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Carving Collection (page 7)

Carving, an ancient art form that transcends time and culture, can be found in various corners of the world

Background imageCarving Collection: Detail of facade of Church of the Company, UNESCO, Arequipa, Arequipa Province, Arequipa Region

Detail of facade of Church of the Company, UNESCO, Arequipa, Arequipa Province, Arequipa Region, Peru

Background imageCarving Collection: Detail of facade of Church of the Company, UNESCO, Arequipa, Arequipa Province, Arequipa Region

Detail of facade of Church of the Company, UNESCO, Arequipa, Arequipa Province, Arequipa Region, Peru

Background imageCarving Collection: Decorated columns, Cloisters of The Company, UNESCO, Arequipa, Arequipa Province, Arequipa Region

Decorated columns, Cloisters of The Company, UNESCO, Arequipa, Arequipa Province, Arequipa Region, Peru

Background imageCarving Collection: Decorated columns, Cloisters of The Company, UNESCO, Arequipa, Arequipa Province, Arequipa Region

Decorated columns, Cloisters of The Company, UNESCO, Arequipa, Arequipa Province, Arequipa Region, Peru

Background imageCarving Collection: Nepalese Wooden Carving with Hindu God Ganesha (The Elephant God), Royal Palace in Patan

Nepalese Wooden Carving with Hindu God Ganesha (The Elephant God), Royal Palace in Patan, Kathmandu valley, Nepal, Asia

Background imageCarving Collection: Detail of decoration on wall at entrance to Konstantin - Eleni Church, Mustafapasa

Detail of decoration on wall at entrance to Konstantin - Eleni Church, Mustafapasa, Urgup District, Nevsehir Province, Cappadocia, Central Anatolia Region, Turkey

Background imageCarving Collection: Carving in rock along Shutes Lane, Sunken Lane (Holloway), Symondsbury, Bridport, Dorset

Carving in rock along Shutes Lane, Sunken Lane (Holloway), Symondsbury, Bridport, Dorset, England, UK

Background imageCarving Collection: Thailand, Chiang Mai, Baan Tawai Wood Carving Village, Detail of Dragon Carving

Thailand, Chiang Mai, Baan Tawai Wood Carving Village, Detail of Dragon Carving

Background imageCarving Collection: Ship Figurehead, Drobak, Akershus County, Follo District, Norway

Ship Figurehead, Drobak, Akershus County, Follo District, Norway

Background imageCarving Collection: Chapel of Our Lady of the Crag DES01_01_0633

Chapel of Our Lady of the Crag DES01_01_0633
The entrance to the Chapel of Our Lady of the Crag, Abbey Road, Knaresborough, Harrogate, North Yorkshire, showing the figure of a knight carved into the front wall

Background imageCarving Collection: A Japanese wood-engraver, 1864. Creator: Unknown

A Japanese wood-engraver, 1864. Creator: Unknown
A Japanese wood-engraver, 1864. '...from a sketch by our Artist at Yokohama. It is painful here to observe the uncomfortable position of the Japanese engraver at his work - to see how he is

Background imageCarving Collection: 1459 tombstone made of white limestone in the Rostov museum, Rostov Velikii, 1911

1459 tombstone made of white limestone in the Rostov museum, Rostov Velikii, 1911.

Background imageCarving Collection: Holy Gates from the first half of the eighteenth century, Museum inventory number 1824...1911

Holy Gates from the first half of the eighteenth century, Museum inventory number 1824...1911
Holy Gates from the first half of the eighteenth century, Museum inventory number 1824, Rostov Museum, Rostov Velikii, 1911.

Background imageCarving Collection: Holy Gates from 1652, Museum inventory number 1591, Rostov museum, Rostov Velikii, 1911

Holy Gates from 1652, Museum inventory number 1591, Rostov museum, Rostov Velikii, 1911.

Background imageCarving Collection: Holy Gates from the second half of the eighteenth century with carved images of the Mother..., 1911

Holy Gates from the second half of the eighteenth century with carved images of the Mother..., 1911
Holy Gates from the second half of the eighteenth century with carved images of the Mother of God and the Twelve Apostles, Museum inventory number 8875, Rostov museum, Rostov Velikii, 1911.

Background imageCarving Collection: Carved wooden Holy Gates from the seventeenth century in the Rostov museum, Rostov Velikii, 1911

Carved wooden Holy Gates from the seventeenth century in the Rostov museum, Rostov Velikii, 1911.

Background imageCarving Collection: Seventeenth-century plashchanitsa [shroud with the image of Christ], in the middle..., 1911

Seventeenth-century plashchanitsa [shroud with the image of Christ], in the middle..., 1911
Seventeenth-century plashchanitsa [shroud with the image of Christ], in the middle, a wooden carved image of Christ Our Savior lying in the grave

Background imageCarving Collection: Sterzh Cross, the Tver Museum, 1910. Creator: Sergey Mikhaylovich Prokudin-Gorsky

Sterzh Cross, the Tver Museum, 1910. Creator: Sergey Mikhaylovich Prokudin-Gorsky
Sterzh Cross, the Tver Museum, 1910.

Background imageCarving Collection: Stone cross on the bank opposite Pisanyi Rock in memory of Demidov, Chusovaia River, 1912

Stone cross on the bank opposite Pisanyi Rock in memory of Demidov, Chusovaia River, 1912.

Background imageCarving Collection: Dmitrievsky Cathedral, Vladimir, 1911. Creator: Sergey Mikhaylovich Prokudin-Gorsky

Dmitrievsky Cathedral, Vladimir, 1911. Creator: Sergey Mikhaylovich Prokudin-Gorsky
Dmitrievsky Cathedral, Vladimir, 1911.

Background imageCarving Collection: Sketches from New Zealand: scene on the Waikato, near its junction with the Waipa River, 1864

Sketches from New Zealand: scene on the Waikato, near its junction with the Waipa River, 1864. Creator: Unknown
Sketches from New Zealand: scene on the Waikato, near its junction with the Waipa River, 1864. Engraving from a drawing made on the spot by Mr. G. P

Background imageCarving Collection: Spain, Galicia. Stone carving of a pilgrim along the Camino de between Ventras de Naron

Spain, Galicia. Stone carving of a pilgrim along the Camino de between Ventras de Naron and Palas de Rei

Background imageCarving Collection: I'm feeling so small !!!

I'm feeling so small !!!
FrankBa

Background imageCarving Collection: Bas-relief, 'The Song of Miriam and Moses', by Mr. Gatley, for a mausoleum near Edinburgh, 1858

Bas-relief, "The Song of Miriam and Moses", by Mr. Gatley, for a mausoleum near Edinburgh, 1858. Decoration for a...mausoleum intended to be erected to the memory of Mr

Background imageCarving Collection: Indian Deities - Suraswati, the Hindoo Goddess of Learning, Music and Poetry, 1858. Creator: W. B

Indian Deities - Suraswati, the Hindoo Goddess of Learning, Music and Poetry, 1858. Creator: W. B
Indian Deities - Suraswati, the Hindoo Goddess of Learning, Music and Poetry, 1858. She is always invoked at the marriage ceremonies of the Brahmins

Background imageCarving Collection: Indian Deities - Trimurti; the Hindoo Triad or Trinity, 1858. Creator: Harvey Orrin Smith

Indian Deities - Trimurti; the Hindoo Triad or Trinity, 1858. Creator: Harvey Orrin Smith
Indian Deities - Trimurti; the Hindoo Triad or Trinity, 1858. The central figure is Brahma; on the right is Siva; the left is Vishnu

Background imageCarving Collection: Idol of an Indian Temple; Notes on the Ancient Temples of India, 1875. Creator: Unknown

Idol of an Indian Temple; Notes on the Ancient Temples of India, 1875. Creator: Unknown
Idol of an Indian Temple; Notes on the Ancient Temples of India, 1875. From Illustrated Travels by H.W. Bates. [Cassell, Petter, and Galpin, c1880, London] and Galpin

Background imageCarving Collection: Virgin of the Immaculate Conception, Late 18th century. Creator: Unknown

Virgin of the Immaculate Conception, Late 18th century. Creator: Unknown
Virgin of the Immaculate Conception, Late 18th century

Background imageCarving Collection: Ptolemaic Prince, Ptolemaic Period or later (305-31 BCE). Creator: Unknown

Ptolemaic Prince, Ptolemaic Period or later (305-31 BCE). Creator: Unknown
Ptolemaic Prince, Ptolemaic Period or later (305-31 BCE)

Background imageCarving Collection: Stela with Worshipper before Horus, inscribed, Ptolemaic Period (330-30 BCE). Creator: Unknown

Stela with Worshipper before Horus, inscribed, Ptolemaic Period (330-30 BCE). Creator: Unknown
Stela with Worshipper before Horus, inscribed, Ptolemaic Period (330-30 BCE)

Background imageCarving Collection: Face from a Coffin, Ptolemaic Period-early Roman Period (332 BCE-100 CE). Creator: Unknown

Face from a Coffin, Ptolemaic Period-early Roman Period (332 BCE-100 CE). Creator: Unknown
Face from a Coffin, Ptolemaic Period-early Roman Period (332 BCE-100 CE)

Background imageCarving Collection: Horus the Child, Probably Late Period (724-333 BCE). Creator: Unknown

Horus the Child, Probably Late Period (724-333 BCE). Creator: Unknown
Horus the Child, Probably Late Period (724-333 BCE)

Background imageCarving Collection: Frog Scaraboid with Human Depictions on the Base, Probably 6th-13th Dynasty (2374-1665)

Frog Scaraboid with Human Depictions on the Base, Probably 6th-13th Dynasty (2374-1665). Creator: Unknown
Frog Scaraboid with Human Depictions on the Base (image 2 of 2), Probably 6th-13th Dynasty (2374-1665)

Background imageCarving Collection: Stone Heart Scarab (image 2 of 2), Probably 18th-20th Dynasty (1569-1081 BCE) or later

Stone Heart Scarab (image 2 of 2), Probably 18th-20th Dynasty (1569-1081 BCE) or later. Creator: Unknown
Stone Heart Scarab (image 2 of 2), Probably 18th-20th Dynasty (1569-1081 BCE) or later

Background imageCarving Collection: Head of a King Wearing the White Crown, Egypt, New Kingdom, Dynasty 18, reign of Akhenaten

Head of a King Wearing the White Crown, Egypt, New Kingdom, Dynasty 18, reign of Akhenaten... Creator: Unknown
Head of a King Wearing the White Crown (image 2 of 2), Egypt, New Kingdom, Dynasty 18, reign of Akhenaten (1372 - 1355 BCE)

Background imageCarving Collection: Votive Stone with Names of Ramses III, Reign of Ramses III (1198-1166 BCE). Creator: Unknown

Votive Stone with Names of Ramses III, Reign of Ramses III (1198-1166 BCE). Creator: Unknown
Votive Stone with Names of Ramses III, Reign of Ramses III (1198-1166 BCE)

Background imageCarving Collection: Funerary Figurine of a Man, Possibly 22nd Dynasty (1081-333) BCE. Creator: Unknown

Funerary Figurine of a Man, Possibly 22nd Dynasty (1081-333) BCE. Creator: Unknown
Funerary Figurine of a Man, Possibly 22nd Dynasty (1081-333) BCE

Background imageCarving Collection: Relief Fragment Depicting Imenet, Ptah and Amenhotep I, New Kingdom (1569-1081 BCE)

Relief Fragment Depicting Imenet, Ptah and Amenhotep I, New Kingdom (1569-1081 BCE). Creator: Unknown
Relief Fragment Depicting Imenet, Ptah and Amenhotep I, New Kingdom (1569-1081 BCE)

Background imageCarving Collection: Seated Baboon, New Kingdom (1550-1070 B.C.). Creator: Unknown

Seated Baboon, New Kingdom (1550-1070 B.C.). Creator: Unknown
Seated Baboon, New Kingdom (1550-1070 B.C

Background imageCarving Collection: Heart Scarab (image 2 of 2), New Kingdom-Late Period (1569-525 BCE) or modern. Creator: Unknown

Heart Scarab (image 2 of 2), New Kingdom-Late Period (1569-525 BCE) or modern. Creator: Unknown
Heart Scarab (image 2 of 2), New Kingdom-Late Period (1569-525 BCE) or modern

Background imageCarving Collection: Heart Scarab (image 1 of 2), New Kingdom-Late Period (1569-525 BCE) or modern. Creator: Unknown

Heart Scarab (image 1 of 2), New Kingdom-Late Period (1569-525 BCE) or modern. Creator: Unknown
Heart Scarab (image 1 of 2), New Kingdom-Late Period (1569-525 BCE) or modern

Background imageCarving Collection: Round-Topped Stela (image 1 of 3), between c.1391 and c.1353 B.C.. Creator: Unknown

Round-Topped Stela (image 1 of 3), between c.1391 and c.1353 B.C.. Creator: Unknown
Round-Topped Stela (image 1 of 3), between c.1391 and c.1353 B.C

Background imageCarving Collection: Head of an Official, 1391-1353 B.C.. Creator: Unknown

Head of an Official, 1391-1353 B.C.. Creator: Unknown
Head of an Official, 1391-1353 B.C

Background imageCarving Collection: Sculpture of a Mother and Child, Late Roman Period-Early Coptic Period (200-400 CE) or modern

Sculpture of a Mother and Child, Late Roman Period-Early Coptic Period (200-400 CE) or modern. Creator: Unknown
Sculpture of a Mother and Child (image 2 of 2), Late Roman Period-Early Coptic Period (200-400 CE) or modern

Background imageCarving Collection: Sculpture of a Mother and Child, Late Roman Period-Early Coptic Period (200-400 CE) or modern

Sculpture of a Mother and Child, Late Roman Period-Early Coptic Period (200-400 CE) or modern. Creator: Unknown
Sculpture of a Mother and Child (image 1 of 2), Late Roman Period-Early Coptic Period (200-400 CE) or modern

Background imageCarving Collection: Artist's Trial Piece (image 2 of 2), between c.570 and c.525 B.C.. Creator: Unknown

Artist's Trial Piece (image 2 of 2), between c.570 and c.525 B.C.. Creator: Unknown
Artist's Trial Piece (image 2 of 2), between c.570 and c.525 B.C

Background imageCarving Collection: Artist's Trial Piece (image 1 of 2), between c.570 and c.525 B.C.. Creator: Unknown

Artist's Trial Piece (image 1 of 2), between c.570 and c.525 B.C.. Creator: Unknown
Artist's Trial Piece (image 1 of 2), between c.570 and c.525 B.C

Background imageCarving Collection: Snake Goddess Nursing Hypocrytes, Late Period (724-333 BCE) (possibly modern). Creator: Unknown

Snake Goddess Nursing Hypocrytes, Late Period (724-333 BCE) (possibly modern). Creator: Unknown
Snake Goddess Nursing Hypocrytes, Late Period (724-333 BCE) (possibly modern)



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Carving, an ancient art form that transcends time and culture, can be found in various corners of the world. From the enigmatic Uffington White Horse in Oxfordshire, UK to the awe-inspiring La Sagrada Familia in Barcelona, Spain; from the intricate Palenque Xtraterrestrial carvings in Mexico to witnessing a breathtaking sunrise at the White Horse in Uffington, England - carving has left its mark on our planet. Traveling further east, one encounters the mesmerizing bas-relief of the Goddess Sekhmet at the Temple of Seti I in Abydos, Egypt. The statue of Bes at Dendera Temple stands as a testament to ancient Egyptian craftsmanship. These carvings transport us back to a time when gods and goddesses were revered. In Northumberland's Alnmouth village, where River Aln flows into the North Sea, nature itself becomes an artist with its carved landscapes. Meanwhile, within Tanzhe Temple in Beijing resides a Laughing Buddha sculpture that radiates joy and serenity. Cambodia's Angkor Wat temples boast traditional Cambodian apsara dancers frozen forever through stone carving techniques. In New York City's Central Park stands Bow Bridge - an architectural masterpiece adorned with delicate carvings that enhance its beauty. The art is not limited to sculptures alone; it extends even into literature. Agatha Christie's captivating mysteries have carved their place into literary history since 1924. And who could forget Michelangelo's iconic Statue of David? This marble marvel showcases human perfection achieved through masterful chiseling techniques. Carving connects us across continents and centuries by preserving stories and emotions within solid forms. It allows us to appreciate both natural wonders and human creativity while reminding us of our shared humanity regardless of borders or backgrounds.