Chargers Collection

Melon and an octagonal cup on a silver charger, an upturned bowl behind (oil on canvas)
5962655 Melon and an octagonal cup on a silver charger, an upturned bowl behind (oil on canvas) by Munari, Cristoforo (b.1667); 22.2x29.9 cm; Private Collection; Photo © Christies Images

A Deruta Gold-Lustre Bella Donna Charger, c. 1500-30 (ceramic)
3717136 A Deruta Gold-Lustre Bella Donna Charger, c.1500-30 (ceramic) by Italian School, (16th century); diameter: 40.8 cm; Private Collection; (add.info)

At the Leicester Agricultural Show (b / w photo)
1100132 At the Leicester Agricultural Show (b/w photo) by English photographer, (19th century) (after); Private Collection; (add.info.: At the Leicester Agricultural Show)

Trooper of the Imperial Light Horse holding Chargers during an Attack (engraving)
1592996 Trooper of the Imperial Light Horse holding Chargers during an Attack (engraving) by Rowlandson, George Derville (1861-1930) (after); Private Collection; (add.info)

Arrival at the Manor (chromolitho)
735181 Arrival at the Manor (chromolitho) by European School, (19th century); Private Collection; (add.info.: Arrival at the Manor)

The Return of the Troops from Egypt (engraving)
1061155 The Return of the Troops from Egypt (engraving) by Wyllie, William Lionel (1851-1931) (after); Private Collection; (add.info.: The Return of the Troops from Egypt)

A Deruta Bella Donna Charger, c. 1500-30 (ceramic)
3717132 A Deruta Bella Donna Charger, c.1500-30 (ceramic) by Italian School, (16th century); diameter: 41.5 cm; Private Collection; (add.info.: Decorated in blue and gold lustre)

A famille rose armorial dinner service painted with the arms of Tranefelt of Sweden
PFR231333 A famille rose armorial dinner service painted with the arms of Tranefelt of Sweden (ceramic) by Chinese School; Private Collection; ePaul Freeman; Chinese, out of copyright

Converting Omnibus Horses into Chargers, a Sketch at Hounslow Barracks (litho)
1043273 Converting Omnibus Horses into Chargers, a Sketch at Hounslow Barracks (litho) by Charlton, John (1849-1917) (after); Private Collection; (add.info.: Converting Omnibus Horses into Chargers)

Charger, c. 1885 (bronze, silver, copper & gilt)
1070756 Charger, c.1885 (bronze, silver, copper & gilt) by Japanese School, (19th century); 61x61x5.7 cm; Dallas Museum of Art, Texas, USA; Foundation for the Arts Collection, The John R

Town Plate collection, Lostwithiel, Cornwall. May 1989
The Town Plate collection held by Lostwithiel town council, comprising silver plates, chargers, goblets and jugs. The items are displayed to the public on civic occasions

A Canadian staff officer saying goodbye to his horse
A Canadian staff officer shakes hands as he parts with his charger in France at the end of the First World War, an example of the close relationship between man and horse during the conflict

Cavalry chargers as extra ammunition carriers: The horses bandolier (fifty rounds) used by the Welsh horse

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"Chargers: A Diverse Array of Artistic Expressions and Historical Significance" From the vibrant oil painting depicting a melon and an octagonal cup on a silver charger to the exquisite ceramic Deruta Gold-Lustre Bella Donna Charger, they have long captivated our imagination. These decorative plates not only showcase artistic mastery but also offer glimpses into different eras. Intricate details adorn the Deruta maiolica lustred Bella Donna charger from 1520-30, transporting us back to Renaissance Italy. Its golden lustre reflects the opulence of that era, while its delicate design tells stories of elegance and sophistication. Moving forward in time, we encounter historical snapshots frozen in black and white at the Leicester Agricultural Show. The image captures a moment when they were used as trophies for excellence in farming skills - a testament to their versatility beyond mere decoration. The engraving depicting a trooper of the Imperial Light Horse holding chargers during an attack reminds us of their practicality on battlefields. These noble steeds carried brave soldiers into combat, symbolizing strength and courage. Journeying further through history, we witness scenes like "Arrival at the Manor, " where they can showcased as part of lavish table settings. Their presence signifies wealth and social status, elevating any dining experience with their beauty. Similarly, "The Return of the Troops from Egypt" portrays how these magnificent plates were often adorned with intricate designs or family crests. The famille rose armorial dinner service painted with Tranefelt's arms exemplifies this tradition - blending artistry with heraldry. Beyond aesthetics lies innovation; even horses find new purpose as depicted in "Converting Omnibus Horses into Chargers. " This lithograph showcases how animals transitioned from pulling carriages to serving military needs - adapting alongside human progress. As time progresses towards modernity, materials evolve too.