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Closed Collection (page 7)

"Exploring the Closed Chapters: From John Martyn in Concert to Liverpool Slums and Collieries" Captivated by the soulful melodies of John Martyn in concert, St Ives

Background imageClosed Collection: Greetings card in the shape of an ornate golden box

Greetings card in the shape of an ornate golden box with an oval cameo with initial B. circa 1890s

Background imageClosed Collection: The New Victoria Hansom, Robinsons Patent (engraving)

The New Victoria Hansom, Robinsons Patent (engraving)
1591294 The New Victoria Hansom, Robinsons Patent (engraving) by English School, (19th century); Private Collection; (add.info.: The New Victoria Hansom, Robinsons Patent)

Background imageClosed Collection: Christmas and New Year card in the form of a floral fan

Christmas and New Year card in the form of a floral fan. Date: circa 1890s

Background imageClosed Collection: Christmas card in the shape of an ornate golden box

Christmas card in the shape of an ornate golden box with an oval cameo. (1 of 2) circa 1890s

Background imageClosed Collection: Christmas card in the shape of a round wooden box

Christmas card in the shape of a round wooden box. (1 of 2) Date: circa 1890s

Background imageClosed Collection: Keepeth the Sabbath from polluting 1856

Keepeth the Sabbath from polluting 1856
Our only day, the Sabbath is the workingmans chapter. Date: 1856

Background imageClosed Collection: The Metropolitan Museum of Art, '... and this is how the workingman enjoys the museum

The Metropolitan Museum of Art, "... and this is how the workingman enjoys the museum
1078608 The Metropolitan Museum of Art, "...and this is how the workingman enjoys the museum...", 1889 (colour litho) by Ehrhart, Samuel D

Background imageClosed Collection: The Last of the International Fisheries Exhibition, the Prince of Wales declaring the Exhibition

The Last of the International Fisheries Exhibition, the Prince of Wales declaring the Exhibition closed (engraving)
1044570 The Last of the International Fisheries Exhibition, the Prince of Wales declaring the Exhibition closed (engraving) by English School

Background imageClosed Collection: The Lady in Black, 1901 (oil on canvas)

The Lady in Black, 1901 (oil on canvas)
657109 The Lady in Black, 1901 (oil on canvas) by Orpen, William (1878-1931); 116.7x52.7. cm; Private Collection; (add.info.: The Lady in Black. Sir William Orpen (1878-1931)

Background imageClosed Collection: George III mean and sidereal pocket chronometer with Z balance, No. 2 (metal & enamel)

George III mean and sidereal pocket chronometer with Z balance, No. 2 (metal & enamel)
CH451423 George III mean and sidereal pocket chronometer with Z balance, No. 2 (metal & enamel) by Arnold, John (1736-99); diam: 6 cm; Private Collection; Photo eChristies Images; English

Background imageClosed Collection: Section of Breech of Martini-Henry Rifle (engraving)

Section of Breech of Martini-Henry Rifle (engraving)
2799967 Section of Breech of Martini-Henry Rifle (engraving) by English School, (19th century); Private Collection; (add.info.: Section of Breech of Martini-Henry Rifle)

Background imageClosed Collection: Border accidents, general and Austrian soldiers who withdraw from Cima Mandriolo in front

Border accidents, general and Austrian soldiers who withdraw from Cima Mandriolo in front... (colour litho)
2815458 Border accidents, general and Austrian soldiers who withdraw from Cima Mandriolo in front... (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: Border accidents)

Background imageClosed Collection: How China is Made (engraving)

How China is Made (engraving)
3627760 How China is Made (engraving) by English School, (19th century); Private Collection; (add.info.: How China is Made. Illustration for The Picture Magazine, 1893)

Background imageClosed Collection: The Metropolitan Museum (colour litho)

The Metropolitan Museum (colour litho)
3620687 The Metropolitan Museum (colour litho) by German School, (19th century); Private Collection; (add.info.: The Metropolitan Museum. Illustration for Puck, 2 January 1889.); © Look and Learn

Background imageClosed Collection: Head study for The Nun, c. 1870 (w / c & gouache on paper)

Head study for The Nun, c. 1870 (w / c & gouache on paper)
PNH351017 Head study for The Nun, c. 1870 (w/c & gouache on paper) by Claxton, Adelaide (1835-c.1905); 34.2x28.6 cm; National Gallery of Canada, Ottawa, Ontario

Background imageClosed Collection: Her eyes were closed, and her hair, touched by the sunshine, lay like threads of gold on the snowy

Her eyes were closed, and her hair, touched by the sunshine, lay like threads of gold on the snowy pillow
LLM460244 Her eyes were closed, and her hair, touched by the sunshine, lay like threads of gold on the snowy pillow by Margetson

Background imageClosed Collection: Old Mill and Lock Gates (St. Catherine s), c. 1820-40 (w / c on paper)

Old Mill and Lock Gates (St. Catherine s), c. 1820-40 (w / c on paper)
492586 Old Mill and Lock Gates (St. Catherine s), c.1820-40 (w/c on paper) by Hunt, William Henry (1790-1864); 24.5x32 cm; Harris Museum and Art Gallery, Preston, Lancashire

Background imageClosed Collection: The Holborn Empire (b / w photo)

The Holborn Empire (b / w photo)
XJF441907 The Holborn Empire (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: originally Westons Music Hall)

Background imageClosed Collection: The King of Hungary delivers the closing speech of that Parliament following the latest scandals

The King of Hungary delivers the closing speech of that Parliament following the latest scandals (colour litho)
2814744 The King of Hungary delivers the closing speech of that Parliament following the latest scandals (colour litho) by Beltrame

Background imageClosed Collection: A Quiet Read, c. 1912 (oil on board)

A Quiet Read, c. 1912 (oil on board)
1197244 A Quiet Read, c. 1912 (oil on board) by O Conor, Roderic (1860-1940); 75x52.8 cm; Private Collection; Photo eChristies Images; Irish, out of copyright

Background imageClosed Collection: Closed Eyes, 1890 (colour litho)

Closed Eyes, 1890 (colour litho)
2972666 Closed Eyes, 1890 (colour litho) by Redon, Odilon (1840-1916); 53x37.3 cm; The Art Institute of Chicago, IL, USA; The Stickney Collection; French, out of copyright

Background imageClosed Collection: Advertising Chromolithograph, carved depicting a rural scene

Advertising Chromolithograph, carved depicting a rural scene
5909096 Advertising Chromolithograph, carved depicting a rural scene, two horses led by a farmer pulling a cart of straw (chromolithograph) by French School

Background imageClosed Collection: Dining Room, Vienna, c. 1901 (colour lithograph)

Dining Room, Vienna, c. 1901 (colour lithograph)
991160 Dining Room, Vienna, c.1901 (colour lithograph) by Bauer, Leopold (1872-1938); 40.5x53.3 cm; Private Collection; (add.info.: Dining Room, Vienna)

Background imageClosed Collection: Cherry Ripe (colour litho)

Cherry Ripe (colour litho)
3624114 Cherry Ripe (colour litho) by English School, (19th century); Private Collection; (add.info.: Cherry Ripe. Illustration for Chatterbox (1868).); © Look and Learn

Background imageClosed Collection: How China is Made (engraving)

How China is Made (engraving)
3627762 How China is Made (engraving) by English School, (19th century); Private Collection; (add.info.: How China is Made. Illustration for The Picture Magazine, 1893)

Background imageClosed Collection: A closed shopfront in the Provinces in the early 1920s (colour litho)

A closed shopfront in the Provinces in the early 1920s (colour litho)
2811016 A closed shopfront in the Provinces in the early 1920s (colour litho) by English School, (20th century); Private Collection; (add.info)

Background imageClosed Collection: Closed sallet with grotesque face, or Schembart visor, Nuremberg, c. 1500 (painted steel)

Closed sallet with grotesque face, or Schembart visor, Nuremberg, c. 1500 (painted steel)
490854 Closed sallet with grotesque face, or Schembart visor, Nuremberg, c.1500 (painted steel) by German School, (16th century); 27.3x25.7x22.2 cm; Cleveland Museum of Art, OH

Background imageClosed Collection: Santa Maria della Salute, Venice, (oil on canvas)

Santa Maria della Salute, Venice, (oil on canvas)
656924 Santa Maria della Salute, Venice, (oil on canvas) by Sargent, John Singer (1856-1925); Private Collection; (add.info.: Santa Maria della Salute, Venice. John Singer Sargent (1856-1925)

Background imageClosed Collection: A Woman Lit by a Rainbow (ink & w / c on tracing paper)

A Woman Lit by a Rainbow (ink & w / c on tracing paper)
693011 A Woman Lit by a Rainbow (ink & w/c on tracing paper) by Tobeen, Felix Elie (1880-1938); 29x18 cm; Private Collection; (add.info)

Background imageClosed Collection: Gas (engraving)

Gas (engraving)
5221756 Gas (engraving) by English School, (19th century); Private Collection; (add.info.: Gas. From Illustrations of Useful Arts and Manufactures by Charles Tomlinson (SPCK)

Background imageClosed Collection: The Position at Niuchuang (b / w photo)

The Position at Niuchuang (b / w photo)
1627885 The Position at Niuchuang (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: The Position at Niuchuang)

Background imageClosed Collection: The World Went Very Well Then, by Walter Besant (engraving)

The World Went Very Well Then, by Walter Besant (engraving)
1624717 The World Went Very Well Then, by Walter Besant (engraving) by Forestier, Amedee (1854-1930) (after); Private Collection; (add.info.: The World Went Very Well Then, by Walter Besant)

Background imageClosed Collection: The Harem Guard, 1899 (watercolour on paperboard)

The Harem Guard, 1899 (watercolour on paperboard)
989479 The Harem Guard, 1899 (watercolour on paperboard) by Simonetti, Attilio (1843-1925); 68.5x52.7 cm; Private Collection; (add.info.: The Harem Guard. Attilio Simonetti (1843-1925)

Background imageClosed Collection: A Vase of Assorted Flowers and Songbirds on a Ledge, 1867 (oil on canvas)

A Vase of Assorted Flowers and Songbirds on a Ledge, 1867 (oil on canvas)
989312 A Vase of Assorted Flowers and Songbirds on a Ledge, 1867 (oil on canvas) by Wainwright, William John (1855-1931); 66.7x56.2 cm; Private Collection; (add.info)

Background imageClosed Collection: La rue Quincampoix (engraving)

La rue Quincampoix (engraving)
965930 La rue Quincampoix (engraving) by French School, (19th century); Private Collection; (add.info.: La rue Quincampoix)

Background imageClosed Collection: The Stock Exchange Closed, 31 July 1914, at 10: 00am (b / w photo)

The Stock Exchange Closed, 31 July 1914, at 10: 00am (b / w photo)
3641903 The Stock Exchange Closed, 31 July 1914, at 10:00am (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: The Stock Exchange Closed, 31 July 1914, at 10:00am)

Background imageClosed Collection: Paris Shut (colour litho)

Paris Shut (colour litho)
3620549 Paris Shut (colour litho) by French School, (19th century); Private Collection; (add.info.: Paris Shut.); © Look and Learn

Background imageClosed Collection: An Interruption, (pencil and watercolour)

An Interruption, (pencil and watercolour)
652019 An Interruption, (pencil and watercolour) by Wilson, Charles Edward (1853-1941); 25.4x17.8 cm; Private Collection; (add.info.: An Interruption. Charles Edward Wilson (1854-1941)

Background imageClosed Collection: Irises in a Tall Vase, 1928 (oil on canvas)

Irises in a Tall Vase, 1928 (oil on canvas)
657179 Irises in a Tall Vase, 1928 (oil on canvas) by Wood, Christopher (1901-30); 60x51 cm; Private Collection; (add.info.: Irises in a Tall Vase. Christopher Wood (1901-1930). Oil on canvas

Background imageClosed Collection: Feeding the Chickens, (oil on canvas)

Feeding the Chickens, (oil on canvas)
658463 Feeding the Chickens, (oil on canvas) by Benlliure y Gil, Jose (1855-1937); 45.1x58.4 cm; Private Collection; (add.info.: Feeding the Chickens. Jose Benlliure y Gil (1855-1937). Oil on canvas

Background imageClosed Collection: Gustave Dores Don Quixote: 'They found that his eyes were closed

Gustave Dores Don Quixote: "They found that his eyes were closed, as if he had been fast asleep"(engraving)
6008393 Gustave Dores Don Quixote: " They found that his eyes were closed, as if he had been fast asleep" (engraving) by Dore

Background imageClosed Collection: Closed shop front with outside display (photo)

Closed shop front with outside display (photo)
6007699 Closed shop front with outside display (photo) by English Photographer, (20th century); Private Collection; (add.info.: Closed shop front with outside display)

Background imageClosed Collection: Crowds on the street outside the Stock Exchange in the City of London as Britain abandoned

Crowds on the street outside the Stock Exchange in the City of London as Britain abandoned the gold standard
6015589 Crowds on the street outside the Stock Exchange in the City of London as Britain abandoned the gold standard, 1931 (b/w photo) by English Photographer

Background imageClosed Collection: Timber Drawbridge carrying the Brighton and Chichester Railway across the River Arun (engraving)

Timber Drawbridge carrying the Brighton and Chichester Railway across the River Arun (engraving)
1617442 Timber Drawbridge carrying the Brighton and Chichester Railway across the River Arun (engraving) by English School



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"Exploring the Closed Chapters: From John Martyn in Concert to Liverpool Slums and Collieries" Captivated by the soulful melodies of John Martyn in concert, St Ives, Cornwall takes a momentary pause. Connel Ferry Bridge stands silently, its closed path leaving travelers longing for connection across the waters. Peering into history's lens, we witness the hardships of Liverpool Slum dwellers in 1912 - their stories forever closed but not forgotten. A Woman Reading, after Pieter Janssens Elinga, captures a serene moment frozen in time; an intimate narrative sealed within brushstrokes. Tower Bridge jams amidst scorching summer heat as bustling city life momentarily halts - a reminder that even grand structures can be closed off from progress. WW2 Memorabilia at a damaged café serves as an eerie message to suppliers about closure during times of war - remnants of resilience etched on fragile artifacts. Goodwick Railway Station once echoed with laughter and farewells; now its platforms stand empty and silent, memories locked away behind closed doors. Bestwood Colliery near Bestwood Village whispers tales of laborious miners whose sweat and sacrifice remain hidden beneath layers of earth - their underground world now sealed shut forevermore. New Tredegar Colliery nestled in Rhymney Valley bears witness to generations who toiled tirelessly below ground until economic forces forced its gates permanently shut. Tower Bridge battles congestion under sweltering summer rays yet again; traffic grinds to a halt as Londoners yearn for open roads and cool breezes amid stifling conditions. Penrhiwceibr Colliery guards secrets deep within Glamorgan's heartland; dark tunnels hold untold stories waiting patiently behind impenetrable walls.