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Choosing Collection (page 3)

"Choosing: A Journey of Decisions and Delights" In the whimsical world of "Fat Geese

Background imageChoosing Collection: The Visit of H E Sir H Brougham Loch, KCB (Governor of Victoria, Australia)

The Visit of H E Sir H Brougham Loch, KCB (Governor of Victoria, Australia), to the Buffalo Ranges (engraving)
1040964 The Visit of H E Sir H Brougham Loch, KCB (Governor of Victoria, Australia), to the Buffalo Ranges (engraving) by English School

Background imageChoosing Collection: Choosing the Wedding Gown (colour litho)

Choosing the Wedding Gown (colour litho)
969305 Choosing the Wedding Gown (colour litho) by Mulready, William (1786-1863) (after); Private Collection; (add.info.: Choosing the Wedding Gown)

Background imageChoosing Collection: How they Dance the Cotillon at a West Indian 'Hop'(engraving)

How they Dance the Cotillon at a West Indian "Hop"(engraving)
1046562 How they Dance the Cotillon at a West Indian " Hop" (engraving) by Marie, Adrien Emmanuel (1848-91) (after); Private Collection; (add.info)

Background imageChoosing Collection: On the Way to the Royal Wedding, our Special Artist choosing Furs at Berlin (engraving)

On the Way to the Royal Wedding, our Special Artist choosing Furs at Berlin (engraving)
1058335 On the Way to the Royal Wedding, our Special Artist choosing Furs at Berlin (engraving) by Woods, Henry (1846-1921); Private Collection; (add.info.: On the Way to the Royal Wedding)

Background imageChoosing Collection: Girls eating chocolates (b / w photo)

Girls eating chocolates (b / w photo)
3091270 Girls eating chocolates (b/w photo) by French Photographer, (20th century); Private Collection; (add.info.: Girls eating chocolates. Postcard, early 20th century.); © Look and Learn

Background imageChoosing Collection: Choose Your Fiancee (colour photo)

Choose Your Fiancee (colour photo)
3094345 Choose Your Fiancee (colour photo) by French Photographer, (20th century); Private Collection; (add.info.: Choose Your Fiancee. Postcard, early 20th century.); © Look and Learn

Background imageChoosing Collection: The Carpet Seller, (pencil and watercolour heightened with white on paper)

The Carpet Seller, (pencil and watercolour heightened with white on paper)
658642 The Carpet Seller, (pencil and watercolour heightened with white on paper) by Rosati, Giulio (1858-1917); 52x35.5 cm; Private Collection; (add.info.: The Carpet Seller)

Background imageChoosing Collection: A Fruit Stall at the Base of the Campanile, San Giovanni Elemosinario, Near the rialto

A Fruit Stall at the Base of the Campanile, San Giovanni Elemosinario, Near the rialto
658263 A Fruit Stall at the Base of the Campanile, San Giovanni Elemosinario, Near the rialto, Venice, (watercolour) by Allingham

Background imageChoosing Collection: The Judgment of Paris (litho)

The Judgment of Paris (litho)
6000158 The Judgment of Paris (litho) by European School, (19th century); Private Collection; (add.info.: The Judgment of Paris)

Background imageChoosing Collection: Hercules, 1498 (engraving)

Hercules, 1498 (engraving)
1217322 Hercules, 1498 (engraving) by DAorer or Duerer, Albrecht (1471-1528); 31.8x22 cm; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; German, out of copyright

Background imageChoosing Collection: Emma of France kisses the knee of her husband Raoul, in recognition of his sovereignty (engraving)

Emma of France kisses the knee of her husband Raoul, in recognition of his sovereignty (engraving)
969140 Emma of France kisses the knee of her husband Raoul, in recognition of his sovereignty (engraving) by French School

Background imageChoosing Collection: Choosing his Christmas Turkey, the March Past (engraving)

Choosing his Christmas Turkey, the March Past (engraving)
1049501 Choosing his Christmas Turkey, the March Past (engraving) by Waller, Samuel Edmund (1850-1903) (after); Private Collection; (add.info.: Choosing his Christmas Turkey, the March Past)

Background imageChoosing Collection: A Tour of No Importance, Life at Murren (engraving)

A Tour of No Importance, Life at Murren (engraving)
1050846 A Tour of No Importance, Life at Murren (engraving) by Tito, Ettore (1859-1941); Private Collection; (add.info.: A Tour of No Importance, Life at Murren)

Background imageChoosing Collection: Man Straightens His Tie in the Mirror Amid a Display of Many Mens Ties

Man Straightens His Tie in the Mirror Amid a Display of Many Mens Ties
3034716 Man Straightens His Tie in the Mirror Amid a Display of Many Mens Ties, 1941 (screen print) by American School, (20th century); (add.info)

Background imageChoosing Collection: A Young Man Choosing Love of Beauty Rather Than Riches (engraving)

A Young Man Choosing Love of Beauty Rather Than Riches (engraving)
3646727 A Young Man Choosing Love of Beauty Rather Than Riches (engraving) by Goltzius, Hendrik (1558-1617) (after); Private Collection; (add.info)

Background imageChoosing Collection: Cartoon by Phil May, from the 1890s (litho)

Cartoon by Phil May, from the 1890s (litho)
3621406 Cartoon by Phil May, from the 1890s (litho) by May, Phil (1864-1903); Private Collection; (add.info.: Cartoon by Phil May)

Background imageChoosing Collection: Ancestry supply stores (engraving)

Ancestry supply stores (engraving)
669507 Ancestry supply stores (engraving) by English School, (19th century); Private Collection; (add.info.: Ancestry supply stores. Illustration from The Picture Magazine (George Newnes), 1895

Background imageChoosing Collection: The Three Caskets, from The Merchant of Venice, Act III, Scene II (oil on canvas)

The Three Caskets, from The Merchant of Venice, Act III, Scene II (oil on canvas)
CH401603 The Three Caskets, from The Merchant of Venice, Act III, Scene II (oil on canvas) by Hillingford, Robert Alexander (1825-1904)

Background imageChoosing Collection: Digging potatoes

Digging potatoes
LLM462043 Digging potatoes by English School, (19th century); Private Collection; (add.info.: Digging potatoes. Illustration for The Town and Country Toy Book (Religious Tract Society)

Background imageChoosing Collection: A Red-billed Toucan draws a ticket from a hat, held by keeper C. Hersey (b / w photo)

A Red-billed Toucan draws a ticket from a hat, held by keeper C. Hersey (b / w photo)
2639463 A Red-billed Toucan draws a ticket from a hat, held by keeper C. Hersey (b/w photo) by Bond, Frederick William (1887-1942)

Background imageChoosing Collection: A Red-billed Toucan draws a ticket from a hat, held by keeper C

A Red-billed Toucan draws a ticket from a hat, held by keeper C
2639462 A Red-billed Toucan draws a ticket from a hat, held by keeper C. Hersey, London Zoo, 1923 (b/w photo) by Bond, Frederick William (1887-1942)

Background imageChoosing Collection: Couple Looking at Travel Brochures, 1948 (screen print)

Couple Looking at Travel Brochures, 1948 (screen print)
2630034 Couple Looking at Travel Brochures, 1948 (screen print) by American School, (20th century); Private Collection; Photo eGraphicaArtis; American, out of copyright

Background imageChoosing Collection: Plate 5 from Cries of London, 1799 (hand-coloured etching)

Plate 5 from Cries of London, 1799 (hand-coloured etching)
XYC308304 Plate 5 from Cries of London, 1799 (hand-coloured etching) by Rowlandson, Thomas (1756-1827); 36.8x29.8 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Background imageChoosing Collection: Fixing the Site of an Early Christian Altar, 1884 (oil on canvas)

Fixing the Site of an Early Christian Altar, 1884 (oil on canvas)
LMG140047 Fixing the Site of an Early Christian Altar, 1884 (oil on canvas) by Pettie, John (1839-93); 137x213.5 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Background imageChoosing Collection: Cries of London: The Garden Pot Seller, 1799 (colour aquatint)

Cries of London: The Garden Pot Seller, 1799 (colour aquatint)
STC171108 Cries of London: The Garden Pot Seller, 1799 (colour aquatint) by Rowlandson, Thomas (1756-1827); Private Collection; The Stapleton Collection; English, out of copyright

Background imageChoosing Collection: The Ice Cream, plat 4 from Le Bon Genre, Paris, 1827 (coloured engraving)

The Ice Cream, plat 4 from Le Bon Genre, Paris, 1827 (coloured engraving)
CHT201581 The Ice Cream, plat 4 from Le Bon Genre, Paris, 1827 (coloured engraving) by French School, (19th century); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; French

Background imageChoosing Collection: The Fruit Market (coloured engraving)

The Fruit Market (coloured engraving)
STC192031 The Fruit Market (coloured engraving) by Engelbrecht, Martin (1684-1756); Private Collection; The Stapleton Collection; German, out of copyright

Background imageChoosing Collection: 'Golab, come to the bungalow tomorrow, and you shall be my servant'(engraving)

"Golab, come to the bungalow tomorrow, and you shall be my servant"(engraving)
6003488 " Golab, come to the bungalow tomorrow, and you shall be my servant" (engraving) by English School, (19th century); Private Collection; (add.info.: " Golab)

Background imageChoosing Collection: Ivan the Terrible Choosing a Wife (engraving)

Ivan the Terrible Choosing a Wife (engraving)
6010885 Ivan the Terrible Choosing a Wife (engraving) by Makovsky, Konstantin Egorovich (1839-1915); Private Collection; (add.info.: Ivan the Terrible Choosing a Wife)

Background imageChoosing Collection: Choosing the Wedding Gown (engraving)

Choosing the Wedding Gown (engraving)
1617374 Choosing the Wedding Gown (engraving) by Archer, John Wykeham (1808-64); Private Collection; (add.info.: Choosing the Wedding Gown)

Background imageChoosing Collection: Punchs Letters to His Son, by Douglas Jerrold (engraving)

Punchs Letters to His Son, by Douglas Jerrold (engraving)
1616983 Punchs Letters to His Son, by Douglas Jerrold (engraving) by English School, (19th century); Private Collection; (add.info.: Punchs Letters to His Son, by Douglas Jerrold)

Background imageChoosing Collection: Scene in Battys Spectacle of the 'Rajah of Nagpore, 'the 'Sacred Elephant'choosing a Wife for

Scene in Battys Spectacle of the "Rajah of Nagpore, "the "Sacred Elephant"choosing a Wife for
1594000 Scene in Battys Spectacle of the " Rajah of Nagpore, " the " Sacred Elephant" choosing a Wife for the New Rajah (engraving) by English School

Background imageChoosing Collection: Gustave Dore Bible: Gideon choosing his soldiers (engraving)

Gustave Dore Bible: Gideon choosing his soldiers (engraving)
5221454 Gustave Dore Bible: Gideon choosing his soldiers (engraving) by Dore, Gustave (1832-83); Private Collection; (add.info.: Gideon choosing his soldiers)

Background imageChoosing Collection: The 'Broncho'Horses at the Royal Aquarium (engraving)

The "Broncho"Horses at the Royal Aquarium (engraving)
1044060 The " Broncho" Horses at the Royal Aquarium (engraving) by Barber, Charles Burton (1845-94) (after); Private Collection; (add.info)

Background imageChoosing Collection: Little girl choosing her boyfriend (colour litho)

Little girl choosing her boyfriend (colour litho)
3096409 Little girl choosing her boyfriend (colour litho) by English School, (20th century); Private Collection; (add.info.: Little girl choosing her boyfriend. Postcard, early 20th century)

Background imageChoosing Collection: The Queen in the Highlands (engraving)

The Queen in the Highlands (engraving)
1054849 The Queen in the Highlands (engraving) by English School, (19th century); Private Collection; (add.info.: The Queen in the Highlands)

Background imageChoosing Collection: Relief depicting a draper in his shop (stone)

Relief depicting a draper in his shop (stone)
XIR176292 Relief depicting a draper in his shop (stone) by Roman; Museo della Civilta Romana, Rome, Italy; out of copyright

Background imageChoosing Collection: Which One? (Lequel?), 1900. Creator: Paul Albert Besnard

Which One? (Lequel?), 1900. Creator: Paul Albert Besnard
Which One? (Lequel?), 1900

Background imageChoosing Collection: The Judgment of Paris, 1555. Creator: Giorgio Ghisi

The Judgment of Paris, 1555. Creator: Giorgio Ghisi
The Judgment of Paris, 1555. After Giovanni Battista Bertano

Background imageChoosing Collection: The Judgment of Paris; man seated at left reaches out to a woman who is flanked by

The Judgment of Paris; man seated at left reaches out to a woman who is flanked by two others, set within an elaborate frame, ca. 1540-80. Formerly attributed to Andrea Schiavone

Background imageChoosing Collection: Plate 40: the division of the elect from the reprobate, 1756

Plate 40: the division of the elect from the reprobate, 1756. Creators: Bartolomeo Crivellari, Gabriel Soderling
Plate 40: the division of the elect from the reprobate, 1756

Background imageChoosing Collection: Election of Rabbi, at the Synagogue, Great St. Helen s, 1844. Creator: Unknown

Election of Rabbi, at the Synagogue, Great St. Helen s, 1844. Creator: Unknown
Election of Rabbi, at the Synagogue, Great St. Helen s, 1844. Scene at Bishopsgate Street, City of London, when the Reverend Doctor Nathan Marcus Adler was chosen as Orthodox Chief Rabbi of

Background imageChoosing Collection: Indian Figure in Profile, 1851. Creator: Henry Kirke Brown

Indian Figure in Profile, 1851. Creator: Henry Kirke Brown
Indian Figure in Profile, 1851

Background imageChoosing Collection: At the drapers shop 1887

At the drapers shop 1887
Two women choosing some material to be made into the latest fashionable dress. Date: 1887

Background imageChoosing Collection: GOOSE SERIES (2 OF 4)

GOOSE SERIES (2 OF 4)
Choosing the goose for slaughter (picture 2 of 4). Date: circa 1840

Background imageChoosing Collection: Paris Quai - Buying Pictures

Paris Quai - Buying Pictures
An elegant woman looks at loose prints on the Paris quais. Date: circa 1896

Background imageChoosing Collection: SOCIAL / UK / ARIST / 1890

SOCIAL / UK / ARIST / 1890
A gentleman choosing between the mother or the daughter Date: 1890



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"Choosing: A Journey of Decisions and Delights" In the whimsical world of "Fat Geese. " by Lawson Wood, a flock gathers to choose their leader, showcasing the power of collective decision-making. The vibrant colors in David Wright's masterpiece "Red, White and Blue" symbolize the freedom we have in choosing our own path and embracing our individuality. "Fame Visits the Heroic Unknown Dead, " an ode to fallen heroes, reminds us that sometimes choices are made for us, as destiny guides us towards greatness. Just like Dom Perignon meticulously selects grapes for his renowned wine-making process, we too must carefully choose our ingredients for success - passion, dedication, and perseverance. An illustration depicting Jesus choosing his 12 disciples in John 1 serves as a reminder that even divine beings value choice when it comes to building their inner circle. Amidst whispers of enchantment in "Gossip about Fairies 12, " we learn that even magical creatures have preferences when it comes to selecting friends or partners. Whether it's picking a club for leisure or finding one's place in society, "Choosing a Club" highlights how decisions shape not only our hobbies but also our identities. As women delicately pick rice grains in Serian, Sarawak (Malaysia), they showcase the importance of making mindful choices that sustain both ourselves and those around us. In "A Puppy for My Lady, " an oil painting on canvas captures the joyous moment when someone chooses to gift their beloved with unconditional love and companionship. Within library walls adorned with knowledge-filled shelves lies endless possibility. The illustration portrays adults and children alike immersed in books—a testament to the transformative power wisdom through reading. On St. John's Isle of Man stands proud evidence that nature itself can make choices; its rugged cliffs remind us that landscapes too have agency over where they meet land or sea.