Churchgoers Collection

Procession of the cross during Easter week at the Znamenskaya glass factory, 1914. Creator: S. Ia. Mamontov
Procession of the cross during Easter week at the Znamenskaya glass factory, 1914. From a collection which includes more than four hundred photographs of daily life in Yenisei Province in the late

Waiting for the religious procession on Easter week (Bright Week) at the Znamensky... 1913-14. Creator: S. Ia. Mamontov
Waiting for the religious procession on Easter week (Bright Week) at the Znamensky Glass Factory, 1913-1914. From a collection which includes more than four hundred photographs of daily life in

Holiday festivities, 1900. Creator: Unknown
Holiday festivities, 1900. This collection consists of sixty-six photographs and documents that depict the history and activities of the Russian Orthodox Church in Buryatia in the nineteenth

Church-Goers in a Boat, 1909. Creator: Carl Wilhelmson
Church-Goers in a Boat, 1909

Fishermen's Wives Returning from Church, 1899. Creator: Carl Wilhelmson
Fishermen's Wives Returning from Church, 1899

Churchgoers outside a church, 1890. Creator: Jan de Jong
Churchgoers outside a church, 1890

EARTHQUAKE PANIC SICILY
Three churchgoers are trampled to death when the congregation of a Sicilian church panic at the false alarm of an earthquake. Date: 1907

Going to Church in Hardanger (oil on canvas)
742137 Going to Church in Hardanger (oil on canvas) by Dahl, Hans Andreas (1881-1919); 67x100 cm; Private Collection; (add.info.: Kirkegang i Hardanger); Photo © O. Vaering

Time for Mass at Labastide du Vert (oil on canvas)
CH251469 Time for Mass at Labastide du Vert (oil on canvas) by Martin, Henri (1860-1943); 116x95 cm; Private Collection; (add.info)

Going to Church, an Incident during the Floods (engraving)
1627862 Going to Church, an Incident during the Floods (engraving) by English School, (19th century); Private Collection; (add.info.: Going to Church, an Incident during the Floods)

Coming from Church (engraving)
1627691 Coming from Church (engraving) by Woodville, Richard Caton II (1856-1927) (after); Private Collection; (add.info.: Coming from Church)

Interior of a Church, c. 1680 (oil on canvas)
5673780 Interior of a Church, c.1680 (oil on canvas) by Witte, Emanuel de (c.1617-92); 62 x 54 cm; Cleveland Museum of Art, OH

Christmas Morning, after Church (engraving)
1600638 Christmas Morning, after Church (engraving) by Read, Edward (fl.1910); Private Collection; (add.info.: Christmas Morning, after Church)

Times of the Day: Noon, illustration from Hogarth Restored
STC451161 Times of the Day: Noon, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub

Credulity, Superstition and Fanaticism, illustration from Hogarth Restored
STC451186 Credulity, Superstition and Fanaticism, illustration from Hogarth Restored: The Whole Works of the celebrated William Hogarth, re-engraved by Thomas Cook, pub

The Nearest Way to Church (engraving)
1589802 The Nearest Way to Church (engraving) by English School, (19th century); Private Collection; (add.info.: The Nearest Way to Church)

When the Bells Ring (coloured engraving)
979222 When the Bells Ring (coloured engraving) by German School, (19th century); Private Collection; (add.info.: When the Bells Ring.); © Look and Learn

Leaving Church in the Fifteenth Century, 1864 (oil on canvas)
NUL275401 Leaving Church in the Fifteenth Century, 1864 (oil on canvas) by Alma-Tadema, Lawrence (1836-1912); 57.1x39.4 cm; Private Collection; English, out of copyright

The Church Porch (engraving)
1102675 The Church Porch (engraving) by English School, (19th century); Private Collection; (add.info.: The Church Porch. Illustration for The Illustrated London News)

Ulm Cathedral, c. 1902 (etching)
6198429 Ulm Cathedral, c.1902 (etching) by Haig, Axel (1835-1921); 55.4x36.9 cm; The McManus, Dundee, UK; (add.info.: Axel Herman Haig (1835-1921)); Dundee Art Galleries and Museums; Swedish

On the Horns of a Dilemma (litho)
1628777 On the Horns of a Dilemma (litho) by Read, Edward (fl.1910); Private Collection; (add.info.: On the Horns of a Dilemma. Illustration for The Illustrated London News, 28 December 1901)

The largest congrgation ever gathered at St Philips Cathedral in Birmingham as thusands od people crammed inside to take part in the Festival of the Holy Spirit

People attending the Providence Baptist Church in Hemlington, 18th July 1977

The baptise minister, the Rev George W Yaxley conductiong a service in the Smithy, Wymondham, Norfolk which 150 years ago was used as a Baptist church. October 1646 vfr1

REV. MATHEW GIVES PLEDGE
The Very Reverend Theobald Mathew administers the temperance pledge to churchgoers. Date: circa 1840

Christmas morning - Churchgoers 1859
Victorian people wearing their Sunday-best, about to enter church for prays. Date: 1859

Churchgoers of St Peter and St Paul in Ellesborough, Bucks
Sunday morning churchgoers climb to the parish church of St Peter and St Paul in Ellesborough, a village in Wycombe district in Buckinghamshire, England

Interior of the Laurenskerk at Rotterdam, 1662 (oil on canvas)
3077149 Interior of the Laurenskerk at Rotterdam, 1662 (oil on canvas) by Lorme, Anthonie de (1610-73); 64.1x48.9 cm; J. Paul Getty Museum, Los Angeles

Coming Out of Church, before 1875 (oil on canvas)
WLT206791 Coming Out of Church, before 1875 (oil on canvas) by Madrazo y Garreta, Raimundo de (1841-1920); 64x100 cm; Walters Art Museum, Baltimore, USA; Spanish, out of copyright

Boelens-Den Otter chapel Nieuwe Kerk Amsterdam
Boelens-Den Otter chapel in the Nieuwe Kerk of Amsterdam, View of the Boelens-Den Otter chapel in the Nieuwe Kerk of Amsterdam from the church. Some churchgoers in the chapel

Warren Mitchell and Pat Heywood as Fred Midway and Hilda Midway
in All The Way Up

Immanuel Church, Stockholm, Sweden
Immanuel Church (Immanuelskyrkan), Tulegatan, Stockholm, Sweden, with churchgoers leaving the building. Date: circa 1910

The Vicars Temptation by William Heath Robinson
As his parishioners come out of church into a snow-covered churchyard, the vicar bends down to make a snowball, The question is, will he throw it, and if so, at whom? 1947

Drawings Prints, Print, Churchgoers, Artist, Israhel van Meckenem, German, Meckenem, ca
Drawings and Prints, Print, The Churchgoers, Artist, After, Israhel van Meckenem, Anonymous, German, Meckenem ca. 1440/45-1503 Bocholt, Meckenem, Israhel van, Anonymous, German, 1435, 1503, 1495, 1550

Interior of a Gothic style church with three naves (oil on canvas)
XIR868513 Interior of a Gothic style church with three naves (oil on canvas) by Steenwyck, Hendrik the Younger (c.1580-1649); Musee Municipal, Cambrai

William Young Ottley after Israhel van Meckenem (British, 1771 - 1836), The Churchgoers, engraving on thin wove paper

Times of the Day, Noon, 1738 (engraving)
XJF396057 Times of the Day, Noon, 1738 (engraving) by Hogarth, William (1697-1764); Private Collection; English, out of copyright

Reading the Bible in the crypt of St. Pauls Cathedral, from The National
KW322672 Reading the Bible in the crypt of St. Pauls Cathedral, from The National and Domestic History of England by William Hickman Smith Aubrey (1858-1916) published London

Puritan couple on their way to Sunday worship, engraved by Thomas Gold Appleton, 1885
KW320819 Puritan couple on their way to Sunday worship, engraved by Thomas Gold Appleton, 1885 (engraving) by Boughton, George Henry (1833-1905) (after); Private Collection; Ken Welsh; American

Christmas morning: Going to Church, engraved by W
XJF315755 Christmas morning: Going to Church, engraved by W.J. Linton, from The Illustrated London News, 26th December 1846 (engraving) by Dodgson

Times of the Day: Noon, from The Works of William Hogarth, published 1833
KW281808 Times of the Day: Noon, from The Works of William Hogarth, published 1833 (litho) by Hogarth, William (1697-1764); Private Collection; Ken Welsh; English, out of copyright

The Porch, Rheims Cathedral, c. 1840 (w / c, gouache & ink on paper)
XYC281142 The Porch, Rheims Cathedral, c.1840 (w/c, gouache & ink on paper) by Prout, Samuel (1783-1852); 41.9x27.3 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

View of St. Bartholomews Church (w / c on paper)
XCF286416 View of St. Bartholomews Church (w/c on paper) by English School, (19th century); Private Collection; English, out of copyright

Church Interior, 1641 (oil on panel)
XKH179048 Church Interior, 1641 (oil on panel) by Lorme, Anthonie de (1610-73); 30.6x37.2 cm; Hamburger Kunsthalle, Hamburg, Germany; Dutch, out of copyright

Interior of a Church with Figures, 1685 (oil on panel)
BAL226680 Interior of a Church with Figures, 1685 (oil on panel) by Witte, Emanuel de (c.1617-92); 48x37 cm; Private Collection; Courtesy of Thomas Brod and Patrick Pilkington; Dutch, out of copyright

HERBERT: THE CHURCH PORCH. Illustration to George Herberts poem, The Church Porch, 1633, from an 1878 English edition of The Works of George Herbert in Prose and Verse

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"Churchgoers: A Tapestry of Faith, Resilience, and Community" In the midst of chaos and uncertainty, churchgoers in Sicily find solace amidst an earthquake panic. As Warren Mitchell and Pat Heywood portray Fred Midway and Hilda Midway in their roles, we witness the unwavering devotion that brings people together even in times of crisis. From Bridgens West Indian Sketches' captivating black-and-white photograph capturing a Sunday morning in town to the mesmerizing oil on canvas masterpiece "Going to Church in Hardanger, " these images showcase the diverse ways individuals embark on their spiritual journeys. As depicted by "Time for Mass at Labastide du Vert, " another striking oil on canvas painting, churchgoers gather with reverence and anticipation. This poignant scene reminds us that regardless of our backgrounds or beliefs, faith unites us all under one roof. The engraving titled "Going to Church: An Incident during the Floods" serves as a powerful reminder that faith endures even when faced with adversity. It captures a moment where believers navigate treacherous waters to seek solace within sacred walls. Similarly, "Coming from Church" depicts a sense of unity among worshippers as they depart from their place of worship. The shared experience creates bonds that extend beyond religious rituals into everyday life. Through centuries-old artwork like "Interior of a Church c. 1680, " we catch glimpses into historical practices while recognizing the timeless nature of communal worship. These paintings evoke emotions ranging from awe-inspiring grandeur to intimate moments spent in contemplation. Even during joyous occasions like Christmas Morning after Church, captured beautifully through an enchanting engraving; churchgoers celebrate not only their faith but also each other's presence—a testament to love and fellowship within these hallowed spaces. Beyond mere physical attendance lies deeper meaning—captured brilliantly by Hogarth's illustrations such as "Times of the Day.