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Charles 2 King Of England Collection

"King Charles II: A Reign of Restoration and Intrigue" In this captivating portrait, King Charles II of England is depicted in all his regal splendor

Background imageCharles 2 King Of England Collection: Charles II of England, c.1910 (print)

Charles II of England, c.1910 (print)
7293336 Charles II of England, c.1910 (print); (add.info.: Food and beverage. King Charles II of England knighting a loin of beef, XVIIth cent)

Background imageCharles 2 King Of England Collection: Charles II (1630-1685), c.1675 (oil painting)

Charles II (1630-1685), c.1675 (oil painting)
7337863 Charles II (1630-1685), c.1675 (oil painting) by Lely, Peter (1618-80) (after); 76.2x63.5 cm; National Maritime Museum, London

Background imageCharles 2 King Of England Collection: Beadwork Mirror, c. 1672-79 (silk, metal and leather threads with glass beads)

Beadwork Mirror, c. 1672-79 (silk, metal and leather threads with glass beads)
7286288 Beadwork Mirror, c. 1672-79 (silk, metal and leather threads with glass beads and spangles on silk-satin ground cased in oak) by English School

Background imageCharles 2 King Of England Collection: The Restoration of King Charles II, c. 1665 (silk embroidery)

The Restoration of King Charles II, c. 1665 (silk embroidery)
449751 The Restoration of King Charles II, c.1665 (silk embroidery) by English School, (17th century); The Holburne Museum, Bath

Background imageCharles 2 King Of England Collection: The Duchess of Richmond (engraving)

The Duchess of Richmond (engraving)
7179882 The Duchess of Richmond (engraving) by English School, (19th century); Private Collection; (add.info.: The Duchess of Richmond)

Background imageCharles 2 King Of England Collection: William Careless and King Charles II beneath the Royal Oak after the Battle of Worcester

William Careless and King Charles II beneath the Royal Oak after the Battle of Worcester, 1651 (engraving)
7185439 William Careless and King Charles II beneath the Royal Oak after the Battle of Worcester, 1651 (engraving) by English School

Background imageCharles 2 King Of England Collection: The Arrival of Charles II and Catherine of Braganza at Hampton Court, 29 May 1662 (engraving)

The Arrival of Charles II and Catherine of Braganza at Hampton Court, 29 May 1662 (engraving)
7179070 The Arrival of Charles II and Catherine of Braganza at Hampton Court, 29 May 1662 (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageCharles 2 King Of England Collection: Catherine, queen of Charles II (litho)

Catherine, queen of Charles II (litho)
7181482 Catherine, queen of Charles II (litho) by English School, (19th century); Private Collection; (add.info.: Catherine, queen of Charles II. Engraver: Williams)

Background imageCharles 2 King Of England Collection: Hampton Court Palace: Great Elm Tree in the Home Park, known as 'The Two Sisters

Hampton Court Palace: Great Elm Tree in the Home Park, known as "The Two Sisters
7179057 Hampton Court Palace: Great Elm Tree in the Home Park, known as " The Two Sisters, " or " King Charless Swing" (engraving) by English School


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"King Charles II: A Reign of Restoration and Intrigue" In this captivating portrait, King Charles II of England is depicted in all his regal splendor. Painted around 1660, the oil on canvas artwork showcases the monarch's commanding presence and confident demeanor. With his piercing gaze and distinguished attire, he exudes power and authority. Beside him hangs a mesmerizing beadwork mirror from c. 1672-79. Crafted with silk, metal, leather threads, glass beads, and spangles on a silk-satin ground encased in oak, it reflects the opulence that characterized Charles II's court. However, not all was grandeur during his reign. The execution of James Scott, 1st Duke of Monmouth serves as a stark reminder of the political turmoil that plagued this era. This event marked a dark chapter in King Charles II's rule as he faced challenges to his throne. Yet amidst these trials, portraits like "Portrait of Charles II (1630-85), seated wearing the robes of the Garter" remind us of his resilience and determination to restore stability to England after years of civil war. Painted on canvas with meticulous attention to detail, it captures both his majesty and vulnerability. "The Restoration of King Charles II, " embroidered onto silk circa 1665 further emphasizes the significance placed upon restoring order during this period. The intricate stitching symbolizes hope for a brighter future under royal leadership. The Duchess of Richmond engraving offers an insight into courtly life during King Charles II's reign – an elegant depiction showcasing fashion trends and social customs prevalent at that time. Notorious figures also emerge within this historical narrative; Titus Oates' mezzotint portrays an English priest who fabricated the supposed Popish Plot to Kill King Charles II – highlighting how conspiracy theories can shape history. Contrasting moments are captured too.