Codex Collection (page 6)

Mars with the zodiac signs of Aries and Scorpio. Illustratio
De Sphaera (The Sphere). Astrological book of Lombard origin. Illustrated by Cristoforo de Predis (1440-1486), 1470. Representation of Mars with the zodiac signs of Aries and Scorpio

Crucifixion of Jesus. Miniature. Missale Dominicale cum Kale
Codex 98. Missale Dominicale cum Kalendario. 14th century. Miniature depicting the Crucifixion of Jesus with the Virgin Mary and Mary Magdalene. Folio 66v. Chapter Archive of Tarazona. Spain

Pre-Columbian Art. Aztec period. Mexico. Collecting taxes. Codex. National Museum of Anthropology. Mexico City

Maya Codices. The Madrid Codex (Codex Tro-Cortesianus). Pos
The Madrid Codex (Codex Tro-Cortesianus). Postclassic Period. There are 112 pages, which got split up into two separate sections, known as the Troano Codex and the Cortesianus Codex

Mozarabic art. 10th century. Codex Vigilanus or Albeldensis, (976). The nine portraits. Page showing three visigothic kings, three kings of Navarre and three scribes of the codex

Der Schenk Von Limburg, ministerial Swabian (mid 13th century) says goodbye to his lady before leaving. Codex Manesse (ca.1300) by Rudiger Manesse and his son Johannes. Fol. 82v

Bernger Von Horheim (late 12th century). of the court of Henr
Bernger Von Horheim (late 12th century). German poet of the court of Henry IV. The poet with his beloved holding a dog in her lap, a symbol of fidelity. Fol

The risen Jesus says to Thomas: Put your finger here and be not faithless. Codex of Predis (1476). Royal Library. Turin. Italy

Annunciation of the Archangel Gabriel to Mary. Codex of Predis (1476). Royal Library. Turin. Italy

Code of Euric or Codex Euricianus. Fifth century. First written compilation of Visigothic law enacted by Euric, King of Spain, sometime before 480, probably at Toulouse (possible at Arles)

Lorsch Gospels (Codex Aureus Laurensius). 778 - 820. Gospels written by the court scriptorium of Charlemagne and compiled in 830 in the Lorsch Abbey. Image of Christ in Majesty (Maiestas Domini)

Louis I the Pious (778-840). King of the Franks (814-880) son of Charlemagne. Illustration on vellum. Manuscript 4 of Codex Legum Longobardorum. 1004. Lombard School. Romanesque art

Codex Capodilista, 1443. Knight
CAPODILISTA, Giovanni Francesco (15th c. - 15th c.). Capodilista Codex. 1434. Carlotto Capodilista or Henricus Forzate dei Transelgaldi. Renaissance art. Quattrocento. Miniature Painting. ITALY

MEXICO: AZTEC SACRIFICE. Human sacrifice, after an Aztec Codex

MEXICO: SUN GOD, c1450. Tonatiuh, the sun god. Painting from the Codex Borgia, c1450

MIXTEC KING & PRISONER. Mixtec king, Eight Deer Jaguar Claw, holds a crying captive by the hair. Detail from the Codex Zouche-Nutall, c1450

Writing and drawings by Leonardo da Vinci, illustrating the theory that the earth has a core of water
DA VINCI: EARTH. Writing and drawings by Leonardo da Vinci, illustrating the theory that the earth has a core of water, and his ideas on how mountains are formed, from the Codex Leicester, 1506-1510

Codex Aemilianensis. 992-994. Council of Hispanic bishops during the Visigothic domination. Mozarabic art. Miniature Painting. SPAIN. San Lorenzo de El Escorial

France (15th c. ). The hierarchy of the social
France (15th c.). The hierarchy of the social class. Picture belonging to a codex owned by king Charles VIII, where are represented the characteristic estates of the medieval society. Gothic art

MEXICO: AZTEC SACRIFICE. Priests cutting out the heart of a youth to sacrifice to the sun. Aztec codex, 16th century

Detail from a fascimile copy of the Codex Borbonicus. The Codex Borbonicus is an Aztec codex written by Aztec priests shortly before or after the Spanish conquest of Mexico in the 16th century

Gospel Book Evangelist Portraits Saint Luke 1480-1500
Gospel Book with Evangelist Portraits: Saint Luke, 1480-1500. Hausbuch Master (German). Ink, tempera, and gold on vellum; original blind stamped leather binding; codex

Gospel Book Evangelist Portraits 1480 Hausbuch Master
Gospel Book with Evangelist Portraits, c. 1480. Hausbuch Master (German). Ink, tempera, and gold on vellum; original blind stamped leather binding; codex

Gospel Book Evangelist Portraits Saint Mark 1480
Gospel Book with Evangelist Portraits: Saint Mark, c. 1480. Hausbuch Master (German). Ink, tempera, and gold on vellum; original blind stamped leather binding; codex: 23 x 17 cm (9 1/16 x 6 11/16 in.)

Gospel Book Evangelist Portraits Saint John 1480
Gospel Book with Evangelist Portraits: Saint John, c. 1480. Hausbuch Master (German). Ink, tempera, and gold on vellum; original blind stamped leather binding; codex: 23 x 17 cm (9 1/16 x 6 11/16 in.)

Gospel Book Evangelist Portraits Saint Matthew
Gospel Book with Evangelist Portraits: Saint Matthew, c. 1480. Hausbuch Master (German). Ink, tempera, and gold on vellum; original blind stamped leather binding; codex

Gospel Book Evangelist Portraits Decorated Initial
Gospel Book with Evangelist Portraits: Decorated Initial, c. 1480. Hausbuch Master (German). Ink, tempera, and gold on vellum; original blind stamped leather binding; codex

Reproduction Of A Miniature Found In The Codex Aureus Or Golden Book, In The Abbey Library Of Saint Gall, Switzerland. Soldiers On Horseback

After Part Of An Original Icelandic Manuscript Known As The Flatey Book Demonstrating That Coastal Areas Of North America Were Discovered In The Latter Part Of The 10Th Century By Norsemen

The South West View Of Jarrow Monastery antique Engraving bucks Views From The Boook Began In 1726, By The Brothers, Samuel & Nathaniel Buck Began Their Task Of Creating A Visual Record Of Ancient

Jarrow Monastery Engraving By J. w. Carmichael
Jarrow Monastery Engraving By J.w. Carmichael

Being Jesus transfigured on the mountain with Moses
Cristoforo de Predis (1440-1486). Italian miniaturist. Miniature depicting Jesus being transfigured on the mountain with Moses and Elijah, a light appears and the three disciples, Peter

The end of the world and the Last Judgment. All houses
Cristoforo de Predis (1440-1486). Italian miniaturist. Miniature depicting The end of the world and the Last Judgment. All houses and villages be destroyed. 6th time

The guardians of the tomb go to Jerusalem and announce
Cristoforo de Predis (1440-1486). Italian miniaturist. Miniature depicting the guardians of the tomb going to Jerusalem to announce that Jesus has resurrected

The Venice Haggadah. Venice, Italy, 1609. Museum Israel. Jer
The Venice Haggadah. Venice, Italy, 1609. Letterpress, woodcut, and watercolor on paper. Gift of Gitel Blasbalg, New York, in memory of her husband, Pinchas Dov Blasbalg. Museum Israel. Jerusalem

Codex Lebuinus. 825-850. Binding
Codex Lebuinus. Northern France, 825-850. Detail of binding, Cologne, 11th-12th centuries. Decorated in silver, ivory and precious stones. The central figure depicts Bacchus

Urgell Beatus. 10th c. Illuminated manuscript and medieval c
Urgell Beatus. 10th century. Illuminated manuscript and medieval commentary. Diocesan Museum of La Seu d Urgell. Catalonia. Spain

Discussion of Latin philosophers. From right to left: Cato the Elder, Scipio, Livy and Atticus. Miniature. Codex. 15th century. Chateau of Chantilly. France

Study of Leonardo da Vinci. Goldforging Hammer. Codex Atlant
Study of Leonardo da Vinci. Goldforging Hammer. Hammer for beating precious metals into very thin foils that can be turned into coins, medals or embossed foils

Study of Leonardo da Vinci. Printing Press. Codex Atlanticus, sheet 995 recto, 1497. Model by Mario Alberto and Vittorio Somenzi, 1952-1957. The Science and Technology Museum Leonardo da Vinci

The double catapult. Designed by Leonardo da Vinci. 15th cen
Renaissance. Military Engineering. Drawn in the Atlantic Codex (folio 152 1485-1490) of Leonardo Da Vinci. The double catapult, with bucket and sling. Model

Initial with image (amanuensis). Letter H. Manuscript. 15th
Jewish history and wars. Initial with image (amanuensis). Letter H. Manuscript. 15th century. Chantilly Castle. France

An angel appears before Zechariah in the temple. Codex of Predis (1476). Royal Library. Turin. Italy

Jesus goes to Mount of Olives to pray. Codex of Predis (1476). Royal Library. Turin. Italy

Easter. Jesus went to the pool of Bethesda (Jerusalem) where there were many sick. An angel stirred the water and the first to be launched, was healing. Codex of Predis (1476). Royal Library. Turin

The mother of Zebedees sons begs to Jesus to have them with her. Codex of Predis (1476). Royal Library. Turin. Italy

Due to the womans faith, Jesus heals her possessed daughter. Codex of Predis (1476). Royal Library. Turin. Italy

Jesus in the desert is tempted by the devil that takes him to a mountain. Codex of Predis (1476). Royal Library. Turin. Italy

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Codex, a term steeped in historical significance and cultural richness, encompasses a wide array of ancient manuscripts that offer glimpses into the past. From the Codex Troano, an enigmatic Mayan document believed to contain astronomical knowledge, to the Aztec Codex Borbonicus meticulously penned by an Aztec priest, these codices hold secrets waiting to be unraveled. Intriguingly, Ramon Llull's Breviculum Codex captivates with its miniature illustrations and is hailed as a testament to his intellectual prowess during the 13th century. Meanwhile, the mesmerizing Codex Borgia unveils Mesoamerican rituals and divinatory practices that were integral to their civilization. The Dresden Codex stands as one of four surviving Maya codices and offers invaluable insights into their advanced understanding of astronomy. On another note, the Codex Sinaiticus Syriacus dating back to the 5th century holds religious significance within the Monastery of St Catherine on Mount Sinai. Delving further into history reveals fascinating depictions such as those found in Folio of Usages showcasing Catalan parliamentary proceedings or Basil II's Bulgar-slayer moniker immortalized in Byzantine records. The bustling Market in Gate of Ravenna depicted in Bologna highlights street traders' vibrant livelihoods through time. Legal enthusiasts find solace in Corpus Iuris Civilis while art aficionados marvel at Falconer's work showcased in the illustrious Codex Capodilista from 1442. And finally, we encounter Trocortesian or Madrid Codex from XIV century which enthralls with intricate details that transport us back centuries ago. These diverse codices serve as portals connecting us with our ancestors' wisdom and heritage. They remind us that behind each page lies untold stories waiting for curious minds willing to decipher their hidden messages.