Canaletto Collection (page 7)

The Campo di Rialto, 1758-1763, by Canaletto (1697-1768)
Canaletto (1697-1768). Italian painter. The Campo di Rialto, 1758-1763. Gemaldegalerie. Berlin. Germany

Piazetta and Riva degli Schiavoni in Venice by Antonio Canal
Antonio Canaletto (1697-1768). Italian painter. Piazetta and Riva degli Schiavoni in Venice. Alte Pinakothek. Munich. Germany

Canaletto (1697A?i?1768). The StonemasonA?o?s Yard (1726-1
Giovanni Antonio Canal (1697A?i?1768) known as Canaletto. Venetian painter. The StonemasonA?o?s Yard (1726-1730). Known as Campo San Vidal and Santa Maria della Carita. Oil painting

Venetian gondolier, 18th century, Italy, from a painting by Antonio Canaletto.. Handcolored illustration by E. Lechevallier-Chevignard, lithographed by A. Didier, L. Flameng, F

Panaromic View Bacino di San Marco Looking up
Artokoloro

Title plate Vedute altre prese da luoghi ideate
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Man Smoking Pipe recto Standing Man Two Studies
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Magnificent Pavilion Lagoon recto Grand Canal
Artokoloro

Lagoon Capriccio recto Architectural Scene verso
Artokoloro

Pirna Obertor South 1760s Oil canvas 18 1 / 4 x 30 3 / 4
Artokoloro

Venice Santa Maria della Salute Oil canvas 18 3 / 4 x 31 1 / 4
Artokoloro

Interior Basilica San Marco Showing Crossing
Artokoloro

Piazza San Marco late 1720s Oil canvas 27 x 44 1 / 4
Artokoloro

Capriccio Roman Triumphal Arch 1720-1730 Pen
Artokoloro

Piazza San Marco Southwest Corner Procuratie Nuove
Artokoloro

Warwick Castle East Front 1752 Pen brown ink
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Capriccio St Paul Old London Bridge Oil canvas
Artokoloro

The Square of Saint Marks, Venice
Antique illustration of The Square of Saint Mark s, Venice

Canaletto, Italian (1697-1768), A Venetian Courtyard, in the Procuratie Nuove, c. 1760, pen and brown ink with gray wash on laid paper

Antonio Visentini (author), Italian (1688-1782), Urbis Venetiarum Prospectus Celebriores, Ex Antonii Canal Tabulis XXXVIII. Aere Expressi ab Antonio Visentini in Partes Tres Distributi

Joseph Wagner after Canaletto (German, 1706 - 1780), Veduta del Prospetto della Chiesa del S. Francesco, 1742, engraving and etching on laid paper

Fabio Berardi after Canaletto (German, 1706 - 1780), Veduta del Prospetto della Chiesa del SS. Redentore, 1742, engraving and etching on laid paper

Canaletto (Italian, 1697 - 1768), Le Preson. V. [lower left], c. 1735-1746, etching on laid paper

Canaletto (Italian, 1697 - 1768), La libreria. V. [upper left], in or before 1742, etching on laid paper

Canaletto (Italian, 1697 - 1768), S. Giustina in pra della Vale, c. 1735-1746, etching

Canaletto (Italian, 1697 - 1768), Title Plate, c. 1735-1746, etching

Canaletto (Italian, 1697 - 1768), Le Preson. V. c. 1735-1746, etching

Canaletto (Italian, 1697 - 1768), The Market on the Molo, c. 1735-1746, etching

Canaletto (Italian, 1697 - 1768), The Terrace, c. 1735-1746, etching

Canaletto, English Landscape Capriccio with a Palace, Italian, 1697 - 1768, c. 1754, oil on canvas

The Grand Canal in Venice with San Simeone Piccolo and the Scalzi church, c. 1738
XOS1765753 The Grand Canal in Venice with San Simeone Piccolo and the Scalzi church, c. 1738 (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 124.5x204.6 cm; National Gallery

Canaletto (aka Antonio Canale) (Italian, 1697 - 1768). Portico with a Lantern (Le Portique a La Lanterne), 18th century. Third state

Warwick Castle: The East Front from the Courtyard; Canaletto (Giovanni Antonio Canal), Italian, 1697 - 1768; about 1748; Pen and brown ink, gray wash

View of the Arch of Constantine with the Colosseum; Canaletto (Giovanni Antonio Canal), Italian, 1697 - 1768; 1742 - 1745; Oil on canvas; Unframed: 83.2 x 122.9 cm (32 3/4 x 48 3/8 in.)

The Campo S. Basso: The North Side with the Church (recto), A Market Scene (verso); Canaletto (Giovanni Antonio Canal), Italian, 1697 - 1768; 1740s; Pen and brown ink

Old Walton Bridge, Canaletto, 1697-1768, Italian

Warwick Castle, Canaletto, 1697-1768, Italian

London, Westminster Bridge, with the Lord Mayors Procession on the Thames Westminster Bridge from the North with the Lord Mayors Procession, 29 October 1746, Canaletto, 1697-1768, Italian

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"Canaletto: Capturing the Essence of Venice's Grandeur" Step into the mesmerizing world of Canaletto, a renowned Italian artist whose masterpieces beautifully depict the enchanting city of Venice. With his keen eye for detail and impeccable skill, Canaletto transports us to a bygone era filled with elegance and grandeur. In "The Grand Canal, Venice, Looking Southeast, with the Campo della Carita to the Right, " painted in the 1730s, we are immersed in the bustling atmosphere of one of Venice's most iconic waterways. The vibrant colors and intricate architecture bring this scene to life as gondolas gracefully glide through its waters. Canaletto's talent extends beyond his beloved hometown; he also captured London's charm in works like "CANALETTO: THAMES. " This painting showcases his versatility as he portrays a different landscape while maintaining his signature attention to architectural details. One cannot mention Canaletto without mentioning his masterpiece "Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting" from 1833. Here we witness Venetians adorned in bauta masks enjoying a leisurely ride on a gondola. Their mysterious allure adds an air of intrigue to this already captivating scene. Another gem among Canaletto's collection is "VENICE: GRAND CANAL, " which presents Riva degli Schiavoni looking eastward. The play between light and shadow creates depth within each brushstroke, transporting viewers back in time to experience Venetian life firsthand. "The Square of Saint Mark s" captures another iconic location in Venice during 1742-1744. Canaletto expertly depicts every architectural detail surrounding this famous square while infusing it with an undeniable sense of vibrancy that only he could achieve. Moving along the canals once more brings us to "Grand Canal Looking South-East from the Campo Santa Sophia.