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Charles Meryon Collection

Charles Meryon, a renowned French artist of the 19th century, left an indelible mark on the art world with his captivating etchings

Background imageCharles Meryon Collection: Charles Meryon (French, 1821 - 1868), La morgue, Paris (The Mortuary), 1854, etching

Charles Meryon (French, 1821 - 1868), La morgue, Paris (The Mortuary), 1854, etching

Background imageCharles Meryon Collection: Charles Meryon

Charles Meryon
CHARLES MERYON

Background imageCharles Meryon Collection: Tikao, naturel d'Akaroa. Creator: Charles Meryon

Tikao, naturel d'Akaroa. Creator: Charles Meryon
Tikao, naturel d'Akaroa

Background imageCharles Meryon Collection: The Old Louvre, Paris, after Zeeman, 1865-66. Creator: Charles Meryon

The Old Louvre, Paris, after Zeeman, 1865-66. Creator: Charles Meryon
The Old Louvre, Paris, after Zeeman, 1865-66

Background imageCharles Meryon Collection: The Magazine of Art (engraving)

The Magazine of Art (engraving)
1603915 The Magazine of Art (engraving) by English School, (19th century); Private Collection; (add.info.: The Magazine of Art. Illustration for The Illustrated London News, 7 January 1893)

Background imageCharles Meryon Collection: Charles Meryon, French artist, 1858 (engraving)

Charles Meryon, French artist, 1858 (engraving)
6014861 Charles Meryon, French artist, 1858 (engraving) by Flameng, Leopold (1831-1911) (after); Private Collection; (add.info.: Charles Meryon (1821-1868), French artist

Background imageCharles Meryon Collection: Passerelle du Pont-au-Change, Paris, apres l Incendie de 1621 (Footbridge... ), 1860

Passerelle du Pont-au-Change, Paris, apres l Incendie de 1621 (Footbridge... ), 1860
Passerelle du Pont-au-Change, Paris, apres l Incendie de 1621 (Footbridge Temporarily Replacing the Pont-au-Change, Paris, after the Fire of 1621), 1860

Background imageCharles Meryon Collection: Passerelle du Pont-au-Change, apres l incendie de 1621

Passerelle du Pont-au-Change, apres l incendie de 1621 (The Footbridge temporarily replacing the Pont-au-Change, Paris, after the fire of 1621, after Della Bella), 1860. After Stefano della Bella

Background imageCharles Meryon Collection: College Henri IV (ou Lycee Napoleon), 1863-64. Creator: Charles Meryon

College Henri IV (ou Lycee Napoleon), 1863-64. Creator: Charles Meryon
College Henri IV (ou Lycee Napoleon), 1863-64

Background imageCharles Meryon Collection: Portrait of Charles Meryon, 1853. Creator: Felix Bracquemond

Portrait of Charles Meryon, 1853. Creator: Felix Bracquemond
Portrait of Charles Meryon, 1853

Background imageCharles Meryon Collection: The Apse of Notre-Dame, Paris, 1854. Creator: Charles Meryon

The Apse of Notre-Dame, Paris, 1854. Creator: Charles Meryon
The Apse of Notre-Dame, Paris, 1854

Background imageCharles Meryon Collection: The Mortuary, Paris (La Morgue), 1854. Creator: Charles Meryon

The Mortuary, Paris (La Morgue), 1854. Creator: Charles Meryon
The Mortuary, Paris (La Morgue), 1854

Background imageCharles Meryon Collection: Rue des Mauvais Garcons, Paris, 1854. Creator: Charles Meryon

Rue des Mauvais Garcons, Paris, 1854. Creator: Charles Meryon
Rue des Mauvais Garcons, Paris, 1854

Background imageCharles Meryon Collection: Coat-of-Arms Symbolizing the City of Paris, 1854. Creator: Charles Meryon

Coat-of-Arms Symbolizing the City of Paris, 1854. Creator: Charles Meryon
Coat-of-Arms Symbolizing the City of Paris, 1854

Background imageCharles Meryon Collection: Frontispiece for the Catalogue of the work of Thomas De Leu, 1866

Frontispiece for the Catalogue of the work of Thomas De Leu, 1866

Background imageCharles Meryon Collection: The Notre-Dame Pump (small plate), 1854. Creator: Charles Meryon

The Notre-Dame Pump (small plate), 1854. Creator: Charles Meryon
The Notre-Dame Pump (small plate), 1854

Background imageCharles Meryon Collection: The Admiralty, Paris, 1865. Creator: Charles Meryon

The Admiralty, Paris, 1865. Creator: Charles Meryon
The Admiralty, Paris, 1865

Background imageCharles Meryon Collection: Le Ministere de la Marine (the Admiralty, Paris), 1865. Creator: Charles Meryon

Le Ministere de la Marine (the Admiralty, Paris), 1865. Creator: Charles Meryon
Le Ministere de la Marine (the Admiralty, Paris), 1865

Background imageCharles Meryon Collection: New Caledonia: Large native hut on the road from Balade to Puebo, 1845, 1863

New Caledonia: Large native hut on the road from Balade to Puebo, 1845, 1863

Background imageCharles Meryon Collection: Bain-froid Chevrier (Chevriers cold bath establishment, or The School Baths, Paris)

Bain-froid Chevrier (Chevriers cold bath establishment, or The School Baths, Paris), 1864

Background imageCharles Meryon Collection: Cover: The Voyage to New Zealand (1842 - 46), 1866. Creator: Charles Meryon

Cover: The Voyage to New Zealand (1842 - 46), 1866. Creator: Charles Meryon
Cover: The Voyage to New Zealand (1842 - 46), 1866

Background imageCharles Meryon Collection: Le Grand Chatelet (Grand Chatelet, Paris circa 1780, after an earlier drawing)

Le Grand Chatelet (Grand Chatelet, Paris circa 1780, after an earlier drawing), 1861

Background imageCharles Meryon Collection: Presentation of Valerius Maximus to King Louis XI, 1862. Creator: Charles Meryon

Presentation of Valerius Maximus to King Louis XI, 1862. Creator: Charles Meryon
Presentation of Valerius Maximus to King Louis XI, 1862

Background imageCharles Meryon Collection: La Rue des Chantres, Paris, 1862. Creator: Charles Meryon

La Rue des Chantres, Paris, 1862. Creator: Charles Meryon
La Rue des Chantres, Paris, 1862

Background imageCharles Meryon Collection: An Old House, or The Musicians House, Bourges, 1860. Creator: Charles Meryon

An Old House, or The Musicians House, Bourges, 1860. Creator: Charles Meryon
An Old House, or The Musicians House, Bourges, 1860

Background imageCharles Meryon Collection: Tourelle Rue de l Ecole de Medecine, 22 (House with a Turret, No 22, rue de l Eco

Tourelle Rue de l Ecole de Medecine, 22 (House with a Turret, No 22, rue de l Ecole de Medecine, Paris) (called the Turret of Marat), 1861 or later

Background imageCharles Meryon Collection: Francois Viete, 1861. Creator: Charles Meryon

Francois Viete, 1861. Creator: Charles Meryon
Francois Viete, 1861

Background imageCharles Meryon Collection: The Colonist Renede Laudonniere Sablais, after van de Passe, 1861

The Colonist Renede Laudonniere Sablais, after van de Passe, 1861
The Colonist Rene de Laudonniere Sablais, after van de Passe, 1861

Background imageCharles Meryon Collection: La salle des pas-perdus a l ancien Palais de Justice (The antechamber of the Palais de

La salle des pas-perdus a l ancien Palais de Justice (The antechamber of the Palais de
La salle des pas-perdus a l ancien Palais de Justice (The antechamber of the old Palais de Justice, Paris, Reproduction after the original by Jacques Androuet Du Cerceau), 1855

Background imageCharles Meryon Collection: The historian John Besly, after Jaspar Isaac, 1861. Creator: Charles Meryon

The historian John Besly, after Jaspar Isaac, 1861. Creator: Charles Meryon
The historian John Besly, after Jaspar Isaac, 1861

Background imageCharles Meryon Collection: Le Pont-neuf et la Samaritaine de dessous la premiè

Le Pont-neuf et la Samaritaine de dessous la premiè
Le Pont-neuf et la Samaritaine de dessous la premiere arche du Pont-au-Change (Pont-neuf and the Samaritaine seen from under the first arch of the Pont-au-Change, Paris, after Nicolle), 1855

Background imageCharles Meryon Collection: Chateau de Chenonceau, No 2, 1856. Creator: Charles Meryon

Chateau de Chenonceau, No 2, 1856. Creator: Charles Meryon
Chateau de Chenonceau, No 2, 1856

Background imageCharles Meryon Collection: The footbridge temporarily replacing the Pont-au-Change, Paris, after the fire of 1621

The footbridge temporarily replacing the Pont-au-Change, Paris, after the fire of 1621, after della Bella, 1860

Background imageCharles Meryon Collection: Ruines du Chateau de Pierrefonds (Ruins of the Chateau de Pierrefonds

Ruines du Chateau de Pierrefonds (Ruins of the Chateau de Pierrefonds, after Viollet-le-Duc), 1858

Background imageCharles Meryon Collection: Chevet de St. Martin-sur-Renelle (The apse of the Church of St

Chevet de St. Martin-sur-Renelle (The apse of the Church of St. Martin-sur-Renelle, Paris, after Langlois), 1860

Background imageCharles Meryon Collection: A Water-mill near Saint-Denis, 1850. Creator: Charles Meryon

A Water-mill near Saint-Denis, 1850. Creator: Charles Meryon
A Water-mill near Saint-Denis, 1850

Background imageCharles Meryon Collection: The Petit Pont, Paris, 1850 and later. Creator: Charles Meryon

The Petit Pont, Paris, 1850 and later. Creator: Charles Meryon
The Petit Pont, Paris, 1850 and later

Background imageCharles Meryon Collection: Archway, Pont Notre-Dame, Paris, 1853. Creator: Charles Meryon

Archway, Pont Notre-Dame, Paris, 1853. Creator: Charles Meryon
Archway, Pont Notre-Dame, Paris, 1853

Background imageCharles Meryon Collection: Rue Pirouette aux Halles (Rue Pirouette aux Halles, Paris, after Laurence), 1860

Rue Pirouette aux Halles (Rue Pirouette aux Halles, Paris, after Laurence), 1860

Background imageCharles Meryon Collection: The Vampire, 1853. Creator: Charles Meryon

The Vampire, 1853. Creator: Charles Meryon
The Vampire, 1853

Background imageCharles Meryon Collection: The Notre-Dame Pump, Paris, 1852. Creator: Charles Meryon

The Notre-Dame Pump, Paris, 1852. Creator: Charles Meryon
The Notre-Dame Pump, Paris, 1852

Background imageCharles Meryon Collection: Gallery, Notre-Dame Cathedral, Paris, 1853. Creator: Charles Meryon

Gallery, Notre-Dame Cathedral, Paris, 1853. Creator: Charles Meryon
Gallery, Notre-Dame Cathedral, Paris, 1853

Background imageCharles Meryon Collection: Three Pigs Lying in Front of a Shed, 1850. Creator: Charles Meryon

Three Pigs Lying in Front of a Shed, 1850. Creator: Charles Meryon
Three Pigs Lying in Front of a Shed, 1850

Background imageCharles Meryon Collection: Two Horses, 1850. Creator: Charles Meryon

Two Horses, 1850. Creator: Charles Meryon
Two Horses, 1850

Background imageCharles Meryon Collection: The Church of St. Etienne-du-Mont, Paris, 1852. Creator: Charles Meryon

The Church of St. Etienne-du-Mont, Paris, 1852. Creator: Charles Meryon
The Church of St. Etienne-du-Mont, Paris, 1852

Background imageCharles Meryon Collection: House with a Turret, rue de la Tixeranderie, Paris, 1852. Creator: Charles Meryon

House with a Turret, rue de la Tixeranderie, Paris, 1852. Creator: Charles Meryon
House with a Turret, rue de la Tixeranderie, Paris, 1852

Background imageCharles Meryon Collection: Verses to Eugene Blery, 1854. Creator: Charles Meryon (French, 1821-1868)

Verses to Eugene Blery, 1854. Creator: Charles Meryon (French, 1821-1868)
Verses to Eugene Blery, 1854

Background imageCharles Meryon Collection: Verses to the Pilot of Tonga, 1856. Creator: Charles Meryon (French, 1821-1868)

Verses to the Pilot of Tonga, 1856. Creator: Charles Meryon (French, 1821-1868)
Verses to the Pilot of Tonga, 1856



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Charles Meryon, a renowned French artist of the 19th century, left an indelible mark on the art world with his captivating etchings. Born in 1821 and passing away in 1868, Meryon's artistic journey was filled with masterpieces that showcased his exceptional talent and unique perspective. One of his notable works is "La Morgue, Paris, " created in 1854. This hauntingly beautiful etching captures the somber atmosphere of the mortuary, evoking a sense of mystery and contemplation. Meryon's attention to detail is evident as he meticulously portrays every element of this scene. In another piece titled "House with a Turret, Weavers Street, Paris, " Meryon showcases his ability to capture architectural beauty. The intricate details and play of light and shadow transport viewers into the heart of Parisian streets during that era. Meryon also paid homage to iconic landmarks such as "The Old Louvre" after Zeeman's work from 1865-66. Through his skilled craftsmanship, he immortalized these historical sites for generations to come. His contributions were not limited to etchings alone; Meryon's engravings graced publications like "The Magazine of Art. " These illustrations added depth and visual appeal to various literary works. A portrait by Felix Bracquemond depicts Charles Meryon himself in 1853. This intimate portrayal reveals both vulnerability and determination within the artist's gaze—a testament to his passion for artistry. Meryon's fascination with bridges is evident through pieces like "Passerelle du Pont-au-Change" before and after the fire incident in 1621. His ability to capture emotions through architectural structures highlights his profound understanding of human experiences intertwined with urban landscapes. Another masterpiece by Meryon is "College Henri IV (ou Lycee Napoleon)" from 1863-64—showcasing his versatility in capturing the essence of educational institutions.