Charles West Cope Collection

Charles I and Speaker Lenthall, c1850, (1947). Creator: Unknown
Charles I and Speaker Lenthall, c1850, (1947). On 4 January 1642, King Charles I (1600-1649, standing, in hat) entered the House of Commons to arrest five Members of Parliament for high treason

Maiden Meditation, 1847, (c1915). Artist: Charles West Cope
Maiden Meditation, 1847, (c1915). Held by the Victoria and Albert Museum, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

Departure of the Pilgrim Fathers from Delft Haven, July 1620, (19th century). Artist: T Bauer
Departure of the Pilgrim Fathers from Delft Haven, July 1620, (19th century). The Pilgrim Fathers, members of the English Separatist Church sect of Puritans fled religious persecution in 1609

The Exhibition of Cartoons in Westminster Hall, 1845. Creator: Unknown
The Exhibition of Cartoons in Westminster Hall, 1845. Art show in the medieval hall at the Palace of Westminster in London....a general view of the Hall

Jacob and Rachel - fresco by Mr. Cope, 1844. Creator: Unknown
Jacob and Rachel - fresco by Mr. Cope, 1844. Old Testament scene after a fresco by Charles West Cope, exhibited at Westminster Hall in London. From " Pictorial Times", 1844

Portrait of Samuel Palmer, 1884. Creator: Charles West Cope
Portrait of Samuel Palmer, 1884

[Charles West Cope], 1860s. Creator: John & Charles Watkins
[Charles West Cope], 1860s

Life School Royal Academy, 1865. Creator: Charles West Cope (British, 1811-1890)
Life School Royal Academy, 1865

Othello Relating His Adventures, c1870. Artist: T. Vernon
Othello Relating His Adventures, c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

The First Preaching of Christianity in Britain, c1900. Artist: John Easton
The First Preaching of Christianity in Britain, c1900. After Charles West Cope (1811-1890). [Blackie & Son, London, Glasgow & Edinburgh]

The Black Prince being made a Knight of the Garter, 1925. From Highroads of History, book II: Stories from British History, published by Thomas Nelson and Sons (London, Edinburgh, New York, 1925)

The Investiture of the Black Prince as a Knight of the Garter, 1348, (c1920). Illustration from Story of the British Nation, Volume I, by Walter Hutchinson, (London, c1920s)

The Defence of Basing House, 1640s, (19th century). Scene from a mural fresco by Charles West Cope in the Peers Corridor, Palace of Westminster

The Setting out of the Train Bands from London... 1643, (19th century)
The Setting out of the Train Bands from London to raise the Siege of Gloucester, 1643, (19th century). Detail of a mural fresco by Charles West Cope in the Peers Corridor, Palace of Westminster

The Pilgrim Fathers leaving Delft Haven on their voyage to America, July 1620 (1878). The Pilgrim Fathers, members of the English Separatist Church sect of Puritans fled religious persecution in

Life School Royal Academy 1865 Charles West Cope
Life School Royal Academy, 1865. Charles West Cope (British, 1811-1890). Etching; sheet: 25.2 x 31.2 cm (9 15/16 x 12 5/16 in.); platemark: 19.6 x 28 cm (7 11/16 x 11 in.)

Home Dreams Signed and dated in red paint, lower right: CWC. 1869 monogramed
Home Dreams Signed and dated in red paint, lower right: " CWC. 1869" monogramed. Charles West Cope, 1811-1890, British

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Charles West Cope was a renowned British artist who left an indelible mark on the art world with his captivating paintings. Born in 1811, he displayed immense talent from a young age and went on to create masterpieces that continue to inspire generations. One of his notable works is "Charles I and Speaker Lenthall, " painted around 1850. This powerful piece depicts the historic encounter between King Charles I and Speaker William Lenthall during the English Civil War. Cope's attention to detail and ability to capture emotion make this painting truly remarkable. In "Maiden Meditation" (1847), Cope showcases his skill in portraying introspection and contemplation. The serene atmosphere depicted in this artwork transports viewers into a world of tranquility, inviting them to reflect upon their own thoughts. Cope's versatility as an artist is evident in "Jacob and Rachel, " a stunning fresco created in 1844. This biblical scene exudes warmth and tenderness, showcasing his ability to bring characters from ancient stories to life through vivid brushstrokes. Not limited by genre or subject matter, Cope also excelled at portraiture. His portrait of Samuel Palmer (1884) captures the essence of the celebrated landscape painter with remarkable accuracy, revealing both Palmer's personality and artistic spirit. Throughout his career, Cope remained committed to promoting art education. In "Life School Royal Academy" (1865), he portrays students diligently honing their craft under the watchful eye of their teacher—a testament to his dedication towards nurturing future talents within the artistic community. Cope's contributions extended beyond canvas; he played a significant role in organizing exhibitions such as "The Exhibition of Cartoons in Westminster Hall" (1845). These events provided platforms for artists to showcase their work while fostering appreciation for art among wider audiences. His legacy lives on through various artworks like "Othello Relating His Adventures" (c. 1870) by T.