Fraud Blocker Skip to main content

Choice Collection (page 8)

"Choosing the Path: The Broad and Narrow Way to Heaven or Hell" In this captivating black and white illustration, reminiscent of a Snellen chart

Background imageChoice Collection: The Rebellion in the Soudan (engraving)

The Rebellion in the Soudan (engraving)
1061389 The Rebellion in the Soudan (engraving) by Ralston, William (1848-1911) (after); Private Collection; (add.info.: The Rebellion in the Soudan)

Background imageChoice Collection: Portrait of a Gentleman, said to be the actor James Quin

Portrait of a Gentleman, said to be the actor James Quin
824167 Portrait of a Gentleman, said to be the actor James Quin, in the Title Role of Addisons Cato, seated three-quarter length, in a Brocade Coat and Green Cloak by a Table with a Wword

Background imageChoice Collection: The Flower Market, Toulon, (watercolour heightened with bodycolour)

The Flower Market, Toulon, (watercolour heightened with bodycolour)
824157 The Flower Market, Toulon, (watercolour heightened with bodycolour) by Foster, Myles Birket (1825-99); 45.7x71.1 cm; Private Collection; (add.info.: The Flower Market, Toulon)

Background imageChoice Collection: A Turkish Bazaar, 1867 (watercolour)

A Turkish Bazaar, 1867 (watercolour)
824076 A Turkish Bazaar, 1867 (watercolour) by Preziosi, Amadeo (1816-82); 52x71 cm; Private Collection; (add.info.: A Turkish Bazaar. Amadeo Preziosi (1816-1882). Watercolour. Signed and dated 1867

Background imageChoice Collection: A Selection of Silk and Satin, (oil on canvas)

A Selection of Silk and Satin, (oil on canvas)
989737 A Selection of Silk and Satin, (oil on canvas) by Soulacroix, Joseph Frederick Charles (1825-79); 73x82.5 cm; Private Collection; (add.info.: A Selection of Silk and Satin)

Background imageChoice Collection: A Rug Bazaar in Tangiers, 1878 (oil on canvas)

A Rug Bazaar in Tangiers, 1878 (oil on canvas)
989937 A Rug Bazaar in Tangiers, 1878 (oil on canvas) by Weeks, Edwin Lord (1849-1903); 71.1x91.5 cm; Private Collection; (add.info.: A Rug Bazaar in Tangiers. Edwin Lord Weeks (1849-1903)

Background imageChoice Collection: A Butchers Stall with the Holy Family on the Flight into Egypt, 1551 (oil on panel)

A Butchers Stall with the Holy Family on the Flight into Egypt, 1551 (oil on panel)
990076 A Butchers Stall with the Holy Family on the Flight into Egypt, 1551 (oil on panel) by Aertsen, Pieter (Lange Pier) (1507/08-75); 116.8x167.8 cm; Private Collection; (add.info)

Background imageChoice Collection: Emma of France kisses the knee of her husband Raoul, in recognition of his sovereignty (engraving)

Emma of France kisses the knee of her husband Raoul, in recognition of his sovereignty (engraving)
969140 Emma of France kisses the knee of her husband Raoul, in recognition of his sovereignty (engraving) by French School

Background imageChoice Collection: Quelle Main qu tu Choisis? (Which Hand Do You Choose?) (colour litho)

Quelle Main qu tu Choisis? (Which Hand Do You Choose?) (colour litho)
3098548 Quelle Main qu tu Choisis? (Which Hand Do You Choose?) (colour litho) by European School, (19th century); Private Collection; (add.info.: Quelle Main qu tu Choisis? (Which Hand Do You Choose)

Background imageChoice Collection: A repentant Sinner turning away from Temptation and offered a Palm of Salvation by an

A repentant Sinner turning away from Temptation and offered a Palm of Salvation by an
827841 A repentant Sinner turning away from Temptation and offered a Palm of Salvation by an Angel, (oil on canvas) by Liss or Lis or von Lys

Background imageChoice Collection: A Maid buying Vegetables, 1727 (oil on canvas)

A Maid buying Vegetables, 1727 (oil on canvas)
827706 A Maid buying Vegetables, 1727 (oil on canvas) by Angelis or Angillis, Pierre (1685-1734); 48.6x38.7. cm; Private Collection; (add.info.: A Maid buying Vegetables. Pieter Angillis (1685-1734)

Background imageChoice Collection: Hercules at the Crossroads, (black chalk, pen and brown ink and brown wash)

Hercules at the Crossroads, (black chalk, pen and brown ink and brown wash)
827602 Hercules at the Crossroads, (black chalk, pen and brown ink and brown wash) by Cades, Giuseppe (1750-99); 32x38.5 cm; Private Collection; (add.info.: Hercules at the Crossroads)

Background imageChoice Collection: Summer Flowers, 1888 (oil on canvas)

Summer Flowers, 1888 (oil on canvas)
827435 Summer Flowers, 1888 (oil on canvas) by Schryver, Louis de (1863-1942); 102.8x157.5 cm; Private Collection; (add.info.: Summer Flowers. Louis-Marie de Schryver (1862-1942). Oil on canvas

Background imageChoice Collection: The Carpet Merchant, (oil on canvas)

The Carpet Merchant, (oil on canvas)
827397 The Carpet Merchant, (oil on canvas) by Ballesio, Frederico (1860-1923); 46.3x102.3 cm; Private Collection; (add.info.: The Carpet Merchant. Francesco Ballesio (1860-1923). Oil on canvas

Background imageChoice Collection: A Young Man Choosing Love of Beauty Rather Than Riches (engraving)

A Young Man Choosing Love of Beauty Rather Than Riches (engraving)
3646727 A Young Man Choosing Love of Beauty Rather Than Riches (engraving) by Goltzius, Hendrik (1558-1617) (after); Private Collection; (add.info)

Background imageChoice Collection: Influence de la Moralite ou de L Immoralite sur la Physionomie (engraving)

Influence de la Moralite ou de L Immoralite sur la Physionomie (engraving)
3644427 Influence de la Moralite ou de L Immoralite sur la Physionomie (engraving) by French School, (19th century); Private Collection; (add.info)

Background imageChoice Collection: Old Hobson, John Milton (engraving)

Old Hobson, John Milton (engraving)
3641464 Old Hobson, John Milton (engraving) by English School, (19th century); Private Collection; (add.info.: Old Hobson, John Milton)

Background imageChoice Collection: Man and Woman at a Spinning Wheel, c. 1560-70 (oil on panel)

Man and Woman at a Spinning Wheel, c. 1560-70 (oil on panel)
3545882 Man and Woman at a Spinning Wheel, c. 1560-70 (oil on panel) by Pietersz, Pieter I (1540/41-1603); 76x63 cm; Rijksmuseum, Amsterdam

Background imageChoice Collection: Which Way Shall We Go? James Goodwyn Clonney (1812-1867), 1850 (oil on canvas)

Which Way Shall We Go? James Goodwyn Clonney (1812-1867), 1850 (oil on canvas)
650606 Which Way Shall We Go? James Goodwyn Clonney (1812-1867), 1850 (oil on canvas) by Clonney, James Goodwin (1812-67); 43.1x35.5 cm; Private Collection; (add.info.: Which Way Shall We Go)

Background imageChoice Collection: The Connoisseurs, (pencil and watercolour on paper)

The Connoisseurs, (pencil and watercolour on paper)
651411 The Connoisseurs, (pencil and watercolour on paper) by Signorini, Giuseppe (1857-1932); 39x27 cm; Private Collection; (add.info.: The Connoisseurs. Giuseppe Signorini (1857-1932)

Background imageChoice Collection: A Choice of Evils (engraving)

A Choice of Evils (engraving)
2777039 A Choice of Evils (engraving) by English School, (19th century); Private Collection; (add.info.: A Choice of Evils. Illustration for Punch, 12 April 1879.); Look and Learn / George Collection

Background imageChoice Collection: A Hard Decision, 1893 (oil on canvas)

A Hard Decision, 1893 (oil on canvas)
659054 A Hard Decision, 1893 (oil on canvas) by Schram, Alois Hans (1864-1919); 99.6x99.6 cm; Private Collection; (add.info.: A Hard Decision. Alois Hans Schram (1864-1919). Oil on canvas

Background imageChoice Collection: The Three Tickets (chromolitho)

The Three Tickets (chromolitho)
735049 The Three Tickets (chromolitho) by European School, (19th century); Private Collection; (add.info.: The Three Tickets)

Background imageChoice Collection: Choosing the Wedding Gown, from chapter 1 of The Vicar of Wakefield

Choosing the Wedding Gown, from chapter 1 of The Vicar of Wakefield
SC4575 Choosing the Wedding Gown, from chapter 1 of The Vicar of Wakefield by Oliver Goldsmith (oil on canvas) by Mulready, William (1786-1863); Victoria & Albert Museum, London, UK; Irish

Background imageChoice Collection: The Three Caskets, from The Merchant of Venice, Act III, Scene II (oil on canvas)

The Three Caskets, from The Merchant of Venice, Act III, Scene II (oil on canvas)
CH401603 The Three Caskets, from The Merchant of Venice, Act III, Scene II (oil on canvas) by Hillingford, Robert Alexander (1825-1904)

Background imageChoice Collection: Page of catalogue for the Ironmongery and Hardware Trades, c 1895 (litho)

Page of catalogue for the Ironmongery and Hardware Trades, c 1895 (litho)
6034145 Page of catalogue for the Ironmongery and Hardware Trades, c 1895 (litho) by English School, (19th century); Private Collection; (add.info)

Background imageChoice Collection: Page of catalogue for the Ironmongery and Hardware Trades, c 1895 (litho)

Page of catalogue for the Ironmongery and Hardware Trades, c 1895 (litho)
6034142 Page of catalogue for the Ironmongery and Hardware Trades, c 1895 (litho) by English School, (19th century); Private Collection; (add.info)

Background imageChoice Collection: Page of catalogue for the Ironmongery and Hardware Trades, c 1895 (litho)

Page of catalogue for the Ironmongery and Hardware Trades, c 1895 (litho)
6034096 Page of catalogue for the Ironmongery and Hardware Trades, c 1895 (litho) by English School, (19th century); Private Collection; (add.info)

Background imageChoice Collection: Page of catalogue for the Ironmongery and Hardware Trades, c 1895 (litho)

Page of catalogue for the Ironmongery and Hardware Trades, c 1895 (litho)
6034081 Page of catalogue for the Ironmongery and Hardware Trades, c 1895 (litho) by English School, (19th century); Private Collection; (add.info)

Background imageChoice Collection: Page of catalogue for the Ironmongery and Hardware Trades, c 1895 (litho)

Page of catalogue for the Ironmongery and Hardware Trades, c 1895 (litho)
6034054 Page of catalogue for the Ironmongery and Hardware Trades, c 1895 (litho) by English School, (19th century); Private Collection; (add.info)

Background imageChoice Collection: The Cloister or the World, 1896

The Cloister or the World, 1896
BRA37821 The Cloister or the World, 1896 by Hacker, Arthur (1858-1919); 218x170.5 cm; Bradford Art Galleries and Museums, West Yorkshire, UK; eBradford Museums & Galleries; English, out of copyright

Background imageChoice Collection: Couple Looking at Travel Brochures, 1948 (screen print)

Couple Looking at Travel Brochures, 1948 (screen print)
2630034 Couple Looking at Travel Brochures, 1948 (screen print) by American School, (20th century); Private Collection; Photo eGraphicaArtis; American, out of copyright

Background imageChoice Collection: Plate 5 from Cries of London, 1799 (hand-coloured etching)

Plate 5 from Cries of London, 1799 (hand-coloured etching)
XYC308304 Plate 5 from Cries of London, 1799 (hand-coloured etching) by Rowlandson, Thomas (1756-1827); 36.8x29.8 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Background imageChoice Collection: Cries of London: The Garden Pot Seller, 1799 (colour aquatint)

Cries of London: The Garden Pot Seller, 1799 (colour aquatint)
STC171108 Cries of London: The Garden Pot Seller, 1799 (colour aquatint) by Rowlandson, Thomas (1756-1827); Private Collection; The Stapleton Collection; English, out of copyright

Background imageChoice Collection: A quartette of Chinese beauties, choice blooms from the flowery land (b / w photo)

A quartette of Chinese beauties, choice blooms from the flowery land (b / w photo)
6003687 A quartette of Chinese beauties, choice blooms from the flowery land (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: A quartette of Chinese beauties)

Background imageChoice Collection: Bachelor weighing up the pros and cons of getting married (colour litho)

Bachelor weighing up the pros and cons of getting married (colour litho)
5996140 Bachelor weighing up the pros and cons of getting married (colour litho) by English School, (20th century); Private Collection; (add.info)

Background imageChoice Collection: Two Pair of Portraits: anti-Whig cartoon depicting John Henry Tooke with portraits of Charles

Two Pair of Portraits: anti-Whig cartoon depicting John Henry Tooke with portraits of Charles James Fox personifying
5997523 Two Pair of Portraits: anti-Whig cartoon depicting John Henry Tooke with portraits of Charles James Fox personifying vice and William Pitt the Younger representing virtue

Background imageChoice Collection: 'Bee', he said to her... 'Choose whatever you like'. (colour litho)

"Bee", he said to her... "Choose whatever you like". (colour litho)
1219038 " Bee", he said to herA...." Choose whatever you like". (colour litho) by Robinson, Charles (1870-1937); Private Collection; (add.info)

Background imageChoice Collection: The Old Curio Shop, 1892 (oil on canvas)

The Old Curio Shop, 1892 (oil on canvas)
989512 The Old Curio Shop, 1892 (oil on canvas) by Zoppi, Antonio (1860-1926); 69.2x89.5 cm; Private Collection; (add.info.: The Old Curio Shop. Antonio Zoppi (1860-1926). Oil on canvas

Background imageChoice Collection: A Young Woman at a Fruit and Vegetable Stall (oil on canvas)

A Young Woman at a Fruit and Vegetable Stall (oil on canvas)
990077 A Young Woman at a Fruit and Vegetable Stall (oil on canvas) by Heussen, Claes van (1599-1672); 151x247.5 cm; Private Collection; (add.info.: A Young Woman at a Fruit and Vegetable Stall)

Background imageChoice Collection: The Judgment of Jupiter, 1814-15 (oil on canvas)

The Judgment of Jupiter, 1814-15 (oil on canvas)
3956021 The Judgment of Jupiter, 1814-15 (oil on canvas) by Morse, Samuel Finley Breese (1791-1872); 128.1 x 102.9 cm; Yale University Art Gallery, New Haven, CT

Background imageChoice Collection: Choose your fiance (colour litho)

Choose your fiance (colour litho)
3095425 Choose your fiance (colour litho) by French School, (20th century); Private Collection; (add.info.: Choose your fiance)

Background imageChoice Collection: A Larder Stocked with Vegetables, Flowers and Fruit, (oil on canvas)

A Larder Stocked with Vegetables, Flowers and Fruit, (oil on canvas)
827744 A Larder Stocked with Vegetables, Flowers and Fruit, (oil on canvas) by Italian School, (17th century); 151.1x269.9 cm; Private Collection; (add.info.: A Larder Stocked with Vegetables)

Background imageChoice Collection: A Fruit and Vegetable Stall in a Town Market, (oil on canvas)

A Fruit and Vegetable Stall in a Town Market, (oil on canvas)
827726 A Fruit and Vegetable Stall in a Town Market, (oil on canvas) by Saive, Jean Baptiste de (c.1540-1624); 173.2x227.8 cm; Private Collection; (add.info)

Background imageChoice Collection: The Dilemma, (oil on canvas)

The Dilemma, (oil on canvas)
827518 The Dilemma, (oil on canvas) by Andreotti, Federigo (1847-1930); 67.4x43.8 cm; Private Collection; (add.info.: The Dilemma. Federigo Andreotti (1847-1930). Oil on canvas

Background imageChoice Collection: The Players Choice, (oil on canvas)

The Players Choice, (oil on canvas)
827333 The Players Choice, (oil on canvas) by Bellei, Gaetano (1857-1922); 50.9x81.4 cm; Private Collection; (add.info.: The Players Choice. Gaetano Bellei (1857-1922). Oil on canvas

Background imageChoice Collection: A Flower Market; Au Marche aux Fleurs, (oil on canvas)

A Flower Market; Au Marche aux Fleurs, (oil on canvas)
827160 A Flower Market; Au Marche aux Fleurs, (oil on canvas) by Gilbert, Victor Gabriel (1847-1933); 47x39 cm; Private Collection; (add.info.: A Flower Market; Au Marche aux Fleurs)



All Professionally Made to Order for Quick Shipping

"Choosing the Path: The Broad and Narrow Way to Heaven or Hell" In this captivating black and white illustration, reminiscent of a Snellen chart, we are confronted with the ultimate concept of choice. Just like in life, there are two distinct paths laid out before us - one leading to heaven and the other to hell. As we gaze upon "Between Two Fires, " a thought-provoking artwork by Francis Davis Millet from 1892, we realize that our choices have consequences, and is up to us to navigate through life's challenges and make decisions that align with our values and beliefs. Traveling across continents, we stumble upon souvenir dolls dressed in traditional Hungarian costumes in Budapest. These dolls serve as a reminder that even within cultural diversity, choice plays a significant role in preserving traditions or embracing change. Venturing further into Tel Aviv's bustling Shuk HaCarmel market in Israel, our senses awaken as we encounter an array of delectable food stalls. Here lies another realm - what flavors will tantalize our taste buds? Will it be the spicy Middle Eastern cuisine or something more familiar? Moving on to Lisbon's charming streets, where shop displays showcase vibrant souvenir tiles from Portugal. Each tile tells its own story but also presents us with yet another decision - which piece resonates most with our personal style or memories? Journeying across borders once again brings us face-to-face with Talavera Pottery at El Parian Market in Puebla State, Mexico. This exquisite craftsmanship reminds us that choosing beauty can enrich not only our surroundings but also our souls. Amsterdam greets us next with house-shaped refrigerator magnets beckoning tourists towards their whimsical charm. These souvenirs symbolize freedom – where do you want your imagination to take you? What dreams will these little houses hold for you? A detour leads us down the famous road made immortal by James Herriot's TV series in Swaledale, Yorkshire Dales.