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Codex Collection (page 8)

Codex, a term steeped in historical significance and cultural richness, encompasses a wide array of ancient manuscripts that offer glimpses into the past

Background imageCodex Collection: Codex 2 by Henricus of Segusio (c. 1200-1271). Detail

Codex 2 by Henricus of Segusio (c. 1200-1271). Detail
Codex 2. By Henricus of Segusio, Hostiensis (c.1200-1271). Detail of a page depicting perhaps a king. Miniature, Book 4. Folio 214. Chapter Archive of Tarazona. Spain

Background imageCodex Collection: Christ Pantocrator. Miniature. Missale Dominicale cum Kalend

Christ Pantocrator. Miniature. Missale Dominicale cum Kalend
Codex 135. Missale Dominicale cum Kalendario. 14th century. Christ Pantocrator. Miniature. Chapter Archive of Tarazona. Spain

Background imageCodex Collection: Miniature depicting the Virgin Mary with infant Jesus. Missa

Miniature depicting the Virgin Mary with infant Jesus. Missa
Codex 135. Missale Dominicale cum Kalendario. 14th century. Miniature in the capital letter depicting the Virgin Mary with infant Jesus. Folio 148v. Chapter Archive of Tarazona. Spain

Background imageCodex Collection: Biblia Novum Testamentum, Evangelia Santi Mathei et Santi Ma

Biblia Novum Testamentum, Evangelia Santi Mathei et Santi Ma
Codex 144. Biblia Novum Testamentum, Evangelia Santi Mathei et Santi Marci. Miniature of capital letter depicting Saint Mark with the gospel. 13th-14th centuries. Folio 119v

Background imageCodex Collection: Miniature depicting the Dormition of the Virgin. Missale Dom

Miniature depicting the Dormition of the Virgin. Missale Dom
Codex 135. Missale Dominicale cum Kalendario. 14th century. Miniature in the capital letter depicting the Dormition or death of the Virgin Mary and her spirit out of the body. Folio 129v

Background imageCodex Collection: Codex 131. Guidus of Bausio. Archidiaconus Rossarium. Folio

Codex 131. Guidus of Bausio. Archidiaconus Rossarium. Folio 1v. Latin. Capitular letter depicting Jesus presented in the temple. Chapter Archive of Tarazona. Spain

Background imageCodex Collection: Miniature depicting a couple being married by a clergyman. B

Miniature depicting a couple being married by a clergyman. B
Codex 105. A couple being married by a clergyman. Central miniature, folio 102v. Book IV. By Henricus von Assia (13th century). Chapter Archive of Tarazona. Spain

Background imageCodex Collection: Codex 98. Missale Romanum. By Pedro Ferris (1415-1478), Deta

Codex 98. Missale Romanum. By Pedro Ferris (1415-1478), Deta
Codex 98. Missale Romanum. By Pedro Ferris (1415-1478), Bishop of Tarazona. The Virgin Mary. Miniature of the capital letter of the folio 302. Chapter Archive of Tarazona. Spain

Background imageCodex Collection: Mirror Lapper. Machine designed by Leonardo. Codex Atlanticu

Mirror Lapper. Machine designed by Leonardo. Codex Atlanticu
Mirror Lapper. Machine by to the manufacturing of concave mirrors. During the Renaissance, mirrors are obtained by smoothing carefully bronze, copper or silver surfaces until they reflect perfectly

Background imageCodex Collection: Leonardesque model. Wagon axle. Codex Atlanticus by Leonardo

Leonardesque model. Wagon axle. Codex Atlanticus by Leonardo da Vinci, shett 1049v, 1480. Model (19th century). The Science and Technology Museum Leonardo da Vinci. Milan. Italy

Background imageCodex Collection: Leonardesque models. Adjustable-tilt wing and Wing-beating d

Leonardesque models. Adjustable-tilt wing and Wing-beating d
Leonardesque models. Adjustable-tilt wing (Codex Atlanticus) and Wing-beating device with a screw and lead screw system ( Manuscript B). Leonardo da Vinci.16 th century

Background imageCodex Collection: Leonardo model. Sea Dredger. Codex Atlanticus, sheet 842, 14

Leonardo model. Sea Dredger. Codex Atlanticus, sheet 842, 1486-90. Study for a dredging and cleaning boat. The digging tool, called bucket

Background imageCodex Collection: Float. Leonardos drawing. Codex Atlanticus, sheet 656, 1485

Float. Leonardos drawing. Codex Atlanticus, sheet 656, 1485
Water and Land Machines. Float. Its function is that troops can cross the river. Leonardos drawing. Codex Atlanticus, sheet 656, 1485-1490. Model by Luigui Tursini, 1952

Background imageCodex Collection: Parabolic bridge. Model by Ermenegildo Menighetti, 1952-1953

Parabolic bridge. Model by Ermenegildo Menighetti, 1952-1953. Leonardos drawing (Codex Atlanticus, sheet 855, 1480-90). The science and Technology Museum Leonardo da Vinci. Milan. Italy

Background imageCodex Collection: Leonardesque model. Pole Hammer. Codex Atlanticus, sheet 785

Leonardesque model. Pole Hammer. Codex Atlanticus, sheet 785 b, 1500-1505. The Science and Technology Museum Leonardo da Vinci. Milan. Italy

Background imageCodex Collection: Hydraulic saw. Codex Atlanticus, sheet 1078, 1478-1480. Desi

Hydraulic saw. Codex Atlanticus, sheet 1078, 1478-1480. Desi
Hydraulic saw. Mechanical saw works with hydraulic energy. Leonardo da Vinci drawing. Codex Atlanticus, sheet 1078, 1478-1480

Background imageCodex Collection: Crane with central winch. Codex Atlanticus f. 105 bv. Leonar

Crane with central winch. Codex Atlanticus f. 105 bv. Leonar
Machine. Crane with central winch. Codex Atlanticus f. 105 bv. This machine is one of the many cranes Da Vinci studied while he was living in Florence

Background imageCodex Collection: Leonardesque models. Revolving cranes. 15th century. Models

Leonardesque models. Revolving cranes. 15th century. Models
Machine. Leonardes models. Revolving cranes. 15th century. The Science and Technology Museum Leonardo da Vinci. Milan. Italy

Background imageCodex Collection: Leonardesque model. Work machines. Winch. Codex Atlanticus

Leonardesque model. Work machines. Winch. Codex Atlanticus
Leonardesque model. Work machines. Winch. Leonardo describes a winch that can transform the alternated motion of a lever in the continuous circular motion of a shaft. Codex Atlanticus, shett 30v

Background imageCodex Collection: Study of Leonardo da Vinci. The transformation of water into

Study of Leonardo da Vinci. The transformation of water into steam. Tool designed to measure the expansion and pressure of steam. Codex Leicster, sheet 10 r

Background imageCodex Collection: Alhazens problem from Atlantic Codex (Codex Atlanticus) by

Alhazens problem from Atlantic Codex (Codex Atlanticus) by Leonardo da Vinci. The Science and Technology Museum Leonardo da Vinci. Milan. Italy

Background imageCodex Collection: Romulo Romano Regnorum. Foundation of Rome. Miniature. Manus

Romulo Romano Regnorum. Foundation of Rome. Miniature. Manus
Francesco Petrarca (1304-1374). Italian writer. Romulo Romano Regnorum. Manuscript number 26. Codex. Foundation of Rome. Miniature, folio 4v. 14th century. Library University of Valencia. Spain

Background imageCodex Collection: Peter IV of Aragon, the Ceremonious (1319-1387). Portrait in

Peter IV of Aragon, the Ceremonious (1319-1387). Portrait in
Peter IV of Aragon, the Ceremonious (1319-1387). King of Aragon, Valencia, Majorca and Count of Barcelona. Portrait in a capital letter of the Book of Privileges of the Cartuja de Vall de Christ

Background imageCodex Collection: Terence (195-159 BC). Comedies

Terence (195-159 BC). Comedies
Terence (195-159 BC). Latin comic writer. Portrait of Terence at the title cover of his Comedies. Incunabula. Paris. 1505. University of Barcelona Library. Spain

Background imageCodex Collection: Miscellaneous Codex. 11th century. Detail

Miscellaneous Codex. 11th century. Detail
Miscellaneous Codex. 11th century. Carolingian letter. Initial Romanesque-Byzantin, folio 1. Manuscript 228. Library University of Barcelona. Catalonia. Spain

Background imageCodex Collection: Blessed of Valcavado. Illuminated codex. Detail

Blessed of Valcavado. Illuminated codex. Detail
Blessed of Valcavado. 10th century. Illuminated codex of the comments made by Blessed of A?a?A?a?Liebana in the 8th century to the Apocalypse of St. John

Background imageCodex Collection: Blessed San Pedro of Cardena. Illuminated codex. Detail

Blessed San Pedro of Cardena. Illuminated codex. Detail
Blessed San Pedro of Cardena. 12th century. Illuminated codex of the comments made by Blessed of A?a?A?a?Liebana in the 8th century to the Apocalypse of St. John. Miniature depicting St

Background imageCodex Collection: Initial. Carolingian letter

Initial. Carolingian letter
Miscellaneous Codex. Incunabula. 11th century. Carolingian letter. Initial. Manuscript 228, folio 39 v

Background imageCodex Collection: The End of the World and the Last Judgement. An earthquake w

The End of the World and the Last Judgement. An earthquake will devastate the world. And the Earth opened. Codex of Predis (1476). Royal Library. Turin. Italy

Background imageCodex Collection: Pontius Pilate asked the Jews if they prefer to free the thi

Pontius Pilate asked the Jews if they prefer to free the thief Barabbas, or Jesus. Codex of Predis (1476). Royal Library. Turin. Italy

Background imageCodex Collection: The guards who were guarding the tomb fell frightened throug

The guards who were guarding the tomb fell frightened through the resurrection of Jesus. Codex of Predis (1476). Royal Library. Turin. Italy

Background imageCodex Collection: The End of the World. Men will not put up with standing. Cod

The End of the World. Men will not put up with standing. Cod
The End of the World. Men will not put up with standing.Codex of Predis (1476). Royal Library. Turin. Italy

Background imageCodex Collection: Resurrection. The guards tells to the priest what was happen

Resurrection. The guards tells to the priest what was happened in the Jesus sepulcher. Codex of Predis (1476). Royal Library. Turin. Italy

Background imageCodex Collection: Following the news of Mary Magdalene of the Resurrection of

Following the news of Mary Magdalene of the Resurrection of Jesus, Simon Peter and John come running to the tomb. Codex of Predis (1476). Royal Library. Turin. Italy

Background imageCodex Collection: Jesus tells the Kings officer to come back home where he wi

Jesus tells the Kings officer to come back home where he will find his son cured. Codex of Predis (1476). Royal Library. Turin. Italy

Background imageCodex Collection: Herod interrogates Jesus. Codex of Predis (1476). Italy

Herod interrogates Jesus. Codex of Predis (1476). Italy
Herod interrogates Jesus. Codex of Predis (1476). Royal Library. Turin. Italy

Background imageCodex Collection: The disciples in the cenacle, prepared by order of Jesus. Co

The disciples in the cenacle, prepared by order of Jesus. Codex of Predis (1476). Royal Library. Turin. Italy

Background imageCodex Collection: Jesus is going away from his disciples for praying in the Mo

Jesus is going away from his disciples for praying in the Mount of Olives Codex of Predis (1476). Royal Library. Turin. Italy

Background imageCodex Collection: After praying in the Mount of Olives, Jesus comes back with

After praying in the Mount of Olives, Jesus comes back with his disciples and they were sleeping. Codex of Predis (1476). Royal Library. Turin. Italy

Background imageCodex Collection: Jesus leaves Bethany and goes to Jerusalem. Codex of Predis

Jesus leaves Bethany and goes to Jerusalem. Codex of Predis (1476). Royal Library. Turin. Italy

Background imageCodex Collection: Jesus is abandoned by his disciples, who fled, except a youn

Jesus is abandoned by his disciples, who fled, except a young man who clings to his clothes. Codex of Predis (1476). Royal Library. Turin. Italy

Background imageCodex Collection: Simon Peter (Saint Peter) defends Jesus with a sword and hit

Simon Peter (Saint Peter) defends Jesus with a sword and hit a soldier but Jesus calls to lay down the sword. Codex of Predis (1476). Royal Library. Turin. Italy

Background imageCodex Collection: While sitting at table in Bethany, a woman applied an ointme

While sitting at table in Bethany, a woman applied an ointment to Jesus. Codex of Predis (1476). Royal Library. Turin. Italy

Background imageCodex Collection: The Pharisees told the man not to transport the bed on the S

The Pharisees told the man not to transport the bed on the Sabbath. Codex of Predis (1476). Royal Library. Turin. Italy

Background imageCodex Collection: Jesus, after being tempted by the devil, is surrounded by an

Jesus, after being tempted by the devil, is surrounded by angels. Codex of Predis (1476). Royal Library. Turin. Italy

Background imageCodex Collection: A doctor of the law asks Jesus what he must do to get eterna

A doctor of the law asks Jesus what he must do to get eternal life. Codex of Predis (1476). Royal Library. Turin. Italy

Background imageCodex Collection: Nicodemus wise, Jew and Pharisee, visits to Jesus. Codex of

Nicodemus wise, Jew and Pharisee, visits to Jesus. Codex of Predis (1476). Royal Library. Turin. Italy

Background imageCodex Collection: Jesus healing two blind. Codex of Predis (1476). Italy

Jesus healing two blind. Codex of Predis (1476). Italy
Jesus healing two blind. Codex of Predis (1476). Royal Library. Turin. Italy



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Codex, a term steeped in historical significance and cultural richness, encompasses a wide array of ancient manuscripts that offer glimpses into the past. From the Codex Troano, an enigmatic Mayan document believed to contain astronomical knowledge, to the Aztec Codex Borbonicus meticulously penned by an Aztec priest, these codices hold secrets waiting to be unraveled. Intriguingly, Ramon Llull's Breviculum Codex captivates with its miniature illustrations and is hailed as a testament to his intellectual prowess during the 13th century. Meanwhile, the mesmerizing Codex Borgia unveils Mesoamerican rituals and divinatory practices that were integral to their civilization. The Dresden Codex stands as one of four surviving Maya codices and offers invaluable insights into their advanced understanding of astronomy. On another note, the Codex Sinaiticus Syriacus dating back to the 5th century holds religious significance within the Monastery of St Catherine on Mount Sinai. Delving further into history reveals fascinating depictions such as those found in Folio of Usages showcasing Catalan parliamentary proceedings or Basil II's Bulgar-slayer moniker immortalized in Byzantine records. The bustling Market in Gate of Ravenna depicted in Bologna highlights street traders' vibrant livelihoods through time. Legal enthusiasts find solace in Corpus Iuris Civilis while art aficionados marvel at Falconer's work showcased in the illustrious Codex Capodilista from 1442. And finally, we encounter Trocortesian or Madrid Codex from XIV century which enthralls with intricate details that transport us back centuries ago. These diverse codices serve as portals connecting us with our ancestors' wisdom and heritage. They remind us that behind each page lies untold stories waiting for curious minds willing to decipher their hidden messages.