Carlevarijs Luca Collection

The Entry of the French Ambassador into Venice in 1706, 1706-1708. Creator: Luca Carlevarijs
The Entry of the French Ambassador into Venice in 1706, 1706-1708. Other Title(s): The ceremonial entry of Henri-Charles Arnauld de Pomponne, known as the Abbe de Pomponne

The Molo, Venice, from the Bacino di San Marco, ca. 1709. Creator: Luca Carlevarijs
The Molo, Venice, from the Bacino di San Marco, ca. 1709

Piazza San Marco, Venice, ca. 1709. Creator: Luca Carlevarijs
Piazza San Marco, Venice, ca. 1709

The highly ornamented second gondola of Ambassador Giovanni Battista Colloreado entering Venice, 1720-30

The highly ornamented first gondola of Ambassador Giovanni Battista Colloreado entering Venice, 1720-30

The Arrival of the Earl of Manchester in Venice, 1707-1710. Creator: Luca Carlevarijs
The Arrival of the Earl of Manchester in Venice, 1707-1710

The Molo, Venice, Looking West, ca. 1709. Creator: Luca Carlevarijs
The Molo, Venice, Looking West, ca. 1709

The Bacino, Venice, with the Dogana and a Distant View of the Isola di San Giorgio, ca. 1709

Plate 91: View of the Mocenigo Palace in Campo San Stae, Venice, 1703, from " The buildings and views of Venice" (Le fabriche e vedute di Venezia), 1703

Plate 38: View of the facade of the church of St. Roch and at left the facade of the School of St. Roch, Venice, 1703, from " The buildings and views of Venice"

Plate 85: View of the Contarini Palace in Campo San Trovaso, Venice, 1703, from " The buildings and views of Venice" (Le fabriche e vedute di Venezia), 1703

Plate 95: View of Campo Santo Stefano with the Loredan Palace and Morosini Palace, Venice, 1703, from " The buildings and views of Venice" (Le fabriche e vedute di Venezia), 1703

Plate 63: View of the gate of the shipyard and armory complex (Arsenale), Venice, 1703, from " The buildings and views of Venice" (Le fabriche e vedute di Venezia), 1703

Plate 61: View of the customs house (Dogana da Mar) at the confluence of the Grand Canal and Giudecca Canal, Venice, 1703

Plate 37: Side view of the school of St. Roch at left and view of facade of the church of St. Roch, Venice, 1703 from the series The buildings and views of Venice (Le fabriche e vedute di Venezia)

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"Capturing the Essence of Venice: The Artistry of Luca Carlevarijs" Step into the enchanting world of 18th-century Venice through the masterful works of Luca Carlevarijs. Known for his exquisite attention to detail and ability to transport viewers to another time, Carlevarijs brings the city's iconic landmarks and bustling scenes to life. One such masterpiece is "The Molo, Venice, from the Bacino di San Marco. " Painted around 1709, this captivating piece showcases the vibrant atmosphere surrounding one of Venice's most famous waterfront promenades. As gondolas glide gracefully across the water, visitors can almost feel themselves immersed in this lively scene. Intricacy reaches new heights with "The highly ornamented second gondola of Ambassador Giovanni Battista Colloreado entering, " as well as its counterpart, "The highly ornamented first gondola. " These paintings highlight not only Carlevarijs' artistic talent but also provide a glimpse into Venetian society's opulence during that era. Carlevarijs' artistry extends beyond capturing everyday moments; he also commemorates significant events. In "The Arrival of the Earl of Manchester in Venice, " we witness a historical moment frozen in time. This painting transports us back to 1707-1710 when important figures graced Venetian shores with their presence. "The Molo, Venice, Looking West" offers yet another breathtaking perspective on this beloved city. With its stunning architecture and picturesque skyline stretching out before us, it becomes evident why Carlevarijs was considered a true master at capturing both grandeur and intimacy within his compositions. No exploration of Carlevarijs' work would be complete without mentioning his skill in portraying specific locations throughout Venice.