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Cartoon Collection (page 3)

Cartoons have long been a powerful medium for social and political commentary, using humor and satire to convey important messages

Background imageCartoon Collection: ANTI-RUSSIAN MAP, 1904. A Humorous Diplomatic Atlas of Europe and Asia

ANTI-RUSSIAN MAP, 1904. A Humorous Diplomatic Atlas of Europe and Asia. Japanese propaganda handbill of 1904 portraying Russia as a grasping octopus

Background imageCartoon Collection: Carl Jung, caricature

Carl Jung, caricature
Carl Jung (1875- 1961). Caricature of the Swiss psychiatrist and one of the founders of modern analytical psychotherapy Carl Gustav Jung

Background imageCartoon Collection: Anger, conceptual artwork

Anger, conceptual artwork. Drawing of a mans head with a small man inside holding a hammer, representing anger and aggression

Background imageCartoon Collection: GRANT CARTOON, 1880. The Modern Wandering Jew : American lithograph cartoon by Joseph Keppler, 1880

GRANT CARTOON, 1880. The Modern Wandering Jew : American lithograph cartoon by Joseph Keppler, 1880, depicting the well-traveled former president Ulysses S

Background imageCartoon Collection: JAY GOULD CARTOON, 1882. An 1882 cartoon by Frederick Burr Opper of Wall Street as Jay Goulds

JAY GOULD CARTOON, 1882. An 1882 cartoon by Frederick Burr Opper of Wall Street as Jay Goulds private bowling alley

Background imageCartoon Collection: ANTI-TRUST CARTOON, 1879. The Modern Colossus of (Rail) Roads

ANTI-TRUST CARTOON, 1879. The Modern Colossus of (Rail) Roads. American cartoon by Joseph Keppler, 1879, attacking the railroad trust formed by William Henry Vanderbilt (top), Cyrus W

Background imageCartoon Collection: WORLD WAR II: COMIC BOOK. Captain Freedom and friends battle the Axis powers

WORLD WAR II: COMIC BOOK. Captain Freedom and friends battle the Axis powers. American comic book cover concerning World War II, c1943

Background imageCartoon Collection: BENITO MUSSOLINI CARTOON. The Triumph of Mussolini : cartoon by W

BENITO MUSSOLINI CARTOON. The Triumph of Mussolini : cartoon by W. Schulz on Benito Mussolinis speech of 3 January 1925 establishing his full dictatorship in Italy

Background imageCartoon Collection: CARTOON: THOMAS GAGE, 1774. A Political Lesson: an English mezzotint cartoon of 1774 suggesting

CARTOON: THOMAS GAGE, 1774. A Political Lesson: an English mezzotint cartoon of 1774 suggesting the difficulties encountered by the English colonial governor of Massachusetts, Thomas Gage

Background imageCartoon Collection: WILLIAM HOWARD TAFT (1857-1930). 27th President of the United States. Judge Speaks

WILLIAM HOWARD TAFT (1857-1930). 27th President of the United States. Judge Speaks. Judge, holding a paper reading Roosevelt policy

Background imageCartoon Collection: CIVIL WAR: CARTOON, c1865. The Question Settled. White cat labeled Old Abe kicking out a grey cat

CIVIL WAR: CARTOON, c1865. The Question Settled. White cat labeled Old Abe kicking out a grey cat labeled Jeff Davis. Behind Old Abe is a black cat labeled Contraband. Color lithograph, c1865

Background imageCartoon Collection: Police Commissioner Roosevelt and NY Governor Cleveland, 1884

Police Commissioner Roosevelt and NY Governor Cleveland, 1884
NY Governor Grover Cleveland and Police Commissioner Theodore Roosevelt signing reform bill, 1884. Hand-colored woodcut of a 19th-century illustration

Background imageCartoon Collection: President Tafts antitrust policies cartooned, 1911

President Tafts antitrust policies cartooned, 1911
Cartoon about antitrust actions of Attorney General Wickersham and President Taft, 1911. Digitally colored woodcut

Background imageCartoon Collection: Deacon Giless Distillery temperance cartoon, 1830s

Deacon Giless Distillery temperance cartoon, 1830s
" Bringing back the rum, " temperance cartoon showing liquor barrels labeled with forms of death, Salem, Massachusetts. Hand-colored woodcut from an 1830s temperance pamphlet

Background imageCartoon Collection: Pets at Herne Bay carnival. The Daily Mirrors Pip, Squeak and Wilfred

Pets at Herne Bay carnival. The Daily Mirrors Pip, Squeak and Wilfred. Herne Bay, Kent. 25th August 1922

Background imageCartoon Collection: A Rakes Progress, Plate 1, June 25, 1735. Creator: William Hogarth

A Rakes Progress, Plate 1, June 25, 1735. Creator: William Hogarth
A Rakes Progress, Plate 1, June 25, 1735

Background imageCartoon Collection: September - Cockney Sportsmen

September - Cockney Sportsmen
A group of Cockney sportsmen, out in the wilds of east London, causing chaos as they try to shoot birds. Even their retrieving dogs would rather fight amongst themselves

Background imageCartoon Collection: William Hogarth Characters and Caricatures

William Hogarth Characters and Caricatures
Vintage engraving of William Hogarth Characters and Caricatures. Critics had sometimes dismissed the exaggerated features of Hogarths characters as caricature and, by way of an answer

Background imageCartoon Collection: Victorian satirical cartoon, He shall have little for his pains

Victorian satirical cartoon, He shall have little for his pains
Vintage engraving of a Victorian satirical cartoon on the Art Dealer. He shall have little for his pains, Who makes his living by his brains

Background imageCartoon Collection: Uncorking Old Sherry, 1805

Uncorking Old Sherry, 1805
Uncorking Old Sherry, pub. 1805 (hand coloured engraving). William Pitt (1759-1806) giving a speech on 6th March 1805

Background imageCartoon Collection: Samuel Taylor Coleridge, Table-Talking, 1904. Artist: Max Beerbohm

Samuel Taylor Coleridge, Table-Talking, 1904. Artist: Max Beerbohm
Samuel Taylor Coleridge, Table-Talking, 1904. Illustration from The Poets Corner, by Max Beerbohm, (London, 1904)

Background imageCartoon Collection: Join the red forces to get a better life, 1921. Artist: Vladimir Mayakovsky

Join the red forces to get a better life, 1921. Artist: Vladimir Mayakovsky
Join the red forces to get a better life, 1921

Background imageCartoon Collection: La Commune arretee par l Ignorance et le Reaction, 1871

La Commune arretee par l Ignorance et le Reaction, 1871. Satirical cartoon depicting an allegorical figure representing the Paris Commune arrested by Ignorance and Reaction. From a private collection

Background imageCartoon Collection: Water! Water! Everywhere; and not a Drop to Drink, 1849

Water! Water! Everywhere; and not a Drop to Drink, 1849. Comment on the London water supply during the reappearance of cholera in 1848 and 1849

Background imageCartoon Collection: Development of Mesmeric Science, 1883. Artist: George du Maurier

Development of Mesmeric Science, 1883. Artist: George du Maurier
Development of Mesmeric Science, 1883. The fatal Mesmeric Duel in the Bois de Boulogne, between the Chevalier Lenoir, of Paris, and Professor Schwartz, of Berlin

Background imageCartoon Collection: Labor Ipse Voluptas, 1869. Artist: Charles Samuel Keene

Labor Ipse Voluptas, 1869. Artist: Charles Samuel Keene
Labor Ipse Voluptas, 1869. The perils of smoking are highlighted in this cartoon. Tobacco affects how a man looks, and his energy levels. From Punch, or the London Charivari, May 22, 1869

Background imageCartoon Collection: Humour social comment the ale house cartoon by Cruikshank

Humour social comment the ale house cartoon by Cruikshank
This is a cartoon etching by the well-known Victorian social caricaturist / cartoonist George Cruikshank (1792 - 1878), dated 1832

Background imageCartoon Collection: WWII: POSTER, c1943. Free speech doesn t mean careless talk! Lithograph, c1943

WWII: POSTER, c1943. Free speech doesn t mean careless talk! Lithograph, c1943

Background imageCartoon Collection: Palmyra palm trees on the beach of Ceylon

Palmyra palm trees on the beach of Ceylon
Illustration of Palmyra palm trees on the beach of Ceylon

Background imageCartoon Collection: Illustration of a fox dressed in suit and top hat

Illustration of a fox dressed in suit and top hat

Background imageCartoon Collection: SANDOR FERENCZI (1873-1933). Hungarian psychoanalyst

SANDOR FERENCZI (1873-1933). Hungarian psychoanalyst. Caricature by Robert Bereny drawn at the Eighth International Psychoanaltic Congress at Salzburg, Austria, April 1924

Background imageCartoon Collection: REMINGTON: FRONTIERSMEN. I took ye for an Injin. Drawing, 1890, by Frederic Remington

REMINGTON: FRONTIERSMEN. I took ye for an Injin. Drawing, 1890, by Frederic Remington

Background imageCartoon Collection: Foxhounds invading a Victorian house

Foxhounds invading a Victorian house
A member of the local fox hunt has followed the foxhounds into a smart house - thankfully, without his horse - where the behaviour of the hounds is causing considerable uproar

Background imageCartoon Collection: Womens Vote

Womens Vote
1853: A cartoon about the effects of giving women the vote with the ladies candidate being a dashing young man and the mens just the opposite

Background imageCartoon Collection: The Hand-Writing upon the Wall, James Gillray, 1803. Napoleon and Josephine

The Hand-Writing upon the Wall, James Gillray, 1803. Napoleon and Josephine, guarded by French soldiers, enjoy a feast of English riches. Napoleon looks on at writing

Background imageCartoon Collection: Himmel The All-Highest has the truth spoken - the worst is behind us. German

Himmel The All-Highest has the truth spoken - the worst is behind us. German infantry retreating in panic before Allied infantry supported by tanks

Background imageCartoon Collection: As American Goes, So Goes the World. American cartoon by D. R. Fitzpatrick, 1953

As American Goes, So Goes the World. American cartoon by D. R. Fitzpatrick, 1953
CIVIL RIGHTS CARTOON, 1953. As American Goes, So Goes the World. American cartoon by D.R. Fitzpatrick, 1953, on the emphasis in President Eisenhowers inauguration speech on the importance of

Background imageCartoon Collection: OTTO VON BISMARCK (1815-1898). Prince Otto von Bismarck-Schonhausen

OTTO VON BISMARCK (1815-1898). Prince Otto von Bismarck-Schonhausen. American cartoon of 1886 by Joseph Keppler mocking Bismarck as an Angel of Peace in the Balkans following his role as honest

Background imageCartoon Collection: Honi. Soi. Qui. Mal. Y. Pense: The Caricature Shop of G. Humphrey, 27 St. James

Honi. Soi. Qui. Mal. Y. Pense: The Caricature Shop of G. Humphrey, 27 St. Jamess Street, London, August 12, 1821

Background imageCartoon Collection: Street Walkers, 1786. Artist: Benjamin Smith

Street Walkers, 1786. Artist: Benjamin Smith
Street Walkers, 1786. A fashionably dressed man walking from Old Bond Street into Piccadilly encountering a courtesan

Background imageCartoon Collection: A man outside Brookss Club, London, 1815. Artist: George Cruikshank

A man outside Brookss Club, London, 1815. Artist: George Cruikshank
A man outside Brookss Club, London, 1815. Behold at Brookss step-nay! I ll be bound to say a figure such as this you ll see there every day

Background imageCartoon Collection: A whist-er at Boodles - or a choice peice [sic] of double milled Yorkshire broad cloth, 1820

A whist-er at Boodles - or a choice peice [sic] of double milled Yorkshire broad cloth, 1820. A very obese man in profile is about to step into Boodles club, Pall Mall

Background imageCartoon Collection: Miseries of London, 1812

Miseries of London, 1812. A woman walking down Wapping Old Stairs being assailed by a group of watermen plying for trade. Two figures watch from a balcony

Background imageCartoon Collection: The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, 1796

The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, 1796
The Orangerie - or - The Dutch Cupid reposing after the fatigues of Planting, published 1796 (hand-coloured engraving)

Background imageCartoon Collection: The Modern Job! Or John Bull and his Comforts!, 1816

The Modern Job! Or John Bull and his Comforts!, 1816
The Modern Job! Or John Bull and his Comforts!, Pub. 1816 (hand coloured engraving)

Background imageCartoon Collection: Victorian satirical cartoon - The modern damsel

Victorian satirical cartoon - The modern damsel
Vintage engraving of a Victorian satirical cartoon. The modern damsel

Background imageCartoon Collection: Plausible, 1902. Artist: Spy

Plausible, 1902. Artist: Spy
Plausible, 1902. Mr Justice Swinfen Eady, British lawyer and judge. Eady (1851-1919) became a QC in 1893 and a High Court Judge in 1901. He served as Master of the Rolls from 1918-1919

Background imageCartoon Collection: John Stuart Mill, British social reformer and philosopher, 1873. Artist: Spy

John Stuart Mill, British social reformer and philosopher, 1873. Artist: Spy
John Stuart Mill, British social reformer and philosopher, 1873. An advocate of utilitarianism, Mill (1806-1873) was probably the most influential liberal thinker of the 19th century



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Cartoons have long been a powerful medium for social and political commentary, using humor and satire to convey important messages. From the early 19th century to the present day, these illustrations have captured significant moments in history and exposed societal issues. In 1911, an American Socialist poster depicted the capitalist pyramid, highlighting the unequal distribution of wealth in society. This thought-provoking image aimed to raise awareness about economic disparities and advocate for a more equitable system. Another notable cartoon from 1802 by James Gillray satirized Edward Jenner's vaccination efforts against smallpox. Titled "The Cow-Pock, " it cleverly criticized Jenner's controversial method while shedding light on public skepticism towards medical advancements. In 1805, Gillray created another iconic piece titled "The Plumb-pudding in danger, " mocking Napoleon Bonaparte's peace overture with British Prime Minister William Pitt. The cartoon portrayed both leaders carving up the world like a meal, symbolizing their hunger for power during times of conflict. During the mid-19th century, cartoons were also used as a means to address environmental concerns. An 1866 illustration called "Deaths Dispensary" highlighted water pollution as a source of disease, emphasizing the need for clean water sources and proper sanitation practices. Punch magazine contributed its fair share of memorable cartoons too. In 1855, they published an amusing depiction featuring dinosaurs roaming around London's Crystal Palace exhibition—an imaginative blend of science fiction and humor that captivated readers at that time. Moving forward to World War II era propaganda posters; one lithograph from around 1943 featured Potato Pete urging people to join him in attacking enemies—a playful yet persuasive way to encourage support for war efforts through relatable characters. Imperialism was also critiqued through cartoons such as an American illustration from 1882 named "The Devilfish in Egyptian Waters.