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Communicate Collection (page 5)

"Communicate: Bridging the Gap between Worlds" In a world where equations unravel the mysteries of particle physics, communication takes on a whole new dimension

Background imageCommunicate Collection: Neopolitans gesturing to a Deaf Mute Person; Gesti Mutoloparlanti Napolitani

Neopolitans gesturing to a Deaf Mute Person; Gesti Mutoloparlanti Napolitani
823402 Neopolitans gesturing to a Deaf Mute Person; Gesti Mutoloparlanti Napolitani, 1815 (pencil and watercolour on paper) by Gatta

Background imageCommunicate Collection: The Conversation, c. 1896 (pastel on paper laid down on canvas)

The Conversation, c. 1896 (pastel on paper laid down on canvas)
825293 The Conversation, c.1896 (pastel on paper laid down on canvas) by Cassatt, Mary Stevenson (1844-1926); 64.6x81.2 cm; Private Collection; (add.info.: The Conversation. Mary Cassatt (1845-1926)

Background imageCommunicate Collection: Duke Frederick Banishing Rosalind from his Court, (oil on panel)

Duke Frederick Banishing Rosalind from his Court, (oil on panel)
828441 Duke Frederick Banishing Rosalind from his Court, (oil on panel) by Pickersgill, Frederick Richard (1820-1900); 92x71.5 cm; Private Collection; (add.info)

Background imageCommunicate Collection: A Banner, Flowers in an Urn, a Relief, a Globe, a Print, a Compass, a Writing Set

A Banner, Flowers in an Urn, a Relief, a Globe, a Print, a Compass, a Writing Set
827864 A Banner, Flowers in an Urn, a Relief, a Globe, a Print, a Compass, a Writing Set, Letters and Blaeus Atlas in a Niche (oil on canvas) by Jager

Background imageCommunicate Collection: The Letter, (oil on canvas)

The Letter, (oil on canvas)
827476 The Letter, (oil on canvas) by Ribot, Auguste Theodule (1823-91); 73.7x59.7 cm; Private Collection; (add.info.: The Letter. Theodule Ribot (1823-1891). Oil on canvas

Background imageCommunicate Collection: The Letter, (oil on panel)

The Letter, (oil on panel)
827419 The Letter, (oil on panel) by Lynch, Albert (1851-1912); 73x55.3 cm; Private Collection; (add.info.: The Letter. Albert Lynch (1851-1912). Oil on panel

Background imageCommunicate Collection: Remembrances, 1897 (oil on canvas)

Remembrances, 1897 (oil on canvas)
827259 Remembrances, 1897 (oil on canvas) by Cayron, Jules (1868-1940); 167x120.6 cm; Private Collection; (add.info.: Remembrances. Jules Cayron (1868-1940). Oil on canvas. Signed and dated 1897

Background imageCommunicate Collection: A Runaway Knock, (oil on paper on canvas)

A Runaway Knock, (oil on paper on canvas)
827244 A Runaway Knock, (oil on paper on canvas) by Cruikshank, George (1792-1878); 58.7x48.3 cm; Private Collection; (add.info.: A Runaway Knock. George Cruikshank (1792-1878)

Background imageCommunicate Collection: The Correspondent (engraving)

The Correspondent (engraving)
820586 The Correspondent (engraving) by English School, (19th century); Private Collection; (add.info.: The Correspondent)

Background imageCommunicate Collection: The Letter, 1910 (oil on canvas)

The Letter, 1910 (oil on canvas)
650640 The Letter, 1910 (oil on canvas) by Beckwith, James Carroll (1852-1917); 127x87 cm; Private Collection; (add.info.: The Letter. James Carroll Beckwith (1852-1917). Oil on canvas, 1910

Background imageCommunicate Collection: Caught!, (oil on panel)

Caught!, (oil on panel)
651410 Caught!, (oil on panel) by Detti, Cesare-Auguste (1847-1914); 35.6x26 cm; Private Collection; (add.info.: Caught! Cesare Auguste Detti (1847-1914). Oil on panel

Background imageCommunicate Collection: The Naval Manoeuvres, the Blue Fleet sweeping the Irish Sea (engraving)

The Naval Manoeuvres, the Blue Fleet sweeping the Irish Sea (engraving)
1062836 The Naval Manoeuvres, the Blue Fleet sweeping the Irish Sea (engraving) by Staniland, Charles J. (1838-1916) (after); Private Collection; (add.info.: The Naval Manoeuvres)

Background imageCommunicate Collection: Arriving Home, (oil on canvas)

Arriving Home, (oil on canvas)
985099 Arriving Home, (oil on canvas) by Wyeth, Newell Convers (1882-1945); 91.5x61 cm; Private Collection; (add.info.: Arriving Home. Newell Convers Wyeth (1882-1945). Oil on canvas

Background imageCommunicate Collection: The Letter (oil on panel)

The Letter (oil on panel)
659126 The Letter (oil on panel) by Noter, David Emil Joseph de (1825-1912); 61x52.7 cm; Private Collection; Photo eChristies Images; Belgian, out of copyright

Background imageCommunicate Collection: The Telephone Call, (oil on panel)

The Telephone Call, (oil on panel)
658876 The Telephone Call, (oil on panel) by Latouche, Gaston de (1854-1913); 77.5x56 cm; Private Collection; (add.info.: The Telephone Call. Gaston de Latouche (1854-1913). Oil on panel

Background imageCommunicate Collection: Reading for Grandmother, (oil on canvas)

Reading for Grandmother, (oil on canvas)
659739 Reading for Grandmother, (oil on canvas) by Hayllar, James (1829-1920); 71.1x59.6 cm; Private Collection; (add.info.: Reading for Grandmother. James Hayllar (1829-1920). Oil on canvas

Background imageCommunicate Collection: Small Talk, (oil on panel)

Small Talk, (oil on panel)
658661 Small Talk, (oil on panel) by Bls, Eugen von (1843-1931); 81x56 cm; Private Collection; (add.info.: Small Talk. Eugen von Bls (1843-1931). Oil on panel

Background imageCommunicate Collection: The Letter, (oil on canvas)

The Letter, (oil on canvas)
658464 The Letter, (oil on canvas) by Worms, Jules (1832-1914); 36x46 cm; Private Collection; (add.info.: The Letter. Jules Worms (1832-1924). Oil on canvas

Background imageCommunicate Collection: An Intimate Conversation, (oil on canvas)

An Intimate Conversation, (oil on canvas)
658442 An Intimate Conversation, (oil on canvas) by Pujol de Gustavino, Clemente (1850-1905); 41x61 cm; Private Collection; (add.info.: An Intimate Conversation)

Background imageCommunicate Collection: Blackgame, 1928 (pencil and watercolour heightened with white)

Blackgame, 1928 (pencil and watercolour heightened with white)
651862 Blackgame, 1928 (pencil and watercolour heightened with white) by Thorburn, Archibald (1860-1935); 35.6x54.6 cm; Private Collection; (add.info.: Blackgame. Archibald Thorburn (1860-1935)

Background imageCommunicate Collection: Le Lettre, (oil on canvas)

Le Lettre, (oil on canvas)
652875 Le Lettre, (oil on canvas) by Forain, Jean Louis (1852-1931); 68.6x56.5 cm; Private Collection; (add.info.: Le Lettre. Jean Louis Forain (1852-1931). Oil on canvas

Background imageCommunicate Collection: Letter of Introduction (gouache on paper)

Letter of Introduction (gouache on paper)
1767539 Letter of Introduction (gouache on paper) by Pyle, Howard (1853-1911); 24.8x29.2 cm; Private Collection; (add.info.: Letter of Introduction. Howard Pyle (1853-1911). Gouache on paper

Background imageCommunicate Collection: Poster advertising the Royal Mail service to South America, c. 1930 (colour lithograph)

Poster advertising the Royal Mail service to South America, c. 1930 (colour lithograph)
1770109 Poster advertising the Royal Mail service to South America, c.1930 (colour lithograph) by Shoesmith, Kenneth (1890-1939); 102x64 cm; Private Collection; (add.info)

Background imageCommunicate Collection: Audi, 1912 (lithograph in colours)

Audi, 1912 (lithograph in colours)
1766944 Audi, 1912 (lithograph in colours) by Witzel, Joseph Rudolf (b.1867); 90x124 cm; Private Collection; (add.info.: Audi. Joseph Rudolph Witzel (1867-1924). Lithograph in colours, 1912

Background imageCommunicate Collection: A message of condolence, from the court at Lucknow to Queen Victoria

A message of condolence, from the court at Lucknow to Queen Victoria
1196728 A message of condolence, from the court at Lucknow to Queen Victoria, on the death of her husband Prince Albert, 1861 (manuscript on vellum) by Indian School

Background imageCommunicate Collection: Russian Cossacks and a Supplicant, (w / c on paper)

Russian Cossacks and a Supplicant, (w / c on paper)
1195650 Russian Cossacks and a Supplicant, (w/c on paper) by Opitz, Georg Emanuel (1775-1841); 37.5x29.2 cm; Private Collection; Photo eChristies Images; German, out of copyright

Background imageCommunicate Collection: The Long Awaited Letter, 1890 (oil on canvas)

The Long Awaited Letter, 1890 (oil on canvas)
823184 The Long Awaited Letter, 1890 (oil on canvas) by American School; 70x101.5 cm; Private Collection; (add.info.: The Long Awaited Letter. American School. Oil on canvas)

Background imageCommunicate Collection: Portrait of Edward Abney, seated three-quarter-length, in a Green Coat

Portrait of Edward Abney, seated three-quarter-length, in a Green Coat
824191 Portrait of Edward Abney, seated three-quarter-length, in a Green Coat, Holding a Letter against a Red Curtain, Late 1780s (oil on canvas) by Wright of Derby

Background imageCommunicate Collection: Portrait of William Petty, 2nd Earl of Shelburne, 1st Marquis of Lansdowne (1737-1805)

Portrait of William Petty, 2nd Earl of Shelburne, 1st Marquis of Lansdowne (1737-1805)
824183 Portrait of William Petty, 2nd Earl of Shelburne, 1st Marquis of Lansdowne (1737-1805), seated three-quarter-length in Generals Uniform holding a letter addressed to Lt

Background imageCommunicate Collection: The Post; Die Post, c. 1875-1880 (oil on board)

The Post; Die Post, c. 1875-1880 (oil on board)
823430 The Post; Die Post, c.1875-1880 (oil on board) by Spitzweg, Carl (1808-85); 30x21.5 cm; Private Collection; (add.info.: The Post; Die Post. Carl Spitzweg (1808-1885). Oil on board

Background imageCommunicate Collection: The Village Postman, (oil on canvas)

The Village Postman, (oil on canvas)
990562 The Village Postman, (oil on canvas) by Hardy, Heywood (1842-1933); 61.5x47.6 cm; Private Collection; (add.info.: The Village Postman. Heywood Hardy (1842-1933). Oil on canvas

Background imageCommunicate Collection: Who Could Have Sent It?, 1885 (albumen print)

Who Could Have Sent It?, 1885 (albumen print)
990435 Who Could Have Sent It?, 1885 (albumen print) by Robinson, Henry Peach (1830-1901); 54.61x41.27 cm; Private Collection; (add.info.: Who Could Have Sent It? Henry Peach Robinson (1830-1901)

Background imageCommunicate Collection: Portrait of Duke Augustus of Saxony (1526-1586), half length

Portrait of Duke Augustus of Saxony (1526-1586), half length
990419 Portrait of Duke Augustus of Saxony (1526-1586), half length, wearing a Fur-Trimmed Coat and holding a Letter, 1549 (oil on panel) by Cranach, Lucas, the Younger (1515-86) (attr)

Background imageCommunicate Collection: La Lecture (oil on canvas)

La Lecture (oil on canvas)
990392 La Lecture (oil on canvas) by Hutin, Charles-Francois (1715-76); 129.2x95.5 cm; Private Collection; (add.info.: La Lecture. Attributed to Charles-Francois Hutin (1715-1776). Oil on canvas

Background imageCommunicate Collection: Portrait of Madame Helleu, reading, (red chalk on paper)

Portrait of Madame Helleu, reading, (red chalk on paper)
989306 Portrait of Madame Helleu, reading, (red chalk on paper) by Helleu, Paul Cesar (1859-1927); 54x40.7 cm; Private Collection; (add.info.: Portrait of Madame Helleu, reading)

Background imageCommunicate Collection: The Love Letter, c. 1890 (oil on canvas)

The Love Letter, c. 1890 (oil on canvas)
984999 The Love Letter, c.1890 (oil on canvas) by Califano, John (1864-1924); 75.6x45 cm; Private Collection; Photo eChristies Images; American, out of copyright

Background imageCommunicate Collection: Divine Inspiration, (oil on canvas)

Divine Inspiration, (oil on canvas)
827335 Divine Inspiration, (oil on canvas) by Torriglia, Giovanni-Battista (1858-1937); 59.7x90.2 cm; Private Collection; (add.info.: Divine Inspiration. Giovanni-Battista Torriglia (1858-1937)

Background imageCommunicate Collection: In Memory of Bouguereau; Souvenir de Bouguereau, (oil on canvas)

In Memory of Bouguereau; Souvenir de Bouguereau, (oil on canvas)
827283 In Memory of Bouguereau; Souvenir de Bouguereau, (oil on canvas) by Bouguereau, Elizabeth Jane Gardner (1837-1922); 125.7x72.4 cm; Private Collection; (add.info)

Background imageCommunicate Collection: The Letter, (oil on canvas)

The Letter, (oil on canvas)
827213 The Letter, (oil on canvas) by Schweninger, Karl the Elder (1818-87); 44.5x50.8 cm; Private Collection; (add.info.: The Letter. Karl the Elder Schweninger (1818-1887). Oil on canvas

Background imageCommunicate Collection: Collecting the Post, (oil on canvas)

Collecting the Post, (oil on canvas)
828445 Collecting the Post, (oil on canvas) by Kilburne, George Goodwin (1839-1924); 58.8x76.8 cm; Private Collection; (add.info.: Collecting the Post. George Goodwin Kilburne (1839-1924)

Background imageCommunicate Collection: Ducks at the Waters Edge, 1874 (oil on panel)

Ducks at the Waters Edge, 1874 (oil on panel)
827131 Ducks at the Waters Edge, 1874 (oil on panel) by Jutz, Carl (1838-1916); 13.3x18.7 cm; Private Collection; (add.info.: Ducks at the Waters Edge. Carl Jutz (1838-1916). Oil on panel

Background imageCommunicate Collection: The Latest Intelligence, 1871

The Latest Intelligence, 1871
659010 The Latest Intelligence, 1871 () by Pratt, Jonathan (1835-1911); 75x100.3 cm; Private Collection; (add.info.: The Latest Intelligence. Jonathan Pratt (1835-1911). Signed and dated 1871

Background imageCommunicate Collection: The Letter, 1910 (oil on panel)

The Letter, 1910 (oil on panel)
658275 The Letter, 1910 (oil on panel) by Dadd, Frank (1851-1929); 35.5x28 cm; Private Collection; (add.info.: The Letter. Frank Dadd (1851-1929). Oil on panel. Dated 1910

Background imageCommunicate Collection: Sunday Afternoon in the Back Country, 1883 (oil on canvas)

Sunday Afternoon in the Back Country, 1883 (oil on canvas)
659069 Sunday Afternoon in the Back Country, 1883 (oil on canvas) by Valkenburg, Hendrick (1826-96); 133.5x204 cm; Private Collection; (add.info)

Background imageCommunicate Collection: Nostalgia, 55. 8 x 44cm (oil on panel)

Nostalgia, 55. 8 x 44cm (oil on panel)
658817 Nostalgia, 55.8 x 44cm (oil on panel) by Baugniet, Charles (1814-86); 55.8x44.5 cm; Private Collection; (add.info.: Nostalgia. Charles Baugniet (1814-1886). Oil on panel

Background imageCommunicate Collection: The Love Letter, (oil on panel)

The Love Letter, (oil on panel)
658771 The Love Letter, (oil on panel) by Andreotti, Federigo (1847-1930); 104x74 cm; Private Collection; (add.info.: The Love Letter. Federigo Andreotti (1847-1930). Oil on panel

Background imageCommunicate Collection: The Laughing Peasant (oil on canvas)

The Laughing Peasant (oil on canvas)
1195730 The Laughing Peasant (oil on canvas) by Maliavin, Filipp Andreevich (1869-1940); 85.5x60 cm; Private Collection; (add.info.: Maliavin)

Background imageCommunicate Collection: Harlequin and Death, 1918 (pencil, pen & ink, w / c on paper)

Harlequin and Death, 1918 (pencil, pen & ink, w / c on paper)
1195540 Harlequin and Death, 1918 (pencil, pen & ink, w/c on paper) by Somov, Konstantin Andreevic (1869-1939); 28.7x22.4 cm; Private Collection; Photo eChristies Images; Russian, out of copyright



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"Communicate: Bridging the Gap between Worlds" In a world where equations unravel the mysteries of particle physics, communication takes on a whole new dimension. From the intricate dance of symbols to deciphering eye examinations, we unlock the secrets hidden within our own existence. But communication is not limited to scientific realms alone. In an epee teaching session for deaf mutes, gestures and expressions become their language, transcending barriers that once seemed insurmountable. Just like Queen Elizabeth's voice resonating through a phone call, connecting people across distances with mere words. Throughout history, communication has played pivotal roles in shaping our destiny. The end of the Revolutionary War announced by signal-fires blazing high above us reminds us how messages can ignite revolutions and bring about change. Yet amidst grand events, it is often in simple moments that true connection thrives. Parents kissing their baby boy tenderly convey love without uttering a single word; it is an unspoken language that binds hearts together. From ancient times to modern breakthroughs, maps have guided us in understanding diseases like cholera. A litho from 1855 reveals how information shared visually can save lives and prevent suffering – proving that effective communication knows no boundaries or time constraints. A woman engrossed in conversation over the phone demonstrates how technology has revolutionized human interaction. No longer confined by physical proximity, we now connect effortlessly across vast distances with just a few taps on a screen. As day turns into night and bedtime arrives, stories read aloud create bonds between generations as they share tales passed down through ages – reminding us that storytelling remains one of humanity's most cherished forms of communication. Nature too speaks its own language; black-tailed prairie dogs barking alert others to danger or communicate territorial boundaries - showcasing how animals rely on vocalizations for survival and community cohesion (MI851 & MI650).