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Camden Town Group Collection

The Camden Town Group, a collective of artists active in the early 20th century, captured the essence of ennui and introspection in their works

Background imageCamden Town Group Collection: Ennui, c1914 (1935). Artist: Walter Richard Sickert

Ennui, c1914 (1935). Artist: Walter Richard Sickert
Ennui, c1914 (1935). After the painting by Walter Richard Sickert. From Modern Masterpieces Part 2. [George Newnes Ltd, London, 1935.]

Background imageCamden Town Group Collection: Mrs Mounter at the Breakfast Table, 1916-17. Artist: Harold Gilman

Mrs Mounter at the Breakfast Table, 1916-17. Artist: Harold Gilman
Mrs Mounter at the Breakfast Table, 1916?7. Painting held in the Tate, London. From The Studio Volume 99. [London Offices of the Studio, London, 1930]

Background imageCamden Town Group Collection: Salisbury Cathedral (oil)

Salisbury Cathedral (oil)
PCD282337 Salisbury Cathedral (oil) by Ginner, Charles (1878-1952); Private Collection; Piccadilly Gallery, London, UK

Background imageCamden Town Group Collection: Norwich, LMS & L. N. E. R, c. 1940 (lithograph in colours)

Norwich, LMS & L. N. E. R, c. 1940 (lithograph in colours)
1766923 Norwich, LMS & L.N.E.R, c.1940 (lithograph in colours) by Ginner, Charles (1878-1952); 100x62 cm; Private Collection; (add.info.: Norwich, LMS & L.N.E.R. Charles Ginner (1878-1952)

Background imageCamden Town Group Collection: Ennui, 1917-18 (oil on canvas) (see also 142951 and 617723)

Ennui, 1917-18 (oil on canvas) (see also 142951 and 617723)
AMO138791 Ennui, 1917-18 (oil on canvas) (see also 142951 and 617723) by Sickert, Walter Richard (1860-1942); Ashmolean Museum, University of Oxford

Background imageCamden Town Group Collection: View of London (oil on board)

View of London (oil on board)
OJ451958 View of London (oil on board) by Ginner, Charles (1878-1952); Private Collection; © Ackermann Johnson.

Background imageCamden Town Group Collection: The Acting Manager, 1884. Creator: Walter Richard Sickert

The Acting Manager, 1884. Creator: Walter Richard Sickert
The Acting Manager, 1884

Background imageCamden Town Group Collection: Cheyne Walk, n.d. Creator: Walter Richard Sickert

Cheyne Walk, n.d. Creator: Walter Richard Sickert
Cheyne Walk, n.d

Background imageCamden Town Group Collection: Cat's Cradle, 1892. Creator: Walter Richard Sickert

Cat's Cradle, 1892. Creator: Walter Richard Sickert
Cat's Cradle, 1892

Background imageCamden Town Group Collection: The Old Bedford (recto); The Gallery of the Old Bedford (verso), c. 1894

The Old Bedford (recto); The Gallery of the Old Bedford (verso), c. 1894. Creator: Walter Richard Sickert
The Old Bedford (recto); The Gallery of the Old Bedford (verso), c. 1894

Background imageCamden Town Group Collection: Palazzo Eleonara Duse (oil on canvas)

Palazzo Eleonara Duse (oil on canvas)
NGW239406 Palazzo Eleonara Duse (oil on canvas) by Sickert, Walter Richard (1860-1942); 55.2x46 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageCamden Town Group Collection: The Kitchen (oil on canvas)

The Kitchen (oil on canvas)
NGW239405 The Kitchen (oil on canvas) by Gilman, Harold (1876-1919); National Museum Wales; National Museums & Galleries of Wales

Background imageCamden Town Group Collection: Maples at Cuckfield, Sussex, 1914 (oil on canvas)

Maples at Cuckfield, Sussex, 1914 (oil on canvas)
NGW185014 Maples at Cuckfield, Sussex, 1914 (oil on canvas) by Bevan, Robert Polhill (1865-1925); 51.5x61.2 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageCamden Town Group Collection: Woman on a Bed, c. 1912-3 (oil on canvas)

Woman on a Bed, c. 1912-3 (oil on canvas)
658002 Woman on a Bed, c.1912-3 (oil on canvas) by Gilman, Harold (1876-1919); 35.5x30.5 cm; Private Collection; (add.info.: Woman on a Bed. Harold Gilman (1876-1919). Oil on canvas

Background imageCamden Town Group Collection: L Armoire A Glace, 1922, (1926). Artist: Walter Richard Sickert

L Armoire A Glace, 1922, (1926). Artist: Walter Richard Sickert
L Armoire A Glace, 1922, (1926). The work is held by the Tate Modern, London. From The Studio Volume 91. [London Offices of the Studio, London, 1926]

Background imageCamden Town Group Collection: Interior with Artist's Mother 1917-18 (oil on canvas)

Interior with Artist's Mother 1917-18 (oil on canvas)
MAN277436 Interior with Artist's Mother 1917-18 (oil on canvas) by Gilman, Harold (1876-1919); 51.2x61.4 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Background imageCamden Town Group Collection: A lady (oil on canvas)

A lady (oil on canvas)
MAN368364 A lady (oil on canvas) by Gilman, Harold (1876-1919); 61.5x51.5 cm; Manchester Art Gallery, UK; (add.info.: Painted before 1929, when it was acquired by the Manchester Art Gallery)

Background imageCamden Town Group Collection: Hubby and Marie, c. 1912 (oil on canvas)

Hubby and Marie, c. 1912 (oil on canvas)
6366734 Hubby and Marie, c.1912 (oil on canvas) by Sickert, Walter Richard (1860-1942); 51 x 40.7 cm; Manchester Art Gallery, UK; (add.info.: An impressionistic oil sketch of two figures)

Background imageCamden Town Group Collection: Penally Cottage, Boscastle, 1916 (oil on canvas)

Penally Cottage, Boscastle, 1916 (oil on canvas)
CH401758 Penally Cottage, Boscastle, 1916 (oil on canvas) by Ginner, Charles (1878-1952); 68.5x51 cm; Private Collection; Photo © Christie's Images

Background imageCamden Town Group Collection: Snow in Bloomsbury, 1929 (oil on canvas)

Snow in Bloomsbury, 1929 (oil on canvas)
CH401755 Snow in Bloomsbury, 1929 (oil on canvas) by Ginner, Charles (1878-1952); 76.2x55.9 cm; Private Collection; Photo © Christie's Images

Background imageCamden Town Group Collection: The Valency Valley, Boscastle, Cornwall, 1919 (pen and ink and w/c)

The Valency Valley, Boscastle, Cornwall, 1919 (pen and ink and w/c)
5895229 The Valency Valley, Boscastle, Cornwall, 1919 (pen and ink and w/c) by Ginner, Charles (1878-1952); 24x33 cm; Private Collection; (add.info.: Ginner, Charles (1878-1952))

Background imageCamden Town Group Collection: The Corner of the Kitchen, (pen, black ink and watercolour)

The Corner of the Kitchen, (pen, black ink and watercolour)
657258 The Corner of the Kitchen, (pen, black ink and watercolour) by Ginner, Charles (1878-1952); 35x23 cm; Private Collection; (add.info.: The Corner of the Kitchen. Charles Ginner (1878-1952)

Background imageCamden Town Group Collection: Church Farm, Shipley (oil on canvas)

Church Farm, Shipley (oil on canvas)
BAG46216 Church Farm, Shipley (oil on canvas) by Ginner, Charles (1878-1952); 50.8x61 cm; Bristol Museum and Art Gallery, UK; (add.info.: by Charles Ginner); © Bristol Museums

Background imageCamden Town Group Collection: Godshill, New Forest, 1934 (oil on canvas)

Godshill, New Forest, 1934 (oil on canvas)
657621 Godshill, New Forest, 1934 (oil on canvas) by Ginner, Charles (1878-1952); Private Collection; (add.info.: Godshill, New Forest. Charles Ginner (1878-1952). Oil on canvas. Painted in 1934

Background imageCamden Town Group Collection: London Terrace (w/c, pen & ink on paper)

London Terrace (w/c, pen & ink on paper)
RWS137235 London Terrace (w/c, pen & ink on paper) by Ginner, Charles (1878-1952); Trustees of the Royal Watercolour Society, London, UK; © Royal Watercolour Society

Background imageCamden Town Group Collection: Old Houses, Bath, 1927 (oil on canvas)

Old Houses, Bath, 1927 (oil on canvas)
1197169 Old Houses, Bath, 1927 (oil on canvas) by Ginner, Charles (1878-1952); 50.8x61 cm; Private Collection; Photo © Christie's Images

Background imageCamden Town Group Collection: The Dome, Brompton Oratory, 1936 (w/c, pen & black ink on paper)

The Dome, Brompton Oratory, 1936 (w/c, pen & black ink on paper)
CH401757 The Dome, Brompton Oratory, 1936 (w/c, pen & black ink on paper) by Ginner, Charles (1878-1952); 38.1x30.5 cm; Private Collection; (add.info)

Background imageCamden Town Group Collection: Plymouth Pier from the Hoe, 1923 (oil on canvas)

Plymouth Pier from the Hoe, 1923 (oil on canvas)
826678 Plymouth Pier from the Hoe, 1923 (oil on canvas) by Ginner, Charles (1878-1952); 30x24in cm; Private Collection; (add.info.: Plymouth Pier from the Hoe. Charles Ginner (1878-1952)

Background imageCamden Town Group Collection: Dahlias and Cornflowers, 1929 (oil on canvas)

Dahlias and Cornflowers, 1929 (oil on canvas)
FIT58209 Dahlias and Cornflowers, 1929 (oil on canvas) by Ginner, Charles (1878-1952); 50.8x61.7 cm; Fitzwilliam Museum, University of Cambridge

Background imageCamden Town Group Collection: The Punt in the Mill Stream, c. 1930

The Punt in the Mill Stream, c. 1930
FIT63120 The Punt in the Mill Stream, c.1930 by Ginner, Charles (1878-1952); 60.9x45.7 cm; Fitzwilliam Museum, University of Cambridge, UK; (add.info.: by Charles Ginner); © Fitzwilliam Museum

Background imageCamden Town Group Collection: Village Rooftops (oil)

Village Rooftops (oil)
PCD282363 Village Rooftops (oil) by Ginner, Charles (1878-1952); Private Collection; (add.info.: possibly Oxted, Surrey?;); Piccadilly Gallery, London, UK

Background imageCamden Town Group Collection: Landscape (oil on canvas)

Landscape (oil on canvas)
SOU84432 Landscape (oil on canvas) by Ginner, Charles (1878-1952); 50.9x61.3 cm; Southampton City Art Gallery, Hampshire, UK; (add.info.: by Charles Ginner); Southampton City Art Gallery

Background imageCamden Town Group Collection: A London Back Garden (pen, ink and w/c on paper)

A London Back Garden (pen, ink and w/c on paper)
CEC128136 A London Back Garden (pen, ink and w/c on paper) by Ginner, Charles (1878-1952); 39.9x25.1 cm; The Higgins Art Gallery & Museum, Bedford, UK; © The Higgins Art Gallery & Museum

Background imageCamden Town Group Collection: The Avon, Bath, 1926 (oil on canvas)

The Avon, Bath, 1926 (oil on canvas)
657181 The Avon, Bath, 1926 (oil on canvas) by Ginner, Charles (1878-1952); 27x20in cm; Private Collection; (add.info.: The Avon, Bath. Charles Ginner (1878-1952). Oil on canvas. Painted in 1926

Background imageCamden Town Group Collection: Boscastle Harbour, 1915 (oil on canvas)

Boscastle Harbour, 1915 (oil on canvas)
657764 Boscastle Harbour, 1915 (oil on canvas) by Ginner, Charles (1878-1952); Private Collection; (add.info.: Boscastle Harbour. Charles Ginner (1878-1952). Oil on canvas. Painted in 1915

Background imageCamden Town Group Collection: In the Valency Valley, 1920 (oil on canvas)

In the Valency Valley, 1920 (oil on canvas)
PCD282339 In the Valency Valley, 1920 (oil on canvas) by Ginner, Charles (1878-1952); 50.5x61 cm; Private Collection; (add.info.: near Boscastle, Cornwall;); Piccadilly Gallery, London, UK

Background imageCamden Town Group Collection: The Landing Stage, Stratford-Upon-Avon, 1928 (oil on canvas)

The Landing Stage, Stratford-Upon-Avon, 1928 (oil on canvas)
826729 The Landing Stage, Stratford-Upon-Avon, 1928 (oil on canvas) by Ginner, Charles (1878-1952); 51x61 cm; Private Collection; (add.info.: The Landing Stage, Stratford-Upon-Avon)

Background imageCamden Town Group Collection: A Corner in Chelsea, 1910 (oil on canvas)

A Corner in Chelsea, 1910 (oil on canvas)
1197128 A Corner in Chelsea, 1910 (oil on canvas) by Ginner, Charles (1878-1952); 94x133 cm; Private Collection; Photo © Christie's Images

Background imageCamden Town Group Collection: Penally Hill, Cornwall, 1916 (oil on canvas)

Penally Hill, Cornwall, 1916 (oil on canvas)
PCD282360 Penally Hill, Cornwall, 1916 (oil on canvas) by Ginner, Charles (1878-1952); 61x51 cm; Private Collection; Piccadilly Gallery, London, UK

Background imageCamden Town Group Collection: The Barges, Leeds, 1916 (oil on canvas)

The Barges, Leeds, 1916 (oil on canvas)
SOU84431 The Barges, Leeds, 1916 (oil on canvas) by Ginner, Charles (1878-1952); 51x68.5 cm; Southampton City Art Gallery, Hampshire, UK; (add.info.: by Charles Ginner); Southampton City Art Gallery

Background imageCamden Town Group Collection: Flask Walk under Snow, 1937 (oil on canvas)

Flask Walk under Snow, 1937 (oil on canvas)
CH401756 Flask Walk under Snow, 1937 (oil on canvas) by Ginner, Charles (1878-1952); 50.8x40.6 cm; Private Collection; Photo © Christie's Images

Background imageCamden Town Group Collection: Seascape (oil on canvas)

Seascape (oil on canvas)
SAG186625 Seascape (oil on canvas) by Sickert, Walter Richard (1860-1942); Sheffield Galleries and Museums Trust, UK; Sheffield Museums Trust

Background imageCamden Town Group Collection: Woman Sewing, c. 1908 (oil on canvas)

Woman Sewing, c. 1908 (oil on canvas)
1197232 Woman Sewing, c. 1908 (oil on canvas) by Gilman, Harold (1876-1919); 40.7x30.6 cm; Private Collection; Photo eChristies Images; English, out of copyright



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The Camden Town Group, a collective of artists active in the early 20th century, captured the essence of ennui and introspection in their works. Walter Richard Sickert's "Ennui, c1914" portrays a sense of restlessness and dissatisfaction with life. The muted colors and somber atmosphere evoke a feeling of melancholy. In Harold Gilman's "Mrs Mounter at the Breakfast Table, " painted between 1916-17, we see a woman lost in her own thoughts as she sits alone at her table. The artist skillfully captures her weariness and contemplation through his use of light and shadow. Another depiction of ennui can be found in Sickert's "Ennui, 1917-18. " This oil on canvas piece delves into the depths of boredom and listlessness that many experienced during this time period. It serves as a poignant reminder of the emotional toll brought about by war. Gilman's "Interior with Artist's Mother" from 1917-18 is an intimate portrayal that reveals both vulnerability and resignation. The artist presents us with an honest representation of domesticity tinged with sadness. The group also explored various other themes beyond ennui. In "A lady, " we are presented with an enigmatic figure whose expression hints at hidden emotions waiting to be discovered. Hubby and Marie, depicted in Sickert's work from around 1912, offers a glimpse into the complexities within relationships. The couple appears distant yet connected, reflecting upon their shared experiences. Spencer Frederick Gore’s painting from around 1911-12 showcases his mastery over color and composition while capturing scenes from everyday life. Penally Cottage in Boscastle transports us to a serene countryside setting through its delicate brushstrokes that depict nature’s beauty harmoniously blending with human habitation. Snow in Bloomsbury by an unknown artist takes us on a winter journey through London streets covered in a blanket of white.