Ceremonial Dress Collection (page 3)

Sir William Erle, Lord Chief Justice (oil on canvas)
3576793 Sir William Erle, Lord Chief Justice (oil on canvas) by Grant, Francis (1803-78); 142.5x112 cm; Courtesy of the Warden and Scholars of New College

Portrait in Council House of the Earl of Pembroke (pencil & w / c on paper)
2832582 Portrait in Council House of the Earl of Pembroke (pencil & w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Queen Victoria and Prince Albert on their return from the marriage service at St Jamess Palace, London
1743649 Queen Victoria and Prince Albert on their return from the marriage service at St Jamess Palace, London, 10th February 1840, engraved by S

Queen Anne, pub. 1902 (collotype)
1073651 Queen Anne, pub. 1902 (collotype) by Closterman, Johann (1660-1711) (after); Private Collection; (add.info.: Queen Anne (1665-1714)); The Stapleton Collection; German, out of copyright

Queen Anne, pub. 1902 (colour litho)
1073622 Queen Anne, pub. 1902 (colour litho) by Boit, Charles (1662-1727) (after); Private Collection; (add.info.: Queen Anne (1665-1714)); The Stapleton Collection; Swedish, out of copyright

Portrait of a Newcastle Alderman (oil on canvas)
1213023 Portrait of a Newcastle Alderman (oil on canvas) by English School, (18th century); 71.1x91.7 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; English

L Infanterie Francaise en Egypte, or Le General l Asne converted to Ibrahim Bey
1275084 L Infanterie Francaise en Egypte, or Le General l Asne converted to Ibrahim Bey, published by Hannah Humphrey in 1799 (hand-coloured etching) by Gillray

Portrait in the Council House of George Harrington, Mayor of Bristol 1617 (w / c on paper)
2831793 Portrait in the Council House of George Harrington, Mayor of Bristol 1617 (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery

Portrait in the Council House of Henry Gibbs, Mayor of Bristol (w / c on paper)
2831792 Portrait in the Council House of Henry Gibbs, Mayor of Bristol (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Portrait in the Mansion House, Queen Square, of Lord Ashburton (w / c on paper)
2831784 Portrait in the Mansion House, Queen Square, of Lord Ashburton (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Portrait of Robert Yeamans, 1828 (pencil & w / c on paper)
2832578 Portrait of Robert Yeamans, 1828 (pencil & w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

William Henry Cavendish-Bentinck, 3rd Duke of Portland, 1792 (oil on canvas)
2831046 William Henry Cavendish-Bentinck, 3rd Duke of Portland, 1792 (oil on canvas) by Lawrence, Thomas (1769-1830); Bristol Museum and Art Gallery, UK; eBristol Museums

Porfirio Diaz of Mexico, c. 1910 (b / w photo)
STC375600 Porfirio Diaz of Mexico, c.1910 (b/w photo) by Viau, Pablo (fl.c.1910); Private Collection; (add.info.: from The Wind that Swept Mexico)

Bears Heart. Cheyenne Medicine pow-wow, from a book of sketches made at Fort Marion
MHS197926 Bears Heart. Cheyenne Medicine pow-wow, from a book of sketches made at Fort Marion, St Augustine, Florida, 1877 by Making Medicine (O-kuh-ha-tuh) (1844-1931)

Guliel Hayes, engraved by Thomas Park (1758-1834), 1787 (mezzotint)
DEC418558 Guliel Hayes, engraved by Thomas Park (1758-1834), 1787 (mezzotint) by Cornish, John (fl.1751-65) (after); 30.1x22.5 cm; Gerald Coke Handel Collection, Foundling Museum

The Princess of Wales, 1889 (b / w photo)
JHL392616 The Princess of Wales, 1889 (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: Alexandra of Denmark (1844-1925) Queen Consort of Edward VII; ); English

Dancing in the firelight, 1907 (b / w photo)
DPL415554 Dancing in the firelight, 1907 (b/w photo) by Throssel, Richard (1882-1933); Denver Public Library, Western History Collection; (add.info)

Portrait of Alderman George Harkus J. P. (oil on canvas)
1213273 Portrait of Alderman George Harkus J.P. (oil on canvas) by Mitchell, John Edgar (1871-1922); 71.0x91.9 cm; Laing Art Gallery, Newcastle-upon-Tyne

Portrait of the Persian Ambassador Ismael, 1557 (engraving on laid paper)
996343 Portrait of the Persian Ambassador Ismael, 1557 (engraving on laid paper) by Lorck, Melchior (c.1526-88); 41.6x31.5 cm; Art Gallery of Ontario, Toronto

King George V, 1911 (colour litho)
699283 King George V, 1911 (colour litho) by Fildes, Samuel Luke (1844-1927) (after); Private Collection; (add.info.: King George V (1865 - 1936) in coronation robe

Sir John Kerle Haberfield, 1845 or 1846 (oil on canvas)
2829767 Sir John Kerle Haberfield, 1845 or 1846 (oil on canvas) by Parkman, Henry Spurrier (1814-64); 58.5x42.2 cm; Bristol Museum and Art Gallery, UK; eBristol Museums

Portrait of Robert Yeamans, 1642 (oil on canvas)
2830898 Portrait of Robert Yeamans, 1642 (oil on canvas) by Flessiers, Willem (fl. c.1627); Bristol Museum and Art Gallery, UK; eBristol Museums

Harmony and Sentiment, c. 1785 (hand-coloured etching)
DEC418553 Harmony and Sentiment, c.1785 (hand-coloured etching) by Bartolozzi, Francesco (1727-1815) (after); 33.4x25.7 cm; Gerald Coke Handel Collection, Foundling Museum

Thomas Howard, 3rd Duke of Norfolk, pub. 1902 (collotype)
1073611 Thomas Howard, 3rd Duke of Norfolk, pub. 1902 (collotype) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info)

Henry St. John, Viscount of Bollingbroke, pub. 1902 (collotype)
1073642 Henry St. John, Viscount of Bollingbroke, pub. 1902 (collotype) by Rigaud, Hyacinthe (1659-1743) (after); Private Collection; (add.info.: Henry St John)

Robert Harley, Earl of Oxford, pub. 1902 (collotype)
1073639 Robert Harley, Earl of Oxford, pub. 1902 (collotype) by Kneller, Godfrey (1646-1723) (after); Private Collection; (add.info.: Robert Harley (1661-1724)); The Stapleton Collection; English

Loyal Souls, or A Peep into the Mess Room at St. James, published by Hannah Humphrey in
NCO190152 Loyal Souls, or A Peep into the Mess Room at St. James, published by Hannah Humphrey in 1797 (hand-coloured etching) by Gillray

Portrait of Stanislaw II August Poniatowski, King and Grand Duke of the Polish-Lithuanian
FIA5366735 Portrait of Stanislaw II August Poniatowski, King and Grand Duke of the Polish-Lithuanian Commonwealth (1732-1798), c.1790 (oil on canvas) by Bacciarelli

Queen Anne (oil on canvas)
1781616 Queen Anne (oil on canvas) by English School, (18th century); 214x150 cm; Royal Hospital Chelsea, London, UK; (add.info.: Full length portrait in coronation robes); English, out of copyright

King William IV (oil on canvas)
1781613 King William IV (oil on canvas) by Beechey, William (1753-1839); 214x150 cm; Royal Hospital Chelsea, London, UK; (add.info)

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"Ceremonial Dress: A Glimpse into the Rich Tapestry of Tradition" Step back in time and explore the captivating world of ceremonial dress. From the resplendent attire worn by Her Majesty Queen Elizabeth II during her coronation in 1953 to the regal robes of the Royal Victorian Order, these garments hold a significant place in history. Traveling further back, we encounter two Sikh Princes of the Punjab captured in a mesmerizing black and white photograph from July 20th, 1918. Their traditional attire reflects their cultural heritage and showcases their noble lineage. Delving even deeper into history, we come across Prince Edward of Wales, who would later ascend to become King Edward VII. In an enchanting portrait from 1890 by W&D Downey, he dons an exquisite ceremonial dress that exudes elegance and grandeur. Not limited to royalty alone, ceremonial dress extends its influence across various cultures and eras. An Alderman of the City of London proudly displays his civic costume from 1805 while Native American warriors gather together adorned with war paint and symbolic garments on paper. The Laughing Cavalier immortalized by Frans Hals in 1624 captures a dashing figure dressed impeccably for courtly affairs. Similarly, Jan Hus before the Council of Constance in Vaclav Brozik's painting transports us to a pivotal moment in history when religious beliefs clashed amidst ornate vestments. Moving away from Europe's shores, we witness Truro's Beating the Bounds ceremony taking place on October 4th, 1912—a tradition steeped in community spirit as locals parade through their town wearing distinctive ceremonial garb. Venturing eastward towards Lo Manthang reveals local monks enveloped in vibrant ceremonial dress while playing Tibetan horns during a joyous festival—an awe-inspiring sight that celebrates spiritual devotion fused with cultural heritage.