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Censorship Collection (#2)

"Censorship: A Historical Battle for Control and Expression" In the 14th century, iconoclasts defiantly threw miniature manuscripts into the fiery abyss

Background imageCensorship Collection: Muzzling the Press, from Puck, published May, 1889. Creator: Charles Jay Taylor

Muzzling the Press, from Puck, published May, 1889. Creator: Charles Jay Taylor
Muzzling the Press, from Puck, published May, 1889

Background imageCensorship Collection: Puck's Pleasant Prospect, from Puck, published May 5, 1886. Creator: Joseph Keppler

Puck's Pleasant Prospect, from Puck, published May 5, 1886. Creator: Joseph Keppler
Puck's Pleasant Prospect, from Puck, published May 5, 1886

Background imageCensorship Collection: Illustration from Charivari, 1873 (engraving)

Illustration from Charivari, 1873 (engraving)
ICA4869718 Illustration from Charivari, 1873 (engraving) by Stop (Louis Morel-Retz) (1825-99); (add.info.: Illustration by Stop (1825-1899)

Background imageCensorship Collection: Moonlight dance

Moonlight dance
Antonia Glaskova

Background imageCensorship Collection: R A O C men learning the recovering of capsizes tanks at a Midlands training centre

R A O C men learning the recovering of capsizes tanks at a Midlands training centre. England. The Royal Army Ordnance Corps (RAOC) was a corps of the British Army

Background imageCensorship Collection: G A Redford new censor and Examiner of Plays

G A Redford new censor and Examiner of Plays'. Studio portrait, in formal jacket and tie. G A Redford was formal Examiner of Plays, responsible for censorship for the Lord Chamberlain

Background imageCensorship Collection: Illustration by Norman Morrow, of Aino Ackte as Salome, with empty platter

Illustration by Norman Morrow, of Aino Ackte as Salome, with empty platter. Captioned, Salome without the Baptist's Head'

Background imageCensorship Collection: BURNING HERETICS BOOKS

BURNING HERETICS BOOKS
When church reformers Martin Bucer and Phagius are put to death, their heretical books are burnt along with their bodies. Date: 1551

Background imageCensorship Collection: Socinianism and Little Polish Church: the inhabitants of Krakow burn the works of Faustus Socinus

Socinianism and Little Polish Church: the inhabitants of Krakow burn the works of Faustus Socinus
ELD4867323 Socinianism and Little Polish Church: the inhabitants of Krakow burn the works of Faustus Socinus (Faust Socin or Fausto Sozzini) (1539-1604)

Background imageCensorship Collection: The Censorious Fool, 1660-86 (brush and Indian ink on paper)

The Censorious Fool, 1660-86 (brush and Indian ink on paper)
7308372 The Censorious Fool, 1660-86 (brush and Indian ink on paper) by Stettler, Wilhelm (1643-1708); 11.5x10.5 cm; Ashmolean Museum, University of Oxford

Background imageCensorship Collection: Dispute between monks and Jews, with the burning of heretical books (wood bas-relief)

Dispute between monks and Jews, with the burning of heretical books (wood bas-relief)
AIS5369317 Dispute between monks and Jews, with the burning of heretical books (wood bas-relief) by Juni, Juan de (1507-77); Museo de Leon, Castile and Leon, Spain; © Iberfoto

Background imageCensorship Collection: Illustration of Cham (1819-1879) in Le Charivari, 1850-8-3 - Censorship, Press / Media

Illustration of Cham (1819-1879) in Le Charivari, 1850-8-3 - Censorship, Press / Media
ICA4928261 Illustration of Cham (1819-1879) in Le Charivari, 1850-8-3 - Censorship, Press/Media, Stamp (press law) - Marianne - Senilisation by Cham (Amedee Charles Henri de Noe) (1818-79)

Background imageCensorship Collection: The Charivari, 1877_3_26 - Illustration by Cham (1819-1879): Executing a subject of history for

The Charivari, 1877_3_26 - Illustration by Cham (1819-1879): Executing a subject of history for the Exhibition
ICA4944933 The Charivari, 1877_3_26 - Illustration by Cham (1819-1879): Executing a subject of history for the Exhibition - Censorship

Background imageCensorship Collection: Illustration of Cham (1819-1879) in Le Charivari, circa 1850-4-3 - The new law on the press

Illustration of Cham (1819-1879) in Le Charivari, circa 1850-4-3 - The new law on the press - Censorship
ICA4919949 Illustration of Cham (1819-1879) in Le Charivari, circa 1850-4-3 - The new law on the press - Censorship, Press/Media, Loi - Proudhon Pierre-Joseph (1809-1965)

Background imageCensorship Collection: Benito Mussolini made mass arrest of Communists in Trieste, Italy in February 1923;search of

Benito Mussolini made mass arrest of Communists in Trieste, Italy in February 1923;search of the offices of
XEE4407090 Benito Mussolini made mass arrest of Communists in Trieste, Italy in February 1923; search of the offices of the newspaper " Lavoratore"

Background imageCensorship Collection: Harmony

Harmony
Prithul Das

Background imageCensorship Collection: Jean Racine (1639-1699) reading 'Athalie'before Louis XIV (1638-1715) and Francoise d Aubigne

Jean Racine (1639-1699) reading "Athalie"before Louis XIV (1638-1715) and Francoise d Aubigne
JLJ4689494 Jean Racine (1639-1699) reading " Athalie" before Louis XIV (1638-1715) and Francoise d Aubigne, Marquise (Madame) of Maintenon (1635-1719)

Background imageCensorship Collection: Illustration of Louis Alexandre Gosset de Guines dit Gill (1840-1885) for the Cover of L Eclipse

Illustration of Louis Alexandre Gosset de Guines dit Gill (1840-1885) for the Cover of L Eclipse
ICA4928534 Illustration of Louis Alexandre Gosset de Guines dit Gill (1840-1885) for the Cover of L Eclipse, 1868-8-9 - Monsieur X

Background imageCensorship Collection: Censorship of the Press (engraving)

Censorship of the Press (engraving)
2788275 Censorship of the Press (engraving) by Moreland, Arthur (1876-1951); Private Collection; (add.info.: Censorship of the Press)

Background imageCensorship Collection: Illustration of Louis Alexandre Gosset de Guines dit Gill (1840-1885) for the Cover of La Lune

Illustration of Louis Alexandre Gosset de Guines dit Gill (1840-1885) for the Cover of La Lune
ICA4877283 Illustration of Louis Alexandre Gosset de Guines dit Gill (1840-1885) for the Cover of La Lune, 1866-10-7 - the ogres of journalism - Censorship

Background imageCensorship Collection: Illustration of Louis Alexandre Gosset de Guines dit Gill (1840-1885) for the Cover of L Eclipse

Illustration of Louis Alexandre Gosset de Guines dit Gill (1840-1885) for the Cover of L Eclipse
ICA4844824 Illustration of Louis Alexandre Gosset de Guines dit Gill (1840-1885) for the Cover of L Eclipse, 1870-2-20 - Les gourdins reunited - Censorship, Press/Media

Background imageCensorship Collection: Criticism: there is no such accomplished work that did not melt all in the midst of criticism if

Criticism: there is no such accomplished work that did not melt all in the midst of criticism if its author wanted to
LSE4083905 Criticism: there is no such accomplished work that did not melt all in the midst of criticism if its author wanted to believe in all the censors who each take away the place that they

Background imageCensorship Collection: Mort sur le bucher du reformateur tcheque Jan Hus (ou Jean Huss, 1371-1415)

Mort sur le bucher du reformateur tcheque Jan Hus (ou Jean Huss, 1371-1415)
FIA5384049 Mort sur le bucher du reformateur tcheque Jan Hus (ou Jean Huss, 1371-1415), condamne pour heresie - Burning of Jan Hus at the stake - Miniature de l atelier de Diebold Lauber

Background imageCensorship Collection: Illustration of Louis Alexandre Gosset de Guines dit Gill (1840-1885) for the Blanket of The Moon

Illustration of Louis Alexandre Gosset de Guines dit Gill (1840-1885) for the Blanket of The Moon
ICA4844834 Illustration of Louis Alexandre Gosset de Guines dit Gill (1840-1885) for the Blanket of The Moon, 1867-11-17 - Authentic portrait of rocambola - Censorship, President of the Republic

Background imageCensorship Collection: King of France Louis XIV with Madame de Maintenon. Detail of the painting 'Jean Racine (1639-1699)

King of France Louis XIV with Madame de Maintenon. Detail of the painting "Jean Racine (1639-1699)
JLJ4689470 King of France Louis XIV with Madame de Maintenon. Detail of the painting " Jean Racine (1639-1699) reading " Athalie" before Louis XIV (1638-1715) and Francoise d Aubigne

Background imageCensorship Collection: Le Charivari, Satirique en N & B, 1850_4_16: A parricide - Censorship, Press / Media

Le Charivari, Satirique en N & B, 1850_4_16: A parricide - Censorship, Press / Media
ICA4877033 Le Charivari, Satirique en N & B, 1850_4_16: A parricide - Censorship, Press/Media, President of the Republic - Thiers Adolphe - Illustration by Honore Daumier (1808-1879) by Daumier

Background imageCensorship Collection: Illustration of Gill in La Lune rousse, 1877 - Victor Hugos new book about censorship

Illustration of Gill in La Lune rousse, 1877 - Victor Hugos new book about censorship
7228476 Illustration of Gill in La Lune rousse, 1877 - Victor Hugos new book about censorship by Gill, Andre (1840-85); Private Collection; (add.info)

Background imageCensorship Collection: Freedom of the press in France on 24 August 1789 following the revolution

Freedom of the press in France on 24 August 1789 following the revolution
LSE4086163 Freedom of the press in France on 24 August 1789 following the revolution. by French School, (18th century); Private Collection; (add.info)

Background imageCensorship Collection: Shower of images on the way by Gavarni (engraving)

Shower of images on the way by Gavarni (engraving)
LSE4085504 Shower of images on the way by Gavarni (engraving) by Gavarni, Paul (1804-66); Bibliotheque des Arts Decoratifs, Paris, France; Photo eLeonard de Selva; French, out of copyright

Background imageCensorship Collection: First World War 1914-1918 (14-18): 'He looks bad. '

First World War 1914-1918 (14-18): "He looks bad. "
XEE4186677 First World War 1914-1918 (14-18): " He looks bad." German censorship seen by the propaganda eye of the French: All his hopes of victory aneantis

Background imageCensorship Collection: Journalism. History of France. Second World War (1939-1945)

Journalism. History of France. Second World War (1939-1945)
LSE4402627 Journalism. History of France. Second World War (1939-1945). White column of a one-page censorship article in the newspaper " Le soir Republicain" of 13 December 1939. B.N

Background imageCensorship Collection: Saint Dominique and the Albigeois (Le Miracle des Fanjeaux)

Saint Dominique and the Albigeois (Le Miracle des Fanjeaux)
JLJ4582065 Saint Dominique and the Albigeois (Le Miracle des Fanjeaux): the saint gives the Albigeese the book refuting their heresie and the Albigeers try to burn it, without success

Background imageCensorship Collection: At the Egide de Minerve, a bookstore in Liege, Belgium that sold books forbidden by

At the Egide de Minerve, a bookstore in Liege, Belgium that sold books forbidden by
JLJ4590737 At the Egide de Minerve, a bookstore in Liege, Belgium that sold books forbidden by the power or by the Church. Joseph IIs policy of tolerance (1741-1790) favouring encyclopedists

Background imageCensorship Collection: Cover of 'Le Don Quixote', number 46, Satirique en Couleurs

Cover of "Le Don Quixote", number 46, Satirique en Couleurs
ICA4877091 Cover of " Le Don Quixote", number 46, Satirique en Couleurs, 1875_5_8: Draft law on the press - Censorship, Press/Media

Background imageCensorship Collection: Cover of 'Le Grelot', Satirique en Couleurs, 1872_3_10

Cover of "Le Grelot", Satirique en Couleurs, 1872_3_10
ICA4877042 Cover of " Le Grelot", Satirique en Couleurs, 1872_3_10: The freedom of the Press - Censorship, Presse/Medias - Lefranc Victor (1809-1883), Anastasie by Le Petit

Background imageCensorship Collection: Commedia dell Arte: 'the dismissal of the comedians after the abolition

Commedia dell Arte: "the dismissal of the comedians after the abolition
JLJ4676552 Commedia dell Arte: " the dismissal of the comedians after the abolition of the Italian Comedie" King Louis XIV closed the theatre of the Ancient Italian Comedie on 4/05/1697 for

Background imageCensorship Collection: Cover of 'The Grelot', number 51, Satirique en Couleurs

Cover of "The Grelot", number 51, Satirique en Couleurs
ICA4918623 Cover of " The Grelot", number 51, Satirique en Couleurs, 1872_3_31: Take my bear! - Republican, Censorship, Expressions - Bear

Background imageCensorship Collection: L Assiette au Beurre, number 463, Satirique en couleurs, 1910_2_12: Censorship

L Assiette au Beurre, number 463, Satirique en couleurs, 1910_2_12: Censorship
ICA4915735 L Assiette au Beurre, number 463, Satirique en couleurs, 1910_2_12: Censorship, Press/Media, Sexuality, Newspaper kiosks - by Radiguet, Maurice (1866-1941); Photo eCaricadoc; French

Background imageCensorship Collection: Cover of 'Le Don Quixote', number 53, Satirique en Colours

Cover of "Le Don Quixote", number 53, Satirique en Colours
ICA4925354 Cover of " Le Don Quixote", number 53, Satirique en Colours, 1875_6_26: Une emule de don Quixote - Censorship - Anastasie - Illustration by Charles Gilbert-Martin (1839-1905)

Background imageCensorship Collection: In a bookstore, Theophile Malo Corret de La Tour (or Latour) d

In a bookstore, Theophile Malo Corret de La Tour (or Latour) d
JLJ4623043 In a bookstore, Theophile Malo Corret de La Tour (or Latour) d Auvergne (Theophile-Malo de La Tour d Auvergne-Corret) (1743-1800)

Background imageCensorship Collection: The front page of the 'Defense of France'of Saturday, September 16

The front page of the "Defense of France"of Saturday, September 16
XEE4159908 The front page of the " Defense of France" of Saturday, September 16, 1944 - clandestine newspaper founded under occupation in 1941 by Anonymous; Private Collection; (add.info)

Background imageCensorship Collection: The pot of earth and the pot of iron by Mignon. Cover of 'L Eclipse'

The pot of earth and the pot of iron by Mignon. Cover of "L Eclipse"
LSE4089911 The pot of earth and the pot of iron by Mignon. Cover of " L Eclipse" from 21/01/1872 (France kicking Prussia)

Background imageCensorship Collection: Man with eyes strips with feather, hands tied and a ball at the foot

Man with eyes strips with feather, hands tied and a ball at the foot
LSE4094016 Man with eyes strips with feather, hands tied and a ball at the foot: " Journalism of the Future" - by Gill, in " L Eclipse" of 05/12/1875

Background imageCensorship Collection: Counsellor O. P. - defender of our Theatric Liberties (coloured engraving)

Counsellor O. P. - defender of our Theatric Liberties (coloured engraving)
586338 Counsellor O.P. - defender of our Theatric Liberties (coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Counsellor O.P)

Background imageCensorship Collection: Front page of the New-York Weekly Journal discussing freedom of press, 1733 (newsprint)

Front page of the New-York Weekly Journal discussing freedom of press, 1733 (newsprint)
PNP377466 Front page of the New-York Weekly Journal discussing freedom of press, 1733 (newsprint) by American School, (18th century); Private Collection; (add.info.: John Peter Zenger (1697-1746)

Background imageCensorship Collection: En 1703 la police fit main basse sur une imprimerie clandestine etablie a Senlis

En 1703 la police fit main basse sur une imprimerie clandestine etablie a Senlis, d ou sortaient... (engraving)
2781498 En 1703 la police fit main basse sur une imprimerie clandestine etablie a Senlis, d ou sortaient... (engraving) by French School



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"Censorship: A Historical Battle for Control and Expression" In the 14th century, iconoclasts defiantly threw miniature manuscripts into the fiery abyss, symbolizing their resistance against censorship. The power to control information was not a new concept, as evidenced by G. A. Redford's appointment as the new censor and Examiner of Plays. His role was to determine what could be seen on stage, stifling artistic freedom. Norman Morrow's illustration depicted Aino Ackte as Salome with an empty platter, highlighting the suppression of forbidden opera performances. Ackte, a Finnish soprano cast in this controversial role, faced scrutiny from those who sought to silence her voice. The burning of heretic books further exemplified censorship's grip on society throughout history. As these texts turned to ashes, ideas deemed dangerous or subversive were erased from public consciousness. During World War I, a cartoon titled "The Censor at Work" revealed how even wartime propaganda fell under strict scrutiny. H. M Bateman's "Le Mot Juste" captured the absurdity during this period. In 1920 Moscow, Lenin addressed Red Army soldiers being sent to fight on the Western Front during The Russian Civil War—a reminder that even political leaders utilized censorship as a tool for control. R. A. O. C men learning tank recovery techniques in Midlands training centers showcased how military operations also required secrecy and restricted access to certain knowledge. Socinianism and Polish Brethren faced persecution when inhabitants of Krakow burned Faustus Socinus' works in a public square—an autodafe forcing him to witness his own suppression firsthand. Henri Beraud's article in "Gringoire, " titled "L'Ecole des Fascistes, " shed light on France's Decree Law Marchendeau—another example of government-imposed restrictions on expression leading up to World War II. "The Censorious Fool, " depicted in a 17th-century artwork, demonstrated the long-standing battle against censorship.