Campell Dodgson Collection

Campbell Dodgson, Keeper of Prints and Drawings, British Museum, 1912-32, 1932. Artist: Randolph Schwabe
Campbell Dodgson, Keeper of Prints and Drawings, British Museum, 1912-32, 1932

Victor Hugo, c1860-1910 (1924). Artist: Auguste Rodin
Victor Hugo, c1860-1910 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Nude, c1860-1910 (1924). Artist: Pierre-Auguste Renoir
Nude, c1860-1910 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

L Amour Conduisant le Monde, c1860-1910 (1924). Artist: Auguste Rodin
L Amour Conduisant le Monde, c1860-1910 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Sur la Scene, c1850-1910 (1924). Artist: Edgar Degas
Sur la Scene, c1850-1910 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Sciapode, c1860-1910 (1924). Artist: Odilon Redon
Sciapode, c1860-1910 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

La Fille-mere, c1870-1930 (1924). Artist: Jean Louis Forain
La Fille-mere, c1870-1930 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Marche aux Pommes, c1870-1910 (1924). Artist: Auguste Lepere
Marche aux Pommes, c1870-1910 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Rough sketch, c1870-1905 (1924). Artist: Eugene Carriere
Rough sketch, c1870-1905 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

La Liseuse, c1870-1930 (1924). Artist: Paul Albert Besnard
La Liseuse, c1870-1930 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Dans les Cendres, c1870-1930 (1924). Artist: Paul Albert Besnard
Dans les Cendres, c1870-1930 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Ancien Moulin, c1840-1880 (1924). Artist: Henri Deville
Ancien Moulin, c1840-1880 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Drury Lane, c1860-1920 (1924). Artist: Paul Charles Renouard
Drury Lane, c1860-1920 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

2nd August, c1840-1900 (1924). Artist: Theophile Steinlen
2nd August, c1840-1900 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

Chanteurs de Rue, c1800-1840 (1924). Artist: Theophile Steinlen
Chanteurs de Rue, c1800-1840 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

L Imploration a la Grotte, c1870-1930 (1924). Artist: Jean Louis Forain
L Imploration a la Grotte, c1870-1930 (1924). A print from A History of French Etching from the 16th Century to the Present Day, by F L Leipnik, John Lane the Bodley Head Limited, London, 1924

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Campbell Dodgson, the esteemed Keeper of Prints and Drawings at the British Museum from 1912 to 1932, was a true connoisseur of art. With an eye for beauty and a passion for preserving artistic masterpieces, Dodgson dedicated his life to curating an exceptional collection. One of his notable acquisitions was Victor Hugo's stunning portrait by Auguste Rodin. This captivating piece captured the essence of Hugo's brilliance as both a writer and thinker. Dodgson recognized its significance in showcasing the profound connection between literature and visual arts. Dodgson also acquired Pierre-Auguste Renoir's mesmerizing nude painting from the late 19th century. The delicate brushstrokes and graceful depiction of the human form revealed Renoir's mastery in capturing sensuality with elegance. Another remarkable addition to Dodgson's collection was Auguste Rodin's "L'Amour Conduisant le Monde, " which depicted love guiding humanity through its trials and tribulations. This sculpture exemplified Rodin's ability to infuse emotion into his works, leaving viewers captivated by its symbolic power. Edgar Degas' "Sur la Scene" showcased Dodgson’s appreciation for ballet dancers as subjects of art. The painting portrayed their gracefulness on stage while revealing Degas' keen observation skills in capturing movement with precision. Odilon Redon’s enigmatic work titled "Sciapode" added an element of mystery to Dodgson’s collection. Its dreamlike quality invited viewers into a realm where imagination reigned supreme, reflecting Redon’s fascination with symbolism. Jean Louis Forain’s poignant piece called "La Fille-mere" shed light on societal issues during that era, emphasizing compassion towards young mothers facing adversity. It highlighted Forain’s talent for social commentary through artistry.