Private Collection; The Stapleton Collection; German, out of copyright

Costume for an Astrologer, pub. by Gerard Valck (1651 / 2-1726) c. 1690 (engraving)
STC101362 Costume for an Astrologer, pub. by Gerard Valck (1651/2-1726) c.1690 (engraving) by German School, (17th century); Private Collection; The Stapleton Collection; German, out of copyright

Queen Victoria, The Prince Consort, and their children (b / w photo)
6030348 Queen Victoria, The Prince Consort, and their children (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Queen Victoria, The Prince Consort)

Examples of composite portraits (b / w photo)
6013588 Examples of composite portraits (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Examples of composite portraits)

Costume for a Feather Dealer, pub. by Gerard Valck (1651 / 2-1726) c. 1690 (engraving)
STC101366 Costume for a Feather Dealer, pub. by Gerard Valck (1651/2-1726) c.1690 (engraving) by German School, (17th century); Private Collection; The Stapleton Collection; German, out of copyright

General descriptions of the main types of capitals, 1949 (litho)
XEE3526011 General descriptions of the main types of capitals, 1949 (litho) by Laubadere, Louis Paul de (1830-1920); Private Collection; Stefano Bianchetti; French, out of copyright

General Grant montage at City Point
3492886 General Grant montage at City Point by American Photographer, (19th century); Private Collection; (add.info.: Ulysses Simpson Grant (1822-85)

Eight composite Iznik polychrome square tiles, c. 1575 (ceramic)
3431751 Eight composite Iznik polychrome square tiles, c.1575 (ceramic) by Turkish School, (16th century); each: 26.5x26.5 cm; Private Collection; (add.info.: Originally made for the Ansari complex)

The Seeds and Fruit of English Poetry, 1845 (oil on canvas)
AMO98733 The Seeds and Fruit of English Poetry, 1845 (oil on canvas) by Brown, Ford Madox (1821-93); 34x46 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

A Russian soldier stands guard at a palace next to old cannons in Bukhara, 1915 (photo)
699203 A Russian soldier stands guard at a palace next to old cannons in Bukhara, 1915 (photo) by Prokudin-Gorsky, Sergey (1863-1944); (add.info)

Recent Plans for Improved Channel Communication (engraving)
1058148 Recent Plans for Improved Channel Communication (engraving) by English School, (19th century); Private Collection; (add.info.: Recent Plans for Improved Channel Communication)

Composite Figures (engraving)
980422 Composite Figures (engraving) by American School, (19th century) (after); Private Collection; (add.info.: Composite Figures. 1 Design on Zuni war-shield, painting)

An elephant, composite, made up of dancing women serves as a mount to an archer, c
6040532 An elephant, composite, made up of dancing women serves as a mount to an archer, c.1825 (opaque w/c and gold on paper) by Indian School, (19th century); 42.3x31.4 cm; San Diego Museum of Art

Costume for an Astrologer (engraving) (b / w photo)
CHT252900 Costume for an Astrologer (engraving) (b/w photo) by de Larmessin (family of engravers) (1600-1799); Bibliotheque des Arts Decoratifs, Paris

View of the third floor Loggia at the Vatican, with decoration by Raphael
STC176446 View of the third floor Loggia at the Vatican, with decoration by Raphael, from Delle Loggie di Rafaele nel Vaticano

Costume for a Pastry Cook, pub. by Gerard Valck (1651 / 2-1726) c. 1690 (engraving)
STC101363 Costume for a Pastry Cook, pub. by Gerard Valck (1651/2-1726) c.1690 (engraving) by German School, (17th century); Private Collection; The Stapleton Collection; German, out of copyright

Six Capitals, a Lesene and Two Column Bases, Folio 1, The Master of the Oxford Album, c
1216907 Six Capitals, a Lesene and Two Column Bases, Folio 1, The Master of the Oxford Album, c.1512-17 (pen and dark brown ink) by English School, (16th century); 33.3x23.5 cm; Ashmolean Museum

Buffalo Bills Wild West, Col. W. F. Cody, published 1890 (colour ithograph)
1275215 Buffalo Bills Wild West, Col. W.F. Cody, published 1890 (colour ithograph) by Ritchie, Alick Penrose Forbes (1868-1938); Private Collection; (add.info)

Circulatory system of heart and lungs, computer artwork. The heart (centre) is a hollow muscle that pumps blood around the body

USA, Washington State, Seabeck. Composite of birds flying over Hood Canal. Credit as: Don Paulson / Jaynes Gallery / DanitaDelimont.com

USA, Colorado. Full moon phases in total lunar eclipse. Credit as: Don Grall / Jaynes Gallery / DanitaDelimont.com

USA, Alaska. Composite of seascape in Gulf of Alaska. Credit as: Don Paulson / Jaynes Gallery / DanitaDelimont.com

Composite of bald eagle on branch protruding from water

The Five Orders of Periwigs, 1761. Creator: William Hogarth
The Five Orders of Periwigs, 1761

Composite capital with measurements, ca. 1537. Creator: Master GA
Composite capital with measurements, ca. 1537

Composite Window of English Stained Glass, British, 15th century. Creator: Unknown
Composite Window of English Stained Glass, British, 15th century

A composite matchbox-ashtray made from a bullet cartridge and mounted on an 18 pounder shell case. Engraved Messines, June 7th 1917 - France and Belgium with an image in copper of a British tank

EyeUbiquitous_20121548
Germany, Bavaria, Munich, Four part composite of The Endless or Infinite Staircase sculpture by Olafur Eliasson with KPMG offices behind

EyeUbiquitous_20121547
Germany, Bavaria, Munich, Four part composite of The Endless or Infinite Staircase sculpture by Olafur Eliasson with KPMG offices behind

HMS Buzzard (a Nymphe-class composite screw sloop) - Royal Navy Training Ship at Blackfriars on the Thames in 1906. In 1904 she was converted to a drill ship for the Royal Naval Volunteer Reserve at

The Five Orders of Periwigs, November 1761. November 1761. Creator: William Hogarth
The Five Orders of Periwigs, November 1761

Tower in the Schools Quadrangle, c1870. Tower of the Five Orders at the Bodleian Library in Oxford built between 1613 and 1619

USA, Washington State, Seabeck. Composite of vine maple over river. Credit as: Don Paulson / Jaynes Gallery / DanitaDelimont.com

USA, Washington State, Hood Canal. Composite of canal. Credit as: Don Paulson / Jaynes Gallery / DanitaDelimont.com

Uranus seen from Miranda, 1986. Creator: NASA
Uranus seen from Miranda, 1986. Montage of photographs taken from unmanned spacecraft Voyager 2 in January 1986, that simulates a view of Uranus and rings as if seen over the horizon of Miranda

The South Lookout, Aldeburgh
The South Lookout at Aldeburgh is seen set against a cloudy blue sky. Seagulls and fishing boats are also seen. A spiral staircase casts a strong shadow

Lichen on rocks, Assynt Uplands, Scotland, UK, January

Close up of lichen on rock, Assynt Uplands, Scotland, UK, January

African moon moth (Argema mimosae) digital composite sequence, showing wings expanding after emerging from cocoon, photographed against a white background, orginating from Africa. Captive

USA, Washington, DC. Composite of flag and Capitol Building at night. Credit as: Dennis Flaherty / Jaynes Gallery / DanitaDelimont

Canada, Yukon Territory, Kluane National Park. Panoramic of St. Elias Range and Kluane Lake. Credit as: Don Paulson / Jaynes Gallery / DanitaDelimont

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"Exploring the Cosmos: A Composite of Wonders" From the ethereal beauty of the Orion Nebula to the awe-inspiring Pillars of Creation, composite images have unlocked a world beyond our reach. These stunning creations allow us to witness celestial marvels like never before. Gazing at Neptune through Voyager 2's lens, we are captivated by its vibrant hues and swirling storms—a mesmerizing sight that only a composite image can reveal. Similarly, when observing classical architecture adorned with intricate details inspired by the Classical Orders, we appreciate how composites bring history alive. Intriguingly diverse is "The Vegetabull, " an enigmatic poster blending nature's bounty into whimsical forms. Just as composites spark imagination on Earth, they transport us to alien landscapes like Mars' desolate terrain captured by Spirit rover—an amalgamation of images revealing secrets hidden in plain sight. Venturing into science's realm, we encounter CERN's ATLAS detector—its complex structure pieced together meticulously for unraveling mysteries at subatomic levels. Composites also enable us to grasp the vastness of our solar system—a visual tapestry showcasing planets dancing around their radiant star. Awe turns profound as we behold Crab Nebula's haunting beauty in a composite image—layers upon layers unveiling cosmic remnants from stellar explosions long past. And who could resist feeling small yet connected while witnessing Earth’s moon rising above our planet’s horizon? Delving deeper within ourselves, composites offer glimpses into our most intricate organ—the human brain. Through detailed models and imaging techniques combined harmoniously, these representations illuminate pathways towards understanding cognition and consciousness. Lastly, Jupiter reigns supreme among gas giants—an immense sphere adorned with swirling bands and tempestuous storms; its majestic presence immortalized through meticulous composition techniques. Composite images transcend boundaries between reality and imagination—they unveil wonders both near and far-reaching realms alike.