Claude Collection (page 20)

Claude Mellan after Daniel Dumonstier, French (1598-1688), Nicolas Coeffeteau, engraving on laid paper

Claude Mellan, French (1598-1688), Rena de Longueil, engraving on laid paper
Claude Mellan, French (1598-1688), Rena© de Longueil, engraving on laid paper

after Claude Mellan, Nicolas-Claude Fabri de Peiresc, 1637 or after, engraving on laid paper

Claude Mellan, French (1598-1688), Pere Ives, 1677, engraving

Claude Mellan, French (1598-1688), Gabriel Naude, engraving on laid paper

Claude Lorrain, French (1604-1605-1682), The Herd Returning in Stormy Weather (Le troupeau en marche par un temps orageux), c. 1650-1651, etching

Claude-Joseph Vernet, French (1714-1789), Sketchbook Page with Figures, pen and black ink with brown wash on laid paper

Jean Baptiste Claude Chatelain, French (1710-1771), Travelers on a Road in a Wooded Landscape, black chalk and graphite on laid paper

Claude Lorrain, French (1604-1605-1682), Four Cows, red and black chalks with gray wash on laid paper

Claude Hoin, French (1750-1817), Self-Portrait, c. 1780, red and black chalks, and pastel with stumping on gray-brown laid paper

Studio of Claude Nicolas Ledoux, Portal of the Haśtel d Uzašs, rue Montmartre, Paris, 1768 or 1784, pen and black ink with watercolor on laid paper

Claude Monet, Banks of the Seine, Va theuil, French, 1840-1926, 1880, oil on canvas
Claude Monet, Banks of the Seine, Va© theuil, French, 1840-1926, 1880, oil on canvas

Claude Gillot, Studies of Ornament and Architecture, French, 1673-1722, c. 1710, pen and brown ink over traces of graphite on laid paper

Claude Da ruet, Imperfectorum Academia (Academy of the Imperfects), French, 1588-1660, c
Claude Da© ruet, Imperfectorum Academia (Academy of the Imperfects), French, 1588-1660, c. 1619, pen and brown ink with blue wash over black chalk, incised for transfer, on laid paper

Claude Monet, Bridge at Argenteuil on a Gray Day, French, 1840-1926, c. 1876, oil on canvas

Auguste Renoir, Claude Monet, French, 1841-1919, 1872, oil on canvas

Follower of Claude Lorrain, The Herdsman, 17th or 18th century, oil on canvas

Claude Monet, French (1840-1926), Sainte-Adresse, 1867, oil on canvas

Monet in his Floating Studio, 1874 (oil on canvas)
BAL656 Monet in his Floating Studio, 1874 (oil on canvas) by Manet, Edouard (1832-83); 82.5x105 cm; Neue Pinakothek, Munich, Germany; (add.info.: Monet dans son bateau atelier; ); French

Claude Joseph Da sira Charnay (French, 1828 - 1915), Femme Malgache et Ses Enfants
Claude Joseph Da© sira© Charnay (French, 1828 - 1915), Femme Malgache et Ses Enfants (Plate 3), 1863, albumen print from wet collodion glass negative

Claude Drevet after Hyacinthe Rigaud (French, 1697 - 1781), Charles-Gaspard-Guillaume de Vintimille du Luc, Archbishop of Paris, engraving

Claude Gillot (French, 1673 - 1722), Feste de Diane, Troublee par des Satyres (Feast of Diana Disrupted by Satyrs), etching and engraving

Jean Claude Richard de Saint-Non after Jean-Honora Fragonard (French, 1727 - 1791)
Jean Claude Richard de Saint-Non after Jean-Honora© Fragonard (French, 1727 - 1791), Le Petit Parc, 1763-65, etching on laid paper

Claude Henri Watelet after Charles-Nicolas Cochin II (French, 1718 - 1786), L. Bay de Curys, 1762, engraving and etching on laid paper

Nicolas de Poilly after Claude Lefebvre (French, 1626 - 1696), Nicolas Parfait, 1666, engraving

Claude Mellan (French, 1598 - 1688), Claude de Rebe, engraving on laid paper

Claude Mellan (French, 1598 - 1688), Omer Talon, engraving on laid paper

Claude Mellan after Simon Vouet (French, 1598 - 1688), Urban VIII, 1624, engraving on laid paper

Claude Mellan, French (1598-1688), Abel Servien, in or after 1659, engraving on laid
Claude Mellan (French, 1598 - 1688), Abel Servien, in or after 1659, engraving on laid paper

Claude Lorrain (French, 1604-1605 - 1682), Time, Apollo, and the Seasons (Le Temps, Apollon et les Saisons), 1662, etching

Abraham Bosse after Claude Vignon (French, 1602 - 1676), Illustration to Jean Desmarets " L Ariane", published 1639, etching and engraving

Claude Mellan (French, 1598 - 1688), Henri II, Duke of Montmorency, engraving on laid paper

Richard Earlom after Claude Lorrain (British, 1743 - 1822), Landscape No. 15 from " Liber Veritatis", mezzotint and etching in brown

Auguste Renoir, The Artists Son Claude or Coco, French, 1841 - 1919, c
Auguste Renoir, The Artists Son Claude or " Coco", French, 1841 - 1919, c. 1906, red and white chalk on laid paper

after Claude Lorrain, The Rest on the Flight into Egypt, late 17th century, pen and brown ink with brown and white wash over black chalk on laid paper

Claude Monet, The Artists Garden at Va theuil, French, 1840 - 1926, 1880, oil
Claude Monet, The Artists Garden at Va© theuil, French, 1840 - 1926, 1880, oil on canvas

Claude Monet (French, 1840 - 1926), Woman Seated under the Willows, 1880, oil on canvas

Claude Monet, Jerusalem Artichoke Flowers, French, 1840 - 1926, 1880, oil on canvas

Claude Gillot, A Performance by the Commedia dell Arte, French, 1673 - 1722, c. 1710, pen and brown ink with gray wash on laid paper

Claude Gillot, Scene from The Tomb of Master Andra, French, 1673 - 1722, c
Claude Gillot, Scene from " The Tomb of Master Andra© ", French, 1673-1722, c. 1705-1708, red chalk with light mauve, sanguine, and brown wash with pen and black ink

Claude Mellan, Adam and Eve at the Foot of the Cross, French, 1598 - 1688, c. 1647, engraving on laid paper

Circle of Claude Da ruet, Road to Calvary, 1615-1620, oil on copper
Circle of Claude Da© ruet, Road to Calvary, 1615-1620, oil on copper

Claude Lorrain, The Rest on the Flight into Egypt, French, 1604-1605 - 1682, 1682, pen and brown ink with gray and blue wash and graphite, heightened with white gouache on blue laid paper

2662520; out of copyright

2662514; out of copyright

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Claude Monet, one of the most influential artists of all time, was born in 1840 and passed away in 1926. Known for his groundbreaking Impressionist style, Monet's works continue to captivate audiences worldwide. One of his most famous paintings is "Impression, Sunrise, " which gave birth to the term "impressionism. " This masterpiece showcases Monet's ability to capture fleeting moments with vibrant brushstrokes and a unique play of light. In another notable piece titled "Sailboat at Petit-Gennevilliers, " Monet portrays a serene scene on canvas using oil paints. The calmness exuded by this artwork transports viewers into a world where they can almost feel the gentle breeze against their skin. Monet also had an eye for capturing celebrations, as seen in his painting "Celebration" depicting the Rue Montorgueil in Paris on June 30th, 1878. This lively composition brings forth the joyous atmosphere of that day through vivid colors and bustling figures. Not limited to landscapes and celebrations alone, Claude Monet ventured into portraiture as well. His work titled "Lady in the Garden" from 1867 showcases his talent for capturing human emotions amidst nature's beauty. Giverny was another subject close to Monet's heart. In his painting "The Artist's Garden at Giverny, " completed in 1900, he immortalizes this enchanting place where he spent much of his life. The vibrant colors used here bring out the essence of nature while showcasing Monet's mastery over light and shadow. Apart from these iconic pieces by Claude Monet himself, there are other artworks inspired by him too. For instance, Father Claude Chauchetiere painted Kateri Tekakwitha (1656-1680), a Native American Catholic saint who became an inspiration for many due to her unwavering faith.