Cinquecento Collection (page 4)

Wooden marqueteri representing musical instruments. Debut 16th century. Church of San Domenico, Bologna
VEN5027703 Wooden marqueteri representing musical instruments. Debut 16th century. Church of San Domenico, Bologna.; Church of San Domenico, Bologna

Hall of Ulysses History: Ulysses King. Fresco by Pellegrino Tibaldi (or Tibaldo) dit il Pellegrini (1530-1596))
VEN5027232 Hall of Ulysses History: Ulysses King. Fresco by Pellegrino Tibaldi (or Tibaldo) dit il Pellegrini (1530-1596)). Vault detail

Italy Tuscany Florence - Sculpture by Benvenuto Cellini 1500-1571 - Sculptor, Founder, Drawer and Gold-Plated
JEB4947633 Italy Tuscany Florence - Sculpture by Benvenuto Cellini 1500-1571 - Sculptor, Founder, Drawer and Gold-Plated; (add.info)

Italy Tuscany Siena, Cathedrale Duomo: Piccolomini Library - Departure for the Council of Bale (1431)
JEB4948404 Italy Tuscany Siena, Cathedrale Duomo: Piccolomini Library - Departure for the Council of Bale (1431). Enea (Enea Silvio Piccolomini, Pius II)

Renaissance architecture: view of the Palazzina del Piacere (Palace of Pleasure)
BEN5467944 Renaissance architecture: view of the Palazzina del Piacere (Palace of Pleasure), summer residence of Alessandro Farnese (1520-1589), built between 1584 and 1586

Architecture: right nave of the cathedral or Duomo San Pietro in Mantua. Architect
BEN5466569 Architecture: right nave of the cathedral or Duomo San Pietro in Mantua. Architect: Giulio Pippi de Jannuzzi known as Giulio Romano (Julius Romano) (1492-1546)

Saint Jerome in Penitence, Painting attributed to Giovanni Francesco Maineri (ca. 1460-1535)
YOU4419425 Saint Jerome in Penitence, Painting attributed to Giovanni Francesco Maineri (ca. 1460-1535). Photography, KIM Youngtae, Lyon

Study of a mobile derrick by Leonard de Vinci (Leonardo da Vinci 1452-1519), drawing of mechanical engineering
NWI4913856 Study of a mobile derrick by Leonard de Vinci (Leonardo da Vinci 1452-1519), drawing of mechanical engineering, with the artist's reverse writing

Cosimo I de Medici (Cosimo I de Medici, 1519-1574) planning the conquest of Siena in 1555. Detail
BEN5475972 Cosimo I de Medici (Cosimo I de Medici, 1519-1574) planning the conquest of Siena in 1555. Detail. With a compass and a map on his desk, he is looking for a combat strategy

The triumph after the war in Siena, Italy. Detail. Painting by Giorgio Vasari and his studio (1511-1574), 1565
BEN5476212 The triumph after the war in Siena, Italy. Detail. Painting by Giorgio Vasari and his studio (1511-1574), 1565. 16th century Italian mannerism. Ceiling in the Salle dei Cinquecento

Baccio D Agnolo, italian architect and sculptor, 1895 (engraving)
6426231 Baccio D Agnolo, italian architect and sculptor, 1895 (engraving); Private Collection; (add.info.: Baccio D Agnolo ( Bartolomeo D Agnolo Baglioni ) (1462-1543)

Art renaissance: Moise montrant les Tables de la loi. Mosaique de Domenico Beccafumi (1484-1551), cinquecento
AIS5386793 Art renaissance: Moise montrant les Tables de la loi. Mosaique de Domenico Beccafumi (1484-1551), cinquecento. Cathedrale de Sienne (Italie).; © Iberfoto

Portrait of the monk Rocchettino'. Painting by Annibale Carracci known as Carrache (1560-1609)
BEN5470129 Portrait of the monk Rocchettino'. Painting by Annibale Carracci known as Carrache (1560-1609). Uffizi Museum, Florence by Carracci, Annibale (1560-1609); Galleria degli Uffizi

Madonna has the child with Saints, detail
BEN5472790 Madonna has the child with Saints, detail by Rosso Fiorentino, Giovanni Battista (1494-1540); Palazzo Pitti, Florence, Italy; (add.info.: Madonna has the child with Saints)

Farnese Bull Group Dirce, wife of Lycos, is attached by Amphion and Zethos to a bull in order to take revenge for
BEN5480464 Farnese Bull Group Dirce, wife of Lycos, is attached by Amphion and Zethos to a bull in order to take revenge for the outrage suffered by their mother Antiope

Farnese Bull Group Dirce, wife of Lycos, is attached by Amphion and Zethos to a bull in order to take revenge for
BEN5480455 Farnese Bull Group Dirce, wife of Lycos, is attached by Amphion and Zethos to a bull in order to take revenge for the outrage suffered by their mother Antiope

View of the bezel surmounting the noble banquet. Fresco in the room of Eros (Love) and Psyche
BEN5465768 View of the bezel surmounting the noble banquet. Fresco in the room of Eros (Love) and Psyche. Architecture and paintings by Giulio Pippi de Jannuzzi known as Giulio Romano (Julius Romano)

Architecture: Capital and column of the Cinquecento Hall designed by Simone del Pollailo (Il Cronaca)
BEN5476938 Architecture: Capital and column of the Cinquecento Hall designed by Simone del Pollailo (Il Cronaca, 1454-1508) and redecorated by Giorgio Vasari and his studio (1511-1574)

Architecture: Decor (rhinoceros) at the back of the Cinquecento room. Symbol of Alexander de Medici
BEN5476933 Architecture: Decor (rhinoceros) at the back of the Cinquecento room. Symbol of Alexander de Medici. Made by Simone del Pollailo (Il Cronaca)

Tomb of Laurent de Medici: detail of the face of Aurora. Marble sculpture made by Michelangelo Buonarroti known as
BEN5463571 Tomb of Laurent de Medici: detail of the face of Aurora. Marble sculpture made by Michelangelo Buonarroti known as Michelangelo (Michelangelo or Michelangelo, 1475 - 1564), 1531

Hercules and Cacus. Marble sculpture by Baccio or Bartolomeo Bandinelli (1488-1580), 1534 Piazza Signoria, Florence
BEN5464552 Hercules and Cacus. Marble sculpture by Baccio or Bartolomeo Bandinelli (1488-1580), 1534 Piazza Signoria, Florence by Bandinelli, Baccio (1488-1560); Photo © Raffaello Bencini

Valerio BELLI, 1895 (engraving)
JAB4119983 Valerio BELLI, 1895 (engraving); (add.info.: Valerio BELLI (Vicentino): 1468-1546, famous medallion engraver also called Valerio Vicentino

Prediction of Mary Magdalene. Fresco by Ercole Setti (1530-1617). Church of San Lazzaro, Modene
VEN5027981 Prediction of Mary Magdalene. Fresco by Ercole Setti (1530-1617). Church of San Lazzaro, Modene; (add.info.: Prediction of Mary Magdalene. Fresco by Ercole Setti (1530-1617)

Madonna and Child on the throne surrounded by Saint Jerome, Saint Andre, Saint Benedict of Nursia
VEN5032889 Madonna and Child on the throne surrounded by Saint Jerome, Saint Andre, Saint Benedict of Nursia, Saint Nicholas of Tolentino and Saint Paul Painting by Battista Dossi (ca)

Virgin and Child. Anonymous painting. 16th century. Museo Civico, Modene
VEN5032646 Virgin and Child. Anonymous painting. 16th century. Museo Civico, Modene.; Museo Civico di Storia ed Arte, Modena, Italy; (add.info.: Virgin and Child. Anonymous painting. 16th century)

Capture Scene. Detail of an anonymous painting of the 16th century. Banca del Monte Faenza, Ravenna
VEN5027277 Capture Scene. Detail of an anonymous painting of the 16th century. Banca del Monte Faenza, Ravenna.; (add.info.: Capture Scene. Detail of an anonymous painting of the 16th century)

Coronation of the Virgin and saints. Painting by Baldassarre Carrari (1460-1516), 16th century
VEN5027519 Coronation of the Virgin and saints. Painting by Baldassarre Carrari (1460-1516), 16th century. Pinacoteca civica, Forli. Italy; (add.info.: Coronation of the Virgin and saints)

Italy Tuscany San Gimignano, Church Sant'Agostino: Our Lady has the Child on a Throne with Saints
JEB4947827 Italy Tuscany San Gimignano, Church Sant'Agostino: Our Lady has the Child on a Throne with Saints, work by Ridolfo del Ghirlandaio (1483-1561); (add.info.: Italy Tuscany San Gimignano)

Italy Tuscany Siena, Cathedrale Duomo: The Piccolomini Library - Enee Piccolimini (Pius II)
JEB4948416 Italy Tuscany Siena, Cathedrale Duomo: The Piccolomini Library - Enee Piccolimini (Pius II, 1405-1464) receives the hat of the Cardinal of Pope Calixte III (1378-1458) (Detail)

Italy Tuscany Siena, Cathedrale Le Duomo: Detail of the pavement " The flight of Herode", 1485
JEB4948317 Italy Tuscany Siena, Cathedrale Le Duomo: Detail of the pavement " The flight of Herode", 1485, by Benvenuto di Giovanni (Benvenuto di Giovanni di Meo del Guasta) (1436-1518)

Michelangelo Buonarroti dit Michel Ange (Michelangelo or Michelangelo, 1475-1564): Virgin who breastfed the child
GIM5037956 Michelangelo Buonarroti dit Michel Ange (Michelangelo or Michelangelo, 1475-1564): Virgin who breastfed the child.; (add.info)

Architecture and perspective work - SERLIO, Sebastiano (1475-1554). Italian Mannerist architect
CUL4853196 Architecture and perspective work - SERLIO, Sebastiano (1475-1554). Italian Mannerist architect, who was part of the Italian team building the Palace of Fontainebleau

Bust of Michelangelo di Lodovico Buonarroti Simoni, known as Michel Ange (1475-1564), painter, sculptor
YOU4419560 Bust of Michelangelo di Lodovico Buonarroti Simoni, known as Michel Ange (1475-1564), painter, sculptor, Italian architect of the Renaissance, Sculpture by Filippo Gnaccarini (1804-1875)

Saint Francis of Assisi receiving stigmas, 16th century (oil on canvas)
GIM5038428 Saint Francis of Assisi receiving stigmas, 16th century (oil on canvas) by Barocci or Baroccio, Federico Fiori (c.1535-1612); Fondazione Pietro Manodori, Reggio Emilia RE

Baldassare Peruzzi, italian architect and painter, 1895 (engraving)
6426230 Baldassare Peruzzi, italian architect and painter, 1895 (engraving); Private Collection; (add.info.: Baldassare Peruzzi (1481-1536), italian architect and painter, also army fortifications

Portrait of Alexander de Medici (Alessandro de Medici). Fresco by Giorgio Vasari (1511-1574), 1570
BEN5462297 Portrait of Alexander de Medici (Alessandro de Medici). Fresco by Giorgio Vasari (1511-1574), 1570. Sala di Leone X, Palazzo Vecchio, Florence

A nymph. Fresco by Giulio Pippi de Jannuzzi known as Giulio Romano (Julius Romano) (1492/1499-1546)
BEN5462140 A nymph. Fresco by Giulio Pippi de Jannuzzi known as Giulio Romano (Julius Romano) (1492/1499-1546) 1528 Hall of Eros (Love) and Psyche

The Fortune Allegory. Bronze sculpture by Danese Cattaneo (1509-1573) Florence, Museo del Bargello
BEN5479813 The Fortune Allegory. Bronze sculpture by Danese Cattaneo (1509-1573) Florence, Museo del Bargello by Cattaneo, Danese (1509-73); Photo © Raffaello Bencini

Representation of the craftsmen of Giorgio Vasari's workshop: from left to right: Bernardo di Mona Mattea
BEN5467067 Representation of the craftsmen of Giorgio Vasari's workshop: from left to right: Bernardo di Mona Mattea, Battista Botticelli, Stefano Veltroni, Marco da Faenza

Portrait of the horse Glorioso Fresco by Giulio Pippi de Jannuzzi known as Giulio Romano (Julius Romano)
BEN5461717 Portrait of the horse Glorioso Fresco by Giulio Pippi de Jannuzzi known as Giulio Romano (Julius Romano) (1492/1499-1546)) 1528 Horse Hall Palazzo del Te, Mantua (Mantova) by Romano

Sign of Aquarius (constellation of the Eagle): scene of Triumph, of the great virtues of war
BEN5461807 Sign of Aquarius (constellation of the Eagle): scene of Triumph, of the great virtues of war. Fresco by Agostino da Mozzanega (active from 1527-1539) 1528

Allegory of the Arno River. Marble sculpture by Bartolomeo Ammannati or Ammanati (1511-1592)
BEN5479863 Allegory of the Arno River. Marble sculpture by Bartolomeo Ammannati or Ammanati (1511-1592) comes from the Boboli Gardens

Madonna with Child between the saints Michael and Peter martyr, c.1510 (tempera on panel)
7294094 Madonna with Child between the saints Michael and Peter martyr, c.1510 (tempera on panel); Museo dell'Opera del Duomo, Prato

Capture of Pisa (detail). Fresco by Giorgio Vasari and his studio (1511-1574). Palazzo Vecchio (Salone dei Cinquecento)
BEN5476141 Capture of Pisa (detail). Fresco by Giorgio Vasari and his studio (1511-1574). Palazzo Vecchio (Salone dei Cinquecento); Photo © Raffaello Bencini

Madonna in glory with the Child Jesus and Saints Michael, Catherine of Alexandria
VEN5032855 Madonna in glory with the Child Jesus and Saints Michael, Catherine of Alexandria, Apolline (Apollonia) and Saint John the Evangelist

Madonna with the saints: Saint Charles Borromee, in Italian Carlo Borromeo
VEN5032840 Madonna with the saints: Saint Charles Borromee, in Italian Carlo Borromeo, (1538-1584) in costume of Archeveque and Saint Francois de Paule, in Italian San Francesco da Paola

Mystical marriage of Saint Catherine. 1530-1532. Painting by Giovannie Antonio de Sacchis
VEN5034046 Mystical marriage of Saint Catherine. 1530-1532. Painting by Giovannie Antonio de Sacchis, known as the Pordenone (1484-1539)

960 2 Madonna on the throne between St. Jerome and St. Sebastian. Painting by Francesco de (Il Frari)
VEN5027978 960 2 Madonna on the throne between St. Jerome and St. Sebastian. Painting by Francesco de (Il Frari) Bianchi-Ferrari (1457-1510), 1506

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"Cinquecento: A Glimpse into the Artistic Masterpieces of the 16th Century" The Cinquecento, or the 16th century, was a period that witnessed an explosion of artistic brilliance and creativity. One name that stands out during this era is Michelangelo (1475-1564), whose works continue to awe and inspire generations. One of his most renowned creations is the Sistine Chapel, where he painted its ceiling with breathtaking frescoes depicting biblical scenes. The sheer grandeur and intricacy of his work in this sacred space are unparalleled. Another masterpiece by Michelangelo is the Pieta (1498-1499), a sculpture showcasing Mary holding Jesus' lifeless body. Its emotional intensity and lifelike details exemplify the essence of Renaissance art. In addition, Michelangelo's David (1501-1504) remains an iconic symbol of beauty and strength. This marble statue captures every muscle and vein with such precision that it seems alive even after centuries. Moving beyond Michelangelo's genius, we encounter Raphael (1483-1520), another prominent artist from this period. His painting "The Sistine Madonna" (1512-1517) portrays two cherubs at the bottom gazing up at Virgin Mary cradling baby Jesus—a composition that evokes serenity and divine grace. Not limited to religious themes, it also explored historical events like "The Wedding of Cana, " depicted by Veronese in 1563. This artwork showcases a miracle performed by Jesus—transforming water into wine—an event filled with vibrant colors and lively characters. Furthermore, Annibale Carracci or Annibal Carrache's painting "The Stoning of St. Stephen" takes us back to ancient times when St. Stephen became Christianity's first martyr through stoning in 36 AD JC—a poignant portrayal capturing both tragedy and faith.