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Comedy Collection (page 15)

From timeless classics to uproarious slapstick, it has always been a universal language that brings joy and laughter to audiences

Background imageComedy Collection: A Midsummer Night's Dream

A Midsummer Night's Dream
5308135 A Midsummer Night's Dream.; (add.info.: Title page for 'A Midsummer Night's Dream' by William Shakespeare. A Midsummer Night's Dream is one of Shakespeare's comedies)

Background imageComedy Collection: Preparatory School for Young Ladies, 1851. Young ladies in aprons in a kitchen studying cookery

Preparatory School for Young Ladies, 1851. Young ladies in aprons in a kitchen studying cookery with small girls in
FLO4995438 Preparatory School for Young Ladies, 1851. Young ladies in aprons in a kitchen studying cookery with small girls in dunces' caps. Young ladies were urged to become good housewives

Background imageComedy Collection: A Rather Fast Steeple Chase, 1864. Ladies riding horses side-saddle jumping over a brook

A Rather Fast Steeple Chase, 1864. Ladies riding horses side-saddle jumping over a brook
FLO4995488 A Rather Fast Steeple Chase, 1864. Ladies riding horses side-saddle jumping over a brook. Handcoloured etching by John Leech from Follies of the Year, from Punchos Pocket Books, Bradbury

Background imageComedy Collection: Illustration for The Two Gentlemen of Verona by William Shakespeare, 19th century (engraving)

Illustration for The Two Gentlemen of Verona by William Shakespeare, 19th century (engraving)
3772206 Illustration for The Two Gentlemen of Verona by William Shakespeare, 19th century (engraving) by Gilbert, John (1817-97); (add.info)

Background imageComedy Collection: A line of people bringing boxes and crates to a porter. He says, Of course, with pleasure

A line of people bringing boxes and crates to a porter. He says, Of course, with pleasure
FLO4691465 A line of people bringing boxes and crates to a porter. He says, Of course, with pleasure. He thinks, These animals take me for a conveyor belt

Background imageComedy Collection: Two ladies dressing before a mirror in a parlor, 19th century

Two ladies dressing before a mirror in a parlor, 19th century. She says, The pink really suits you dear
FLO4691390 Two ladies dressing before a mirror in a parlor, 19th century. She says, The pink really suits you dear. She thinks, And makes you look 10 years older

Background imageComedy Collection: Young gentleman in the study of an advisor reading a letter. He says, I'm entirely at your disposal

Young gentleman in the study of an advisor reading a letter. He says, I'm entirely at your disposal
FLO4691288 Young gentleman in the study of an advisor reading a letter. He says, I'm entirely at your disposal. He thinks, Another free dinner

Background imageComedy Collection: English actor Charles Potier and Miss Pauline in the comedy L'Homme de Sixty Ans by d'Artois

English actor Charles Potier and Miss Pauline in the comedy L'Homme de Sixty Ans by d'Artois
FLO4562942 English actor Charles Potier and Miss Pauline in the comedy L'Homme de Sixty Ans by d'Artois, Simonnin and Ferdinand at the Theatre des Varietes, 1824

Background imageComedy Collection: William Shakespeare Much Ado About Nothing, play first performed c1598

William Shakespeare Much Ado About Nothing, play first performed c1598
532716 William Shakespeare Much Ado About Nothing, play first performed c1598.; (add.info.: William Shakespeare Much Ado About Nothing, play first performed c.1598)

Background imageComedy Collection: O Bottom, thou art changed'. Snout and Quince, seeing Bottom the weaver seeing the ass-head for

O Bottom, thou art changed'. Snout and Quince, seeing Bottom the weaver seeing the ass-head for the first time
537928 O Bottom, thou art changed'. Snout and Quince, seeing Bottom the weaver seeing the ass-head for the first time

Background imageComedy Collection: A scene from Mr. Brougham's comedy of 'Romance and Reality', 1860 (engraving)

A scene from Mr. Brougham's comedy of 'Romance and Reality', 1860 (engraving)
1579592 A scene from Mr. Brougham's comedy of 'Romance and Reality', 1860 (engraving); (add.info.: Engraving depicting a scene from Mr)

Background imageComedy Collection: Marie-Therese Bourgouin and Roxelane in Les Trois Sultanes by Charles Simon Favart

Marie-Therese Bourgouin and Roxelane in Les Trois Sultanes by Charles Simon Favart, Theatre Francais, 1803
FLO4606719 Marie-Therese Bourgouin and Roxelane in Les Trois Sultanes by Charles Simon Favart, Theatre Francais, 1803. Based on the story of Hurrem

Background imageComedy Collection: English actor Tonon Gontier (1785-1841) as Colonel Derville and Bernard-Leon (1785-1858)

English actor Tonon Gontier (1785-1841) as Colonel Derville and Bernard-Leon (1785-1858)
FLO4562940 English actor Tonon Gontier (1785-1841) as Colonel Derville and Bernard-Leon (1785-1858) as farmer Thibaut in the comedy Le Kiss au Porter by Eugene Scribe at the Theatre de Madame, 1824

Background imageComedy Collection: Vaudeville performers on stage of a Bowery theater, New York City, early 1900s

Vaudeville performers on stage of a Bowery theater, New York City, early 1900s
NWI4759697 Vaudeville performers on stage of a Bowery theater, New York City, early 1900s.; (add.info.: Vaudeville performers on stage of a Bowery theater, New York City)

Background imageComedy Collection: Katherine, Principal female character from Shakespeare's play Taming of the Shrew

Katherine, Principal female character from Shakespeare's play Taming of the Shrew
6116592 Katherine, Principal female character from Shakespeare's play Taming of the Shrew; (add.info.: Katherine. Principal female character from Shakespeare's play Taming of the Shrew)

Background imageComedy Collection: Twelfth Night

Twelfth Night
5308134 Twelfth Night.; (add.info.: Title page for 'Twelfth Night' by William Shakespeare. Twelfth Night (or What You Will) is one of Shakespeare's comedies

Background imageComedy Collection: A pickpocket distracting his victim

A pickpocket distracting his victim
5307989 A pickpocket distracting his victim.; (add.info.: Cartoon depicting a pickpocket distracting his victim with a small refracting telescope)

Background imageComedy Collection: Lucilla, daughter of Roman Emperor Marcus Aurelius, with trumpet and mask

Lucilla, daughter of Roman Emperor Marcus Aurelius, with trumpet and mask, the attributes of Thalia, muse of comedy
FLO4997398 Lucilla, daughter of Roman Emperor Marcus Aurelius, with trumpet and mask, the attributes of Thalia, muse of comedy. Copperplate engraving after an illustration by L

Background imageComedy Collection: Croquet Match, 1862. Victorian gentlemen and ladies playing the fashionable game of croquet

Croquet Match, 1862. Victorian gentlemen and ladies playing the fashionable game of croquet
FLO4995482 Croquet Match, 1862. Victorian gentlemen and ladies playing the fashionable game of croquet. A woman steps on a ball to croquet her male opponent

Background imageComedy Collection: Dressing for the Ball in 1857. Woman being helped by maids into an inflatable hoop frame to

Dressing for the Ball in 1857. Woman being helped by maids into an inflatable hoop frame to support her crinoline
FLO4995447 Dressing for the Ball in 1857. Woman being helped by maids into an inflatable hoop frame to support her crinoline dress

Background imageComedy Collection: Hyde Park as it will be, 1846. Satirical futuristic print of gentlemen riding personal steam

Hyde Park as it will be, 1846. Satirical futuristic print of gentlemen riding personal steam engines pumping out fumes
FLO4995407 Hyde Park as it will be, 1846. Satirical futuristic print of gentlemen riding personal steam engines pumping out fumes

Background imageComedy Collection: Conversavione of Ladies, 1848. Satirical print of ladies in a salon discussing fashion, children

Conversavione of Ladies, 1848. Satirical print of ladies in a salon discussing fashion, children
FLO4995403 Conversavione of Ladies, 1848. Satirical print of ladies in a salon discussing fashion, children, dogs and man servants

Background imageComedy Collection: The security of a Chubb & Son's secured door in a comical manner, 1850

The security of a Chubb & Son's secured door in a comical manner, 1850
3330940 The security of a Chubb & Son's secured door in a comical manner, 1850; (add.info.: Illustration highlighting the security of a Chubb & Son's secured door in a comical manner)

Background imageComedy Collection: Two gentlemen composers in a music room before a piano, 19th century. The portly man says

Two gentlemen composers in a music room before a piano, 19th century. The portly man says
FLO4691436 Two gentlemen composers in a music room before a piano, 19th century. The portly man says, I'd give three operas to have created your romance

Background imageComedy Collection: Two mothers in a parlor with their sons, 19th century. She says

Two mothers in a parlor with their sons, 19th century. She says, My little Charles isn't in the best of health
FLO4691382 Two mothers in a parlor with their sons, 19th century. She says, My little Charles isn't in the best of health. She thinks, Nor so common and clumsy

Background imageComedy Collection: Two ladies talking in a parlor watching a woman paint in oils

Two ladies talking in a parlor watching a woman paint in oils. She says, How many more virtues and talents
FLO4691378 Two ladies talking in a parlor watching a woman paint in oils. She says, How many more virtues and talents... She thinks, To remain a woman

Background imageComedy Collection: Gentlemen and lady playing cards in a parlour, while others dance in the next room

Gentlemen and lady playing cards in a parlour, while others dance in the next room
FLO4691351 Gentlemen and lady playing cards in a parlour, while others dance in the next room. He says, you've hit a lucky one

Background imageComedy Collection: Widow and young man taking coffee in a restaurant talking to a stone mason

Widow and young man taking coffee in a restaurant talking to a stone mason
FLO4691319 Widow and young man taking coffee in a restaurant talking to a stone mason. She says, And don't forgot in large letters, A good father, fine spouse, he leaves an inconsolable widow

Background imageComedy Collection: Gentleman meeting an old man in a parlour. Good to see you recovered, dear uncle

Gentleman meeting an old man in a parlour. Good to see you recovered, dear uncle
FLO4691297 Gentleman meeting an old man in a parlour. Good to see you recovered, dear uncle. (It puts back the inheritance, but it's fine)

Background imageComedy Collection: Lady saying goodbye to a gentleman in a parlour. She says, Bon voyage, and hurry back

Lady saying goodbye to a gentleman in a parlour. She says, Bon voyage, and hurry back! She thinks, Good riddance
FLO4691282 Lady saying goodbye to a gentleman in a parlour. She says, Bon voyage, and hurry back! She thinks, Good riddance

Background imageComedy Collection: Gentleman and old lady in a hotel room watched by a porter. He says

Gentleman and old lady in a hotel room watched by a porter. He says, You can count on me to use all my credit
FLO4691265 Gentleman and old lady in a hotel room watched by a porter. He says, You can count on me to use all my credit. He thinks, She's old, ugly and she's soliciting me

Background imageComedy Collection: Woman seated on a sofa flattering an ugly man. One is never ugly with a distinguished figure

Woman seated on a sofa flattering an ugly man. One is never ugly with a distinguished figure
FLO4691228 Woman seated on a sofa flattering an ugly man. One is never ugly with a distinguished figure. Handcoloured lithograph by the Gihaut brothers after an illustration by Jean Gabriel Scheffer

Background imageComedy Collection: Der Corregidor, a comic opera by Hugo Wolf

Der Corregidor, a comic opera by Hugo Wolf
3118728 Der Corregidor, a comic opera by Hugo Wolf; (add.info.: Der Corregidor, a comic opera by Hugo Wolf (1860-1903) an Austrian composer of Slovene origin

Background imageComedy Collection: Cover of catalogue of Manufrance (Manufacture Francaise d'Armes et Cycles) Saint Etienne

Cover of catalogue of Manufrance (Manufacture Francaise d'Armes et Cycles) Saint Etienne, c1920 (print)
545168 Cover of catalogue of Manufrance (Manufacture Francaise d'Armes et Cycles) Saint Etienne, c1920 (print) by French School

Background imageComedy Collection: Passengers of a channel steamer who feel sea sick

Passengers of a channel steamer who feel sea sick
5307317 Passengers of a channel steamer who feel sea sick.; (add.info.: Cartoon depicting passengers of a channel steamer who feel sea sick due to rough seas. Dated 19th century)

Background imageComedy Collection: A substitute for the Sea Side, or the Serpentine as it might be, 1858

A substitute for the Sea Side, or the Serpentine as it might be, 1858. Children swimming and building sandcastles
FLO4995474 A substitute for the Sea Side, or the Serpentine as it might be, 1858. Children swimming and building sandcastles, women feeding swans, changing into costumes near the lake in Hyde Park

Background imageComedy Collection: Topsy Turvey, or our Antipodes, 1854. Refined English ladies in crinolines waiting on rough

Topsy Turvey, or our Antipodes, 1854. Refined English ladies in crinolines waiting on rough
FLO4995435 Topsy Turvey, or our Antipodes, 1854. Refined English ladies in crinolines waiting on rough and unkempt gold prospectors in Australia during the Gold Rush

Background imageComedy Collection: The Matrimonial Tattersalls, 1847. Satirical print of a market for brides

The Matrimonial Tattersalls, 1847. Satirical print of a market for brides
FLO4995405 The Matrimonial Tattersalls, 1847. Satirical print of a market for brides and grooms in the style of Tattersalls horse market

Background imageComedy Collection: Alarming Prospect: Single Ladies off to the Diggings, 1853. A crowd of women in crinolines

Alarming Prospect: Single Ladies off to the Diggings, 1853. A crowd of women in crinolines
FLO4995443 Alarming Prospect: Single Ladies off to the Diggings, 1853. A crowd of women in crinolines and bonnets stands on the dock waiting for ships to take them out to Australia and the Gold Rush

Background imageComedy Collection: Progress of Bloomerism, or a Complete Change, 1852. Gentleman holding a baby while his wife in skirt

Progress of Bloomerism, or a Complete Change, 1852. Gentleman holding a baby while his wife in skirt
FLO4995437 Progress of Bloomerism, or a Complete Change, 1852. Gentleman holding a baby while his wife in skirt and bloomers leaves for her club with her girls

Background imageComedy Collection: A Social Sketch, or Everything in Common 1850. Satirical print of social unrest after a revolution

A Social Sketch, or Everything in Common 1850. Satirical print of social unrest after a revolution
FLO4995416 A Social Sketch, or Everything in Common 1850. Satirical print of social unrest after a revolution. A black banjo player attacked by the men of the house for talking to a lady

Background imageComedy Collection: Farming for Ladies, 1845. Lady in a three-wheeled chair with her footmen in livery using a ladle

Farming for Ladies, 1845. Lady in a three-wheeled chair with her footmen in livery using a ladle to feed pigs in a
FLO4995408 Farming for Ladies, 1845. Lady in a three-wheeled chair with her footmen in livery using a ladle to feed pigs in a pigsty

Background imageComedy Collection: Lady receiving a rose from a gentleman in a park under a statue

Lady receiving a rose from a gentleman in a park under a statue. She says, It's not a favor, it's only fair
FLO4691552 Lady receiving a rose from a gentleman in a park under a statue. She says, It's not a favor, it's only fair

Background imageComedy Collection: Lady and gentleman wearing a wig in a parlor, 19th century. She says, A wig? Really, I never guessed

Lady and gentleman wearing a wig in a parlor, 19th century. She says, A wig? Really, I never guessed
FLO4691537 Lady and gentleman wearing a wig in a parlor, 19th century. She says, A wig? Really, I never guessed... She thinks, It's a plain as the nose on your face

Background imageComedy Collection: Woman meeting a portly dandy in a parlour with large mirror and sofa

Woman meeting a portly dandy in a parlour with large mirror and sofa. Charmed to meet you! (What an oaf)
FLO4691295 Woman meeting a portly dandy in a parlour with large mirror and sofa. Charmed to meet you! (What an oaf!) Handcoloured lithograph by the Gihaut brothers after an illustration by Jean

Background imageComedy Collection: Gentleman presenting a lady with a necklace in a parlor. She says, It's madness, my friend

Gentleman presenting a lady with a necklace in a parlor. She says, It's madness, my friend! Am I worth it
FLO4691424 Gentleman presenting a lady with a necklace in a parlor. She says, It's madness, my friend! Am I worth it? She thinks, The stones are so tiny

Background imageComedy Collection: Anne Page, Principal female character from Shakespeare's play The Merry Wives of Windsor

Anne Page, Principal female character from Shakespeare's play The Merry Wives of Windsor
6116587 Anne Page, Principal female character from Shakespeare's play The Merry Wives of Windsor,; (add.info.: Anne Page)

Background imageComedy Collection: The grapple of a hot-air balloon catching a large man's belt

The grapple of a hot-air balloon catching a large man's belt
3585996 The grapple of a hot-air balloon catching a large man's belt; (add.info.: Cartoon depicting the grapple of a hot-air balloon catching a large man's belt)



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From timeless classics to uproarious slapstick, it has always been a universal language that brings joy and laughter to audiences. 🎭✨ The UK quad poster for The Ladykillers (1955) showcases the perfect blend of wit and mischief, as a group of eccentric criminals find themselves in hilarious situations. Stan Laurel and Oliver Hardy's comedic genius shines through in James W Hornes Beau Hunks (1931), leaving us in stitches with their impeccable timing and physical comedy. Restless Natives (1985) UK release one sheet poster promises an adventure filled with side-splitting moments as two Scottish friends embark on a comical journey of rebellion against society. GILBERT & SULLIVAN's 1878 production of H. M. S. Pinafore captivated audiences with its witty lyrics and humorous storyline, proving that even musicals can be infused with comedic brilliance. Laurel and Hardy, the iconic duo known for their hilarious antics, never fail to entertain. Whether it's James Parrotts Night Owls (1930) or any other film they starred in, their chemistry is unmatched. Carry On Screaming (1966), a quintessential British comedy-horror film from the Carry On series, delivers laughs aplenty while spoofing classic horror tropes. Billy Liar takes us on a whimsical journey through the imagination of its titular character, offering plenty of chuckles along the way. The re-issue poster for The LadyKillers reminds us why this darkly funny crime caper remains an all-time favorite among fans worldwide – brilliant performances combined with clever dialogue make it an unforgettable experience. In Leave Them Laughing (1928), LAUREL AND HARDY prove once again why they are legends of silent cinema by effortlessly tickling our funny bones alongside a befuddled police officer.