Cloak Collection (page 21)

Reindeer-Herding Koryaks, 1856. Creator: Ivan Dem'ianovich Bulychev
Reindeer-Herding Koryaks, 1856. From Puteshestviye po Vostochnoy Sibiri I. Bulychova. Chast 1-ya. Poyezdka v Kamchatku (A journey across eastern Siberia: Part 1, Trip to Kamchatka)

Sedentary Koryaks, 1856. Creator: Ivan Dem'ianovich Bulychev
Sedentary Koryaks, 1856. From Puteshestviye po Vostochnoy Sibiri I. Bulychova. Chast 1-ya. Poyezdka v Kamchatku (A journey across eastern Siberia: Part 1, Trip to Kamchatka)

Basia Stankiewicz

insurrection
Mojtaba Jahani

Bearded Collie Dog, flying in mid-air wearing goggles and cape Date: 23-Oct-11

The Baphomet of the Templars, illustration of a stone casket found at Essarois (Burgundy
DGC405782 The Baphomet of the Templars, illustration of a stone casket found at Essarois (Burgundy) (engraving) by English School

Henry St. John, Viscount Bolingbroke, c1710, (c1884). Creator: Unknown
Henry St. John, Viscount Bolingbroke, c1710, (c1884). Henry St John, 1st Viscount Bolingbroke (1678-1751), English politician, government official during reign of Queen Anne

King Alfred, 1890. Creator: Unknown
King Alfred, 1890. Alfred the Great (c847-899) King of Wessex from 871-c886 and King of the Anglo-Saxons from c886-899. He won a decisive victory in the Battle of Edington in 878

The Queen Mother, 1937, (1951). Creator: Hay Wrightson
The Queen Mother, 1937, (1951). Portrait of Mary of Teck (1867-1953) in the robes she wore at the coronation of her son George VI

Fowey Town Crier, Fowey, Cornwall. July 1992

Saint Michael Triumphs over the Devil, 1468, (1946). Creator: Bartolome Bermejo
Saint Michael Triumphs over the Devil, 1468, (1946). The saint, in golden armour and holding a crystal shield, swings his sword above Satan, as the paintings patron, Antoni Joan, lord of Tous

Christ Mocked, Annie Walke (1877-1965)
Oil on canvas, Newlyn School, 1928. Annie Walke studied at Chelsea School of Art and under Augustus John at the London School of Art

French Pin-up girl - putting on her shoes - she already has her fur-trimmed cape and stockings on, but what else...??! Date: circa 1910

Her Majesty the Queen with her Mistress of the Robes and the six Maids of Honour, 1953. Elizabeth II (born 1926), Queen of the United Kingdom and the other Commonwealth realms

Sir Galahad is brought to the Court of King Arthur, 1911. Artist: Walter Crane
Sir Galahad is brought to the Court of King Arthur, 1911. How the three good knights achieved the Holy Grail. From Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911

A Male Savage of Terra del Fuego, 1795. Artist: J Chapman
A Male Savage of Terra del Fuego, 1795. The Selk nam and Yaghans were the native people of Tierra del Fuego. They became virtually extinct after gold was discovered in 1879

Queen Elizabeth II returning to Buckingham Palace after her Coronation, 1953
Queen Elizabeth II returning to Buckingham Palace after her Coronation at Westminster Abbey, London, June 1953. (Colorised black and white print)

St Christopher with a Dogs Head, Byzantine Icon, 1685

Travelling Merchant, 1866-67 ( Hand-coloured albumen silver print)
8677943 Travelling Merchant, 1866-67 ( Hand-coloured albumen silver print) by Felice, Beato (1832-1909); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Full length portrait of a bundled up man.)

Court Mantles during the reign of Louis XVIII
3784704 Court Mantles during the reign of Louis XVIII; (add.info.: Court Mantles during the reign of Louis XVIII, 1816 - from engraving by Polidor Pauquet after Horace Vernet)

Queen Mary 1867- 1953
3781052 Queen Mary 1867- 1953; (add.info.: Queen Mary, copy of portrait by William Llewellyn, 1910. WL, 1 December 1858 - 28 January 1941)

Portrait of an Algerian from the province of Algeri. Algeria. Date of Photograph:1870 - 1890

Portrait of an Algerian lady from the southern province of Biskra, in traditional dress. Algeria. Date of Photograph:1870 - 1890

Mosaic with the three Magi, in the nave of Sant'Apollinare Nuovo in Ravenna. Ravenna Mosaic. Date of Photograph:1870-1890. Date of Artwork:566 -569

Portrait of Mademoiselle Lloyd, famous actress of the Comdie Franaise'. She is posing in the studio wrapped in a soft fur trimmed cape. Date of Photograph:1876 ca

An actor in the Passion Play held in Oberammergau Germany Munich, Oberammergau. Date of Photograph:1890

The actor who plays the part of Christ in the Passion Play of Oberammergau Germany Munich, Oberammergau. Date of Photograph:1890

Full-length portrait of a young woman in stage costume, reminiscent of lower-class male attire. Date of Photograph:03/03/1898

Portrait of a woman, probably in a stage costume, dressed as a medieval noble lady. She wears a diadem and an embroidered cloak. Date of Photograph:1862-1865

Full-length portrait of Count Melzi. The aristocrat is in fancy dress costume. Date of Photograph:1865-1870 ca

Portrait of a couple in an intimate pose. The man is holding the woman's hand with his arm tight around her shoulders. The woman seems intimidated. Date of Photograph:1880-1890 ca

Full-length portrait of a couple, in typical algerian costume. They are probably two tourists dressed up for the occasion. Date of Photograph:1878-1890 ca

Full-length portrait of a man in fancy dress costume. Date of Photograph:1865-1870 ca

Full-length portrait of the noblewoman Vittoria Cima. She is wearing a cloak and is leaning on a pedestal covered by a drape. Date of Photograph:1865-1870 ca

Portrait of woman with veil, cape and book in hand. Date of Photograph:1855 -1865

Portrait of a young woman wearing a cloak; she is leaning against a column. Date of Photograph:1865-1870 ca

Portrait of a gentleman on horseback in Renaissance costume. He wears a full regal cloak decorated with ermine and a hat. In his right hand he holds a scepter Florence. Date of Photograph:1887

Where the dream ends.
Brig Barkow

Conversation with the Holy Virgin and Child with Six Saints, four angels and the donor Federico da Montefeltro (called Pala Pala Montefeltro or Brera), tempera and oil on panel

Harnessed horse attached to a cart Italy. Date of Photograph:1965 ca

Bust of Lucius Verus: work preserved in the Hall of Busts, Vatican Museums, Vatican City. State of the Vatican City Vatican Museums, Hall of Busts Bust Antonine Period, Imperial Period, Roman Art

Bust of a young Alessandro Severo: work preserved in the Hall of Busts, Vatican Museums, Vatican City. State of the Vatican City Vatican Museums Bust Severan Period, Imperial Period, Roman Art

French fashion plate of a cloak from Art Gout Beaute 1912 French fashion plate of a cloak made from moleskin from Art Gout Beaute 1912

Bruges, 1894 (oil on canvas)
8610317 Bruges, 1894 (oil on canvas) by Sager-Nelson, Olof (1868-1896); Thiel Gallery, Stockholm, Sweden; (add.info.: Painting by Olof Sager-Nelson)

7797483

Robert Blake, 1847 (engraving)
7202961 Robert Blake, 1847 (engraving) by Briggs, Henry Perronet (1792-1844) (after); Private Collection; (add.info.: 1598-1657, Robert Blake)

Lucca Madonna, 1437 (mixed media on oak panel)
7487753 Lucca Madonna, 1437 (mixed media on oak panel) by Eyck, Jan van (c.1390-1441); 65.5x49.5 cm; Stadel Museum, Frankfurt am Main, Germany; (add.info.: By Jan van Eyck)

7425448

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"The Power of the Cloak: Unveiling Hidden Identities and Symbolism in Art" Throughout history, artists have masterfully depicted the enigmatic allure of the cloak, a garment that transcends time and culture. Rembrandt van Rijn's "A Man in Armour" captures the essence of strength and mystery as a figure dons an imposing suit while concealing his true intentions beneath a cloak. In 1918, Trotsky slayed the counter-revolutionary dragon in a powerful poster. The revolutionary leader's cloak symbolizes his ability to navigate through treacherous times with cunning strategy and resilience. The regal elegance of Queen Elizabeth II is magnificently portrayed by Sterling Henry Nahum Baron in her coronation robes. Her majestic cloak drapes around her like a shield, embodying her role as a protector and symbolizing her authority over the British Empire. Kaiser Wilhelm II, during World War I, wore his military uniform with pride but also relied on his commanding presence hidden behind an authoritative cloak. This visual representation reflects both power and vulnerability amidst turbulent times. St Martin De Tours exemplifies selflessness as he shares his own cloak with a beggar to provide warmth and comfort. This act of compassion immortalized by countless artists emphasizes empathy as an essential virtue for humanity. John Everett Millais' paintings "My First Sermon" (1863) and "My Second Sermon" (1864) depict children wearing cloaks while attending church services. These innocent figures are metaphorically protected from worldly distractions by their spiritual garments - reminding us of our need for faith even in uncertain times. The fable of Wind and Sun showcases how persuasion triumphs over force when it comes to removing one's outer layer. The wind fails miserably while attempting to strip off someone's cloak, highlighting the power of gentle persuasion compared to coercion or aggression. Ladislaus I of Hungary or St.