Ceulen Collection

Cornelius Janssen van Ceulen (engraving)
818870 Cornelius Janssen van Ceulen (engraving) by English School, (18th century); Private Collection; (add.info.: Cornelius Janssen van Ceulen, Dutch artist.); Look and Learn / Elgar Collection

Portrait of Edward Holte, 1636. Creator: Cornelis Janssens van Ceulen
Portrait of Edward Holte, 1636

Portrait of Elizabeth Holte (nee King), 1636. Creator: Cornelis Janssens van Ceulen
Portrait of Elizabeth Holte (nee King), 1636

Portrait of Grace Bradbourne, Wife of Thomas Holte, 1627-1700

Portrait of a Man with a Watch, 1657. Creator: Cornelis Jonson van Ceulen
Portrait of a Man with a Watch, 1657

Portrait of a Woman, 1648. Creator: Cornelis Janssens van Ceulen
Portrait of a Woman, 1648

Portrait of a Man, 1648. Creator: Cornelis Janssens van Ceulen
Portrait of a Man, 1648

Henry Somerset, First Marquis of Worcester, (early-mid 19th century). Creator: H Robinson
Henry Somerset, First Marquis of Worcester, (early-mid 19th century). Portrait of Henry Somerset, 1st Marquess of Worcester (1577-1646)

George Villiers, Duke of Buckingham, 1620s, (early-mid 19th century). Creator: John Cochran
George Villiers, Duke of Buckingham, 1620s, (early-mid 19th century). Portrait of George Villiers, 1st Duke of Buckingham (1592-1628), the favourite, and some claim

King William III, 1657 (c1927). Artist: Cornelis Janssens van Ceulen
King William III, 1657 (c1927). King William III (1650-1702) reigned over the United Provinces of the Netherlands from 1689 to 1702. The painting is held by the National Portrait Gallery, London

John Fletcher, 17th century. Artist: Cornelis Janssens van Ceulen
John Fletcher, 17th century. From The Connoisseur Volume XCII, edited by F. Gordon Roe. [The Connoisseur Ltd, London, 1933]

Portrait of a Girl, 17th century, (1916). Artist: Cornelis Janssens van Ceulen
Portrait of a Girl, 17th century. From The Connoisseur Vol XLIV by [Otto Limited, London, 1916.]

Study Woman Hands Cornelis Jansen van Ceulen
Study of a Womans Hands; Cornelis Jansen van Ceulen (Cornelius Jonson) (British, 1593 - 1661); Netherlands; 1646; Black and white chalk on blue paper; 19.1 × 29.5 cm (7 1, 2 × 11 5, 8 in.)

Lady Castlehaven. Engraving. Colored
Lady Castlehaven. Engraving after a painting by Cornelis Janssens van Ceulen (1593-1661). The Iberian Illustration, 1891. Colored

Cornelis Jonson van Ceulen, English, (1593-1661), Anna Maria van Schurman, 1657, oil on panel

William III, Prince of Orange, as a child William III of Orange, Aged 7 Signed and dated in black paint, lower right: " Cornelius Jonson. | Van Ceulen | fecit

Cornelis van Dalen the Younger after Cornelis Jonson van Ceulen, Anna Maria van Schurman, Dutch, 1638-1664, c. 1650, engraving

Cornelis Janssen Artist
CORNELIS JANSSEN VAN CEULEN Dutch artist, working chiefly in England

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"Capturing the Essence of Ceulen: A Glimpse into the Artistry of Cornelis Janssens van Ceulen" Step back in time and immerse yourself in the captivating world of Cornelis Janssens van Ceulen, a renowned Dutch portrait painter. Through his masterful engravings and paintings, he skillfully brought to life the personalities and stories of his subjects. One such engraving is "Cornelius Janssen van Ceulen, " a self-portrait that reveals the artist's introspective gaze and meticulous attention to detail. It serves as a testament to his dedication to his craft. In "Portrait of Edward Holte, 1636, " we witness Van Ceulen's ability to capture not only physical likeness but also the inner essence of his subject. The dignified pose and expressive eyes convey Edward Holte's character with remarkable precision. Similarly, "Portrait of Elizabeth Holte (nee King), 1636" showcases Van Ceulen's talent for capturing feminine grace and elegance. The delicate brushstrokes highlight her refined features while hinting at her strength beneath. Van it also immortalized Grace Bradbourne, wife of Thomas Holte, in an exquisite painting from 1627-1700. This portrait radiates warmth and tenderness as it portrays their deep connection through subtle gestures and expressions. The artist's versatility shines through in "Portrait of a Man with a Watch, 1657. " Here, Van Ceulen explores themes beyond traditional portraiture by incorporating elements like timepieces into his composition—a testament to his innovative approach. Equally striking is "Portrait of a Woman" from 1648; its soft lighting accentuates her serene countenance while inviting viewers into her world. Meanwhile, "Portrait of a Man" from the same year captures an air of confidence through its strong brushwork and commanding presence. Van Ceulen was not limited to his contemporaries.