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Charles Andre Collection

Charles Andre was a prolific artist known for his diverse range of works, spanning across various artistic disciplines

Background imageCharles Andre Collection: The Four Arts - Architecture, (oil on canvas)

The Four Arts - Architecture, (oil on canvas)
990205 The Four Arts - Architecture, (oil on canvas) by Loo, Carle van (1705-65); 116x94.5 cm; Private Collection; (add.info.: The Four Arts - Architecture. Carle van Loo (1705-1765). Oil on canvas

Background imageCharles Andre Collection: The Resurrection, (oil on canvas)

The Resurrection, (oil on canvas)
827926 The Resurrection, (oil on canvas) by Loo, Carle van (1705-65); 74.9x45.1 cm; Private Collection; (add.info.: The Resurrection. Carle van Loo (1705-1765). Oil on canvas

Background imageCharles Andre Collection: Venus Requesting Vulcan to make Arms for Aeneas, (oil on canvas)

Venus Requesting Vulcan to make Arms for Aeneas, (oil on canvas)
990345 Venus Requesting Vulcan to make Arms for Aeneas, (oil on canvas) by Loo, Carle van (1705-65); 129x98.5 cm; Private Collection; (add.info.: Venus Requesting Vulcan to make Arms for Aeneas)

Background imageCharles Andre Collection: The Four Arts - Sculpture, (oil on canvas)

The Four Arts - Sculpture, (oil on canvas)
990208 The Four Arts - Sculpture, (oil on canvas) by Loo, Carle van (1705-65); 116x94.5 cm; Private Collection; (add.info.: The Four Arts - Sculpture. Carle van Loo (1705-1765). Oil on canvas

Background imageCharles Andre Collection: The Four Arts - Painting, (oil on canvas)

The Four Arts - Painting, (oil on canvas)
990206 The Four Arts - Painting, (oil on canvas) by Loo, Carle van (1705-65); 116x94.5 cm; Private Collection; (add.info.: The Four Arts - Painting. Carle van Loo (1705-1765). Oil on canvas

Background imageCharles Andre Collection: The Four Arts - Music, (oil on canvas)

The Four Arts - Music, (oil on canvas)
990207 The Four Arts - Music, (oil on canvas) by Loo, Carle van (1705-65); 116x94.5 cm; Private Collection; (add.info.: The Four Arts - Music. Carle van Loo (1705-1765). Oil on canvas

Background imageCharles Andre Collection: Portrait of Franklin, after Vanloo, ca. 1795. Creator: Pierre Michel Alix

Portrait of Franklin, after Vanloo, ca. 1795. Creator: Pierre Michel Alix
Portrait of Franklin, after Vanloo, ca. 1795

Background imageCharles Andre Collection: An 'Academie': Man Pulling a Cord, 1742-43. Creator: Carle van Loo

An "Academie": Man Pulling a Cord, 1742-43. Creator: Carle van Loo
An " Academie" : Man Pulling a Cord, 1742-43

Background imageCharles Andre Collection: An 'Academie': One Man Lifting the Legs of Another Man, 1742-43

An "Academie": One Man Lifting the Legs of Another Man, 1742-43
An " Academie" : One Man Lifting the Legs of Another Man, 1742-43

Background imageCharles Andre Collection: An 'Academie': Striding Man Leaning on a Plank, 1742-43

An "Academie": Striding Man Leaning on a Plank, 1742-43
An " Academie" : Striding Man Leaning on a Plank, 1742-43

Background imageCharles Andre Collection: An 'Academie': Standing Man, 1742-43. Creator: Carle van Loo

An "Academie": Standing Man, 1742-43. Creator: Carle van Loo
An " Academie" : Standing Man, 1742-43

Background imageCharles Andre Collection: An 'Academie': Sitting Man, 1742-43. Creator: Carle van Loo

An "Academie": Sitting Man, 1742-43. Creator: Carle van Loo
An " Academie" : Sitting Man, 1742-43

Background imageCharles Andre Collection: Halt of the Hunt, ca. 1737. Creator: Carle van Loo

Halt of the Hunt, ca. 1737. Creator: Carle van Loo
Halt of the Hunt, ca. 1737

Background imageCharles Andre Collection: David took a harp and played with his hand, mid 19th century. Creator: William Holl

David took a harp and played with his hand, mid 19th century. Creator: William Holl
David took a harp and played with his hand, mid 19th century. Biblical scene, from 1 Samuel 16: 23: And it came to pass, when the evil spirit from God was upon Saul, that David took an harp

Background imageCharles Andre Collection: The Scrap of Paper, (1919). Creator: Unknown

The Scrap of Paper, (1919). Creator: Unknown
The " Scrap of Paper", (1919). This document is a translation and facsimile of signatures from the original treaty of 1831 guaranteeing the independence and neutrality of Belgium

Background imageCharles Andre Collection: Venus Cupids Arms Mars c. 1743 oil canvas 126 x 103 cm

Venus Cupids Arms Mars c. 1743 oil canvas 126 x 103 cm
Venus and Cupids with the Arms of Mars, c. 1743, oil on canvas, 126 x 103 cm, signed lower right: Carle Vanloo, Carle (Charles Andre) van Loo, Nizza 1705-1765 Paris

Background imageCharles Andre Collection: Portrait, Franklin, Vanloo, Pierre Michel Alix, French, Paris 1762-1817 Paris, Carle

Portrait, Franklin, Vanloo, Pierre Michel Alix, French, Paris 1762-1817 Paris, Carle
Portrait of Franklin, after Vanloo, Pierre Michel Alix (French, Paris 1762-1817 Paris), After Carle (Charles Andre) Vanloo (French, Nice 1705-1765 Paris), 18th-early 19th century

Background imageCharles Andre Collection: La Conversation espagnole 1754 Pen brown ink

La Conversation espagnole 1754 Pen brown ink
Artokoloro

Background imageCharles Andre Collection: Huntress Horn ca 1733 Red chalk traces framing lines

Huntress Horn ca 1733 Red chalk traces framing lines
Artokoloro

Background imageCharles Andre Collection: St Gregory Dictating Homilies Secretary 18th century

St Gregory Dictating Homilies Secretary 18th century
Artokoloro

Background imageCharles Andre Collection: Saint Gregory Deacon Directing Prayers Processions

Saint Gregory Deacon Directing Prayers Processions
Artokoloro

Background imageCharles Andre Collection: Head Young Girl Profile 18th century Crayon manner

Head Young Girl Profile 18th century Crayon manner
Artokoloro

Background imageCharles Andre Collection: Mass St Gregory 18th century Pen brown ink brown

Mass St Gregory 18th century Pen brown ink brown
Artokoloro

Background imageCharles Andre Collection: St Gregory Reluctant Accept Election Bishop Rome

St Gregory Reluctant Accept Election Bishop Rome
Artokoloro

Background imageCharles Andre Collection: Bust Young Girl Profile Left 18th century Charcoal

Bust Young Girl Profile Left 18th century Charcoal
Artokoloro

Background imageCharles Andre Collection: St Gregory Distributing Worldly Goods Poor 18th century

St Gregory Distributing Worldly Goods Poor 18th century
Artokoloro

Background imageCharles Andre Collection: Sacrifice Iphigenia ca 1755 Pen brown ink brush

Sacrifice Iphigenia ca 1755 Pen brown ink brush
Artokoloro

Background imageCharles Andre Collection: Clergy Rome Paying Homage St Gregory Investiture

Clergy Rome Paying Homage St Gregory Investiture
Artokoloro

Background imageCharles Andre Collection: Life Drawing mid-18th century Red chalk 17 5 / 16 x 11 7 / 8

Life Drawing mid-18th century Red chalk 17 5 / 16 x 11 7 / 8
Artokoloro

Background imageCharles Andre Collection: Life Drawing mid-18th century Red chalk 16 11 / 16 x 11 5 / 16

Life Drawing mid-18th century Red chalk 16 11 / 16 x 11 5 / 16
Artokoloro

Background imageCharles Andre Collection: Charles-Andre (1764-1832) Count Pozzo di Borgo, 1824 (oil on canvas)

Charles-Andre (1764-1832) Count Pozzo di Borgo, 1824 (oil on canvas)
XIR192151 Charles-Andre (1764-1832) Count Pozzo di Borgo, 1824 (oil on canvas) by Gerard, Francois Pascal Simon, Baron (1770-1837); 35x24 cm; Chateau de Versailles, France; French, out of copyright


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Charles Andre was a prolific artist known for his diverse range of works, spanning across various artistic disciplines. His mastery in the Four Arts - Architecture, Sculpture, Painting, and Music - is evident in his stunning oil on canvas pieces. In "The Four Arts - Architecture, " Andre captures the grandeur and intricacy of architectural marvels with meticulous brushstrokes. The attention to detail transports viewers into a world where buildings come alive. "The Resurrection" showcases Andre's ability to convey profound emotions through paint. This powerful depiction of resurrection evokes a sense of awe and wonder, leaving spectators captivated by its spiritual essence. In "Venus Requesting Vulcan to make Arms for Aeneas, " Andre brings mythology to life with vibrant colors and dynamic compositions. The scene unfolds before our eyes as Venus pleads with Vulcan to forge weapons for her son Aeneas, creating an atmosphere filled with tension and anticipation. Andre's talent extends beyond these mythological narratives; he also excels in portraiture. His portrait of Franklin pays homage to the renowned statesman with remarkable precision and elegance. Every stroke reveals Franklin's wisdom and charisma that have left an indelible mark on history. Furthermore, Andre explores the realm of academia through his series titled "An 'Academie'. " These thought-provoking paintings depict human figures engaged in various physical activities such as pulling cords or lifting legs. Through these artworks, Andre challenges conventional notions of art by capturing movement frozen in time. With each piece Charles Andre creates, he invites us into a world where imagination knows no bounds. His dedication to mastering multiple artistic disciplines shines through every stroke on canvas, leaving an enduring legacy that continues to inspire generations after him.