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Coat Of Arms Collection (page 9)

"Unveiling the Rich Heritage: Exploring Medieval English Shield Designs and Coat of Arms" Step back in time as we delve into the captivating world of coat of arms

Background imageCoat Of Arms Collection: Verdure tapestry with the Arms of Robert Dudley, Earl of Leicester (one of a pair with 47)

Verdure tapestry with the Arms of Robert Dudley, Earl of Leicester (one of a pair with 47)
3576238 Verdure tapestry with the Arms of Robert Dudley, Earl of Leicester (one of a pair with 47.1), made in Flanders, Belgium, circa 1570-85 (wool & silk) by Belgian School

Background imageCoat Of Arms Collection: 7419542

7419542

Background imageCoat Of Arms Collection: The Death of the Queen of England, Queen Victoria, front cover of Le Petit Journal

The Death of the Queen of England, Queen Victoria, front cover of Le Petit Journal, 3 February 1901 (print)
XZO116055 The Death of the Queen of England, Queen Victoria, front cover of Le Petit Journal, 3 February 1901 (print) by French School, (20th century); Private Collection

Background imageCoat Of Arms Collection: Tapestry of mille fleurs depicting Bishop Johannes von Schleinitz, a Naumburg Bishop (wool)

Tapestry of mille fleurs depicting Bishop Johannes von Schleinitz, a Naumburg Bishop (wool)
3576137 Tapestry of mille fleurs depicting Bishop Johannes von Schleinitz, a Naumburg Bishop (wool) by European School, (16th century); 195.5x127 cm; Burrell Collection, Glasgow

Background imageCoat Of Arms Collection: Fragment of a heraldic tapestry depicting the Arms of Beaufort, Turenne and Comminges

Fragment of a heraldic tapestry depicting the Arms of Beaufort, Turenne and Comminges, made in Paris or Arras (wool)
3576093 Fragment of a heraldic tapestry depicting the Arms of Beaufort, Turenne and Comminges, made in Paris or Arras (wool) by French School, (14th century); 236x135 cm; Burrell Collection, Glasgow

Background imageCoat Of Arms Collection: Map of Somerset, England

Map of Somerset, England
1662, antique, archival, cartography, coat of arms, england, europe, geographical, geography, historic, map, nobody, peerage, somerset, text, uk, vintage, Somerset, 87626075

Background imageCoat Of Arms Collection: Sir Thomas Aston (1600-45) at the Deathbed of his Wife, 1635 (oil on canvas)

Sir Thomas Aston (1600-45) at the Deathbed of his Wife, 1635 (oil on canvas)
MAN176499 Sir Thomas Aston (1600-45) at the Deathbed of his Wife, 1635 (oil on canvas) by Souch, John (c.1593-1645); 203.2x215.1 cm; Manchester Art Gallery

Background imageCoat Of Arms Collection: James VI of Scotland, James I of England, James Charles Stuart. Jacques Premier

James VI of Scotland, James I of England, James Charles Stuart. Jacques Premier
5913164 James VI of Scotland, James I of England, James Charles Stuart. Jacques Premier. In lace ruff collar, coat and doublet, sash with figure of St. George and the dragon

Background imageCoat Of Arms Collection: Portrait of Edward Seymour, 1st Duke of Somerset, Lord Protector of England, 1713 (engraving)

Portrait of Edward Seymour, 1st Duke of Somerset, Lord Protector of England, 1713 (engraving)
5913143 Portrait of Edward Seymour, 1st Duke of Somerset, Lord Protector of England, 1713 (engraving) by Gunst, Pieter Stevens van (1746-1817); (add.info.: In cap with feather, fur-lined cape)

Background imageCoat Of Arms Collection: Two-handled cup and cover in Adam-style, 1793-1794 (silver)

Two-handled cup and cover in Adam-style, 1793-1794 (silver)
7394046 Two-handled cup and cover in Adam-style, 1793-1794 (silver) by Sharp, Robert (c.1733-1803); Ashmolean Museum, University of Oxford, UK; (add.info.: Associated person(s): Robert Sharp (c)

Background imageCoat Of Arms Collection: Armorial plate with a shield surmounted by a papal tiara and crossed keys, 1503 (earthenware)

Armorial plate with a shield surmounted by a papal tiara and crossed keys, 1503 (earthenware)
7394054 Armorial plate with a shield surmounted by a papal tiara and crossed keys, 1503 (earthenware) by Italian School, (16th century); Ashmolean Museum, University of Oxford

Background imageCoat Of Arms Collection: The Chamberlain and his assistants before the Virgin, 1489 (painting on wood)

The Chamberlain and his assistants before the Virgin, 1489 (painting on wood)
885904 The Chamberlain and his assistants before the Virgin, 1489 (painting on wood) by Cozzarelli, Guidoccio di Giovanno (1450-1517); Archivio di Stato, Siena

Background imageCoat Of Arms Collection: Virgin Mary Entrusting the City of Siena to Jesus, 1480 (painting on wood)

Virgin Mary Entrusting the City of Siena to Jesus, 1480 (painting on wood)
885897 Virgin Mary Entrusting the City of Siena to Jesus, 1480 (painting on wood) by Landi, Neroccio di (Neroccio da Siena) (1447-1500); Archivio di Stato, Siena

Background imageCoat Of Arms Collection: The chamberlain and a writer in their office (painting on wood)

The chamberlain and a writer in their office (painting on wood)
885887 The chamberlain and a writer in their office (painting on wood) by Italian School, (14th century); Archivio di Stato, Siena

Background imageCoat Of Arms Collection: Father Gregory, Monk of the Humiliated Camerlengo, 1324 (painting on wood)

Father Gregory, Monk of the Humiliated Camerlengo, 1324 (painting on wood)
885882 Father Gregory, Monk of the Humiliated Camerlengo, 1324 (painting on wood) by Italian School, (14th century); Archivio di Stato, Siena

Background imageCoat Of Arms Collection: The Nine Worthies and the Nine Worthy Women, detail of Ethiope combing her hair, 1418-1430 (fresco)

The Nine Worthies and the Nine Worthy Women, detail of Ethiope combing her hair, 1418-1430 (fresco)
885629 The Nine Worthies and the Nine Worthy Women, detail of Ethiope combing her hair, 1418-1430 (fresco) by Jaquerio, Giacomo (fl.1403-53); Castello della Manta, Saluzzo

Background imageCoat Of Arms Collection: Portrait of James I called the Conqueror, King of Spain, 16th century (painting)

Portrait of James I called the Conqueror, King of Spain, 16th century (painting)
AIS5365236 Portrait of James I called the Conqueror, King of Spain, 16th century (painting) by Ariosto, Filippo (16th century); (add.info.: (Jaume or Jaime I el Conqueridor, 1208-1276)

Background imageCoat Of Arms Collection: Duke Cosimo I de Medici arriving in Siena, 1560 (painting on wood)

Duke Cosimo I de Medici arriving in Siena, 1560 (painting on wood)
885911 Duke Cosimo I de Medici arriving in Siena, 1560 (painting on wood) by Anonymous; Archivio di Stato, Siena, Italy; (add.info)

Background imageCoat Of Arms Collection: The Return of the Company of Saint Bernardino from L'Aquila in the Piazza del Campo Siena

The Return of the Company of Saint Bernardino from L'Aquila in the Piazza del Campo Siena, 1610 (painting on wood)
885908 The Return of the Company of Saint Bernardino from L'Aquila in the Piazza del Campo Siena, 1610 (painting on wood) by Gregori, Antonio Taddeo di (1583-1646); Archivio di Stato, Siena

Background imageCoat Of Arms Collection: Statue of lion with Czech coat of arms, Strahov Monastery, Prague, Czech Republic (Czechia), Europe

Statue of lion with Czech coat of arms, Strahov Monastery, Prague, Czech Republic (Czechia), Europe

Background imageCoat Of Arms Collection: Armorial salt, 1643 (earthenware)

Armorial salt, 1643 (earthenware)
7394070 Armorial salt, 1643 (earthenware) by Italian School, (17th century); Ashmolean Museum, University of Oxford, UK; (add.info.: Display: earthenware, tin-glazed (maiolica)

Background imageCoat Of Arms Collection: Queen Mary II of Great Britain, 1730 (engraving)

Queen Mary II of Great Britain, 1730 (engraving)
5913182 Queen Mary II of Great Britain, 1730 (engraving) by Werff, Adriaan van der (1659-1722) (after); (add.info.: co-reign with King William III, Marie Reyne de la Grande Bretagne)

Background imageCoat Of Arms Collection: William I, Prince of Orange, William the Silent or William the Taciturn

William I, Prince of Orange, William the Silent or William the Taciturn. Guillaume, Premiere Prince d'Orange
5913157 William I, Prince of Orange, William the Silent or William the Taciturn. Guillaume, Premiere Prince d'Orange. In suit of armour with lace ruff, coat of arms above

Background imageCoat Of Arms Collection: Matthew Parker (1504-1575) (engraving)

Matthew Parker (1504-1575) (engraving)
5913152 Matthew Parker (1504-1575) (engraving) by Werff, Adriaan van der (1659-1722) (after); (add.info.: Portrait of Matthew Parker, Archbishop of Canterbury and theologian)

Background imageCoat Of Arms Collection: Portrait of Stephen Gardiner, Bishop of Winchester and politician. With coat of arms

Portrait of Stephen Gardiner, Bishop of Winchester and politician. With coat of arms
5913133 Portrait of Stephen Gardiner, Bishop of Winchester and politician. With coat of arms. Copperplate engraving by Pieter Stevens van Gunst after Adriaen van der Werff from Isaac de Larrey's

Background imageCoat Of Arms Collection: Thomas Wolsey (1473-1530) (engraving)

Thomas Wolsey (1473-1530) (engraving)
5913127 Thomas Wolsey (1473-1530) (engraving) by Werff, Adriaan van der (1659-1722) (after); (add.info.: Thomas Wolsey, English archbishop and cardinal to King Henry VII, 1473-1530)

Background imageCoat Of Arms Collection: Henry VII (1457-1509) (engraving)

Henry VII (1457-1509) (engraving)
5913122 Henry VII (1457-1509) (engraving) by Werff, Adriaan van der (1659-1722) (after); (add.info.: Portrait of King Henry VII of England with crown, orb, sceptre, and coat of arms)

Background imageCoat Of Arms Collection: Portrait of ALPHONSE II of Catalonia, III of Aragon, called 'El Liberal', 16th century (painting)

Portrait of ALPHONSE II of Catalonia, III of Aragon, called "El Liberal", 16th century (painting)
AIS5365234 Portrait of ALPHONSE II of Catalonia, III of Aragon, called "El Liberal", 16th century (painting) by Ariosto, Filippo (16th century); (add.info.: (1265-1291) Barcelona

Background imageCoat Of Arms Collection: Wheat offered by the Hospital Santa Maria della Scala (painting on wood)

Wheat offered by the Hospital Santa Maria della Scala (painting on wood)
885926 Wheat offered by the Hospital Santa Maria della Scala (painting on wood) by Vecchietta, Lorenzo di Pietro (c.1412-80); Archivio di Stato, Siena

Background imageCoat Of Arms Collection: Money Offered by the hospital Santa Maria della Scala (painting on wood)

Money Offered by the hospital Santa Maria della Scala (painting on wood)
885922 Money Offered by the hospital Santa Maria della Scala (painting on wood) by Vecchietta, Lorenzo di Pietro (c.1412-80); Archivio di Stato, Siena

Background imageCoat Of Arms Collection: The surrender of the town of Colle Val d'Elsa near Siena, 1479 (painting on wood)

The surrender of the town of Colle Val d'Elsa near Siena, 1479 (painting on wood)
885909 The surrender of the town of Colle Val d'Elsa near Siena, 1479 (painting on wood) by Italian School, (15th century); Archivio di Stato, Siena

Background imageCoat Of Arms Collection: The fireplace, main hall of Castle della Manta, adorned with the arms of the Saluzzo family

The fireplace, main hall of Castle della Manta, adorned with the arms of the Saluzzo family, 1418-30 (photo)
885637 The fireplace, main hall of Castle della Manta, adorned with the arms of the Saluzzo family, 1418-30 (photo) by Jaquerio, Giacomo (fl.1403-53); Castello della Manta, Saluzzo

Background imageCoat Of Arms Collection: Henrietta Maria of France, wife of King Charles I of England. Henriette Marie de France

Henrietta Maria of France, wife of King Charles I of England. Henriette Marie de France
5913168 Henrietta Maria of France, wife of King Charles I of England. Henriette Marie de France. In dress with lace collar, pearl necklace. With crown and coat of arms

Background imageCoat Of Arms Collection: Philip II (1527-1598) (engraving)

Philip II (1527-1598) (engraving)
5913149 Philip II (1527-1598) (engraving) by Werff, Adriaan van der (1659-1722) (after); (add.info.: Portrait of King Philip II of Spain, husband to Mary I of England. With coat of arms)

Background imageCoat Of Arms Collection: Reginald Pole (1500-1558) (engraving)

Reginald Pole (1500-1558) (engraving)
5913135 Reginald Pole (1500-1558) (engraving) by Werff, Adriaan van der (1659-1722) (after); (add.info.: Reginald Pole, Cardinal, Archbishop of Canterbury. Wearing a mozzetta robe and biretta hat)

Background imageCoat Of Arms Collection: Nicholas Ridley (1500-1555) (engraving)

Nicholas Ridley (1500-1555) (engraving)
5913146 Nicholas Ridley (1500-1555) (engraving) by Werff, Adriaan van der (1659-1722) (after); (add.info.: Nicholas Ridley, English Bishop of London and martyr)

Background imageCoat Of Arms Collection: Hugh Latimer (1487-1555) (engraving)

Hugh Latimer (1487-1555) (engraving)
5913137 Hugh Latimer (1487-1555) (engraving) by Werff, Adriaan van der (1659-1722) (after); (add.info.: Portrait of Hugh Latimer, Bishop of Worcester and martyr, with coat of arms)

Background imageCoat Of Arms Collection: Thomas Cranmer (1489-1556) (engraving)

Thomas Cranmer (1489-1556) (engraving)
5913131 Thomas Cranmer (1489-1556) (engraving) by Werff, Adriaan van der (1659-1722) (after); (add.info.: Portrait of Thomas Cranmer, archbishop of Canterbury. With mitre and coat of arms)

Background imageCoat Of Arms Collection: Portrait of Frederick I, King of Prussia, Elector of Bavaria. Fredericus, Rex Prussia El. Br

Portrait of Frederick I, King of Prussia, Elector of Bavaria. Fredericus, Rex Prussia El. Br
5913183 Portrait of Frederick I, King of Prussia, Elector of Bavaria. Fredericus, Rex Prussia El. Br. In wig, lace kerchief, robes, and chain with Order of the Black Eagle and Elephant of Denmark

Background imageCoat Of Arms Collection: King William III of Great Britain, William of Orange, 18th century (engraving)

King William III of Great Britain, William of Orange, 18th century (engraving)
5913181 King William III of Great Britain, William of Orange, 18th century (engraving) by Werff, Adriaan van der (1659-1722) (after); (add.info.: King William III of Great Britain, William of Orange)

Background imageCoat Of Arms Collection: King Charles II of England, in armour and lace collar. With crown and coat of arms

King Charles II of England, in armour and lace collar. With crown and coat of arms
5913175 King Charles II of England, in armour and lace collar. With crown and coat of arms. Copperplate engraving by Pierre Drevet after Adriaen van der Werff from Isaac de Larrey's Histoire

Background imageCoat Of Arms Collection: William Laud, Archbishop of Canterbury, Primate of England. With mitre and coat of arms

William Laud, Archbishop of Canterbury, Primate of England. With mitre and coat of arms
5913171 William Laud, Archbishop of Canterbury, Primate of England. With mitre and coat of arms. Copperplate engraving by Benedict Audran after Adriaen van der Werff from Isaac de Larrey's

Background imageCoat Of Arms Collection: The Nine Worthies and the Nine Worthy Women, 1418-30 (photo)

The Nine Worthies and the Nine Worthy Women, 1418-30 (photo)
885623 The Nine Worthies and the Nine Worthy Women, 1418-30 (photo) by Jaquerio, Giacomo (fl.1403-53); Castello della Manta, Saluzzo

Background imageCoat Of Arms Collection: Mary I (1516-1558) (engraving)

Mary I (1516-1558) (engraving)
5913148 Mary I (1516-1558) (engraving) by Werff, Adriaan van der (1659-1722) (after); (add.info.: Queen Mary I of England, Mary Tudor or Bloody Mary)

Background imageCoat Of Arms Collection: Henry VIII (1491-1547) (engraving)

Henry VIII (1491-1547) (engraving)
5913126 Henry VIII (1491-1547) (engraving) by Werff, Adriaan van der (1659-1722) (after); (add.info.: Portrait of King Henry VIII of England. Depicted with trumpet, laurel wreath, coat of arms)

Background imageCoat Of Arms Collection: Wedding of Grand Duke Ferdinand I de Medici to Christine of Lorraine, 1589 (painting on wood)

Wedding of Grand Duke Ferdinand I de Medici to Christine of Lorraine, 1589 (painting on wood)
885919 Wedding of Grand Duke Ferdinand I de Medici to Christine of Lorraine, 1589 (painting on wood) by Salimbeni, Ventura di Arcangelo (1567/8-1613); Archivio di Stato, Siena

Background imageCoat Of Arms Collection: Naval victory of Koroni, Peloponnese, 1533 (painting on wood)

Naval victory of Koroni, Peloponnese, 1533 (painting on wood)
885913 Naval victory of Koroni, Peloponnese, 1533 (painting on wood) by Giovanni, Giorgio di (Giorgio da Siena) (1500-1559); Archivio di Stato, Siena

Background imageCoat Of Arms Collection: Don Stefano, monk of San Galgano, kneeling before St. Galgano, 1320 (painting on wood)

Don Stefano, monk of San Galgano, kneeling before St. Galgano, 1320 (painting on wood)
885886 Don Stefano, monk of San Galgano, kneeling before St. Galgano, 1320 (painting on wood) by Italian School, (14th century); Archivio di Stato, Siena



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"Unveiling the Rich Heritage: Exploring Medieval English Shield Designs and Coat of Arms" Step back in time as we delve into the captivating world of coat of arms, a symbol steeped in history. From medieval shield designs to intricate maps, join us on a journey through centuries of heritage. Immerse yourself in the enchanting Map of Cornwall from the Theatre of the Empire of Great Britain, published during an era when these shields adorned knights' armor. Discover how each design told a unique story, representing noble families and their valiant deeds. Travel further with the Map of the City of Dublin from 1797, where coat of arms proudly displayed their allegiance to this vibrant city. Witness its evolution over time through a mesmerizing 16th-century map showcasing British Isles' diverse heraldry. Marvel at exquisite examples like Hewitt Lord Lifford's 18th-century Coat of Arms or Calvert Lord Baltimore's regal emblem. These symbols epitomized power and prestige, embodying family legacies that spanned generations. Delight in Cole, Lord Mount Florence's majestic coat of arms—a testament to his lineage and influence during this golden age. Such emblems were more than mere decorations; they represented honor and social standing within society. Venture beyond England as we uncover historical gems like Savory & Moores Pharmacy on New Bond Street—an unexpected place for coats-of-arms. This London establishment embraced tradition while serving modern needs. Admire John Ogilby and William Morgan's stunning Map of Essex from 1678—where cartography meets artistry—revealing hidden tales behind every crest depicted across its pages. Lose yourself amidst Capitals of the British Empire by Charles E Turner (1937), capturing an empire united under various banners. Lastly, behold Portugal’s timeless Coat Of Arms (1898), reflecting national identity etched onto shields passed down through generations.