Color Woodcut Collection

L Atelier de composition typographique, ca. 1895. Creator: Maurice Delcourt
L Atelier de composition typographique, ca. 1895

La Famille du graveur, 1898. Creator: Maurice Delcourt
La Famille du graveur, 1898

Chez la Modiste, ca. 1910. Creator: Maurice Delcourt
Chez la Modiste, ca. 1910

The Long Road or Argilla Road, c. 1898. Creator: Arthur Wesley Dow (American, 1857-1922)
The Long Road or Argilla Road, c. 1898

sale shadow 1915 color woodcut blotter paper
The sale of the shadow, 1915, color woodcut on blotter paper, colored print of two sticks (color plate sawn) in black, violet and red, condition print, b

Place Saint Georges 1899 Maurice Delcourt French
Place Saint Georges, 1899. Maurice Delcourt (French, 1877-1917). Color woodcut and soft-ground etching

Fontainebleau Forest Ad La et de Fontainebleau
Fontainebleau Forest: Ad for " Fontainebleau Forest" (La Foret de Fontainebleau), 1890. Auguste Louis Lepere (French, 1849-1918), A. Desmoulins, Published in Revue Illustree, 1887-90

Larousse Universal Cover Le Larousse Universel
Larousse Universal: Cover (Le Larousse Universel). Georges Auriol (French, 1863-1938), Librarie Larousse. Color woodcut

Landscapes Street Corners Moving 1900 Auguste Louis Lepere
Landscapes and Street Corners: Moving, 1900. Auguste Louis Lepere (French, 1849-1918). Color woodcut; sheet: 23.8 x 15.2 cm (9 3/8 x 6 in.); image: 6.6 x 8.5 cm (2 5/8 x 3 3/8 in.)

published L Art et Decoration January 1904
published L Art et Decoration, January 1904: Les Pecheuses de Pignons, Saint-Jean-de-Mont, 1903. Auguste Louis Lepere (French, 1849-1918)

Etude Quatre Mains 1890 Auguste Louis Lepere
Etude a Quatre Mains, 1890. Auguste Louis Lepere (French, 1849-1918). Color woodcut

Bathers 1900 Hans von Newmann German 1873-1957
Bathers, c. 1900. Hans von Newmann (German, 1873-1957). Color woodcut; sheet: 27 x 19.8 cm (10 5/8 x 7 13/16 in.); image: 23.6 x 16.8 cm (9 5/16 x 6 5/8 in.)

published Le Centure Jacques Emil Blanche Henri Heran
published in Le Centure by Jacques Emil Blanche, Henri Heran and Paul Ranson: Frightened Nymph (Nymphe Effraye), 1896. Paul Herrmann (French, 1864-1940)

Nabby Point ca 1913 Ipswich Massachusettes United States
Artokoloro

Lily 1898 none assigned Ipswich Massachusettes
Artokoloro

Derelict Lost Boat 1916 Ipswich Massachusettes
Artokoloro

View Ipswich Bend River Ca 1895 Color Woodcut
Artokoloro

Ipswich Town Harbor Scene Ca 1893-95 Color Woodcut
Artokoloro

Derelict Lost Boat 1916 none assigned Ipswich
Artokoloro

Long Road Argilla Ipswich ca 1898-1912 Color woodcut
Artokoloro

Nabby Point ca 1913 none assigned Ipswich Massachusettes
Artokoloro

Old Bridge Ipswich Little Venice Ca 1893-95
Artokoloro

Harbor Orchard ca 1902-1908 Color woodcut image
Artokoloro

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"Exploring the Vibrant World of Color Woodcut: A Journey through Artistic Masterpieces" Step into the enchanting world of color woodcut, a captivating art form that brings together intricate compositions and vivid hues. Dating back to the late 19th century, this technique has been utilized by talented artists such as Maurice Delcourt, Arthur Wesley Dow, Auguste Louis Lepere, and Hans von Newmann to create breathtaking works that continue to mesmerize audiences. Atelier de composition typographique by Maurice Delcourt transports us to a workshop where typography comes alive in vibrant colors. The attention to detail is impeccable, showcasing Delcourt's mastery over this medium. In La Famille du graveur, we witness an intimate scene capturing the life of a printmaker's family with delicate precision. Chez la Modiste takes us on a fashionable journey through time with its elegant depiction of a milliner's shop. The playfulness of colors adds depth and charm to this early 20th-century artwork. Meanwhile, The Long Road or Argilla Road by Arthur Wesley Dow showcases his American perspective on color woodcut with its serene landscape bathed in warm tones. The sale shadow 1915 color woodcut blotter paper reveals how this art form transcended traditional boundaries and found practical uses beyond gallery walls. It served as both functional stationery and an artistic expression simultaneously. Place Saint Georges 1899 by Maurice Delcourt captures the essence of French architecture while Fontainebleau Forest Ad La et de Fontainebleau immerses us in nature's beauty. Larousse Universal Cover Le Larousse Universel demonstrates how color woodcuts were employed for book covers during this period. Its intricate design invites readers into a world of knowledge waiting within its pages. Landscapes Street Corners Moving 1900 by Auguste Louis Lepere portrays bustling city scenes brought to life through skillful use of colors and textures.