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Chiaroscuro Collection (page 5)

Chiaroscuro, a term derived from the Italian words "chiaro" meaning light and "scuro" meaning dark

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Chiaroscuro Collection: Oil and Water LD71C
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Chiaroscuro Collection: Oil and Water LD75C
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Chiaroscuro Collection: The Adoration of the Shepherds, 1616 (oil on canvas)
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Chiaroscuro Collection: Supper at Emmaus, c. 1610 (oil on canvas)
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Chiaroscuro Collection: The Holy Family and Saint John the Baptist (oil on panel)
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Chiaroscuro Collection: Young Girl Sleeping (oil on canvas)
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Chiaroscuro Collection: Scaldis and Antverpia, 1609 (oil on panel)
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Chiaroscuro Collection: Scene from the legend of Amour and Psyche (oil on canvas)
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Chiaroscuro Collection: The Divine Eros Defeats the Earthly Eros, c. 1602 (oil on canvas)
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Chiaroscuro Collection: Vivae Omnium Ferre Imperatorum Imagines... 1557 Creator: Hubert Goltzius
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Chiaroscuro Collection: Burying the Regalia of Scotland (oil on canvas)
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Chiaroscuro Collection: The burial of Tobit by his compatriots, 1733 (oil on canvas)
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Chiaroscuro Collection: The Body of Christ Carried by Angels towards Heaven, 1516 (woodcut)
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Chiaroscuro Collection: Adam and Eve, 1519 (woodcut)
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Chiaroscuro Collection: Adam and Eve, 1511 (woodcut)
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Chiaroscuro Collection: The Fall of Mankind, 1511 (woodcut)
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Chiaroscuro Collection: Dead Christ (oil on canvas)
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Chiaroscuro Collection: Pope Leo X (black chalk on paper)
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Chiaroscuro Collection: The Mocked Christ (oil on canvas)
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Chiaroscuro Collection: The Tiburtine Sibyl showing Emperor Augustus the Virgin and Christ Child, ca. 1530-40. ca
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Chiaroscuro Collection: The Tirburtine Sibyl telling the Emperor Augustus of the coming in Christ, after Parmig
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Chiaroscuro Collection: Detail of 'The Assumption of Mary', 1745-48 (fresco)
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Chiaroscuro Collection: The Bubble (photogravure)
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Chiaroscuro Collection: Lantern and Fireplace, 1932 (wood engraving)
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Chiaroscuro Collection: Detail of 'The Assumption of Mary', 1745-48 (fresco)
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Chiaroscuro Collection: Abraham Lives the Three Angels, c. 1694 (oil on canvas)
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Chiaroscuro Collection: Shepherd with a Flute, c. 1525 (oil on canvas)
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Chiaroscuro Collection: A Frieze of Figures Standing in a Landscape, c. 1910 (oil on canvas) [LDUCS-5264]
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Chiaroscuro Collection: Detail of 'The Assumption of Mary', 1745-48 (fresco)
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Chiaroscuro Collection: Detail of 'The Assumption of Mary', 1745-48 (fresco)
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Chiaroscuro Collection: Rebecca Salsbury Strand, 1922 (gelatin silver print)
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Chiaroscuro Collection: Detail of 'The Assumption of Mary', 1745-48 (fresco)
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Chiaroscuro Collection: River landscape by Moonlight, c. 1623-77 (oil on canvas)
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Chiaroscuro Collection: Light and Shadow, 1916 (oil on canvas)
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Chiaroscuro Collection: Fruit Bucket
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Chiaroscuro Collection: Portrait of Mary Adeline Williams, 1899. Creator: Thomas Eakins
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Chiaroscuro Collection: Self-Portrait, 1889. Creator: Eastman Johnson
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Chiaroscuro Collection: A Boy Blowing on a Firebrand, 1621 / 22. Creator: Gerrit van Honthorst
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Chiaroscuro Collection: Jacobs Farewell to Benjamin, 1650 / 60. Creator: Unknown
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Chiaroscuro Collection: The Resurrection, 1619 / 20. Creator: Cecco del Caravaggio
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Chiaroscuro Collection: Young Man in a Turban, c. 1650. Creator: Unknown
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Chiaroscuro Collection: Penitent Saint Peter, 1628 / 32. Creator: Jusepe de Ribera
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Chiaroscuro Collection: Two Geisha Girls, 1894 (oil on canvas)
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Chiaroscuro Collection: The Martyrdom of St. Matthew, detail, 1599-1600 (oil on canvas)
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Chiaroscuro Collection: Portrait of the Mennonite Preacher, Cornelius Claesz Anslo and his wife
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Chiaroscuro Collection: Portrait of Monsieur Nicolle, 1862 (oil on canvas)


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Chiaroscuro, a term derived from the Italian words "chiaro" meaning light and "scuro" meaning dark, refers to the technique of using strong contrasts between light and shadow in visual arts. This artistic method has been employed by numerous renowned artists throughout history, such as Diego Velazquez, Raphael, and many others. In Diego Velazquez's painting "Old Woman Cooking Eggs, " created in 1618, chiaroscuro is evident through the dramatic interplay of light and shadow on the subject's face. The contrast highlights her weathered features while adding depth and dimension to the overall composition. Similarly, in his masterpiece "Christ before the High Priest, " painted in 1617, Velazquez skillfully uses chiaroscuro to emphasize Christ's solemn expression amidst a dimly lit setting. The play of light enhances both the emotional intensity of the scene and creates a sense of mystery. Another notable example is Albrecht Dürer's engraving titled "Melencolia I. " Created during the Renaissance period, this artwork showcases intricate details illuminated by contrasting areas of darkness. Chiaroscuro here serves not only as an aesthetic choice but also symbolizes melancholy itself. Moving forward in time to Jan van Kessel II's still life painting "Still Life of Asparagus" from 1699; chiaroscuro plays a significant role in highlighting each individual stalk against a dark background. This technique adds realism to the arrangement while creating an atmosphere that draws attention to every delicate detail. Raphael's monumental work "The Transfiguration of Christ, " completed between 1516-1520, exemplifies how they are be used for narrative purposes. By employing strong contrasts between light and shadow on different figures within this religious scene, Raphael effectively guides viewers' focus towards key elements or characters. Even modern artists have embraced this technique.