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Companion Collection (page 7)

"Embracing the Beauty of Companionship: From Homeward by Muriel Dawson to Whirling Dervishes" In a world where connections are cherished

Background imageCompanion Collection: Barnaby Rudge, illustration for Barnaby Rudge by Charles Dickens (colour litho)

Barnaby Rudge, illustration for Barnaby Rudge by Charles Dickens (colour litho)
876275 Barnaby Rudge, illustration for Barnaby Rudge by Charles Dickens (colour litho) by Sibson, Thomas (1817-44); Private Collection; (add.info.: Barnaby Rudge)

Background imageCompanion Collection: Mr James Caird, CB (litho)

Mr James Caird, CB (litho)
2776340 Mr James Caird, CB (litho) by English School, (19th century); Private Collection; (add.info.: Mr James Caird, CB. Illustration for The Country Gentleman)

Background imageCompanion Collection: Arthur Trower gardening, with robin on wheelbarrow

Arthur Trower gardening, with robin on wheelbarrow
Arthur Trower working in his large garden in Redhill, Surrey, with a robin on the wheelbarrow to keep him company Date: 1910

Background imageCompanion Collection: Victorian Boy with a Boxer Dog, 1901 (chromolithograph)

Victorian Boy with a Boxer Dog, 1901 (chromolithograph)
3036344 Victorian Boy with a Boxer Dog, 1901 (chromolithograph) by American School, (20th century); (add.info.: Victorian illustration of a smiling boy holding the leash of a boxer dog;)

Background imageCompanion Collection: Thomas Howard, 2nd Earl of Arundel, c. 1620-1 (oil on canvas)

Thomas Howard, 2nd Earl of Arundel, c. 1620-1 (oil on canvas)
3077063 Thomas Howard, 2nd Earl of Arundel, c.1620-1 (oil on canvas) by Dyck, Anthony van (1599-1641); 102.6x79.7l cm; J. Paul Getty Museum, Los Angeles, USA; (add.info.: Thomas Howard)

Background imageCompanion Collection: The late Colonel J A Grant, CB, FRS, African Explorer (b / w photo)

The late Colonel J A Grant, CB, FRS, African Explorer (b / w photo)
1614680 The late Colonel J A Grant, CB, FRS, African Explorer (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: The late Colonel J A Grant, CB, FRS)

Background imageCompanion Collection: Officers of the Regiment recently raised in India for Service in Uganda (b / w photo)

Officers of the Regiment recently raised in India for Service in Uganda (b / w photo)
1615692 Officers of the Regiment recently raised in India for Service in Uganda (b/w photo) by English Photographer, (19th century); Private Collection; (add.info)

Background imageCompanion Collection: The Imperial Institute at South Kensington (b / w photo)

The Imperial Institute at South Kensington (b / w photo)
1604278 The Imperial Institute at South Kensington (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: The Imperial Institute at South Kensington)

Background imageCompanion Collection: Major-General Windham, CB, 'The Hero of the Redan'(engraving)

Major-General Windham, CB, "The Hero of the Redan"(engraving)
1608212 Major-General Windham, CB, " The Hero of the Redan" (engraving) by English School, (19th century); Private Collection; (add.info.: Major-General Windham, CB)

Background imageCompanion Collection: The Second Boer War (litho)

The Second Boer War (litho)
1600557 The Second Boer War (litho) by Holland Tringham, Joseph (1861-1908); Private Collection; (add.info.: The Second Boer War. Illustration for The Illustrated London News, 14 July 1900)

Background imageCompanion Collection: Dunvegan Castle, Isle of Skye, the Seat of Mr Norman Magnus Macleod, CMG (b / w photo)

Dunvegan Castle, Isle of Skye, the Seat of Mr Norman Magnus Macleod, CMG (b / w photo)
1597744 Dunvegan Castle, Isle of Skye, the Seat of Mr Norman Magnus Macleod, CMG (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Dunvegan Castle, Isle of Skye)

Background imageCompanion Collection: Captain Eyre Massey Shaw, CB, Retiring Chief Officer of the Metropolitan Fire Brigade (engraving)

Captain Eyre Massey Shaw, CB, Retiring Chief Officer of the Metropolitan Fire Brigade (engraving)
1591676 Captain Eyre Massey Shaw, CB, Retiring Chief Officer of the Metropolitan Fire Brigade (engraving) by English School, (19th century); Private Collection; (add.info.: Captain Eyre Massey Shaw)

Background imageCompanion Collection: The Transvaal War, Officers killed and wounded (engraving)

The Transvaal War, Officers killed and wounded (engraving)
1592790 The Transvaal War, Officers killed and wounded (engraving) by English School, (19th century); Private Collection; (add.info.: The Transvaal War, Officers killed and wounded)

Background imageCompanion Collection: The late Sir Frank Souter, CSI, Commissioner of Police, Bombay (engraving)

The late Sir Frank Souter, CSI, Commissioner of Police, Bombay (engraving)
1595542 The late Sir Frank Souter, CSI, Commissioner of Police, Bombay (engraving) by English School, (19th century); Private Collection; (add.info.: The late Sir Frank Souter, CSI)

Background imageCompanion Collection: The Transvaal War, Officers and Men for the Front (b / w photo)

The Transvaal War, Officers and Men for the Front (b / w photo)
1592812 The Transvaal War, Officers and Men for the Front (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: The Transvaal War, Officers and Men for the Front)

Background imageCompanion Collection: Double dart, pale shoulder, four-spotted moth and druid moth

Double dart, pale shoulder, four-spotted moth and druid moth
Double dart or soothsayer, Graphiphora augur 1, pale shoulder, Acontia lucida 2, 3, four-spotted moth, Tyta luctuosa 4, 5, and druid moth, Aedia funesta 6

Background imageCompanion Collection: Burnet companion moth and the Mother Shipton moth

Burnet companion moth and the Mother Shipton moth
Burnet companion moth, Euclidia glyphica 1, 2, and the Mother Shipton moth, Euclidia mi, 3-9. Handcoloured copperplate engraving by Johann Carl Bock after Eugenius Johann Christoph Espers Die

Background imageCompanion Collection: English tourists watch fishermen opening pearl oysters

English tourists watch fishermen opening pearl oysters
English tourists watch Scottish fishermen opening pearl oysters on the Isle of Skye, Scotland. Doctor Prosody fishing for pearls in the Isle of Sky

Background imageCompanion Collection: Old horses with a dog in a stable, c. 1791 (oil on panel)

Old horses with a dog in a stable, c. 1791 (oil on panel)
XYC283268 Old horses with a dog in a stable, c.1791 (oil on panel) by Morland, George (1763-1804); 29.8x38.1 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Background imageCompanion Collection: Confidences

Confidences
AII80256 Confidences by Banti, Cristiano (1824-1904); Galleria d Arte Moderna, Palazzo Pitti, Florence, Tuscany, Italy; Italian, out of copyright

Background imageCompanion Collection: Dog Mania, plate 106 from Le Bon Genre, 1818 (coloured engraving)

Dog Mania, plate 106 from Le Bon Genre, 1818 (coloured engraving)
STC120495 Dog Mania, plate 106 from Le Bon Genre, 1818 (coloured engraving) by French School, (19th century); Private Collection; (add.info)

Background imageCompanion Collection: Ulysses and his Companions Avoid the Charms of the Sirens, 1731 (engraving)

Ulysses and his Companions Avoid the Charms of the Sirens, 1731 (engraving)
STC134115 Ulysses and his Companions Avoid the Charms of the Sirens, 1731 (engraving) by Picart, Bernard (1673-1733); Private Collection; The Stapleton Collection; French, out of copyright

Background imageCompanion Collection: To the Relatives, 1891 (oil on canvas)

To the Relatives, 1891 (oil on canvas)
BAL152041 To the Relatives, 1891 (oil on canvas) by Pasternak, Leonid Osipovic (1862-1945); The Museum of Art and History, Vladimir, Russia; Russian, out of copyright

Background imageCompanion Collection: Cup depicting Ulysses and his Companions Blinding Polyphemus (ceramic) (b / w photo

Cup depicting Ulysses and his Companions Blinding Polyphemus (ceramic) (b / w photo
XIR196958 Cup depicting Ulysses and his Companions Blinding Polyphemus (ceramic) (b/w photo) (see also in colour FLA 168743) by Greek, (6th century BC); Bibliotheque Nationale, Paris

Background imageCompanion Collection: A Coward comforted, or A Scene immediately after the Duel, published by J

A Coward comforted, or A Scene immediately after the Duel, published by J
NCO191701 A Coward comforted, or A Scene immediately after the Duel, published by J. Aitken in 1789 (hand-coloured etching) by English School

Background imageCompanion Collection: Pierre Savorgnan de Brazza (1852-1905) 1886 (oil on canvas)

Pierre Savorgnan de Brazza (1852-1905) 1886 (oil on canvas)
CHT174335 Pierre Savorgnan de Brazza (1852-1905) 1886 (oil on canvas) by Monchablon, Xavier Alphonse (1835-1907); Musee des Arts d Afrique et d Oceanie, Paris, France; eArchives Charmet; French

Background imageCompanion Collection: Episodes from the Life of St. Augustine, 1463-65 (fresco) (see also 192535, 192549

Episodes from the Life of St. Augustine, 1463-65 (fresco) (see also 192535, 192549
BAT192552 Episodes from the Life of St. Augustine, 1463-65 (fresco) (see also 192535, 192549, 192550, 192551, 192553, 267654) by Gozzoli, Benozzo di Lese di Sandro (1420-97); Church of Sant Agostino

Background imageCompanion Collection: Minister Toru from the series Poems of China and Japan Mirrored to Life

Minister Toru from the series Poems of China and Japan Mirrored to Life
1766584 Minister Toru from the series Poems of China and Japan Mirrored to Life (colour woodblock print) by Hokusai, Katsushika (1760-1849); Private Collection; (add.info)

Background imageCompanion Collection: The Curfew Tolls The Knell of the Parting Day, 1912 (oil on canvas)

The Curfew Tolls The Knell of the Parting Day, 1912 (oil on canvas)
657025 The Curfew Tolls The Knell of the Parting Day, 1912 (oil on canvas) by Davis, Frederick William (1862-1919); Private Collection; (add.info.: The Curfew Tolls The Knell of the Parting Day)

Background imageCompanion Collection: The Walk; La Promenade, (oil on panel)

The Walk; La Promenade, (oil on panel)
656854 The Walk; La Promenade, (oil on panel) by Martin, Henri (1860-1943); 46x37 cm; Private Collection; (add.info.: The Walk; La Promenade. Henri Martin (1860-1943). Oil on panel

Background imageCompanion Collection: Midwinter Day Dinner, 22nd June, 1911, 1911 (brown toned carbon print photograph)

Midwinter Day Dinner, 22nd June, 1911, 1911 (brown toned carbon print photograph)
828381 Midwinter Day Dinner, 22nd June, 1911, 1911 (brown toned carbon print photograph) by Ponting, Herbert (1870-1935); 48.3x61 cm; Private Collection; (add.info.: Midwinter Day Dinner, 22nd June)

Background imageCompanion Collection: A Young Girl Resting in a Landscape with her Dog, (oil on canvas)

A Young Girl Resting in a Landscape with her Dog, (oil on canvas)
989543 A Young Girl Resting in a Landscape with her Dog, (oil on canvas) by Kaulbach, Frederich August (1850-1920); 104.2x104.2 cm; Private Collection; (add.info)

Background imageCompanion Collection: Portrait of the Baroness Burdett Coutts and her Companion Mrs

Portrait of the Baroness Burdett Coutts and her Companion Mrs
1199594 Portrait of the Baroness Burdett Coutts and her Companion Mrs. Brown, Edinburgh, 1874, (oil on canvas, framed) by Drummond

Background imageCompanion Collection: Afternoon Visitors, (oil on panel)

Afternoon Visitors, (oil on panel)
827523 Afternoon Visitors, (oil on panel) by Portielje, Gerard (1856-1929); 46x58.5 cm; Private Collection; (add.info.: Afternoon Visitors. Gerard Jozef Portielje (1856-1929). Oil on panel

Background imageCompanion Collection: A Quiet Afternoon, (watercolour and gouache)

A Quiet Afternoon, (watercolour and gouache)
827347 A Quiet Afternoon, (watercolour and gouache) by Blommers or Bloomers, Bernardus Johannes (1845-1914); 29.3x37.9 cm; Private Collection; (add.info.: A Quiet Afternoon)

Background imageCompanion Collection: Defeathering Chickens - Late Morning Summer in Brittany

Defeathering Chickens - Late Morning Summer in Brittany
827282 Defeathering Chickens - Late Morning Summer in Brittany; Plumeuses de Poulet - Apres Midi d Ete Bretagne (oil on canvas) by Herland

Background imageCompanion Collection: The Last Supper, (black chalk, pen and brown ink)

The Last Supper, (black chalk, pen and brown ink)
1197629 The Last Supper, (black chalk, pen and brown ink) by Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804); 23.3x36.9 cm; Private Collection; Photo eChristies Images; Italian, out of copyright

Background imageCompanion Collection: Peasants Dancing and Merry-Making Before a Tavern, a Walled Town Beyond, (oil on canvas)

Peasants Dancing and Merry-Making Before a Tavern, a Walled Town Beyond, (oil on canvas)
659392 Peasants Dancing and Merry-Making Before a Tavern, a Walled Town Beyond, (oil on canvas) by Watteau, Louis Joseph (Watteau de Lille) (1731-98); 197.4x157.8 cm; Private Collection; (add.info)

Background imageCompanion Collection: In a Barn, (watercolour heightened with white)

In a Barn, (watercolour heightened with white)
658918 In a Barn, (watercolour heightened with white) by Rossi, Luigi (1853-1923); 29.5x46.5 cm; Private Collection; (add.info.: In a Barn. Luigi Rossi (1853-1932). Watercolour heightened with white

Background imageCompanion Collection: Best of Friends, (oil on canvas)

Best of Friends, (oil on canvas)
658277 Best of Friends, (oil on canvas) by Fisher, Percy Harland (1864-1944); 76x63.5 cm; Private Collection; (add.info.: Best of Friends. Percy Harland Fisher (1865-1944). Oil on canvas

Background imageCompanion Collection: A Lady and a Dog Beside an Ornamental Pool, (pencil and watercolour heightened with white

A Lady and a Dog Beside an Ornamental Pool, (pencil and watercolour heightened with white
652094 A Lady and a Dog Beside an Ornamental Pool, (pencil and watercolour heightened with white) by Kilburne, George Goodwin (1839-1924); 25.1x35 cm; Private Collection; (add.info)

Background imageCompanion Collection: Alla Domenicale, 1890 (oil on canvas)

Alla Domenicale, 1890 (oil on canvas)
651511 Alla Domenicale, 1890 (oil on canvas) by Morbelli, Angelo (1853-1919); 66x111 cm; Private Collection; (add.info.: Alla Domenicale. Angelo Morbelli (1853-1919). Oil on canvas

Background imageCompanion Collection: Boors Smoking and Drinking at a Table in a Tavern, c. 1625 (oil on panel)

Boors Smoking and Drinking at a Table in a Tavern, c. 1625 (oil on panel)
990191 Boors Smoking and Drinking at a Table in a Tavern, c.1625 (oil on panel) by Brouwer, Adriaen (1605/6-38); 33.5x54 cm; Private Collection; (add.info)

Background imageCompanion Collection: Lazarus at the Door of a Banqueting Hall with Elegant Figures Dining

Lazarus at the Door of a Banqueting Hall with Elegant Figures Dining
990066 Lazarus at the Door of a Banqueting Hall with Elegant Figures Dining, 1622 (oil on canvas) by Gyselaer, Nicolaes de (1590/95-1654); 73.7x104.8 cm; Private Collection; (add.info)

Background imageCompanion Collection: Mother, Mercie and Mary, (oil on canvas)

Mother, Mercie and Mary, (oil on canvas)
822988 Mother, Mercie and Mary, (oil on canvas) by Tarbell, Edmund Charles (1862-1938); 71.2x91.5 cm; Private Collection; (add.info.: Mother, Mercie and Mary. Edmund Charles Tarbell (1862-1938)

Background imageCompanion Collection: A Cardinals Move (oil on panel)

A Cardinals Move (oil on panel)
1769814 A Cardinals Move (oil on panel) by Brispot, H. (1846-1928); 53.3x64.8 cm; Private Collection; (add.info.: A Cardinals Move. Henri Brispot (1846-1928). Oil on panel

Background imageCompanion Collection: Portrait of a woman dressed for the countryside with her bulldog (litho)

Portrait of a woman dressed for the countryside with her bulldog (litho)
6001430 Portrait of a woman dressed for the countryside with her bulldog (litho) by Fisher, Harrison (1875-1934); Private Collection; (add.info)

Background imageCompanion Collection: Hopeful and Christian from The Pilgrims Progress From This World

Hopeful and Christian from The Pilgrims Progress From This World
5615831 Hopeful and Christian from The Pilgrims Progress From This World, To That Which Is To Come by John Bunyan (1628-1688) illustration by Thomas Dalziel (1823-1906)



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"Embracing the Beauty of Companionship: From Homeward by Muriel Dawson to Whirling Dervishes" In a world where connections are cherished, companionship emerges as a timeless treasure. Just like the enchanting scenes depicted in "Homeward by Muriel Dawson, " we witness the essence of true camaraderie. As etiquette guides Edwardian table tennis players, their shared passion for the sport unites them beyond social norms. Nature too becomes an accomplice in fostering companionship. A Great Pyrenees finds solace amidst wild Poppy flowers at Antelope Valley, California, reminding us that even in vast landscapes, loyal friends can be found. Similarly, two majestic Great Pyrenees sitting together at a park in Laguna Beach exemplify how these gentle giants create bonds that transcend words. The spirit of adventure and friendship intertwines as Don Quixote rides alongside his faithful companion Sancho Panza. Their journey symbolizes unwavering loyalty and support through life's challenges. Pictures No. 11092907 and 11092677 capture moments frozen in time—where humans find comfort and joy with their four-legged companions—a testament to the profound bond between man and dog. Just as Beowulf faced fierce dragons with courage aided by his comrades, our own battles become more bearable when we have steadfast allies standing beside us. London Life magazine's front cover from 1966 showcases individuals intertwined in laughter and conversation—an ode to urban friendships that brighten city streets with warmth and connection. David Duggins' photograph titled "Say When" encapsulates an intimate moment shared over drinks—a reminder that companionship is often found within simple gestures exchanged between kindred spirits. Lastly, whirling dervishes spinning harmoniously remind us of the power of unity—how collective energy can elevate our souls while embracing one another on this journey called life. Through artistry captured across various mediums, we are reminded that companionship knows no boundaries.