Colnaghi Collection

Graves at head of Harbour of Balaklava, Crimean War
Graves at the head of the Harbour of Balaklava, Crimean War Date: 1855

Houses in Venice
Oil painting showing what is most likely a town in Venice, Italy, judging by the green shutters on these houses. Date: circa 1929

The Piazza, Anticoli
Etching of The Piazza, in Anticoli Corrado, Rome, Italy. Lots of people can be seen shopping and gathering around a large fountain. Date: circa 1929

The House of Mystery
Aquatint etching showing a large house with many square muntin windows, it is not known why this house has a mysterious label

A Seated Lady
Etching of a seated lady looking out towards the city, from a high balcony. Date: circa 1929

Gerona after a Snowstorm
A painting showing the effects of a snowstorm in Gerona, in the Catalonian region of Spain, by the River Onyar. Date: circa 1929

Flower Piece
Still Life painting of a vase of flowers, varying in colour, alongside some fruit and a knife. Date: circa 1929

Portrait of James McBey
A Portrait painting of James McBey, a self-taught artist and etcher, sitting calmy at a desk. Date: circa 1929

St George's Road, Blackburn
Artwork showing an industrial area on St. George's Road, Blackburn. Date: circa 1929

The Shadowed Road, Malcesine
Artwork showing The Shadowed Road, Malcesine in the province of Verona, Italy. Date: circa 1929

York House in 1795, from a view published by Colnaghi (engraving)
3636582 York House in 1795, from a view published by Colnaghi (engraving) by English School, (19th century); Private Collection; (add.info.: York House in 1795, from a view published by Colnaghi)

Field Marshall Lord Raglan, Crimea, 1855. Creator: Roger Fenton
Field Marshall Lord Raglan, Crimea, 1855

Francis Seymour in costume for Queen Victorias Bal Costume, May 12 1842, (1843). British courtier, army officer and politician Francis Seymour

Frederick Child-Villiers in costume for Queen Victorias Bal Costume, May 12 1842, (1843). British politician Frederick Child-Villiers (1815-1871) as Guy de la Motte

Emily Duchess of Beaufort in costume for Queen Victorias Bal Costume, May 12 1842, (1843). Emily Frances (nee Smyth), Duchess of Beaufort (1800-1889) in Elizabethan-inspired dress

James Innes-Ker in Plantagenet costume for Queen Victorias Bal Costume, May 12 1842, (1843). British peer James Innes-Ker, 6th Duke of Roxburghe (1816-1879) in chain mail and crown

Guest in costume for Queen Victorias Bal Costume, May 12 1842, (1843). Creator
Guest in costume for Queen Victorias Bal Costume, May 12 1842, (1843). Man in a cloak with the Maltese cross symbol on his tabard

Guest in 16th century costume for Queen Victorias Bal Costume, May 12 1842, (1843). Members of the Royal Household were expected to wear dress of the Plantagenet period (c1154-1485)

Prince Albert in costume as Plantagenet King Edward III for the Bal Costume, May 12 1842, (1843). Albert (1819-1861) is dressed as Edward III (1312-1377)

The Right Honourable Lady Anne Beckett, 1829. Creator: Thomas Wright
The Right Honourable Lady Anne Beckett, 1829. Portrait of a young woman in an empire line dress wearing a pearl necklace. The 58th of the series of Female Nobility in La Belle Assemblee

Battle of the Tchernaya, 16th August 1855. Creator: RM Bryson
Battle of the Tchernaya, 16th August 1855. An episode during the Crimean War (Russo/Turkish War) 1853-1856 in which the Allies, France, Britain and Turkey, repulsed the Russians at Traktir Bridge

A Christmas Dinner on the Heights before Sebastopol. 1855. Artist: John Alfred Vinter
A Christmas Dinner on the Heights before Sebastopol. 1855. British officers round the table in a tent during the Crimean War: Captain Sir Charles Russell, Captain Charles Turner

Interior of Fort Nicholas, 1856. Artist: Edmund Walker
Interior of Fort Nicholas, 1856. The print shows an interior view of Fort of Saint Nicholas, held by Russians until 1853, when Turks stormed the enemy lines

Ditch of the Bastion Du Mat, 1856. Artist: Edmund Walker
Ditch of the Bastion Du Mat, 1856. A depiction of an episode from the Crimean War (1853 - 1856). The Bastion du Mat was a redoubt built by the French Army at the far left of the British lines

Kamiesch, 1856. Artist: Edmund Walker
Kamiesch, 1856. The print shows an episode of the Crimean War (1853 - 1856), the French Army occupying the place of Kamiesch on the west coast during the Battle of Balaclava (1854)

Church in the Rear of the Redan, Looking North - Showing the Effects of Shot and Shell, 1856. Artist: W Trask
Church in the Rear of the Redan, Looking North - Showing the Effects of Shot and Shell, 1856. The image depicts an episode of the Crimean War (1853 - 1856)

Cavalry Camp, 1856. A depiction of a military encampment during the Siege of Sevastopol (1854-1855), as a part of the Crimean War (1853-1856)

Camp of the 4th Division, 1856. Artist: George Brackenbury
Camp of the 4th Division, 1856. The print shows a military encampment during the Siege of Sevastopol (1854-1855), as a part of the Crimean War (1853-1856). After William Simpson (1823-1899)

Ditch of the Malakoff, Battery Gervais, and Rear of Redan, 1856. Artist: Thomas Picken
Ditch of the Malakoff, Battery Gervais, and Rear of Redan, 1856. The image depicts an important episode of the Crimean War (1853-1856)

Quarantine Cemetery and Church with French Battery No. 50, 1856. Artist: Georges McCulloch
Quarantine Cemetery and Church with French Battery No. 50, 1856. The image depicts a church and a quarantine cemetery during the Crimean War (1853-1856)

Kertch from the North, 1856. Artist: Georges McCulloch
Kertch from the North, 1856. A depiction of the expedition to Kertch by the British forces. The capture of the city of Kertch is part of the Siege of Sevastopol (1854-1855)

The Valley of Baidar, from Rear Petroskis Villa, Looking East, 1856. Artists: Jonathan Needham, William Simpson
The Valley of Baidar, from Rear Petroskis Villa, Looking East, 1856. A depiction of the Valley of Baidar taken from Petroskis Villa. The episode is part of the Crimean War (1853 -1856)

The North Side of the Harbour of Sebastopol, from the Top of the Harbour, 1856. Artist: W Trask
The North Side of the Harbour of Sebastopol, from the Top of the Harbour, 1856. A depiction of the Harbour of Sevastopol taken from a surrounding high ground

Fortress of Yenikale Looking Towards the Sea of Azof, 1856. Artist: Georges McCulloch
Fortress of Yenikale Looking Towards the Sea of Azof, 1856. A depiction of the Fortress of Yenikale during the Crimean War (1853-1856)

Royal Horse Guards
?Royal Horse Guards, Blues?, 1814. Aquatint by J C Stadler after Charles Hamilton Smith. From Charles Hamilton Smiths ?Costumes of the Army of the British Empire

Royal Artillery. Coloured etched aquatint by J C Stadler after Charles Hamilton Smith, 1815. From the series ?Costumes of the Army of the British Empire, according to the last regulations

Grenadiers of the XLIId or Royal and XCIL
Grenadiers of the XLIId or Royal and XCII OR / Gordon Highlanders. Aquatint by J C Stadler after Charles Hamilton Smith. From Charles Hamilton Smiths

The Gale off the Port of Balaklava. 14 Nov 1854. Coloured tinted lithograph by R Carrick, 1855. One of 40 lithographs from The Seat of War in the East - First Series after William Simpson

British Riflemen. Aquatint by J C Stadler after Charles Hamilton Smith. From Charles Hamilton Smiths ?Costumes of the Army of the British Empire, according to the last regulations 1812

Foreign Corps in the British Service. Privates of the Greek Light Infantry Regiment.Aquatint by J C Stadler after Charles Hamilton Smith.From Charles Hamilton Smiths

Hussars and Infantry of the Duke of Brunswick Oels?s Corps.Aquatint by J C Stadler after Charles Hamilton Smith.From Charles Hamilton Smiths

Troops Bevouacked near the Village of Villa Velha
Troops Bevouack?d [sic] near the Village of Villa Velha, on the Evening of the 19th of May 1811. Shewing [sic] the various occupations of an Emcampment.One of 16 aquatints engraved by C Turner after

Crimean War, 1853-1856. Battle of Balaklava on 25 October 1854. Charge of the Light Brigade of the British cavalry. Royal Scots Greys and Dragoons of Inniskillen. Engraving of E

Drawings Prints, Print, Evening Hymn, Artist, Etcher, Publisher, George Heming Mason
Drawings and Prints, Print, The Evening Hymn, Artist, Etcher, Publisher, After, George Heming Mason, Charles-Albert Waltner, P. & D. Colnaghi & Co

Paul Colnaghi
PAUL COLNAGHI printseller

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Colnaghi, a name that echoes through time, capturing the essence of art in its many forms. From the graves at the head of Harbour of Balaklava, where fallen soldiers rest from the Crimean War, to the charming houses nestled along the canals of Venice. The Piazza in Anticoli comes alive with bustling activity as people go about their daily lives. But it is within The House of Mystery that Colnaghi truly reveals its enigmatic nature. A place where secrets are whispered and shadows dance on ancient walls. A Seated Lady graces us with her presence, her gaze captivating all who behold her beauty. Gerona after a Snowstorm paints a picture-perfect scene, as delicate snowflakes blanket this Spanish town. Meanwhile, a Flower Piece bursts forth with vibrant colors and fragrant blooms, reminding us of nature's endless wonders. In Portrait of James McBey, Colnaghi captures not just an image but also the spirit and character of this remarkable individual. St George's Road in Blackburn takes us on a journey through time as we witness life unfolding along its historic path. The Shadowed Road in Malcesine invites us to explore hidden realms beyond our imagination. Royal Horse Guards stand tall and proud, guardians of tradition and honor. Traveling back further still to York House in 1795 brings history to life before our eyes; an engraving published by Colnaghi immortalizes this grand estate for generations to come. Colnaghi - an artistic legacy spanning centuries - continues to captivate hearts and minds with its diverse collection that transcends time and place.