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Comb Collection (page 6)

"From Art Nouveau to Cultural Traditions

Background imageComb Collection: Sunday Morning, eng. George Hunt, pub. Thos. McLean, London

Sunday Morning, eng. George Hunt, pub. Thos. McLean, London
872462 Sunday Morning, eng. George Hunt, pub. Thos. McLean, London, 1827 (hand-coloured engraving) by Lane, Theodore (1800-28); Private Collection; The Stapleton Collection; English, out of copyright

Background imageComb Collection: Red collar, 1928 (colour woodcut)

Red collar, 1928 (colour woodcut)
3545893 Red collar, 1928 (colour woodcut) by Shuho, Yamakawa (1898-1944); 38.9x24.4 cm; Rijksmuseum, Amsterdam, The Netherlands; Japanese, out of copyright

Background imageComb Collection: A fancy sketch of the mystery of making up on Boxing Night (engraving)

A fancy sketch of the mystery of making up on Boxing Night (engraving)
736097 A fancy sketch of the mystery of making up on Boxing Night (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageComb Collection: Cocks comb (engraving)

Cocks comb (engraving)
2805863 Cocks comb (engraving) by English School, (19th century); Private Collection; (add.info.: Cocks comb. Illustration for An Illustrated Vocabulary For The Use Of The Deaf And Dumb (SPCK)

Background imageComb Collection: Woman combing her hair, from Elles, 1896 (litho)

Woman combing her hair, from Elles, 1896 (litho)
HGM81058 Woman combing her hair, from Elles, 1896 (litho) by Toulouse-Lautrec, Henri de (1864-1901); Haags Gemeentemuseum, The Hague, Netherlands; eKunstmuseum den Haag; French, out of copyright

Background imageComb Collection: Woman at her toilette, c. 1885 (pastel on cardboard)

Woman at her toilette, c. 1885 (pastel on cardboard)
MEL56322 Woman at her toilette, c.1885 (pastel on cardboard) by Degas, Edgar (1834-1917); 56x59 cm; State Hermitage Museum, St. Petersburg, Russia; French, out of copyright

Background imageComb Collection: The Mermaid Dish, Staffordshire, c. 1670-89 (lead-glazed earthenware)

The Mermaid Dish, Staffordshire, c. 1670-89 (lead-glazed earthenware)
BAL6428 The Mermaid Dish, Staffordshire, c.1670-89 (lead-glazed earthenware) by Toft, Thomas (d.1689); diameter: 43.8 cm; Victoria & Albert Museum, London, UK; English, out of copyright

Background imageComb Collection: The Laundress, engraved by Augrand, c. 1816 (coloured engraving)

The Laundress, engraved by Augrand, c. 1816 (coloured engraving)
STC428339 The Laundress, engraved by Augrand, c.1816 (coloured engraving) by Busset-Dubruste, Madame G. (fl.1806-17) (attr)

Background imageComb Collection: Europe XII-XV-XVIth Cent Costume

Europe XII-XV-XVIth Cent Costume
LLM458693 Europe XII-XV-XVIth Cent Costume by French School, (19th century); Private Collection; (add.info.: Europe XII-XV-XVIth Cent Costume)

Background imageComb Collection: War hat, or kettle hat, c. 1475-1500 (steel)

War hat, or kettle hat, c. 1475-1500 (steel)
490836 War hat, or kettle hat, c.1475-1500 (steel) by Missaglia, Antonio (1416/17-95/96) (workshop of); 36x22x26.6 cm; Cleveland Museum of Art, OH, USA; Gift of Mr. and Mrs. John L

Background imageComb Collection: The Mermaid, song illustration from Pan-Pipes, A Book of Old Songs

The Mermaid, song illustration from Pan-Pipes, A Book of Old Songs
DGC452042 The Mermaid, song illustration from Pan-Pipes, A Book of Old Songs, Newly Arranged and with Accompaniments by Theo

Background imageComb Collection: A trompe l oeil (oil on canvas)

A trompe l oeil (oil on canvas)
RAF403514 A trompe l oeil (oil on canvas) by Klopper, Jan (c.1670-1734); 45.5x40 cm; Private Collection; Photo eRafael Valls Gallery, London, UK; Swedish, out of copyright

Background imageComb Collection: Toy mirror, brush and comb, c. 1860 (carved mahogany with inlaid wood and glass)

Toy mirror, brush and comb, c. 1860 (carved mahogany with inlaid wood and glass)
3084412 Toy mirror, brush and comb, c.1860 (carved mahogany with inlaid wood and glass) by English School, (19th century); The Geffrye Museum of the Home, London

Background imageComb Collection: Sunday Morning engraved by George Hunt (colour litho)

Sunday Morning engraved by George Hunt (colour litho)
GHL87687 Sunday Morning engraved by George Hunt (colour litho) by Lane, Theodore (1800-28) (after); London Metropolitan Archives, City of London; eLondon Metropolitan Archives; English

Background imageComb Collection: Progress of the Toilet, or Dress Completed, published by Hannah Humphrey in 1810 (etching

Progress of the Toilet, or Dress Completed, published by Hannah Humphrey in 1810 (etching
NCO190140 Progress of the Toilet, or Dress Completed, published by Hannah Humphrey in 1810 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Background imageComb Collection: Comb with decoration of butterflies, late 19th-early 20th century

Comb with decoration of butterflies, late 19th-early 20th century
5930875 Comb with decoration of butterflies, late 19th-early 20th century (wood with lacquer and gold) by Japanese School, (19th-20th century); 3.6x8.4x0.5 cm; Freer Gallery of Art

Background imageComb Collection: Trade signs: Barbers and Chemists (litho)

Trade signs: Barbers and Chemists (litho)
6026908 Trade signs: Barbers and Chemists (litho) by English School, (20th century); Private Collection; (add.info.: Barbers and Chemists)

Background imageComb Collection: A Mermaid, 1900 (oil on canvas)

A Mermaid, 1900 (oil on canvas)
5051363 A Mermaid, 1900 (oil on canvas) by Waterhouse, John William (1849-1917); 96.5x66.6 cm; Royal Academy of Arts, London, UK; English, out of copyright

Background imageComb Collection: Cock, Phasianus, from A Selection of British Birds, pub

Cock, Phasianus, from A Selection of British Birds, pub
4071271 Cock, Phasianus, from A Selection of British Birds, pub. 1835 (hand coloured engraving)A by Steuben, Charles Auguste (1788-1856) (after); Private Collection; The Stapleton Collection; German

Background imageComb Collection: The Origin of the Combing Machine (oil on canvas)

The Origin of the Combing Machine (oil on canvas)
3744405 The Origin of the Combing Machine (oil on canvas) by Elmore, Alfred W. (1815-81); 32.9x43.7 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Background imageComb Collection: Historical Relics in the Stuart Exhibition, at the New Gallery, Regent-Street (engraving)

Historical Relics in the Stuart Exhibition, at the New Gallery, Regent-Street (engraving)
1626182 Historical Relics in the Stuart Exhibition, at the New Gallery, Regent-Street (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageComb Collection: Comb (duafe), late 19th or early 20th century (wood)

Comb (duafe), late 19th or early 20th century (wood)
1068833 Comb (duafe), late 19th or early 20th century (wood) by Asante Culture; 23.495x9.8425x0.7938 cm; Dallas Museum of Art, Texas, USA; African, out of copyright

Background imageComb Collection: The Bathers, c. 1890-1895 (pastel and charcoal on tracing paper)

The Bathers, c. 1890-1895 (pastel and charcoal on tracing paper)
1069436 The Bathers, c.1890-1895 (pastel and charcoal on tracing paper) by Degas, Edgar (1834-1917); 142.2x144.1x10.2 cm; Dallas Museum of Art, Texas

Background imageComb Collection: Still Life, 1931 (lithograph)

Still Life, 1931 (lithograph)
1066592 Still Life, 1931 (lithograph) by Coleman, Glenn O (1884-1932); 38.7x31.1 cm; Dallas Museum of Art, Texas, USA; Dallas Art Association Purchase; American, out of copyright

Background imageComb Collection: Comb, English, eleventh century, in the British museum (engraving)

Comb, English, eleventh century, in the British museum (engraving)
3635715 Comb, English, eleventh century, in the British museum (engraving) by English School, (19th century); Private Collection; (add.info.: Comb, English, eleventh century, in the British museum)

Background imageComb Collection: Side B of an Ivory Comb with the story of Susanna

Side B of an Ivory Comb with the story of Susanna
3565083 Side B of an Ivory Comb with the story of Susanna by Unknown Artist, (15th century); Museo Nazionale del Bargello, Florence, Tuscany

Background imageComb Collection: A hair-dessing exhibition (engraving)

A hair-dessing exhibition (engraving)
608653 A hair-dessing exhibition (engraving) by English School, (19th century); Private Collection; (add.info.: A hair-dessing exhibition; dated 10 February 1872)

Background imageComb Collection: Girl Combing her Hair (oil on canvas)

Girl Combing her Hair (oil on canvas)
CH376242 Girl Combing her Hair (oil on canvas) by Renoir, Pierre Auguste (1841-1919); Private Collection; Photo eChristies Images; French, out of copyright

Background imageComb Collection: Close helmet, c. 1580 (etched & gilded steel with brass rivets)

Close helmet, c. 1580 (etched & gilded steel with brass rivets)
490822 Close helmet, c.1580 (etched & gilded steel with brass rivets) by German School, (16th century); 40x35.5x23 cm; Cleveland Museum of Art, OH

Background imageComb Collection: Comb, 1400s (boxwood)

Comb, 1400s (boxwood)
491420 Comb, 1400s (boxwood) by French School, (15th century); h:11.45 w:16.05 cm; Cleveland Museum of Art, OH, USA; (add.info)

Background imageComb Collection: Close helmet for the field, c. 1550-70 (steel, iron, leather & brass)

Close helmet for the field, c. 1550-70 (steel, iron, leather & brass)
490921 Close helmet for the field, c.1550-70 (steel, iron, leather & brass) by German School, (16th century); 34.5x20x31.2 cm; Cleveland Museum of Art, OH, USA; Gift of Mr. and Mrs. John L

Background imageComb Collection: Black woman with pink blouse, 1910 (oil on canvas)

Black woman with pink blouse, 1910 (oil on canvas)
712318 Black woman with pink blouse, 1910 (oil on canvas) by Vallotton, Felix Edouard (1865-1925); 61x50 cm; Private Collection; Photo eChristies Images; Swiss, out of copyright

Background imageComb Collection: Domestic goods from Timor, from Verhandelingen over de Natuurlijke Geschiedenis der

Domestic goods from Timor, from Verhandelingen over de Natuurlijke Geschiedenis der
STC209628 Domestic goods from Timor, from Verhandelingen over de Natuurlijke Geschiedenis der Nederlandsche overzeesche Bezittingen, Volume I, by Coenraad Jacob Temminck, engraved by J.M

Background imageComb Collection: The hairdresser, c. 1816 (coloured engraving)

The hairdresser, c. 1816 (coloured engraving)
STC373421 The hairdresser, c.1816 (coloured engraving) by Busset-Dubruste, Madame G. (fl.1806-17) (attr. to); Private Collection; (add.info.: La Coiffeuse; ); The Stapleton Collection; French

Background imageComb Collection: Combs, Anglo-Saxon, probably c. 5th-7th century (bone)

Combs, Anglo-Saxon, probably c. 5th-7th century (bone)
AMQ118630 Combs, Anglo-Saxon, probably c.5th-7th century (bone) by Anglo-Saxon; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageComb Collection: Samson Offering His Parents a Honeycomb (oil on canvas)

Samson Offering His Parents a Honeycomb (oil on canvas)
ALI153745 Samson Offering His Parents a Honeycomb (oil on canvas) by Guercino (Giovanni Francesco Barbieri) (1591-1666); M.H

Background imageComb Collection: Trompe l oeil letter rack with a miniature portrait of a young man in armour

Trompe l oeil letter rack with a miniature portrait of a young man in armour
RAF86397 Trompe l oeil letter rack with a miniature portrait of a young man in armour, 1697 (panel) by Colyer or Collier, Edwaert (c.1640-c.1707); Private Collection; Photo eRafael Valls Gallery

Background imageComb Collection: Woman combing her hair, Fanny Cornforth, 1864 (pencil on paper)

Woman combing her hair, Fanny Cornforth, 1864 (pencil on paper)
BIR108183 Woman combing her hair, Fanny Cornforth, 1864 (pencil on paper) by Rossetti, Dante Gabriel Charles (1828-82); Birmingham Museums and Art Gallery; English, out of copyright

Background imageComb Collection: Present from Ali Effendi, the Turkish Ambassador, to the Sultan Abdul Medjib (engraving)

Present from Ali Effendi, the Turkish Ambassador, to the Sultan Abdul Medjib (engraving)
1616901 Present from Ali Effendi, the Turkish Ambassador, to the Sultan Abdul Medjib (engraving) by English School, (19th century); Private Collection; (add.info.: Present from Ali Effendi)

Background imageComb Collection: The Devonshire Gems, worn by the Countess Granville, at the Russian Coronation (engraving)

The Devonshire Gems, worn by the Countess Granville, at the Russian Coronation (engraving)
1587519 The Devonshire Gems, worn by the Countess Granville, at the Russian Coronation (engraving) by English School, (19th century); Private Collection; (add.info.: The Devonshire Gems)

Background imageComb Collection: For Faith and Freedom, by Walter Besant (engraving)

For Faith and Freedom, by Walter Besant (engraving)
1595689 For Faith and Freedom, by Walter Besant (engraving) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info.: For Faith and Freedom, by Walter Besant)

Background imageComb Collection: The Portuguese Man of War (colour litho)

The Portuguese Man of War (colour litho)
5210960 The Portuguese Man of War (colour litho) by Wright, Henry Charles Seppings (1850-1937); Private Collection; (add.info.: The Portuguese Man of War)

Background imageComb Collection: Leaving off Powder, or a Frugal Family saving the Guinea, pub

Leaving off Powder, or a Frugal Family saving the Guinea, pub
3025383 Leaving off Powder, or a Frugal Family saving the Guinea, pub.1795 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageComb Collection: Rooster and Weasel, 1930s (colour woodblock print)

Rooster and Weasel, 1930s (colour woodblock print)
883388 Rooster and Weasel, 1930s (colour woodblock print) by Koson, Ohara (1877-1945); Minneapolis Institute of Arts, MN, USA; (add.info.: Published by Kawaguchi JirAc)

Background imageComb Collection: La Coiffure, 1924 (oil and black ink on canvas)

La Coiffure, 1924 (oil and black ink on canvas)
826538 La Coiffure, 1924 (oil and black ink on canvas) by Pascin, Jules (1885-1930); 80.6x64.8 cm; Private Collection; (add.info.: La Coiffure. Jules Pascin (1885-1930). Oil and black ink on canvas

Background imageComb Collection: A Prehistoric British Boat recently discovered near Glastonbury (litho)

A Prehistoric British Boat recently discovered near Glastonbury (litho)
1047728 A Prehistoric British Boat recently discovered near Glastonbury (litho) by Macquoid, Percy (1852-1925); Private Collection; (add.info)

Background imageComb Collection: The Marquis of Lorne and the Princess Louise in Canada (engraving)

The Marquis of Lorne and the Princess Louise in Canada (engraving)
1058662 The Marquis of Lorne and the Princess Louise in Canada (engraving) by Ralston, William (1848-1911) (after); Private Collection; (add.info)



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"From Art Nouveau to Cultural Traditions: The Timeless Symbolism of the Comb" Step into the world of beauty and cultural significance as we explore the captivating history behind the humble comb. In La Maison Moderne c. 1902, a stunning poster by Manuel Orazi, we witness the intricate design and elegance that this everyday object can possess. Moving back in time, Edgar Degas' masterpiece "Woman Combing Her Hair" from 1886 captures a moment of intimacy and femininity as a woman tends to her locks with care. Meanwhile, in Djibouti, a man prepares his hair for his wedding day, highlighting how combs have played an essential role in rituals across different cultures. Venturing further into diverse traditions, we encounter domestic chickens of Nagasaki breed and their meticulous grooming habits. These feathered creatures remind us that even animals appreciate the importance of maintaining their appearance. The journey continues through tropical rainforests in North Queensland where the magnificent Double-wattled Cassowary resides. This majestic bird's striking appearance is enhanced by its vibrant plumage which it meticulously arranges using its beak – nature's own version of a comb. Traveling to Sekondi on Africa's Gold Coast, we witness Fante ladies having their hair dressed with precision. This ritual not only serves aesthetic purposes but also holds deep cultural significance within their community. As our exploration takes flight towards roosters like Gulliver in Lilliput or Maran Cockerel turning its head gracefully, we realize that they are not limited to human use alone; they extend to our animal counterparts too. Returning to artistry once more, Henri de Toulouse-Lautrec's "Madame Poupoule at her Toilette" transports us back to Parisian glamour while Edgar Degas' "Woman at her Toilette" depicts another private moment where personal grooming becomes an act of self-care.